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Lot 244

Books, coffee table editions, motorsport reference: to include Alfa Romea, Lancia and Porche 

Lot 246

A modern 19thC style bespoke, light oak, tip-top breakfast table of planked and dowelled construction, raised on four, equidistantly spaced pillars, on a crossover platform base  30"h  47"dia; and a set of four matching ladderback chairs with woven rush seats

Lot 28

An early 20thC traditional oak Old English style refectory table, raised on opposing turned and block pillars and splayed bracket plinths, united by a stretcher  29"h  37"deep  66"wide

Lot 29

A George III design string inlaid and marquetry mahogany pedestal table, raised on a tripod base  27"h  22"dia

Lot 303

A late Victorian figured and carved walnut, octagonal sewing table, the hinged top enclosing a fitted interior and a tapered wool well, raised on a carved, cabriole, tripod base  28"h  18"dia

Lot 342

Small silver and other dressed table items: to include manicurist items  mixed marks 

Lot 38

Small 20thC furniture: to include a Georgian design mahogany pedestal wine table  18"h  17"dia 

Lot 39

A modern Victorian style white painted cast metal terrace table, raised on sabre legs  17"h  21"dia

Lot 59

A silver and engine turned, yellow enamel dressing table mirror of small proportions, the circular plate pivoting on a U-shape holder and matching stand  indistinct Birmingham maker's mark  1928  5"h

Lot 64

A 1960s/1970s laminated teak effect breakfast table, raised on square section, black enamelled steel underframes  29"h; and a pair of matched bench seats with high, level backs, upholstered in black vinyl  28"w 

Lot 67

An Edwardian mahogany side table, fitted with two inline shallow drawers, raised on square, tapered legs and casters  30"h  45"w 

Lot 7

A 1970s teak dressing table surmounted by a rectangular mirror, over four drawers, raised on tapered legs  46"h  67"w with stool

Lot 79

A modern replica of an oak cased table-top gramophone of box design with the soundbox enclosed by a pair of doors  bears a Zonophone transfer label

Lot 8

A mid 20thC light oak cased sewing table, raised on square, tapered legs  31"h  24"w incorporating a Singer electric model 401 sewing machine

Lot 95

An early 20thC string inlaid mahogany serving table with a level, deep apron, raised on moulded, square, tapered legs  29"h  45"w  24"deep 

Lot 99

A mixed lot: to include Busseys Table Tennis, in a card box; a miscellany of vintage glass and other marbles; and various plastic games counters 

Lot 1

Diamond single stone ring, the white mount stamped '18ct', the old mine cut diamond measuring approximately 5.9mm x 5.7mm x 4.2mm deep, calculated as weighing approximately 0.9 carats, size O, 4.3g gross approxThe old mine cut appears fairly white with a hint of colour. There are no obvious visible inclusions but there is an inclusion/small abrasion to the edge of the girdle that runs towards the table., approx SI clarity. The claws are all present with signs of wear from age and use. Signs of sizing to the shank which is stamped ‘18ct’.

Lot 104

Chinese white metal and enamel model of a 'junk' boat, early 20th Century, the deck with thatched canopy, a figure tending to plants beside, over another figure seated at a table, on wave-moulded base, stamped W. H. L. within an oval beneath, 16cm long x 10cm high, in yellow plush fitted box

Lot 123

19th Century tortoiseshell tea caddy of cushion form with plated hinged cover and ball feet, together with two George V silver mounted tortoiseshell dressing table items, comprising an oval pin tray, the reserve decorated with silver piqué work, London 1915, and a similarly decorated lidded cut glass jar, London 1914; 10cm high and smaller

Lot 124

George V silver dressing table box of shaped rectangular form, the hinged lid with tortoiseshell pique work opening to reveal a fitted interior, sponsors' mark of Mappin & Webb, Birmingham, 1911, 9.5cm wide

Lot 126

Edward VII silver and tortoiseshell pique work dressing table box, of footed rectangular form with fitted interior, sponsors mark for William Comyns & Sons, London 1908, together with a circular footed example, rubbed marks, 8cm diameter and smaller

Lot 127

Three objects of virtue, comprising an Australian Burra bean nut vesta case with engraved silver mounts, 43mm wide, a tortoiseshell miniature desk or table stand, 75mm, and an oval patch box, possibly in blonde tortoiseshell, 78mm, (3)

Lot 333

Chinese carved hardwood and marble table top stand, the moulded rectangular top with inset marble panel over indented frieze and projecting base with carved scroll supports on ball feet, 37cm x 20.5cm x 15cm highIn good order

Lot 334

Chinese carved hardwood coffee or opium table, circa 1900, with the rectangular top with inset burrwood panel over foliate carved and pierced frieze and panels to the downswept sides on scroll feet, 94cm x 42cm x 33cm

Lot 336

Early 20th Century Chinese occasional table, the moulded hardwood frame with pink marble inset to the rectangular top over conforming apron on square section supports with block scroll feet, 50cm x 40cm x 53cm highThere is heavy wear on two sides on top, one of the legs has a chip at the top and there are scuff marks on the legs.

Lot 337

Early 20th Century Chinese hardwood and mother-of-pearl inlaid three-tier occasional table, the rectangular top with inset pink marble panel within inlaid border over pierced and inlaid frieze and two under tiers, raised on square section supports with block feet, 65cm x 40cm x 76cm highThe pink marble top has a crack through it and shows signs of a glued repair. Some of the inset mother-of-pearl decoration is missing and has losses. The table is structurally sound but some of the panels are warped. Light surface scratches and wear from age and use.There are paint spot all over.

Lot 339

Early 20th Century Japanese ebonised, parquetry and mother-of pearl inlaid table cabinet, the rectangular top with moulded scroll ends over an arrangement of sliding doors, drawers and pair of serpentine doors with engraved mounts enclosing cupboard with single drawer, over a long drawer on plinth base, 51cm x 27cm x 58cm highThere is damage to the lacquer on all sides and on top. There are small losses to the decoration. There is some white paint on the front of the base. All of the drawers and doors open smoothly

Lot 401

Moorcroft pottery 'Orchid' pattern table lamp of shouldered baluster form, on a blue ground, painted initials, impressed facsimile signature and factory marks and label 'By Appointment to the late Queen Mary', 32cm high

Lot 428

Pair of 19th Century Bohemian overlay (white on green) glass table lustre vases, each of flared form, the lappet rim with medallions alternately painted with female portraits and floral sprays, raised on knopped stem over spreading circular base, 27cm high, (a/f)One of the pieces has a repaired crack about 1/3 the way around and down over the rim around 2.5 inches. The other has production imperfection where the white from the inside of the vase meets the green of the stem, it’s unlevel and looks like a crack but isn’t, there is also a small chip around the same area. Both pieces have gilt wear.

Lot 628

Late 19th Century French brass table and porcelain table clock, in the form of a Chinese table screen, with dragon cresting over floral ceramic panel (cracked) framing a 3.5-inch Arabic dial, the timepiece movement with vertically-mounted lever platform escapement, stamped E.G. L. within an oval (for E. Gay and Lamaille), the elaborate frame raised on pierced uprights and stretcher applied with two figures, between pierced oval pendants, 44.5cm high

Lot 629

Impressive Black Forest carved linden wood table clock, circa 1900, with cellular Roman dial, Japy Freres two-train movement outside countwheel-striking on a bell, the impressive two-section case carved with an eagle swooping upon a heron or similar wading bird, a rabbit beneath, over two further birds amidst foliage, 90cm high

Lot 688

Victorian rosewood and ebonised work table, the hinged rectangular moulded top enclosing maple lined interior with arrangement of compartments with line inlaid covers, raised on turned and fluted tapered supports on acanthus capped shaped downswept legs with ceramic castors, 61cm x 48cm x 83cm high

Lot 690

Late 19th Century rosewood and marquetry inlaid occasional table, the shaped circular top over foliate scroll frieze, raised on three slender downswept supports with pierced quadrants united by vase finial, 47cm diameter x 70cm high

Lot 698

Early 20th Century French oak parquetry draw-out dining table, of serpentine outline on cabriole supports, 142cm closed / 240cm open x 99cm x 75cm high

Lot 708

Rare late George III inlaid mahogany 'rent' table, probably Estate-made, the moulded rectangular top over double-height cockbeaded faux twin drawer front, enclosing a secretaire (the upper 'drawer' hinged), with retractable green baize-lined writing surface opening to reveal two small central drawers between three banks each of three hinged 'rent' compartments, each with inlaid patera - ABCD, EFGH etc, within crossbanding, in turn over two short external drawers raised on tapered square section supports, 107cm x 57.5cm x 86cm high

Lot 709

Mid 19th Century ormolu mounted walnut centre table or bureau plat, the moulded double serpentine top with blind-tooled oval skiver, within boxwood line inlay, one end with short drawer having lock stamped VR, on slender cabriole supports with gilt sabots, 112cm x 60cm x 75cm high

Lot 719

George IV mahogany drum library or centre table, circa 1825-30, the circular top with blind-tooled tan skiver over reeded edge and an arrangement of four cockbeaded drawers alternating with four false fronts, raised on turned stem and four downsept supports with reeded knees, brass caps and swivel castors, 106cm diameter x 76cm high

Lot 93

Modern walnut-cased canteen of silver King's pattern cutlery, for six settings each of dinner, lunch and dessert forks; table, soup, tea and demi-tasse coffee spoons; fish knives, and four serving spoons, sponsors mark of C. Robathan & Son, Birmingham, 1976, 3,020g approx, plus six dinner and six lunch knives, with unmarked stainless steel blades and hollow silver handles (not weighed), matching silver-handled carving knife, fork, and sharpening steel, all Birmingham, 1976 (hollow ware sponsored by Dixon & Sons, Sheffield, 1976), in green baize-lined fitted box, 48.5cm x 36cm x 10cm high

Lot 108

A mid 19thC walnut writing/work table, having a tooled and gilded hide scriber, on a hinged ratchet, above a compartmented shallow drawer, over a deep, pleated pink fabric wool well drawer, elevated on delicately fretworked supports, splayed feet and casters  28"h  22"w

Lot 11

A 1970s teak draw leaf dining table, raised on turned, tapered legs  29"h  55"w extending to 93"L with two additional internal leaves; and a matching set of four contemporary teak twin bar back dining chairs, the rush seats raised on straight legs

Lot 144

Twelve Lladro porcelain table bell ornaments  3"h; and three Lladro porcelain figures  largest 9"h

Lot 15

Small vintage furniture, viz. a France and Son teak two tier occasional table, raised on turned, tapered legs  22"h  29"w; and an Ercol beech and elm framed chair

Lot 166

Textiles: to include table covers, hangers and fringed carpet samples  various sizes 

Lot 18

Silver and white metal collectables: to include dressing table items; and napkin rings  mixed marks

Lot 203

A modern mahogany coffee table with a crossbanded border, raised on ring turned, baluster and block legs, united by base stretchers  17"h  41"w

Lot 207

Small furniture: to include an early 20thC stained beech framed combination firescreen/coffee table, the rotating top set with a crewelworked floral panel, raised on a gateleg stand  22"h  29"sq open

Lot 140

* World War One Munitions Factory. A photograph album relating to a munitions factory in Lyon, c. 1917, a total of 29 vintage gelatin silver prints mounted to stiff card leaf versos with neat ink captions at foot, 5 manuscript section titles, contemporary cloth-backed boards, backstrip deficient, oblong small folio (20 x 26 cm), together with 2 related blueprints titled 'Table d'opérations pour obus explosifs de 75 monoblocs' and 'Table d'operation pour bombes-flèches de 150 mm en pôle', the first with some red and blue highlights, both 31 x 42 cmQTY: (3)

Lot 153

* Stereoscopic daguerreotype. Portrait of an unidentified young man, probably a Gurney family member, by William Edward Kilburn, 1850s, the young bearded man seated with a cane and hat on the table beside him, tinted studio sky background with clouds and some gilt highlights, contained in a stereoscopic daguerreotype leather wallet with Kilburn's gilt details to underside of flap, some wearQTY: (2)

Lot 302

* Baden-Powell (Robert, 1857-1941). An original hand-made poster for a tug of war match on board ship, signed 'R.S.S. BadenPowell, RMS Orient, 23.3.07', pen & ink and watercolour on thick white wove paper, entitled 'CHALLENGE', showing caricatures of a suffragette and a boxer upper left and right, both figures in profile facing each other with fists raised, with ink and watercolour caption below on 9 centred lines: 'The SUFFRAGETTES of the Captains Table have challenged not only the Orient - but THE WHOLE BLOOMIN' WORLD to a Tug of War - and so have the MEN! 2PM TODAY. There will also be Mixed Bathing (I should say Hopping), Tschschtaiskowsky Stakes, Spotting for Gents, Elephant Sticking (Natural History Section), Murphy Manipulation, etc. etc.', a few spots, 37 x 26 cm, framed and glazedQTY: (1)NOTE:Provenance: purchased from Christie's, London, 28 November 1997, lot 342, where it was noted that 'Baden-Powell presented the sketch to the vendor's grandfather, a passenger of the R.M.S. Orient, bound for South Africa. Baden-Powell was ambidextrous and apparently drew the two figures simultaneously.'

Lot 326

* Doyle (Arthur Conan, 1859-1930). Author, creator of Sherlock Holmes and writer on spiritualism. Autograph Letter Signed, ‘Arthur Conan Doyle’, The Compton Arms Hotel, Minstead letterhead, 9 December 1925, to Mrs Thorn, sending her an assortment of pamphlets (not present), discussing in detail, spirit phenomena, his own psychic experiences and further mentioning the infamous ‘Margery’ case, ‘…When your friend goes into a trance ask…who is the young man’s Guide…When any new entity visits or speaks you will say ‘Do you believe in God?… We - my wife and I - got a direct voice the other day at our second sitting for it. A clear ‘Good evening’ came from above our heads. We were thrilled…. I don’t know if you have followed the Margery case and the persecution of Mrs Crandon in Boston…’, very light stain to bottom of first page with no loss of legibility, 2 pages in a close hand, 8voQTY: (1)NOTE:Mina ‘Margery’ Crandon (1888-1941) was a Boston medium who found herself embroiled in one of the most bitter controversies in American psychic research. Her followers claimed that she was one of the greatest mediums who ever lived, while her critics called her a fraud: her most famous being the escapologist Harry Houdini whose obsessive crusade against her almost cost him his own career. In his introduction to a substantial article in the Boston Herald (26 January 1925) and published shortly after the present letter was written, Conan Doyle wrote – ‘It is Christmas morning and I sit at a table which is heaped with documents and photographs. They are the dossier of the Crandon case. Perhaps one should not work on Xmas day and yet there is no day so holy that one may not use it for the fight for truth, the exposure of evil and the defence of the honour of a most estimable lady. The Margery case will live in history and it is perhaps fitting that I should have some hand in the record since the matter was in a double sense of my begetting.’ The ‘Margery’ book to which Doyle refers in this letter, is likely to be J. Malcolm Bird’s “Margery” The Medium, (1925), which was written in support of ‘Margery’ Crandon.Conan Doyle became absorbed by spiritualism in later life, writing and lecturing on the subject. Interestingly, Conan Doyle was eventually buried in the churchyard of All Saints in Minstead Village having previously been buried vertically in Crowborough.A letter of excellent content and apparently unpublished.

Lot 374

* Wagner (Richard, 1813-1883). German composer and conductor. Autograph Letter Signed, ‘Rich. Wagner’, [London], 1855, to Léonie Praeger, in French, in full, ’Carissima Sorella! Croyez-vous le temps assez bon, pour entreprendre notre Promenade? Si vous avez le moindre doute, et comme l'affaire ne presse pas du tout, je vous prie de vous en dispenser pour aujourd’hui! Faites-moi une toute petite réponse, si je dois venir vous chercher dans un Hansom, ou non? En tous cas je goûterai des 4 heures les delices de votre table d’hôte! Votre bien cordialement, dévoué frère, Richard Wagner, Conducteur d'omnibus de la société philharmonique, 1855’, (translated as: ’Dearest Sorella! Do you think the weather is good enough to undertake our walk? If you have the slightest doubt, and as the case is not pressing at all, please dispense with it for today! Give me a tiny answer, should I pick you up in a Hansom, or not? In any case, I will taste the delights of your table d'hôte for 4 hours! Yours sincerely, devoted brother, Rich. Wagner, Omnibus conductor of the philharmonic society, 1855’), a little age soiling, one page, pasted on to an old album leaf and later excised with 3 later paper hinges to left margin and an old explanatory ink note to verso identifying the recipient and mentioning that the letter was published in ‘Wagner as I Knew Him’, adhesion remains to original paper mount, 1page, 8vo QTY: (1)NOTE:In the 1850s Wagner was exiled from Germany because of his involvement with radical political groups in Dresden. He was dependent on conducting to earn money, and so in the spring and summer of 1855 he visited the UK to conduct with the Philharmonic Society of London (later the Royal Philharmonic Society). Some account of Wagner’s tough time in London is given in Ferdinand Praeger, Wagner as I Knew Him (1892), chapters 18 & 19. This letter to Ferdinand’s sister is quoted in full after the following paragraph: ‘Think of the anger of Wagner! two symphonies and two overtures in the same evening, besides the vocal music and concerto! This was the fourth concert [30 April 1855] at which a double dose of symphony and overture was administered to an audience incapable of digesting such a surfeit; it was these "full" programmes, reminding him of the cry of the London omnibus conductors, “full inside," which led him humorously to speak of himself as “conductor of the Philharmonic Omnibus." In the subjoined letter addressed to my wife, anent their daily promenade for the "banquetting," as he called it, of the ducks in the Regent's Park, he subscribes himself as above.’ (p. 257).

Lot 392

* Irish-American Political Broadsides. Speech of Robert Emmet, Esq., delivered at the Sessions House, Dublin, Philadelphia: William Smith, circa 1860s, letterpress in 4 columns with large hand-coloured lithograph vignette at head, image approximately 280 x 360 mm, some light toning, visible sheet size 62 x 45 cm, together with two related contemporary lithographic broadsides from the same publisher and printer William Smith: Protest against the British Government [and] Ireland's Illustrious Sons, the first showing Emmet flanked by angels holding rolls of names of Irish patriots including Mitchel, Meagher, O'Brien, Gavan Duffy, et al., pencil inscription to lower right blank area, visible sheet size 74 x 52 cm, the last showing the figures of Sarsfield, Grattan, Wolfe Tone, Emmet, Curran and other great Irish patriots seated around the table, small tear (25 x 20 mm) within uppermost part of image, visible image area 53 x 68 cm, all mounted QTY: (3)

Lot 420

Suffolk Estate Plans. Plans of Estates in Easton, Letheringham & Charsfield in the County of Suffolk; The Property of the Rt. Hon: The Earl of Rochford, 1794, Survey'd & Plann'd by Isaac Johnson, Woodbridge, Suff., continued down to 1830, calligraphic title, half-title and summary of the estate with reference to each farm &c, followed by 10 pen and ink and watercolour wash estate plans with cartouches and table of contents giving field names with gross and nett areas in terms of acres, roods and perches, each 48.5 x 30 cm when opened, a few scattered light pencil annotations and some dust soiling, mostly re-guarded with linen strips, late 19th-century burgundy roan, upper cover stamped 'Plans' in gilt, heavily rubbed, 4to (32 x 26 cm)QTY: (1)NOTE:The ten plans are for: The Park, The Property of the Earl of Rochford; Martley Hall: Mrs Plant; Bonds; Richard Levett; Bentries & Cobbs: Stephen Catchpole (2 maps); The Lodge: William Cooper; Old Hall: Joseph Amoss; Wood grounds: Earl of Rochford &c; Detached lands; Sundry people; General view of the Parishes of Easton and Letheringham. A further five farms are listed at the foot of the contents summary but in such a way as to imply these were not to be included in the present survey.Isaac Johnson (c. 1754-1835) was the son of the surveyor John Johnson (1722-1780), and his wife Mary. He was baptized at Pettistree, Woodbridge, Suffolk. He was probably trained by his father at Alderton, Suffolk, and probably worked with him, as this album suggests, until John's death in 1780. In 1772 he opened a writing school at Alderton and then in 1784 moved to Woodbridge where he married Elizabeth Maxwell. His account book for 1791-1796 survives and shows that he had 165 clients, earning £1,069 in surveying fees for these five years. His fine draughtsmanship led him to draw all the churches and various other antiquities of Suffolk.

Lot 269

CHINESE BLUE AND WHITE PORCELAIN TEA POTwith a fixed handle and a grotesque spout, 17cm high, a Willow pattern Ironstone bowl, 23.5cm diameter, and a Crown Staffordshire table bell, boxed, 13.5cm high (3)

Lot 282

LARGE WEST GERMAN POTTERY TABLE LAMPwith a pierced lower section and central green glazed panel and brown glazed tapering coloumn, with a side handle, 56cm high

Lot 295

DENBY MEMORIES POTTERY WAREScomprising a circular ashtray, 13cm diameter, baluster vase, 24.5cm high, squat vase, 17cm high and two table lamps with shades, 31cm and 30.5cm high

Lot 333

PINE TABLE TOP CABINETwith bobbin moulding to the rectangular top above an arrangement of five drawers, standing on bun feet, 27.5cm x 42cm

Lot 369

SELECTION OF NAPERYincluding a boxed Egyptian cotton table cloth, two linen boxed double flat sheets, a boxed Irish linen table cloth and six napkins, and a large amount of red damask fabric

Lot 493

M. BATCHELORFestive table, pastel and gouache, signed, 34cm x 44cm

Lot 524

HUNTER & GIBBS TEAK DINING TABLE AND CHAIRSthe table with a shaped drop flap, standing on tapering supports, 122cm wide, together with six matching teak dining chairs with shaped backs above stuffover seats, standing on tapering front supports

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