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Lot 284

A modern kidney shaped wooden Dressing Table, with glass top, and lace drapes, approx. 63" (160cms); together with a gilt triptych Dressing Table Mirror. (2)

Lot 292

An attractive 19th Century ebonised and gilt decorated two tier Centre Table, with graduating platforms, on cabriole legs with ormolu carrying handles. (1)

Lot 297

A brass inlaid ebonised slope front Stationary Box, with inlaid brass coronet and monogram, 12" (30cms) wide; a brass mounted Blotter Pad, another brass mounted Blotter Book, and one other decorated glass Table Lamp. (4)

Lot 302

A William IV period mahoganyÿDressing Table, with three-quarter gallery above two frieze drawers on ring turned legs, 43" (110cms) and another similar ditto with kneehole front on similar legs, and a small Book Trough. (3)

Lot 311

An Irish mahogany drop leaf Table, 18th Century, with rectangular flaps on four tapering turned legs and pad feet, 41" x 38" (104cms x 96cms) extended. (1) Provenance : The FitzGerald Family , Carton House, Kildare, by direct family descent.

Lot 312

A fine Irish George III period serpentine shaped inlaid mahogany fold-over Card Table, in the manner of William Moore, Dublin, the top inlaid with a large oval patrae inside an oval band and satinwood band to the outer border, on reeded and chamfered legs, 28 1/2"h x 35"w (73cms x 89cms). (1) Provenance : The FitzGerald Family , Carton House, Kildare, by direct family descent.

Lot 327

A late 18th / early 19th Century oak Table,ÿÿwith carved edges and reliefs, on turned legs, united by a stretcher, 177cms x 81.5cms x 83cms (69 1/2" x 32" x 32 1/2") (1) * Ex. Collections John Buchan, Lady Fairfax - Lucy & LordÿWindelsham.

Lot 328

A mid-18th Century Irish red walnut Side Table, c. 1760, the moulded rectangular top with rounded front corners, above a long frieze drawer, raised on four moulded cabriole legs, terminating in webbed carved leaf pad feet, approx. 29" high x 42" wide x 23 1/2" deep (75cms x 107cms x 60cms). (1)

Lot 331

Attributed Augustus Welby Pugin (1812 - 1852)ÿ An important Gothic Revival giltwood Side Table or Altar, the heavy sienna marble top with moulded edge over an ornate frieze, with open front and side under arches in the typical Gothic taste, supported by alabaster columns, the back interior with five panels of floral and linear gold design, on a shaped plinth base, approx. 156cms wide x 84cms deep x 97cms high (61" x 33" x 38"). (1)

Lot 340

An 18th Century Jacobean style oak Side Table, the plain top over two frieze drawers decorated with geometric panels with brass drop handles on turned front feet, approx. 137cms w x 53cms d x 81cms h (54" x 21" x 32"). (1)

Lot 349

A small square ebonised two tier Aesthetic movement Occasional Table, on four turned legs, united by stretcher shelf, 23" (58cms); together with another similar later ditto. (2)

Lot 357

A good Japanese two tier square Jardinière Table, in black lacquer and parcel gilt decorated with female on a balcony and bird on a tree branch, 35 1/2" x 16" (90cms x 41cms). (1)

Lot 362

A rare and unusual 18th Century mahogany Architects Table,ÿprobably Irish, of small proportions, the rectangular moulded top with re-entrant corners rising on a hinge, and a book or chart stand, above a pull-out front with heavy brass handles, and baize lined surface raised on four square chamfered legs, 28 1/2"h x 23" w x 15" d (73cms h x 56cms w x 38cms d). (1)

Lot 364

A fine Regency period Irish mahogany Sofa Table, by Gillingtons, Dublin, No. 3630 stamped, the rectangular top with D shaped flaps, flanking two flaps and two frieze drawers raised on two double spiral reeded columns and four splayed legs with brass paw castors, 38"h x 38" d x 63" extended (71cms x 71cms x 160cms). (1) Provenance : The FitzGerald Family , Carton House, Kildare, by direct family descent.

Lot 385

A fine quality Irish Georgian period Silver Table, the dish shaped top over a frieze with central carved shell decoration, on four acanthus leaf carved legs terminating in pad feet. (1)

Lot 386

A very fine fine George IV period mahoganyÿServing Table,ÿof inverted breakfront, the panelled back above two double dish slots, a plain frieze raised on six very unusual tapering turned legs, terminating in ebonised lion paw feet, 10' (305cms) long x 4' (122cms) high x 32" (82cms) deep. (1)

Lot 393

A William IV period rectangular mahoganyÿOccasional Table, in the manner of Gillows, with moulded top, raised on standard supports and four scroll legs, 32 1/2" ( 83cms) wide. (1)

Lot 394

A good Irish 18th Century mahogany Silver Table / Tea Table,ÿwith dish top and plain frieze raised on four shell capped cabriole legs terminating in pointed pad feet, 68cms h x 77cms w x 50cms d. (1) * See Irish Furniture, The Knight of Glin and James Peill, page 238, Plate 142, for similar example.

Lot 397

A fine large well-coloured Irish mahoganyÿHunt Table, 18th Century and later, 8'10" (270cms) with demi-lune flaps on eight square legs. (1)

Lot 399

A fine Georgian period mahogany Serving Table, in the Hepplewhite style, the rectangular moulded top over a fluted frieze with central leaf carved oval patrae, flanked with two similar roundels to either side, raised on four square tapering legs, on two stage block feet, approx. 58" (148cms) wide x 34" (86cms) high x 29 1/2" (75cms) deep. (1)

Lot 402

A Victorian circular walnut Breakfast Table,ÿon a turned stem on a tripod with scroll legs, 52" (132cms) diameter. (1)

Lot 417

A magnificent Georgian period mahogany Dining Table, on two quadruple centre pods, and two outer tripod bases, each of outsplayed and reeded form terminating in brass castors, together with one large and two smaller spare leave insets, with original hinged clasps, approx. 145cms x 444.5cms (57" x 175"), in original condition. (1)

Lot 425

A very good and attractive mid-18th Century Irish Side Table, the finely figured rectangular top with front rounded corners, over a plain frieze, above a carved apron with large centre carved shell, issuing gadroon S scrolls, C scrolls and carved rosettes, with conforming side aprons, raised on four legs with carved hips, and terminating with hairy paw feet, 151cms long x 69cms deep x 78cms high (59 1/2" x 27" x 30 3/4"). (1)

Lot 426

A 19th Century mahogany Side Table, with rectangular top and frieze drawer with brass drop handles on square legs, 32" (82cms) wide. (1)

Lot 431

An attractive 18th Century carved walnut gate leg Table,ÿthe top carved with trellis design and circular rosettes, the demi-flaps on turned pull out columns on reeded scroll feet, approx. 44" (112cms) diameter. (1)

Lot 440

"The Legend of Grainne Uaile"ÿ 18th Century Irish School An Allegorical Relief,ÿdepicting the taking of Lord Howth's grandson, heir of the Castle, as an Infant by Grace O'Malley (Grainne Uaile) at Howth Castle, the child wrapped in a blanket being handed over to fellow pirates, with mast ships waiting in the bay, showing the Castle and Ireland's Eye in the distance, in a blackened carved oak frame showing armorial crests and motto, flanked either side by sealion and mermaid, and coronet above a shield with cross swords and rogue approx. 34" high x 62" wide (87cms x 158cms) overall. (1) Note:ÿ This bas-relief sculpture provides a record of one of the best-known legends associated with the St. Lawrence family of Howth. Set in an elaborately carved wooden frame, with swags, the St. Lawrence family coat of arms of four roses, and their motto ?Que Panse? [What think you?]. On the sides of the frame are allegorical figures that also appear on the family coat of arms, a mermaid with a mirror, and an allegorical figure of a sea lion. The date of 1740 is tentative, and the sculpture and frame may date to the seventeenth century. According to the legend, one almost certainly based, at least in part, on real events, in 1575 Grace O?Malley?Graina Uaile, or Gr inne N¡ Mh ille?was returning to Ireland from London, where she had been involved with negotiations with Queen Elizabeth. Landing at Howth, she called at the St. Lawrence household, but found the gates closed and was told it was dinner hour. Insulted at this lack of hospitality, O?Malley returned to her ship, but en route encountered a child, one of the St. Lawrence family. Kidnapping the child, she proceeded on to her home in Co. Mayo, in the West of Ireland. Protracted negotiations ensued between the two families, until agreement was reached and the child was returned to Howth. However, one of the conditions of return was that the gates of Howth should never again be shut at dinner-time and a place should always be laid at the table for any unexpected guest that might arrive. The relief sculpture depicts the main events of the legend, with figures on the shore at Howth raising their arms in alarm at the kidnapping, the child being borne to the seashore, where a rowing boat approaches, and O?Malley standing proudly on a rock, directing operations. In the background is visible the town of Howth, and the island of Ireland?s Eye. Dr.ÿPeterÿMurrayÿ2021 Important Note: In view of the cultural and historic importance of this lot , the vendors have granted an option to the Irish State to acquire same at a price equal to the hammer price realised at the auction date, should a private or trade buyer successfully bid for same.ÿThis option shall be valid for a period ofÿthree monthsÿfrom the auction date, and the Irish Stateÿ( as represented by theÿDepartment of Culture, Heritage and the Gaeltacht,ÿin conjunction with the National Museum, National Gallery and National Library of Ireland and Office of Public Works) shall have the option to acquire and purchase this lot within this time frame, at the final hammer price achieved at the auction date, plus buyer's premiums.ÿ This lot shall be retained within this jurisdiction, and collection and shipment of same shall only be permitted on the expiryand non-exercise of this option by the Irish State bodies.ÿA binding purchase contract shall still exist in relation to any private or trade buyer who successfully bids for this lot on the sale date and the full purchase price plus buyer's premiums due, shall become payable immediately following the expiry of the above option period.

Lot 441

A pair of attractive rosewood Table Book Troughs, in the style of Mac Williams & Gibton, (ORM )with turned carrying handles and gallery sides, on shaped platform and bun feet, each approx. 36cms x 21cms (14 1/2" x 8 1/2"). (2)

Lot 443

A fine Irish George IV period brass inlaid and rosewood banded mahogany fold-over Tea Table, by Gillingtons, Dublin No. 5445 stamped, with panelled frieze on four spiral reeded legs, 29 1/2" h x 35" w (75cms x 89cms). (1)

Lot 447

A William IV period inlaid walnut Sutherland Table, the rectangular top with two drop flaps, on a pull-out leg support and double turned centre support, united by a  conforming stretcher on four splayed legs. (1)

Lot 456

Circle ofÿ Sir Godfrey Kneller (1646 - 1723) "Portrait of King William III," O.O.C., half length study of the King in state robes and garter, with crown on table to right, hand on hip, with sword at waist, approx. 76cms x 101cms (30" x 40") in fine ornate contemporary gilt frame. (1) Provenance: The Conyghem Family, Forenaughts, Co. Kildare, to the present vendor.

Lot 467

A very attractive Irish William IV rosewood fold-over Card Table, the turned and carved pedestal terminating on a quatra form base with melon shaped feet, with brass castors, approx. 91cms (36")w x 74cms (29")h. (1)

Lot 476

A Regency period rosewood inlaid and crossbanded Breakfast Table, with circular flip top raised on a two stage hexagonal stem and tri-form base with leaf cast brass castors, 51"d (130cms). (1)

Lot 480

An 18th Century Spanish kingwood and marquetry Ladies Writing Table, the rectangular top with projecting corners around a tooled leather inset above a frieze drawer with trellis and floral inlay on square tapering fluted legs, 33" (84cms). (1)

Lot 494

A rectangular mahogany and kingwood banded Curio Display Table, with glazed and hinged top on square tapering supports and conforming stretchers, 27" h x 21" w (69cms x 53cms). (1)

Lot 498

A fine quality George III period mahogany drop leaf Table, the figured top with crossbanding and moulded rim, over a single drawer and faux opposing drawer, on square tapering legs, and wooden castors, approx. 71cms long x 91cms opened x 73cms high (28" x 36" x 29"). (1)

Lot 499

A late 18th Century / early 19th Century Dutch marquetry Side Table, profusely inlaid with vases of flowers, insects and scrolling foliage, the rectangular top with full gallery, with concave corners, above a long frieze drawer and raised on cabriole legs on pad feet, 32" (82cms) wide x 28" (71cms) high x 19" (48cms) deep. (1)

Lot 500

"The Zodiac Table" An important and unique Regency circular Centre Table, by Philipp Veit (German 1793 - 1877), the circular stone top from Solnhofen (Germany) with intricately designed carving depicting the signs of the Zodiac and other battle scenes with multiple figures, animals etc., with shaped moulded rim on a contemporary base supported by painted monopodia legs with birds, heads and paw feet, on a triform base with bun feet, approx. 120cms (48") diameter, 76cms (30") high. (1)

Lot 501

A fine Irish late Regency rosewood Library Table, by Gillingtons of Dublin No. 40066, stamped on one drawer, the rectangular fixed top with roundedÿ corners, above three bead moulded frieze drawers on standard supports with leaf scroll corbels united by a turned stretcher on four splayed legs on ornate paw castors, 56" (142cms)w. (1)

Lot 503

A late William IV Irish rosewood Library Table, stamped by Williams & Gibton No: 7705, the rectangular top with rounded corners above two opposing moulded frieze drawers and two mock drawers on a leaf moulded stem with tongue and dark collar on quatrefoil base and bulbous reeded bun feet, 29"h x51"w (74cms x 130cms). (1)

Lot 516

A 19th Century chinoiserieÿlacquered and decorated Ladies Work Table, with circular serpentine shaped top opening to reveal a fitted interior with a hexagonal tray and wool compartment on a two stage turned stem and tripod base with ball n' claw feet, 29" h x 21" w (74cms x 53cms). (1) Provenance : The FitzGerald Family , Carton House, Kildare, by direct family descent.

Lot 539

A fine Regency periodÿbrass inlaidÿrosewood fold-over Card Table, attributed to George Oakley, the rectangular top with rounded corners and band of brass inlaid stars and conforming frieze on a half reeded baluster stem with a brass gadroon collar on a circular platform and quadruple pod with brass inlaid splayed legs and brass lion paw castors, 28"h x 35 1/2"w (71cms x 90cms). (1) Provenance : The FitzGerald Family , Carton House, Kildare, by direct family descent.

Lot 545

Attributed to John Lewis (fl 1745-60) Portrait of William St. Lawrence, son of William, 14th Baron Howth c 1640, approx. 48" x 36" (122cms x 92cms), in later painted and parcel gilt frame. (1) Note: Dressed as befits a young Anglo-Irish gentleman, in crimson suit, lace collar, and blue velvet coat with gold trimmings, William St. Lawrence stands beside a table, assuming an elegant pose and paying little heed to the spaniel that dances at his feet. Behind a heavy curtain, a landscape can be glimpsed. There are several books on the table, which is also draped in red cloth, the folds of which contrast with the black and white tiled floor. The portrait is remarkable in that while the artist has portrayed William as a young adult, in fact he was around ten years old?the table top is at the same level as the boy?s shoulder. Born sometime around 1732, William was given the same name as his father, William St. Lawrence, 14th Baron Howth. Although William?s mother, Lucy Gorges, was twenty years younger than her husband, they were happily married and had three children; a daughter named Mary, and two sons, Thomas (who became 1st Earl of Howth), and William, the sitter in this portrait. The St. Lawrences were friends of Jonathan Swift, who was a frequent visitor to Howth Castle and also to Kilfane, their country house in Co. Kilkenny, where William Snr indulged his passion for horses and hunting. In his poem On Rover, A Lady?s Spaniel, written a decade or so earlier, Swift had described the physical features of a toy spaniel and given advice to aspiring artists: Happiest of the spaniel race, Painter, with thy colours grace: Draw his forehead large and high, Draw his blue and humid eye; Draw his neck so smooth and round, Little neck with ribbons bound! And the muscly swelling breast, Where the Loves and Graces rest; And the spreading even back, Soft, and sleek, and glossy black; And the tail that gently twines, Like the tendrils of the vines; And the silky twisted hair, Shadowing thick the velvet ear; Velvet ears, which, hanging low, O'er the veiny temples flow. Swift?s poem is a parody of namby pamby verses written by Ambrose Phillips, in honour of Georgiana Cartaret, daughter of the Lord Lieutenant. An admirer of Swift?s, Lord Cartaret no doubt secretly delighted in the Dean?s parody. The attribution of this painting to the Dublin artist John Lewis, in Toby Bernard?s "Making the Grand Figure: Lives and Possessionsÿin Ireland 1641-1770", is convincing. Although not well-known as a portrait painter, Lewis was at the centre of Dublin?s theatre and cultural life in the mid eighteenth century, when he worked as a scene painter at the Smock Alley Theatre. He painted portraits of actor Peg Woffington, and dramatist Henry Brooke. While on a visit to Quilca House in Co. Cavan with Thomas Sheridan, he painted mural decorations, with images of Milton, Shakespeare and Jonathan Swift. He may have painted the portrait of William St. Lawrence after the boy?s untimely death. Although destined for a life as a professional soldier, and appointed an ensign in the army while still just fourteen years old, William?s military career was shortlived. While still a teenager, in April 1749, he died of smallpox. Dr.ÿPeterÿMurrayÿ2021

Lot 563

A very fine 18th Century Irish mahogany drop leaf Dining or Wakes Table, with gate leg action, approx. 160cms  (63") extended, on circular legs , terminating on pad feet. (1)

Lot 571

Circle of Nicolaes Elias, called Pickernoyÿ "Portrait of a Lady," three-quarter length, in a black dress with an attractive and delicate embroidered stomacher and a ruff and ornate head dress holding a silver mounted book on a table, and a floral glove in the other, indistinctly signed or inscribed "Act. 27" lower right, with coat of arms to the top right, O.O.P., approx. 41 3/4" x 30 1/4" (106cms x 78.1cms), in moulded black frame. (1)

Lot 577

A Victorian period Cromwellian style extending Dining Table, with three spare leaves, the carved edge over similarly decorated frieze on four heavy carved bulbous legs, on brass castors, approx. 10'3" long x 5' wide (310cms x 153cms). (1)

Lot 597

A pair of wooden turned Bed Ends, a Georgian style mahogany Stool on cabriole legs, and a nicely covered oblong Footstool and a drop leaf Table. (4)

Lot 598

A collection of quality Lights, including a pair of porcelain decorated Table Lamps, a 19th Century six branch ormolu Ceiling Light, a Georgian steel set of Fire Irons, and stand and a part ormolu Fire Curb. (4)

Lot 601

A modern Regency style mahogany tripod Breakfast Table, another oval walnut Table on square fluted legs and an old oak draw leaf Table on turned legs. (3)

Lot 602

A William IV period mahogany drop-leaf Pembroke Table, with one mock and one frieze drawer, raised on four turned legs, 35" (89cms); together with another 19th Century drop-leaf Table with D shaped flap on square tapering legs, 36" (91cms). (2)

Lot 603

A Victorian mahogany veneered Ladies Writing Table, with rectangular moulded top on octagonal tapering legs, approx. 41" (104cms) wide; together with a George IV mahogany Pot Cupboard, as is. (2)

Lot 604

A drop leaf mahogany early 19th Century Table, with rectangular flaps, on eight square legs, 57" (145cms) length, 64" (163cms) extended. (1)

Lot 622

A George IV period mahogany Side Table, with frieze drawer on four ring turned legs, 31" (79cms). (1)

Lot 623

A mahogany Cabinet on Stand, 19th Century Irish in the 18th Century style, the moulded cornice above two mirror doors and two drawers below on rectangular table base, on cabriole legs with webbed pad feet, 73" x 40" (185cms x 101cms). (1)

Lot 625

A good old oak Side Table, in the 17th Century style, with two frieze drawers on turned supports with stretchers, 57" (145cms), together with an oak Book Rack. (2)

Lot 631

An early Victorian mahogany Library Desk Chair, with arched back above three pierced splats and scroll arm fronts above a cane seat on front turned legs, together with an Arts & Crafts Armchair, with railed back and sides above a saddle solid seat, and a large Victorian swing frame Dressing Table Mirror, 38" (96cms). (3)

Lot 634A

A collection of five boxes of varied Household Linen, to include table cloths, lace items, bedroom items. Being sold as fabrics, w.a.f. S.N.S.R. (5)

Lot 639

A 19th Century mahogany Bedpost adapted now as a Torchere, together with a tripod Table, as is, a distressed Stand, a demi-lune Washstand lacking marble top, and a Victorian mahogany two drawer Side Table, 30" (77cms). (3)

Lot 647

A George III period mahogany drop-leaf Dining Table, with demi-lune flaps flanking a frieze drawer on six square tapering legs, 42" (107cms). (1)

Lot 650

A George IV period mahogany and bow fronted Dressing Table, with three-quarter gallery above three drawers on ring turned legs, 49" (125cms). (1)

Lot 655

A quality full size BurroughsÿWatts Ltd mahogany Billiard / Snooker Table, dismantled, with five rectangular slate sections for top, eight turned and fluted legs, six cushion sections, Victorian circular Cue Stand on turned baluster stem, three Score Boards, Triangle, Cues, Balls, Long Cue and Rest, etc, as is, w.a.f. (a lot) * To be Removed at Purchaser's Own Risk and Expense.

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