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Hansons Auctioneers and Valuers
Lot 232

Two Hanoverian pattern silver table spoons, with scroll work to the back of the bowls. With worn hallmarks for JJ,  London (crowned leopard).  Gross weight approximately132 grams/4.245OzT.

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Hansons Auctioneers and Valuers
Lot 353

Britains, "The New Mechanical Equestrienne"  circa 1880 a flywheel operated table top toy leaping lady and horse, with original box.  Some wear and ladies head missing.

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Hansons Auctioneers and Valuers
Lot 228

A silver enamel five piece dressing table set and a three piece dressing table set.  A brush, two combs and 2 bottles with silver tops 

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Hansons Auctioneers and Valuers
Lot 415

A late 19th Century mahogany tilt top side table with a single piece top having a carved rim on a carved tripod base.  82cm diameter and 70cm tall with good colour

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Lion and Unicorn
Lot 224

Capturing timeless elegance, a woman in a gray dress stands gracefully at a prepared table adorned with two lit candles. She wears a pearl necklace and a white headscarf, her hands raised in a moment of serene beauty. Moshe Yakov backstamp. Dimensions: 4.25"L x 4"W x 10"HCondition: Age related wear.

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La Suite Subastas
Lot 36

Francisco Gomez de Valencia (Granada 1657 - Mexico, first half of the 18th century)"Memento Mori"Oil on burlap. Signed and dated 1681 on the back.140 x 107 cm.An exquisite depiction of the transience of existence, painted by Francisco Gómez de Valencia and dated 1681 on the back of the canvas: "Franc• Gomez fat. año [year] 1681".This Spanish Baroque painter, born in Granada in 1657, was the son of the painter Felipe Gómez de Valencia and followed his father's style as a member of the family workshop, one of the most active Granada workshops in the second half of the 17th century, influenced, like many others of the period, by Alonso Cano, "el Racionero" who was artistically dominant at the time.In 1679, his father passed away, and he took over the workshop until at least 1685, the date of the last documented appearance of the painter in Granada. The oil painting we have here for auction dates from this period.Professors Gloria Espinosa and María Teresa Suárez, in a recent and highly interesting article (2023) in which they reveal new documentary sources about the artist's biography and a previously unknown canvas, conclude that "Francisco Gómez de Valencia must have arrived in Mexico around 1687" and not in 1699, as previously thought in other studies. The painter, after three undocumented years, reappears in 1688 in Mexico City, in a document which reports on his genealogy, previously unknown until the publication of said article. Further information provided by Espinosa and Suárez regarding the Granadan painter is from 1693 when he was appointed Family of the Holy Inquisition, a position that provided economic stability, "in addition to the promotion and social prestige he desired," reasons why he is likely to have left his home town. The last piece of information about Gómez de Valencia, also in New Spain, dates back to 1711 where his delicate health at the age of 54 is documented.Of his probable extensive production, eleven canvases are currently kept in the Museum of Fine Arts of Granada —among them, the "Virgin of Sorrows" and the "Lamentation before Dead Christ," with clear influences from his father, from Flemish painters, and "el Racionero" — and the "Assumption of the Virgin" in the National Museum of San Carlos, Mexico. In addition, we would like to highlight the "Presentation of the Virgin in the Temple," attributed by Raquel Prados in 1999, and another artwork which was unknown until last year when Espinosa and Suárez brought it to light. It is an "Ascension of Christ," which is reproduced in the aforementioned article, and is kept in the National Center for Conservation and Registration of Movable Artistic Heritage of Mexico, where, along with more than five hundred paintings, it had remained shut up in the so-called 'Pandora's Box' for almost half a century. For more information, please refer to the article, which we cite in the bibliography.To these two canvases, we now add the "Memento Mori" presented in this auction, further enriching a catalog that surely has much more to discover. It is essential to note that our painting is dated, unlike most of his corpus, allowing us to place it with total certainty in Granada, as in 1681, as Raquel Prados reports, he "resided in Placeta de Chavarría with his mother, brothers, and Ana de Valencia, his wife." By that time, in fact, our painter had already taken over the family workshop two years earlier and had taken on the commissions that Felipe Gómez de Valencia had left behind orphaned.In this painting we can appreciate the sense of sweetness in colours and an ease in drawing that he inherited from his father. With delicate strokes, he captures a baroque, theatrical scene, almost like a meditation from cell in a convent, in a still life, indoor setting.The human soul or guardian angel reminds a repentant knight of the transience of life, emphasising the vanity of existence. In a room with a bed and canopy, the praying figure is led by the song of the angel, who hints with a pointing hand that nature decomposes, but that the soul can be immortal; it shows him a still life full of symbols: at the centre a skull or skeleton shines, a "memento mori," a reminder that death is inevitable; an hourglass reminds him of the passage of time; it rests on a book, which traditionally alludes to excessive pride in learning. But everything passes.And after these, other objects allude hopefully to the afterlife. The painting has a moralistic message that encourages the viewer to consider their own mortality and how they live their life. This still life compares the vain nature of mortal life with the possibility of eternal life. The Cross is presented as the purpose of his commitment, as well as the rosary that will allow him to live in prayer, and the whip hanging from the table, inviting him to live in penance and mortification.It seems that the painter is devoted to the Virgin Mary, whom he places above, being crowned as Queen and Lady by the Holy Trinity.To conclude, this serene painting does not suggest decay or sadness but carries a legacy of hopeful aspirations beyond life itself. Reference bibliography:- Espinosa Spínola, Gloria y Suárez Molina, María Teresa. (2023). Francisco Gómez de Valencia, un pintor del siglo XVII entre Granada y México. “Boletín de Arte-UMA”, n.º 44, Departamento de Historia del Arte, Universidad de Málaga, pp. 75-85. https://dx.doi.org/10.24310/ba.44.2023.16195- Prados, Raquel. (1999). Un lienzo inédito de Francisco Gómez de Valencia. “Cuadernos De Arte De La Universidad De Granada”, 30, 303–310. https://revistaseug.ugr.es/index.php/caug/article/view/9101

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Duggleby Stephenson of York
Lot 9086

Brushed steel table lamp, of baluster form with gold coloured solder effect decoration, with shade, H80cm (including shade)

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Duggleby Stephenson of York
Lot 9210

Collection of crested ware including Grafton China, Arcadian etc, Victorian pink lustre mug, studio pottery table ware, shells, plaster plaque etc in two boxes

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Duggleby Stephenson of York
Lot 9206

Ercol - beech rocking chair (W61cm); 20th century oak drop leaf table; beech open armchair; side chair with rush seat (4)

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Duggleby Stephenson of York
Lot 9122

Set of six cut glass tumblers, Victorian glass dump, part cut glass dressing table set, Wedgwood jasperware, commemorative mugs etc in two boxes

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Duggleby Stephenson of York
Lot 9204

Early Victorian figured mahogany dressing table mirror, arched moulded frame supported by moulded and scroll carved horns, moulded platform on scrolled foliage carved feetCondition Report:The mirror leans as there is not enough pressure to keep it upright and adjustable.

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Duggleby Stephenson of York
Lot 9044

Pair of brass two branch wall lights, pair of lacquer table lamps, three other lamps and two bottles of fortified wine

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Duggleby Stephenson of York
Lot 9048

Egg-shaped shaped table lamp with glass mosaic design, glass bon bon jar and cover and wall bracket (3)

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Duggleby Stephenson of York
Lot 9049

Two part dressing table sets, Royal Doulton tea ware, Continental Scool - Oil on canvas, silver-plate etc in four boxes

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Duggleby Stephenson of York
Lot 9212

Victorian pine dressing table mirror, plain mirror plate on turned supports, on shaped platform Dimensions: Height: 76cm  Length/Width: 72cm 

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Duggleby Stephenson of York
Lot 9201

Early 20th century mahogany dressing table mirror (W47cm, H60cm); early 19th century mahogany pier mirror, sloped arch top over panelled frieze, plain mirror plate (36cm x 80cm) (2)

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Duggleby Stephenson of York
Lot 9191

Early 20th century oak draw leaf dining table, rectangular extending top, on spiral turned supports joined by X-stretcherDimensions: Height: 77cm  Length/Width: 92cm  Depth/Diameter: 91cm

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Duggleby Stephenson of York
Lot 9052

Glass bell shaped bowl, Falcon ware twin handled vase, light shades, tiled pine twin handled tray, table linen etc

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Duggleby Stephenson of York
Lot 6112

Brass charger, Victorian oil lamp, Japanese bronze censer, cast brass doorstop modelled as two partridge H30cm, bronzed bust of a child after Carl Emil Ruge, figural porcelain table lamp etc

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Duggleby Stephenson of York
Lot 6125

Early 20th century table canteen retailed by A. Steel & Co. Whitley Bay, containing a part set of Community Plate 'Georgian' design cutlery, including ten teaspoons, carving set, six table knives, six dessert knives, twelve tea knives, six tablespoons, four dessert spoons, twelve soup spoons, six fruit forks, eight fruit knives, plus extras, and some matched flatware, in mahogany canteen fitted with two cock-beaded drawers, on square tapering supports with spade feet, H78cm, D50cm, W74cm

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Duggleby Stephenson of York
Lot 6086

Pair of Chinese porcelain table lamps, each of inverted baluster form, decorated with wading Herons amongst reeds against a plain ground, raised upon circular hardwood base, H68cm including shade

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Duggleby Stephenson of York
Lot 6149

Collection of vintage Subbuteo table soccer including fifteen teams, pitch, fencing, score board, ball boys, camera towers, trophies etc

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Duggleby Stephenson of York
Lot 6134

Set of six cased silver teaspoons by William Suckling Ltd, Birmingham, 1938, three-piece silver cruet, matching set of silver plated kings pattern cutlery including twelve table knives & eleven dessert knives with silver handles by Mappin & Webb, Sheffield 1927, three-piece silver-plated tea set etc Condition Report:Approx silver weight 2.7 ozt (83.9 grams) (excluding knives)

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Duggleby Stephenson of York
Lot 8574

Four piece silver backed dressing table set, other silver mounted dressing table items, pair of glass silver topped globe scent flasks Birmingham 1920, set of six 19th century silver teaspoons and a pair of silver tongs

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Duggleby Stephenson of York
Lot 8570

Victorian silver foliate engraved curved oblong snuffbox, hallmarked Birmingham 1899, L7cm, and an Edwardian silver dressing table ring box, hallmarked Chester 1909, L13cm(2)Condition Report:Snuff box in good condition, ring box with some dents and dings to the cover and the cover does not sit flush

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Duggleby Stephenson of York
Lot 8533

George V silver cased table cigarette box, hallmarked Birmingham 1924Condition Report:H6cm x L17.5cm x D9cm

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Duggleby Stephenson of York
Lot 8537

Silver backed three piece dressing table set, silver dressing table trinket box, small silver capstan inkwell, a cased pair of silver napkin rings, a single silver napkin ring and a metal napkin ring

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Forum Auctions
Lot 204

Voyages.- [Prevost (Abbé) and others.] Histoire Générale des Voyages ou Nouvelle Collection de toutes les Relations de Voyages par Mer et par Terre..., 19 vol. only (of 20), some with half-titles, titles printed in red and black, engraved portrait frontispiece, c.555 engraved maps, plans and plates, many double-page or folding, folding letterpress table to vol. 13, bookplate of the Rev. F. Hutcheson with ownership inscription "F. Hutcheson 1776" to titles, vol. 1 with one folding map chipped at edges and loosely inserted and rear free endpapers torn and frayed, vol. 6 large folding map with 2 short tears without loss, vol. 18 title with imprint trimmed and laid down, vol. 19 worm trace to fore-margin towards end, a few folding plates creased or little chipped at margins, occasional spotting or light browning, occasional light soiling or damp-staining, but in general very good copies, contemporary mottled calf, spines gilt in compartments and with morocco labels (some chipped), some worming to joints, rubbed and worn in places, [Hill 1391; Sabin 65402], 4to, Paris [vol. 17 Amsterdam], Didot [and others], 1746-1770; sold not subject to return.  *** "An important and scarce collection" (Hill) including voyages to Africa, China, India, the Americas and elsewhere. Volumes 1-7 are a translation of Green’s A new general collection of voyages and travels, first published in 1745, and the Abbé Provost compiled volumes 8-15. Volume 16 is the general index for the work, and volume 17 (Amsterdam, Arkestée et Merkus) gives the account of the Dutch East Indies, taken from the edition printed at La Haye. Volumes 18, 19 and 20 (the last not present in this set, as often), published in 1768, 1770 and 1789 respectively, are a continuation of the work by MM. Querlon and De Surgy.

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Forum Auctions
Lot 182

South America.- Wallace (Alfred Russel) A Narrative of Travels on the Amazon and Rio Negro, first edition, linen-backed colour lithograph frontispiece, 8 linen-backed lithographs, lacking folding letterpress table of vocabulary and advertisements at end, ex-Manchester Subscription Library with occasional discreet ink-stamps, faint abrasion mark to title, occasional faint marginal finger-soiling, one or two marginal pencil marks, new endpapers, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, 8vo, 1853. *** A scarce first edition of Wallace's earliest work, which made his reputation. This work is all the more remarkable given that the majority of Wallace's notes and drawings from this expedition were lost in a cargo fire whilst returning to England. 

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Forum Auctions
Lot 10

Africa.- Livingstone (David) Missionary Travels and Researches in South Africa, first edition, first issue, folding tinted lithograph frontispiece, engraved portrait, 2 tinted lithographs (one with marginal water-staining), 20 wood engraved plates, illustrations, 2 folding maps (1 in pocket at end), one folding table, 8pp. publisher's advertisements dated 'November 1, 1857' at end, scattered spotting, neat repairs and strengthening to hinges, original cloth, bumping to corners and extremities, neat repairs and restoration to spine ends, [Hosken p.126], 8vo, 1857. *** There is some confusion over which variant is the first edition, first issue. This copy matches the precedence given by Gaston Renard with the lithographs by W. West facing pp.66 and 225.

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Forum Auctions
Lot 17

Africa.- Stanley (Henry Morton) In Darkest Africa, 2 vol., first edition, frontispieces, plates, 3 maps only (of 4), of which 2 folding, one with tear and tape repair verso, folding table at end vol. 2, scattered spotting, occasional marginal water-staining, vol. 1 lacking final free endpaper, original pictorial cloth, rubbed, bumping to corners and extremities, [Hosken p.189], 1890 § Murray (Hugh) Historical Account of Discoveries and Travels in Africa, 2 vol., second edition, 7 engraved maps (3 folding), spotting, off-setting, vol. 2 with occasional water-staining, bookplates, contemporary calf, vol. 2 rebacked retaining original backstrip, a little rubbed, 1818 § Burrows (Captain Guy) The Curse of Central Africa, second impression, half-title, frontispiece, title in red and black, plates and illustrations, one folding map, 18pp. advertisements at end, scattered spotting, one or two faint marginal pencil notes, original cloth, rubbed, bumping to corners and extremities, fading to spine [Hosken p.33], 1903; and 3 others, Africa, 8vo (8).

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Forum Auctions
Lot 188

Spain.- Espinosa de los Monteros (Pablo) [Primera (-Segunda) Parte de la historia antiguedades y grandezas de la muy noble y muy leal Ciudad de Sevilla], first edition, 2 parts in 1 vol., title for vol. 2 only bound at beginning (woodcut device to title & trimmed affecting 'Primera Parte' in manuscript at head), lacking title to vol. 1 & *2 and vol. 2 lacking 4pp. table at end, *1-6 misbound (vol. 1), closely trimmed throughout occasionally affecting headlines, catch-words, signatures or side-notes, water-staining throughout, small holes or loss occasionally affecting text, many ff. with neat old repairs (most marginal), 11 ff. with repairs and missing text supplied in neat manuscript, lacking 12 ff. now supplied in manuscript in a neat hand, occasional manuscript notes in a different hand, spotting, nineteenth-century calf-backed boards, a little rubbed, bumping to corners and extremities, 4to, Seville, Matias Clavijo & Juan de Cabrera, 1627-30; sold not subject to return *** Scarce in retail. The last copy we can find at auction sold in 1977. Though still important, this history of Seville is not accurate as the author included many myths and legends that related to the city.

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Forum Auctions
Lot 216

World.- odd volumes.- Cook (Captain James) & Captain James King. A Voyage to the Pacific Ocean ... for making Discoveries in the Northern Hemisphere, vol. 3 only (of 3), 5 engraved maps only (of 6), including map of Hawaii, one folding, one folding table, trimmed at foot just touching text, faint off-setting, scattered spotting, contemporary half-calf, rebacked, a little rubbed, 1784 § Middleton (Charles Theodore) A New and Complete System of Geography. containing a full, accurate, authentic and interesting Account and Description of Europe, Asia, Africa, and America, vol. 2 only (of 2), title in red and black, 43 engraved plates, 13 engraved maps (one folding), list of subscriber's bound at end, occasional water-staining (mostly marginal), occasional chipping and small loss to edges, scattered spotting, contemporary reverse calf, upper cover and front free endpaper detached, cracked lower joint, rubbed and worn, bumping to corners and extremities, 1778 § Payne (John) Universal Geography, formed into a new and entire System; describing Asia, Africa, Europe, and America, vol. 3 only (of 3), hand-coloured frontispiece, 22 engraved plates, 7 hand-coloured maps (one folding, with tears and small loss), previous owner's ink signature to title, 2G2 with large loss affecting text, spotting and staining, one or two marginal tears, previous owner's ink notes to front free endpapers, contemporary calf, rubbed, and worn, small loss to upper cover, bumping to corners and extremities, Dublin, 1809; 4to & folio (3); sold as a collection of plates and maps, not for return. 

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Forum Auctions
Lot 57

China.- Le Comte (Louis) Memoirs and Observations ... Made in a late Journey Through the Empire of China, third edition, engraved portrait frontispiece, 3 engraved plates (2 folding), 1 folding table, engraved illustrations, lacking folding engraved map, scattered spotting and staining, trimmed occasionally affecting signature of catch-word, previous owner's ink signature to title and frontispiece verso, lacking final free endpapers, later panelled calf, upper cover detached, rubbed, small loss to lower board, bumping to corners and extremities, [Wing L833], 8vo, for Benjamin Tooke, 1699.

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Stride & Son
Lot 698

Thirty three Edwardian silver handled fiddle and shell pattern knives, by Goldsmiths & Silversmiths Co Ltd, London 1907, comprising: eleven large table knives; eight small table knives and fourteen side knives.

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Stride & Son
Lot 729

A set of six George III silver Old English pattern table forks, by William Eley I & William Fearn, London 1804; together with various other Georgian and later Old English pattern silver cutlery, 1128g.

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Stride & Son
Lot 766

An Art Nouveau silver six piece dressing table set, probably by Charles Henry Dumenil, London 1901.

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Stride & Son
Lot 718

A set of five George IV silver old English pattern table spoons, by John, Henry & Charles Lias, London 1826, 249g.

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Stride & Son
Lot 724

A set of six Victorian silver Old English pattern table forks, by Chawner & Co, London 1845, 472g.

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Stride & Son
Lot 769

A silver engine turned three piece dressing table set, by Charles S Green & Co Ltd, Birmingham 1948-50.

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Stride & Son
Lot 707

A Colonial white metal table spoon, stamped 'FR' three times, 22cm long, 39.5g.

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Stride & Son
Lot 721

Five George III provincial silver Old English pattern table spoons, three by Dorothy Langlands, Newcastle; two by Ann Robertson, Newcastle 1805, 324g. (5)

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Stride & Son
Lot 727

A pair of George III silver bright cut sugar tongs, by G.B; together with a pair of Victorian fiddle pattern sugar tongs; a preserve knife, having bone handle; and a pair of George III silver fiddle pattern table spoons, 232g weighable. (5)

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Stride & Son
Lot 677

A cased silver five piece dressing table set, by W J Myatt & Co, Birmingham 1942.

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Sheffield Auction Gallery
Lot 47

Butler (Sheffield) Part Canteen of Kings Pattern Plated Cutlery, (one associated table fork / lacking one teaspoon), in original fitted canteen; a similar set of five coffee spoons.

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Sheffield Auction Gallery
Lot 120

A Hallmarked Silver Old English Pattern Table Spoon, initialled; together with a pair of hallmarked silver Fiddle pattern sugar tongs, Elizabeth & John Eaton, London 1861 (115grams). (2)

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Sheffield Auction Gallery
Lot 111

A Hallmarked Silver Christening Spoon, initialled, in original fitted case; together with a Scottish hallmarked silver fiddle pattern table spoon and two Scottish hallmarked silver teaspoons (120grams). (4)

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Toovey's
Lot 1268

A Regency figured mahogany mantel timepiece with eight day single fusee movement, the backplate signed 'Grimalde & Johnson 431 Strand London', the circular enamelled dial with black Roman hour numerals, the arched case with applied gilt brass lyre and anthemion decoration above ebonized stringing, on a plinth base and brass ball feet, height 19.5cm, with pendulum. Note: Grimalde & Johnson are recorded London clockmakers who were in partnership between 1809 and 1825. They are best known for their small ebonized table clocks, made in limited numbers.

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Dreweatts 1759
Lot 48

Y&nbspA CONTEMPORARY INDIAN ROSEWOOD, GILT METAL, DIAMOND AND CULTURED PEARL DRESSING TABLE SET Comprising a rectangular tray with bark effect gilt metal handles and bun feet, scrolled wire detail to the corners with diamond accents, together with three gilt metal bowls, the rosewood covers with cultured pearl finials and diamond accents, and three similar scent bottles Tray 56cm With a white leather box and outer card packagingROSEWOOD This lot is subject to CITES export/import restrictions. The lot can only be shipped within the United Kingdom or picked up from our Donnington Priory saleroom in person. Please Refer to 'IMPORTANT INFORMATION' Symbols Glossary for more information. Prospective bidders are advised that most countries prohibit the importation of lots containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. It is the sole responsibility of the buyer to comply with all Export/Import regulations and potential bidders are strongly recommended to check with their shipping agent as to any such regulations that may apply to any lot. Dreweatts are not shippers and are unable to offer any advice regarding such regulations outside the United Kingdom.   

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Dreweatts 1759
Lot 203

A SAPPHIRE AND DIAMOND CLUSTER RING The pear cut sapphire estimated to weigh 3.17 carats claw set within a surround of marquise cut diamonds, approximately 1.92 carats total, to trifurcated wire shoulders, the shank with sizing beads, unmarked Size/dimensions: finger size approximately Q Gross weight: 11 grams Condition Report: Sapphire measuring approximately 12.5 x 9.18mm x 3.84mm There are replaced claws, the shank has been sized, but has a slight splitting to one of the seams, some of the supports below the cluster are not joined to the base- appears to be from the ring size being made larger, one support missing. The sapphire is bright and lively, there is a crystal inclusion under the table, some nicks and nibbles to the facet edges. The diamonds are bright and lively, some slight variation in colour and clarity, colour mostly I-K, clarity mostly Vs, one stone has a slightly milky appearance. Condition Report Disclaimer

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Dreweatts 1759
Lot 167

AN EMERALD AND DIAMOND CLUSTER DRESS RING The step cut emerald with canted corners estimated to weigh 7.15 carats, with tapered baguette cut diamonds in fan shaped channel settings, with graduated brilliant cut diamond borders, approximately 2.42 carats total, the shank stamped CASCIALU 750 with Italian control mark 312ROMA, to a tapered reeded shank Size/dimensions: finger size M 1/2 Gross weight: 16.2 grams Condition Report: The emerald measuring approximately 11.8mm x 10.3mm x 8.5mm, typical inclusions, but a bright stone, a couple of nicks to the table facet edge. The ring has some light wear, surface scuffs. The diamonds are all present and correct, bright and lively, colour mostly H-J, clarity mostly VS-SI.Condition Report Disclaimer

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Dreweatts 1759
Lot 59

A SILVER GILT AND ENAMELLED COMMEMORATIVE TABLE BELL STUART DEVLIN, LONDON 1973, NO. 27 Commemorating the marriage of H. R. H. Princess Anne to Captain Mark Phillips 14.11.73, with a textured body to an enamelled leaf and floral terminal 22cm (8 3/4in) high 329g (10.55 oz) gross With a Stuart Devlin box

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Dreweatts 1759
Lot 109

AN AQUAMARINE AND DIAMOND DRESS RING The cushion cut aquamarine estimated to weigh 34.17 carats in claw settings to the corners, to tapered baguette cut diamond set shoulders, approximately 0.72 carats total, the shank with sizing beads, lasered 750 with partial hallmark and KPd maker's mark Size/dimensions: finger size approximately K Gross weight: 19.9 grams Condition Report: Aquamarine 24mm x 18.17mm x 13mm. The aquamarine has a couple of scratches to the surface of the table that are visible with the naked eye, there are also some small chips and nicks to the crown and table, however this does not effect the transparency of the stone. The aquamarine slightly moves in the setting when manipulated, but doesn't shake in the setting when held. The diamonds are bright and lively, present and correct. There is some abrasion to the setting commensurate with use, particularly to the back of the shank, some knocks and dinks as well as scuffing. There are two sizing beads to the inside of the shank. Partial UK hallmark for 18ct white gold Please note that the maker's mark should read KPJCondition Report Disclaimer

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Cheffins
Lot 599

A Victorian walnut fold over card table. 72cm x 92cm x 45cm (70 x 90 x 92 open)

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Cheffins
Lot 549

A pair of cream and gold painted china baluster table lamps 37cm High (2)

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Cheffins
Lot 570

An early 19th century oak tripod table, three plank tilt top on cabriole legs. 69cm x 77cm diam, together with another similar 19th century mahogany tripod (AF) 76cm x 95cm and another oak topped tripod table 68cm x 65cm diam (3)

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Cheffins
Lot 577

George III mahogany card table with carved spiral twisted leg. 76cm x 91cm x 45.5cm (open 74cm x 91.5cm x 90cm)

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Cheffins
Lot 382

A collection of silverware including napkin rings, tea strainer, dressing table items, tea caddy, flatware etc., 792.7g (25.5ozt) weighable silver

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Cheffins
Lot 600

A Victorian walnut fold over card table, 74cm x 92cm x 45cm, (70cm x 89cm x 92cm open)

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Cheffins
Lot 558

A late 19th century oak draw leaf extending table with heavily carved bulbous leg and gadrooned edge. 77cm x 105cm x 91cm

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