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HOLINSHED, Raphaell - The First and Second Volumes of the Chronicles : early calf, folio, gen. title, sources (aiii), epistle, table of chapters, 1 - 250, title, epistle, 1 - 202, blank, gen title, epistle, sources (a3), epistle, 9 - 61, title, epistle (aii - iv), 1st & 2nd preface, epistle, 1 - 183, title, epistle (aii), contents, 7 - 23, title, epistle, 29 - 464, indices + colophon (27 leaves), 1587. * appears complete
A J. MICHEL, PARIS CAMEO GLASS ELECTRIC TABLE LAMP BASE, early 20th century, the original stamped gilt metal mount and arms with fleur-de-lys terminals fixed to an inverted baluster stem and slightly domed foot, the cased yellow ground overlaid in shades of amber and cut through to show yachts on a lake, cameo signature, glass 6 1/2" high
A GEORGIAN MAHOGANY WORK TABLE, early 19th century, of octagonal form with ebony and boxwood stringing, the radial veneered top part hinged to reveal interior fitted with six small drawers, turned stem with wrythen collar, the tripod base with down curved legs and spade feet, 17 3/4" x 30"
A LEATHER BOUND AND BRASS COFFEE TABLE in the manner of Jacques Adnet, c.1960, the stitched leather top of rounded oblong form, raised on tubular brass legs and pad feet joined by a cross stretcher, 36 1/2" x 18 1/4" x 16 1/4", together with a similar book shelf, 31" x 12", and an occasional table/magazine stand, 24" x 16 1/4" x 18 1/2" (3)
A SATSUMA EARTHENWARE VASE, late 19th century, of rounded cylindrical form with waisted neck, painted in typical palette with two panels, one of a young boy standing beside his seated father near a table surmounted by a vase and a fan, the other of a similar flower filled vase on a low stand with fan beside, unmarked, 6" high
A REGENCY ROSEWOOD SOFA TABLE, early 19th century, with gilt metal mounts, reel edged rounded oblong top over similarly edged frieze with a drawer and dummy drawer to each side raised on four scrolled supports, concave platform base with hipped downswept legs and brass toes and castors, 37" (flaps down) x 25 3/4" x 38 1/2" (Illustrated)
A CARVED WALNUT ROCOCO REVIVAL WRITING TABLE, French late 19th century, of oblong serpentine form, the moulded edged top lined with tooled inset green leather, waved frieze pierced and carved with foliate scrolls on a punched diapered ground, raised on leaf carved cabriole legs joined by a shaped cross stretcher with central carved boss, 36" x 24 1/2" x 29 1/2"
A COLLECTION OF POWDER FLASKS AND CARTRIDGE LOADING EQUIPMENT, comprising a Hawksley powder flask, two others un-signed and a pistol flask, a Hawksley shot measure, a similar Hawksley powder measure and another unsigned, a hand crimper, pincher bullet mould, hand loading table clamp, table top clamp dated 1891 and other similar items (15)
AN ART DECO BURR WALNUT DINING SUITE comprising extending dining table of rounded oblong form with single leaf, moulded edged top, raised on lyre shaped end supports on flared block feet joined by a floor stretcher, 69" x 33 1/2" x 31", ensuite with four chairs, the padded back and seat in green leather, and a sideboard, 58" x 20 1/4" x 35 3/4" (Illustrated)
A GEORGIAN WALNUT CASED TABLE CLOCK, c.1730, by James Backhouse, Lancaster, the six pillar fusee movement with verge escapement and pull repeat on a bell, back plate engraved with grotesques, birds and foliate scrolls, 7" arched brass dial with foliate chased centre and silvered chapter ring with Roman and Arabic numerals, signature plaque, the arched with silver boss chased with an eagle inscribed "Tempus Fugit" and with calendar aperture below, the case with caddy top and brass carrying handle, pierced fretwork door panels, similar sound frets to the sides, moulded base and bracket feet, 11 1/2" x 20" (Illustrated) c.f. Biographical list of Clockmakers North Lancashire and South Westmoreland 1680-1900 by Susan Stuart for a biographical of a similar clock by Backhouse
A COLLECTION OF IRISH GEORGE III SILVER FLATWARE including a Celtic point pattern teaspoon, maker John Toleken, Cork, c.1800, a dessert spoon, maker probably Gibson, Cork, c.1800, a similar set of three dessert spoons, maker Carden Terry, Cork (Sterling), c.1780, a pair of Fiddle pattern table forks, maker probably Richard Garde, Dublin 1812, and two similar forks, makers M. West and Daniel Corbett (Dublin 1810), all except teaspoon engraved with the matching crest of a lion and a star, 13ozs 9dwts total (9)
A VICTORIAN KINGWOOD AND MARQUETRY FOLDING CARD TABLE in the French revival style richly inlaid with scrolling foliage, griffins and urns, and with ebony trim, stringing and gilt metal mounts, the earred swivel top lined in baize and opening to reveal interior with fitted compartments, raised on turned tapering and fluted ebonised legs joined by shaped cross stretchers centred by an urn surmount, 25" x 16 1/2" x 30" (Illustrated)
A REGENCY MAHOGANY WORK TABLE, early 19th century, of rounded oblong form with crossbanding, hinged top on fly brackets, the frieze drawer with turned wood handles over a sliding basket in pleated pale green silk, U shaped support on concave platform base, scrolled feet and brass toes and castors, 19 1/2" x 16 1/2" x 28" (Illustrated)
A ROSEWOOD WORK TABLE, early/mid 19th century, of oblong form, the hinged lid opening to a fitted interior, basket below in eau de nil pleated silk, raised on pierced lyre supports, trestle base with lion paw feet and wooden castors joined by a pair of pole stretchers, 20" x 14 1/2" x 28 1/4" (Illustrated)
A LATE VICTORIAN ROSEWOOD SUTHERLAND TABLE, the moulded edged canted oblong top with satinwood banding, raised on reeded square section end supports with down curved feet and fret panel, similar stretcher and ring turned leaf supports, 24" x 6 3/4" x 23 3/4", together with a mahogany and string inlaid tub chair with padded seat, 20 3/4" x 16 1/2" x 31 3/4"
AN EPNS TABLE SERVICE, c.1930's, retailed by Oddy, Wilson & Co., Harrogate, for eight place settings in Chippendale type pattern comprising fish, table and dessert knives and forks, soup, dessert and teaspoons, four tablespoons, fish servers and two piece carving set, all contained in a walnut Queen Ann style serpentine chest of three drawers with carved borders, on plain cabriole supports, 20" wide
A PAIR OF LATE GEORGE III SCOTTISH SILVER TABLE FORKS, maker's mark DM, Edinburgh 1790, together with a set of three Fiddle pattern table forks, maker Richard Garde, Dublin 1837, a set of three bead pattern table forks, makers Eley, Fearn & Chawner, London 1808, and three other forks, variously engraved, 23ozs 4dwts total (11)
AN EDWARDIAN PAINTED SATINWOOD OCCASIONAL TABLE of circular form crossbanded with stringing, the top with central floral bouquet within a trailing floral border, panel inlaid frieze, raised on square tapering legs and splayed feet joined by a concave sided square undershelf, 18" x 27 1/4" (Illustrated)
A BURMESE CARVED HARDWOOD TRIPOD TABLE, late 18th century, the beaded edge circular tip up top featuring a band of animals and temples on a foliate ground, similar deep waved frieze, turned knotted stem on scrolled tripod base carved with lions and eagles in high relief, 28" x 29 1/4"
AN EPNS PART TABLE SERVICE, c.1930's, makers Robert F. Mosley, Sheffield, for twelve place settings in Chippendale type pattern, comprising table and dessert forks, soup spoons, eleven dessert spoons, pair sauce ladles, three teaspoons, five tablespoons, eight each bone handled table and dessert knives, and four piece carving set, all contained in a mahogany Georgian style serpentine chest of three drawers with slide over, blind fret canted corners on bracket feet, 27 1/2" wide
AN EDWARDIAN MAHOGANY WRITING TABLE of oblong form crossbanded with stringing, the moulded edged top lined in green leather, raised back with two small drawers and pierced gilt metal gallery surmount, two frieze drawers with brass drop handles, raised on square tapering legs with brass toes and china castors, 35 /4" x 20 1/2" x 34 1/2"
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1181390 item(s)/page