We found 1181627 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 1181627 item(s)
    /page

Lot 308

Oak dressing table with triptych mirror, on bracket feet

Lot 56

Art Nouveau silver 800 grade six piece dressing table set

Lot 120

GARDEN TABLE AND CHAIRS, square glazed table enclosing four armchairs and weatherproof cushions, 127cm x 127cm x 74cm H.

Lot 149

TABLE CANDLE LIGHTS, a set of three, removable glass tops, plated silvered pillar bases, 37cm H x 14cm x 14cm. (3)

Lot 166

TABLE LAMPS, a pair, 'Designer' style, mirrored glass and plated metal stands, satin grey shades, 78cm H, shades 38cm W. (2)

Lot 19

GLASS TOPPED DINING TABLE, walnut legs, 178cm L x 87cm D x 78cm H.

Lot 199

CONSOLE TABLE, in cream, Chinese style with four drawers and cupboard on square supports, 89cm x 25cm x 89cm H.

Lot 22

LOW TABLE, by Andrew Martin, brown leather top, 60cm D x 41cm H x 121cm W.

Lot 229

'PINEAPPLE' TABLE LAMP, 50cm H, together with three copper finished uplighters. (4)

Lot 23

LOW TABLE, by Andrew Martin, metal framed, 141cm W x 82cm D x 42cm H.

Lot 276

BESPOKE SCULPTURAL TABLE AND SCULPTURAL STUDY, worked steel with figural freestanding study of Alto Sax Player.

Lot 281

LOW TABLE, chrome framed of rectangular form with double square glass top, 42cm H x 86cm W x 44cm D.

Lot 287

CONSOLE TABLE, with glass top on chromed metal supports, 120cm x 40cm x 76cm H.

Lot 293

BISTRO, a set of three, circular in grey metal, all folding table, 60cm diam. x 71cm H plus a pair of matching chairs. (3)

Lot 310

CONSOLE TABLE, rectangular with cast brass framework, two glass tiers and mirrored base, 75cm x 115cm x 35cm.

Lot 454

TABLE LAMPS, a pair, of tin tea cannister form, 37cm H; and another 48cm H. (3)

Lot 498

TABLE CANDLESTICKS, a pair, 19th century bronze, with Classical figurative supports and lustres, 25.5cm H (two lustre drops lacking).

Lot 507

DROP LEAF TABLE, George III mahogany with hinged oval top, 71cm H x 45cm W x 121cm D, 139cm open. (with faults)

Lot 508

SILVER TABLE, George I style walnut and beechwood with ogee shaped frieze drawer, 79cm H x 84cm W x 56cm D. (with faults)

Lot 527

TABLE LAMPS, a pair, copper coloured, twin light, 40cm H. (2)

Lot 541

IRISH TEA TABLE, George III mahogany demi lune foldover with satinwood foliate inlaid frieze, 92cm W x 44cm D x 73cm H.

Lot 543

CONSOLE TABLE, early 19th century Empire flame mahogany and gilt metal mounted with frieze drawer, undertier and white marble top, 88cm W x 34cm D x 89cm H.

Lot 554

CONSOLE TABLE, 19th century Italian walnut and gilded with inset rare sienna/rosso marble top and scroll supports, 83cm H x 104cm W x 48cm D.

Lot 564

CONSOLE TABLE, 19th century French Louis Philippe flame mahogany with shaped frieze drawer undertier and veined grey marble, 86cm W x 44cm D x 88cm H.

Lot 577

SIDE TABLE, Edwardian mahogany and string inlaid with a short drawer below on square tapered supports with castors joined by stretchers, 63.5cm W x 67cm H x 47cm D. (with faults)

Lot 60

GARDEN TABLE, painted wrought metal, with circular glass top, 96cm diam. and four chairs (with faults). (5)

Lot 601

HALL TABLE, Victorian mahogany with a raised pediment back and a short drawer below to one end on turned supports, 105cm W x 93cm H x 46.5cm D. (with faults)

Lot 606

SIDE TABLE, Louis XVI style marquetry and brass mounted with single drawer, 68cm x 47cm x 77cm H.

Lot 614

BREAKFAST TABLE, Victorian with circular mahogany top on a carved and turned column and triform base, 137cm W. (with faults)

Lot 638

LOW TABLE, 19th century Chinese elm with four square section supports, 97cm x 97cm x 50cm H.

Lot 643

DINING TABLE, late Victorian oak with semi circular ends and four extra leaves, winder included, 76cm H x 137cm D x 304cm extended.

Lot 651

DRESSING TABLE, circa 1925, Swedish Art Deco birch, elm and satinwood with triple hinged bevelled mirror above five drawers and two angled recessed doors, 164cm H x 133cm W x 55cm D.

Lot 655

FARMHOUSE TABLE, 19th century French poplar and oak with a rectangular top and a short drawer below on square chamfered supports joined by stretchers, 150.5cm L x 70.5cm H x 70cm D. (with faults)

Lot 659

BREAKFAST TABLE, early Victorian rosewood with circular tilt top on hexagonal baluster pedestal, 71cm H x 131cm D. (with faults)

Lot 669

REFECTORY TABLE, with a rectangular zinc top on a wooden base with trestle-end supports joined by a stretcher, 275cm L x 72.5cm H x 93.5cm D.

Lot 695

GARDEN ARMCHAIRS, a pair, teak with curved arms and rounded back together with a low table 52cm x 52cm x 38cm. (3)

Lot 696

CONSOLE TABLE, Art Deco rosewood veneered arched rounded rectangular ribbed construction with inset marble top, 94cm W x 86cm H x 37cm D.

Lot 8

TABLE LAMPS, a pair, of substantial proportions, ruby glass with shades, each 94cm H overall. (2)

Lot 80

B&B ITALIA DINING TABLE, oval with grey/black lacquered top on chromed metal frame, Max Alto stamp on frame, 250cm x 100cm x 74cm H. (with faults, scratch marks to top)

Lot 666

A collection of dolls house furniture, early 20th century and later, including some tin plate, a filigree metalwork cot and pram, tin plate fireplaces, table settings and accessories, together with five dolls house porcelain headed and limbed dolls with cloth bodies. (q)

Lot 758

A Turkish/Ottoman Tophane pipe, late 19th century, with pewter mouth piece, clay pipe bowl moulded with decorative motifs, attached wire bound cover with chain, the bowl marked 'S. Seilek, Consple' and '117', a/f bowl damaged requiring restoration, 20cm long, a Belleek porcelain vase, with pierced rim, cast and painted with clover, on a circular base, 19cm high, and a faux tortoiseshell table top shaving stand, early 20th century, with circular mirror, height adjustable, and integral bowl, missing razor, 14 by 32cm high. (3)

Lot 778

A rusted metal table sculpture, 20th century, modelled as a sitting musician with an African kaliba harp, reportedly from the estate of Womack and Womack, 55 by 37 by 49cm high.

Lot 779

A spelter figural table lamp, early 20th century, modelled as a Medieval warrior, with helmet, chain mail, broad shield, lion skin cape and pike, on a circular stepped base, bears signature Poitevin, 27 by 74cm high.

Lot 924

A pine kitchen table, late 20th century, with scrubbed surface, white painted lower section, turned legs, 152 by 68.5 by 78cm high.

Lot 925

An oak round coffee table with boldly carved legs and turned stretchers, 61 by 48cm high, together with a modern gilt framed wall mirror, 46 by 82cm high. (2)

Lot 926

An early 20th century pine kitchen table with two drawers, raised on square section tapering legs, 121 by 76 by 76cm high, together with two Edwardian oak side chairs, with carved frames, floral upholstered seats, and turned legs, each 45 by 45 by 98.5cm high. (3)

Lot 928

A 19th century mahogany Pembroke table, single drawer and drop leaves, later/replaced surface, raised on turned and reeded legs terminating in brass castors, 89.5 by 48 by 71cm high.

Lot 939

An Edwardian oval occasional table, with cross banded mahogany surface, 76 by 52 by 72cm high, together with two salon chairs, one with pink seat 50 by 43 by 93cm high, and one with green seat and back 44 by 43 by 91cm high. (3)

Lot 954

A 19th century mahogany carved table, shaped fold over surface over a plain frieze, raised on chamfered straight legs with blind carved and C scroll decoration, joined by X-frame stretchers, 76 by 38 by 77cm high.

Lot 956

An early Victorian rosewood card table, fold over surface with circular green baize above applied moulded detail to the frieze, faceted baluster pedestal on a circular base and four carved lion's paw feet, 92 by 45.5 by 79cm high.

Lot 248

JENNER EDWARD: (1749-1823) English Physician & Scientist, the pioneer of smallpox vaccine, the world's first vaccine. An extremely rare and significant manuscript notebook, unsigned, the tall 8vo bound volume compiled by Jenner, comprising over 100 pages of holograph text (and some original illustrations and diagrams), n.p., n.d. (c.1822/23), being Jenner's transcripts of contemporary scientific texts relating to meteorology. Jenner's notes explore the various aspects of contemporary meteorology, including the observations and discoveries of leading academics including William Falconer, Luke Howard and Thomas Forster and cover a wide variety of meteorological subjects from instrumentation ('a complete apparatus of meteorological instruments should include the Barometer, Thermometer, Hydrometer, Photometer, Athrioscope, Cynometer') through to the influence of flora and fauna ('Animal effluvia as well as vegetable are capable of being mixed with the air, and suspended in it. These are now generally esteemed to be the cause or source of fevers of the malignant or contagious kind'). The comprehensive notebook includes texts from various publications, essays and papers, a few extracts of which include - 'The analysis of the atmosphere is one of the finest discoveries of modern Chemistry. It appears to consist of two distinct expansible fluids contained in different proportions, a single portion of oxygen gas being united to three parts by weight, or four parts by bulk, of azote. There is also a very slight admixture of carbonic acid gas, accounting perhaps to a thousandth part of the whole', from the Supplement to the Encyclopaedia Britannica written by Sir John Leslie between 1815-24, 'The degree of pressure of the atmosphere upon the human body has not been exactly estimated, it having been computed from 31,000 to 42,000 pounds' weight. In the different states of the atmosphere his varies, the effects of these variations are not ascertained', from the 'Remarks on the Influence of Climate, Situation, Nature of Country, Population, Nature of Food, and Way of Life' by William Falconer (London, 1781), 'It is the frequent observation of the countenance of the sky, and of its connection with the present and ensuing phaenomena, that constitutes the antient and popular meteorology. The want of this branch of knowledge renders the predictions of the philosopher, who is attending only to his instruments less generally successful than those of the weather-wise mariner or husbandman', from the Philosophical Magazine, (Vol. XVI, London, 1803. Article XVIII), 'On the Modifications of Clouds, and on the Principles of their Production, Suspension and Destruction'; being the substance of an Essay read before the Askesian Society in the Session 1802-3, by Luke Howard, 'One of the principle uses of meteorology is, that it enables us to predict, in some measure, the ensuing changes of the weather. To do this accurately, a familiar acquaintance with the modification of the clouds, and indeed with all the operations which are going on above, appears necessary. When two or more contrary indications appear, the result must be deduced from those which ultimately prevail; & that when several agreeable signs appear, the event may be predicted with additional certainty…some animals express signs of uneasiness previous to an alteration of the weather long before there are any visible signs of a change. Dogs for instance become very drowsy & stupid before rain & their ears are sometimes found considerably inflamed….cats though in a less degree are affected in the same manner - and a leech, confined in a glass of water, has been found, by its rapid motions…to indicate fair or wet weather. Peculiarities in the electric state of the atmosphere may…affect the constitution of animals in the same manner as they appear to do ours, & thereby excite pleasurable or uneasy sensations', from the 'Researches about Atmospheric Phaenomena etc.' by Thomas Forster (London, 1813), 'In the formation of thunder storms I have noticed that when the rain actually begins to form and descend, the intensity of the blackness is not so great as where the cumulostratus is only going into a state of nimbus. If therefore the density is increased in the formation of drops of water, the blackness must depend on some other peculiarity of structure', from an article in 'The Philosophical Magazine' (Vol. XLI, London, 1813) written by Thomas Forster, 'To establish meteorology on a solid basis we should inquire into the extent and constitution of the medium we breathe and assist external observation by the different philosophical instruments which implicate at all times the exact condition and qualities of that mutable fluid', from the 'Treatise on Meteorology' by John Leslie in the Quarterly Journal of Science, Literature, and the Arts (Vol. XIV, Article X, London, 1823) 'White clouds on a grey ground, is one of the most certain indications of a mixture of two currents possessed of different constitutions. Storms are more sudden from the West points, in their commencement and are preceded by greater indications of commotion in the atmosphere, are attended with greater variations of the Barometer, are more squally in their progress, more partial in their extent and generally of less duration than those from an East point', from 'Remarks upon Meteorology; with a Specimen of a New Meteorological Table' by Dr.Bostock, as it appeared in 'A Journal of Natural Philosophy, Chemistry and The Arts' by William Nicholson (Vol. XXV, London, 1810), 'The limit, or boundary of the atmosphere terminates where the expansive force or power of the air, upwards, or from the Earth's surface is completely overcome by the force or power of gravitation downwards, or towards the Earth's surface, which is estimated at about 44 or 45 miles. It is computed that it would extend only to about 5 ½ miles in height if it were so compressed, that its density throughout should equal its degree of density near the surface of the Earth', from an essay 'On the Barometer' by Richard Walker of Oxford, published in 'The Philosophical Magazine' by Alexander Tilloch (Vol. XL, July - December 1812). On two pages at the centre of the journal there can be found Jenner's grey & black water colour depictions of cloud types, faithfully rendered in the style of the originals as they appear in Luke Howard's On the Modification of Clouds (1803). A third original illustration has been neatly excised from its page. Bound in the original, plain dark cloth boards (some light staining and age wear) and with a pencil ownership signature and address to the front free endpaper of a Miss Perkins & Dr Perry of 3 Priory Street, Everton. Some light staining and age wear throughout, the text however completely legible and not significantly affected in any way. Generally G £15000 - 20000A fascinating and remarkable meteorological record compiled by Jenner for his personal reference. Jenner's interest in meteorology is not well documented, however, it would undoubtedly have been a subject of great importance to him in association with his experimentation with ballooning and his studies of bird migration. The present notebook offers a unique insight into the aspects of meteorology he most desired to understand. Jenner is frequently referred to as the 'father of immunology' and his work is said to have saved more lives than the work of any other human. A member of the Royal Society, in the field of zoology he was the first person to describe the brood parasitism of the cuckoo. In 2002 Jenner was named in the BBC's list of the 100 Greatest Britons.

Lot 256

TSIOLKOVSKY KONSTANTIN: (1857-1935) Russian Scientist. A Pioneer of the astronautic theory, considered one of the founding fathers of rocketry. Rare A.L.S., K. Tsiolkovsky, two pages, n.p., n.d., in Cyrillic. The document being part of a scientific content text related to multistage space rockets, with mathematical formulas and reasoning by Tsiolkovsky, stating in part `...counting the last space rocket train as the first one. Then the ordinal number will be y and we obtain: у + х = п1 + 1.´ further saying `Excluding the x from the equation (25) with the help of this equation, we obtain: (Long formula), With this, we have proved that by counting the trains in reverse, additional speed does not depend on the total number of rockets п1 train, but only on their reverse order (y).´ Tsiolkovsky concludes this reasoning with a statement `The idea of space rocket trains opens up vast horizons. Its realization makes the conquest of the solar space so real that it takes one's breath away.´ and further again returns to formulas stating `Let's go back to the calculations: We make a table frame by which means it will be easy to calculate the speed of each individual train and the highest full speed...´ A letter of excellent content. Overall age wear and a water stain to the left border, affecting only few words and not the signature, although the whole text remaining perfectly legible. G £600-900Space Rocket Trains (1929) is one of Tsiolkovsky´s main works, proposing the construction of multistage rockets.

Lot 556

ANNUNZIO GABRIELE D´: (1863-1938) Prince of Montenevoso. Italian Writer, Poet and WWI Soldier. Known as “The Prophet”. A.L.S., Gabriele d´Annunzio, (a large and attractive signature), two pages, folio, n.p., 16th October 1926, to Giovanni Rizzo, in Italian. On a large folio letter bearing to the heading one of his printed devises “Io ho quel che ho donato” (“I have what I have given”), d´Annunzio states in part `..Your Excellency will see how my fasting doctrine, when we will be at the Vittoriale table, allows me to wait… My House is full of workers.. I have temporary a table at the Grand Library..´ Accompanied by the original 11 x 8 envelope written in D´Annunzio´s hand, adding at the base the word `Urgentissimo´ (“Very Urgent”), which he underlines repeatedly. Also bearing an attractive blue wax seal to the verso. Very small overall age wear and few pinholes to the upper edge, otherwise. VG £600-900Giovanni Rizzo (1885-1965) Superintendent and Prefect, close to Mussolini, both as protector and overseer. Attilio Teruzzi (1882-1950) Italian Fascist Politician. Minister of Italian Africa. D´Annunzio refers to him as `His Excellency´.

Lot 14

A fine and large late 19th Century/early 20th Century French white metal table top centre piece in classical style, standing on four scrolling feet with female masks inset and the main body inset with French Louis style masks, heavily engraved throughout and with removable internal liner.

Lot 174

A superb quality kitchen "Butcher's Block" style central island table of massive proportions, standing on four legs with two tiered storage frame beneath and a monumental five inch thick solid wooden top. H=105, W=200, D=128cm

Lot 217

A pair of painted metal and gilded table lamps formed as monkeys standing on rectangular bases. H=36, W=14cm

Lot 22

A sterling silver table cigar lighter in the form of a thistle, standing on a leaf design base rising to a decorative thistle body. Hallmarked with lion passant, other marks indistinct. Weight 292.1g. H=13, W=15cm

Lot 221

A 19th Century bronze table top cigar lighter formed with the head of an African man sitting on a base formed as a four clawed foot, the head with cigar in mouth and the top of the head with small hinged aperture to the top.

Lot 222

A 19th century cast brass table top cigar lighter formed with the head of Pan or the devil, standing on a four clawed foot, the head with cigar in mouth and the top of the head with small hinged top to reveal an aperture to the top.

Lot 226

A good 19th Century French Empire style gilt brass table centrepiece in the Egyptian taste and the manner of the Grand Tour, standing on three paw feet with circular base, with applied gilded masks and decoration rising to three ancient Egyptian men in traditional dress surmounted by a circular gilded support containing a gilded and decorated removeable dish. H=30, W=23cm

Loading...Loading...
  • 1181627 item(s)
    /page

Recently Viewed Lots