Neapolitan mandolin attributed to Antonio Vinaccia, Naples, the back of twenty-two fluted ribs, the one piece bent table, like the sound hole is bordered by two narrow ebony and two ivory strips; the outer ivory border is widest, the table inlaid with a shaped mother of pearl plaque below the bridge and a tortoiseshell plaque on gold leaf above the bridge, the sound hole surround with mother of pearl segments set in red shellac, with a tortoiseshell on gold leaf overlaid fingerboard, the elongated rosewood bridge has an ivory saddle, the face of the peg box overlaid with tortoiseshell and bone, the neck overlaid with five ivory and four ebony strips, reverse friction pegs, labelled Antonio Vinaccia Fecit Neapoli Anno 1780 Overall length of back 57.5cm Provenance * This mandolin belonged to the collection of Haags Gemeentemuseum, Ec 46-1983 (since 2019 Kunstmuseum Den Haag) and was exchanged approximately 1992 at a value of Æ’ 10.000,- (EUR 4.550,-) for a work of art of Constant Nieuwenhuys (1920-2005). Exhibition 1994, De Mandoline en de Gitaar door de eeuwen heen/ The Mandolin and the Guitar through the Ages, in POM (Provinciaal Overijssels Museum), Zwolle, Netherlands. Publication Alex Timmerman, De Mandoline en de Gitaar door de eeuwen heen/The Mandolin and the Guitar through the Ages, drukkerij Tulp, Zwolle, Netherlands, 1994, cat. 7, pp. 24-27
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Interesting 19th century violin labelled Jo: Baptista Ceruti...1808, the one piece back of faint medium curl with similar wood to the sides and head, the table of a broad width grain narrowing to the flanks and the varnish of a golden-brown colour, 13 15/16", 35.40cm-Additional images for Lot 2455 (11/12/2020) available at the following link: https://we.tl/b-pzcj4Faduf These links are continuously updated. Please feel free to check back as requests come in.
French violoncello of the Caussin School circa 1900, the two piece back of faint medium curl with similar wood to the head, the sides of fine curl, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 29 3/4", 75.60cm-Additional images for Lot 2564 (11/12/2020) are available at the following link: https://we.tl/b-U1ZysSZ6Pf These links are continuously updated. Please feel free to check back as requests come in.
Violin labelled Antonio Monzino-Roma, via Rastrelli.10., Strumenti Musicali, 1927, the two piece back of medium curl with similar wood to the sides, the head of close curl, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 3/8", 36.50cm
Good Hungarian violin by and labelled Paulo Racz Paganini...Budapest 2018, Model: Landolfi, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
French violin by and labelled Mermillot, á Paris, Universelle de Paris 1889, Medaille D'Argent, the one piece back of wild flame with similar wood to the sides, the head of a broad curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.7cm-Additional images for Lot 2417 (11/12/2020) are available at the following link: https://we.tl/b-wKh2k2PsRm These links are continuously updated. Please feel free to check back as requests come in.
Fine Neapolitan mandolin by Donato Filano, Naples, 1760, the back with twenty-one fluted ribs, the table edged with ivory, with a mother of pearl plaque below the bridge and a tortoiseshell plaque above it, the sound hole with mother of pearl segments inset into tortoiseshell, the neck overlaid with bone and ebony strips, the neck and the face of the head overlaid with tortoiseshell and ivory, the latter with extensive incised decoration, labelled Donato Filano Fecit Napoli 1760, in case *This mandolin has been in the same Italian family for over forty years
Good contemporary English violin by and labelled K.A. Macdonald, Newark. 1987., the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm
Interesting English Pochette from the second half of the 18th century, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 18.75" long overall
Late 19th century German violin labelled Genaue Copi Von W. Hoyer, Schombach, Bei Eger In Bohman Nach Nicolaus Amatus, Fecit In Cremonae Anno 16**, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Early 20th century seven-eighth size violin labelled Josef Klotz..., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 3/4", 34.90cm, case
Interesting violoncello, probably English and bearing an illegible label, the two piece back of medium/fine curl with similar faint curl to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a plum red colour on a golden ground, 30 1/4", 76.80cm
Composite nine course bass lute, Italy, possibly 17th century and later, the body comprising twenty-six ribs, later capping strips, the table, neck, fingerboard and reflex peg box all 19th century or later, the table with thin bone edging, the pierced parchment rose with a surround of mother of pearl segments set in black mastic, an ivory carving of the Madonna and Child applied beneath the modern bridge, the neck overlaid with ebony and bone, the fingerboard with a large oval bone plaque inset in ebony with scrolling foliage, with repairer's label Sebastián Nuñez Reparavit Ultrajectum Anno 1992 Body length 63.8cm, string length 77.5cm
Good French violin by and labelled Christian Olivier & Paul Bisch...1926, Paris; also signed on the label and to the inner back, and stamped Christian Olivier, Paris under the top button and below the tailpiece button on the lower ribs, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm-Additional images for Lot 2534 (11/12/2020) are available at the following link: https://we.tl/b-r1dTy5D7pjThese links are continuously updated. Please feel free to check back as requests come in.
French violin labelled and from the workshop of Marc Laberte, Maitre Luthier, Mirecourt (Vosges), France, no. 1602, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm
Good late 19th century German violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 30", 76.20cm (well repaired sound post crack in the back)
Interesting mid 19th century French violin inscribed Vuillaume...Paris to the inner back, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Four stringed 'rebec' by and labelled Arnold Dolmetsch, Haslemere 1932, of elongated trapezoid form with a flat one piece back, the table pierced by a simple stellar rose, with an out-curved bow, the fixed frog with a silver plaque inscribed 'presented to Miss V. Wood', length of back 34.9cm, case
English violin by and labelled Frank Harlow Violin Maker, Sheffield, England, 1990; also signed by the maker on the label, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and varnish of a golden-brown colour, 14", 35.60cm
Good contemporary English violin by and labelled Nanny Hergils, Newark on Trent, 2005, the two piece back of faint medium/fine curl with broader curl to the sides and head, the table of a medium/fine width grain and the varnish of orange brown colour on a golden ground, 14 1/16", 35.70cm
Good English violin by and labelled Brian Cohen, maker, Guildford, England, 2001, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
French violin by and branded Thouvenel Henry á Mirecourt to the inner back, also branded with the maker's initials within a circle, the one piece back of fine curl with medium curl to the sides and head, the table of a broad width grain narrowing to the flanks and the varnish of a golden-brown colour, 14 3/16", 36cm
Good early Mittenwald viola, probably by a member of the Jais family, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a chestnut brown colour, 15", 38.10cm, case
Interesting 19th century violin labelled Nicolas Lupot Luthier rue de Grammont: L'an 1796, the two piece back of medium curl with similar wood to the sides, the head of broad curl, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 3/16", 36cm, two nickel mounted bows, case
French violin by and labelled Paul Mangenot, Mirecourt (France), the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/4", 35.90cm, case
Early 19th century Mittenwald violoncello, unlabelled, the two piece back of very faint medium/fine curl with similar wood to the sides, the head of plainish wood, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 29 3/8", 74.60cm, with nickel mounted violoncello bow and hard case*This instrument is sold with an insurance valuation from Bristol Violin shop dated 15th November 2005
Fine 18th century French composite violin by Francois Fent, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the later table of a medium width grain and the varnish of a golden-brown colour, 14 1/16", 35.70cm, case *This violin is sold with a certificate of authenticity from W.E. Hill & Sons dated 17th August 1981 stating that it was made by Francois Fent from circa 1770 with the exception of the table which is a later work. The end of the fingerboard bears the Hill number T.426 *This violin is also sold with a repair invoice from Dietrich M. Kessler dated September 14th 2002
Violin labelled Ch.J.-B. Collin-Mezin Fils, Maitre-Luthier, Medaille D'or-Exposition Universelle 1900, Paris, no. 98, 1927, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Scottish viola by and branded Young, Aberdeen below the button, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 15 1/4", 38.70cm
Interesting early violin labelled Pietro Antonio Figlio Di Carlo Ferdinando Alndolfi in Milano al Segno Deloa Serena L'Anno 1787, the two piece back of plainish wood with similar wood to the sides, the head of broad curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm-Additional images for Lot 2507 (11/12/2020) are available at the following link: https://we.tl/b-ZaupIzNE1eThese links are continuously updated. Please feel free to check back as requests come in.
Interesting late 18th/early 19th century viola, possibly English, unlabelled, the one piece back of plainish wood with similar wood to the head, the sides of faint close curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 15 5/8", 39.70cm
Interesting 19th century double purfled violin labelled Gio Paollo-Magini..., with further geometric purfled inlay to the back, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/2", 36.80cm, silver mounted bow, case
Triple-necked guitar in the style of Bernard Enzensperger, the one piece back and ribs of sycamore, the table and sound hole edged with multiple purfling, the main fingerboard with seventeen frets flanked by two unfretted fingerboards, the shaped head extending across all three necks with machine head tuning with ivorine pegs, the main neck with six strings, the subsidiary necks each with five strings, labelled 1835 K.K. privilegirte Akustik-gitarre No E 1584 Bernard Enzensperger bürgerlicher Guitarrren und Geigenmacher in Wien nächst dem Theater an der Wien No 24 Measurements Total length: 975mm; width: 452mm; waist: 333mm; soundbox deepness: 147mm; string length: 612mm.
Good English Guarneri Model violin by and labelled Ralph Plumb Violin and Voila Maker, Newcastle Upon Tyne, England 1996, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm
Good French violin by and labelled CH. J.B. Collin-Mezin fils, Luthier a Paris Rue du Faubg Poissonniere no. 10, 1915; also signed to the inner back on the lower treble side, the one piece back of faint medium/broad curl with similar wood to the sides, the head of a medium curl, the table of a fine/medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm-Additional images for Lot 2524 (11/12/2020) are available at the following link: https://we.tl/b-Nwgt01aa5J These links are continuously updated. Please feel free to check back as requests come in.
Good German three-quarter size violoncello by and labelled C.A. Gotz Jr. 1977, Mod. Nr. 424, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 27 1/4", 69.20cm, soft case
Good French violin by and stamped J. Nicolas Fils, A. la Ville, de Cremonne to the inner back, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 3/8", 36.50cm, case *This violin is sold with a nickel mounted bow stamped L. Bausch
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1181390 item(s)/page