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Large Victorian dining table with three leaves on eight reeded legs to ceramic castors 106 x 290 cm CONDITION REPORT: Good used condition, though there is an amount of fading to some leaves - however, all clips appear present. The size is correct with all three leaves in. Size closed is 130 cm.There are a few historical chips to the legs and various scrapes and scratches to the top (general use wear.) There is a crack across one leaf. The seats for this piece is lot 763 - seat height to the top of the back = 95 cm. Seat itself is 48 cm high and 49 cm across the front.
W.A.S. BENSON (1854-1924) BRASS AND COPPER TABLE LAMP, CIRCA 1890 converted to electricity from an oil lamp, with hemispherical reservoir above reeded column on a domed base 34cm high (excluding fittings), 63cm high (with shade) Literature: Hamerton, Ian (ed.) 'W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design', China, 2005, Appendix 1A, p. 248, pl. 3 where the design for this lamp is illustrated (no. 72)
W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND COPPER TABLE LAMP, CIRCA 1900 the central column with three scrolled brackets on tripod support with pad feet, later pleated silk shade 47cm high Literature: Hamerton, Ian (ed.) 'W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design', China, 2005, Appendix 1B, p. 259, pl. 20 where the design for this lamp is illustrated
W.A.S. BENSON (1854-1924) AND GEORGE HEYWOOD MAUNOIR SUMNER (1853–1940) BRASS AND COPPER TABLE LAMP, CIRCA 1890 converted to electricity from an oil lamp, with hemispherical reservoir pierces and repoussé-decorated with flower sprigs above turned and knopped column on a corresponding repousse-decorated domed base, later pleated red silk shade 38cm high (to fitting), 64cm high (with shade) Literature: Hamerton, Ian (ed.) 'W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design', China, 2005, Appendix 1A, p. 248, pl. 3 where a similar design for this lamp is illustrated (no. 72)
W.A.S. BENSON (1854-1924) ARTS & CRAFTS BRASS AND COPPER EXTENDING TABLE LAMP, CIRCA 1900 the central adjustable column with three scrolled brackets on leaf-cast quadruped support with pad feet, stamped maker's marks under foot BENSON 78cm high extended Literature: Hamerton, Ian (ed.) 'W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design', China, 2005, Appendix 1B, p. 259, pl. 16 where the design for this lamp is illustrated
ENGLISH SCHOOL ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE, CIRCA 1910 the hexagonal top above square legs with wavy spindle infill linked by a lower tier, 57cm diameter, 72cm high; and a MAHOGANY STOOL, with angular brackets and later close-nailed upholstery, 64cm across, 56cm high, 41cm deep (2)
ATTRIBUTED TO LIBERTY & CO., LONDON ART NOUVEAU INLAID MAHOGANY ÉTAGÈRE, CIRCA 1900 with square tapered supports enclosing three tiers and with curved carrying handle, mother-of-pearl and marquetry inlay, 31cm wide, 81cm high, 31cm deep; and an ART NOUVEAU MAHOGANY AND INLAID OCCASIONAL TABLE, the square inlaid top above panelled apron on square legs linked by a lower tier (2) 52cm wide, 68cm high
ENGLISH SCHOOL TWO ARTS & CRAFTS OCCASIONAL TABLES, EARLY 20TH CENTURY comprising an OAK TABLE, with hexagonal top above ring-turned legs linked by stretchers and vase stand, 68cm diameter, 72cm high; and a MAHOGANY TABLE, the circular dished top raised on turned legs linked by stretchers and vase stand, 60cm diameter, 68cm high (2)
ATTRIBUTED TO FERDINAND BARBEDIENNE (1810-1892) AESTHETIC MOVEMENT EBONISED FOUR-FOLD TABLE SCREEN, CIRCA 1880 each fold with moulded frame, enclosing cast copper and brass panels depicting allegorical figures of the seasons within flowering foliate borders each fold: 43cm x 30cm
ARTHUR W. SIMPSON OF KENDAL (1857-1922) ARTS & CRAFTS OAK OCCASIONAL TABLE, CIRCA 1895 the rectangular top raised above four writhen twist column supports on curved crossed supports 107cm wide, 73cm high, 74cm deep Literature: Wright, Hugh 'The Beautiful Furniture of The Simpsons of Kendal', Bookcase 2011, p.32 where a table of similar design appears in an advertising illustration for 1894.
HOWARD & SONS, LONDON OAK PARQUETRY INLAID CENTRE TABLE, CIRCA 1880 the octagonal moulded top raised on facetted legs linked by shaped and moulded stretchers, stamped to the top underside HOWARD & SONS/ BERNERS STREET with traces of original trade label 96cm diameter, 71cm high
SIR ROBERT LORIMER (1864-1929) ARTS & CRAFTS FUMED OAK CENTRE TABLE, CIRCA 1920 the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports 86cm diameter, 78cm high
BETTY JOEL (1894-1985) FOR TOKEN FURNITURE PAIR OF ANDOMAN PADOUK WOOD TABLE LAMPS, CIRCA 1926 each with tall tapered columns on a moulded square base, one bears hand-written and printed maker's label TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ J.W. BALDWIN/ 1926 (2) 29cm high Provenance: Purchased directly from Betty Joel in 1926 By family descent Note: The original drawings for these lamps show that were designed with "dome-shaped shades in red silk on square wire frames". Betty Joel set up her furniture making business in 1918 with her husband David Joel and initially has their workshops in factory at Hayling Island where these pieces would have been made. The firm rented a showroom at 177 Sloane Street in London. Such was the popularity of Joel’s designs that by 1929 the factory moved to bigger premises at Portsmouth. Many of England’s social and corporate elite commissioned her to design interiors and furniture for their homes and offices.
BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD DRESSING TABLE, CIRCA 1926 the top with inset glass preserve below a tall mirror with bevelled plate and light, the base with two short over one long drawer raised on tapered legs 121cm wide, 186cm high, 48cm deep Provenance: Purchased directly from Betty Joel in 1926 By family descent Note: The original receipt for this piece, dated October 14th 1926, states that 10% was added to the price for making up the pieces in 'Andoman Padouk'. Betty Joel set up her furniture making business in 1918 with her husband David Joel and initially has their workshops in factory at Hayling Island where these pieces would have been made. The firm rented a showroom at 177 Sloane Street in London. Such was the popularity of Joel’s designs that by 1929 the factory moved to bigger premises at Portsmouth. Many of England’s social and corporate elite commissioned her to design interiors and furniture for their homes and offices.
BETTY JOEL (1894-1985) FOR TOKEN FURNITURE PAIR OF SATIN BIRCH TABLE LAMPS, CIRCA 1926 each with tall tapered columns on a moulded square base (2) 29cm high Provenance: Purchased directly from Betty Joel in 1926 By family descent Note: The original drawings for these lamps show that were designed with "dome-shaped shades in red silk on square wire frames". Betty Joel set up her furniture making business in 1918 with her husband David Joel and initially has their workshops in factory at Hayling Island where these pieces would have been made. The firm rented a showroom at 177 Sloane Street in London. Such was the popularity of Joel’s designs that by 1929 the factory moved to bigger premises at Portsmouth. Many of England’s social and corporate elite commissioned her to design interiors and furniture for their homes and offices.
MANNER OF EDWARD WILLIAM GODWIN AESTHETIC MOVEMENT MAHOGANY OCCASIONAL TABLE, CIRCA 1880 the octagonal top on six ring-turned supports linked by a lower galleried tier and raised on splayed tapering legs 52.5cm diameter, 69cm high Note: The elegant splayed legs of this table along with the valanced apron under the top and the latticed gallery to the lower tier are all characteristic of Godwin's furniture designs.
SIR BASIL SPENCE (1907-1976) FOR H. MORRIS & CO., GLASGOW RARE 'ALLEGRO' ARMCHAIR, DESIGNED 1947-1948 laminated wood, with drop-in seat, later covered, bears maker's label MORRIS MADE/ GUARANTEED TRADE MARK/ GLASGOW 54cm wide, 86cm high, 50cm deep Literature: Studio Yearbook of Decorative Art, 1949, p. VIII (advertised) 'Austerity to Affluence: British Art & Design 1945-1962', The Fine Art Society, London, 1997, p. 14 and p. 22, cat. no. F27 (an example of chair illustrated) Long, Philip and Thomas, Jane (Edit.) 'Basil Spence', Architect National Galleries of Scotland in Association with RCAHMS, Edinburgh 2008, p. 52 and p. 54, fig 55 illus. Note: Sir Basil Spence was one of the leading British architects of the 20th century, whose monumental or 'brutalist' style came to define modern architecture in Britain. Noted commissions include designs for several exhibitions including the Sea and Ships Pavilion for the Festival of Britain (1951), Sussex University (1962), Glasgow Airport (1966), and Coventry Cathedral (1954-1962), for which he received a knighthood. In 1947 Neil Morris of manufacturers Morris of Glasgow asked Spence to collaborate on a range of plywood furniture he was working on, which was to include his Bambi chair and celebrated Cloud table. The result was the Allegro dining suite, which was awarded a diploma by the Council of Industrial Design in January 1949. In March of the same year it was exhibited at the Glasgow Today and Tomorrow, where it was commended, and an example of the armchair was commissioned by the Museum of Modern Art, New York for their collection. In September 1949 it was displayed at the Morris stand, also designed by Spence, at the Scottish Industries Exhibition. In 1951 another single armchair was commissioned for the collection of the Victoria & Albert Museum in London (V&A CIRC.183-1951).
GEORGE WASHINGTON JACK (1855-1931) FOR MORRIS & CO. ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE, CIRCA 1895 the shaped and moulded circular top raised on slightly curved legs with leaf carving and linked by stretchers centred with a carved sunflower, stamped maker's marks MORRIS & CO./ 449 OXFORD ST/ W/ 1035 76cm diameter, 69cm high Literature: J. Andrews, John 'Arts & Crafts Furniture', Woodbridge, 2004 p. 54, fig. 52 (similar example illustrated). Cooper, Jeremy 'Victorian & Edwardian Furniture & Interiors', London, 1987, p. 173, fig. 450 (similar example illustrated).
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1181390 item(s)/page