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Ryedale Auctioneers
Lot 153

Bamboo rectangular coffee table with glass top and rattan shelf W.122cm D.61cm H.50cm, a similar two-tier oval side-table W.40cm H.70cm and two similar stools (4)

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Ryedale Auctioneers
Lot 165

Bamboo oval two-tier occasional table W.84cm D.46cm H.47cm, a bamboo three panelled folding screen W.50cm, H.183cm and a small bamboo magazine rack (3)

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Ryedale Auctioneers
Lot 166

Nest of three walnut rectangular occasional tables with burr top on turned supports W46cm D35cmH59cm, and a tripod mahogany occasional table with oval galleried top W46cm D30cm H57cm (2)

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Ryedale Auctioneers
Lot 168

Geo.11 style tripod wine table with burr walnut pie crust top, & three similar mahogany tables, D40cm H53cm max (4)

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Ryedale Auctioneers
Lot 169

Jaycee oak wine table, cup and cover support with X base D40cm H51cm and a Herbert Gibb teak rectangular occasional table on square supports (2)

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Ryedale Auctioneers
Lot 170

Good quality Chippendale style circular tilt pie crust top occasional table on vase tuned column and floral carved cabriole legs on claw and ball feet D60cm H49cm

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Ryedale Auctioneers
Lot 173

Georgian mahogany 3 tier square washstand a Regency mahogany table (AF) and an Edwardian mahogany jardinière stand with fan inlay (3)

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Ryedale Auctioneers
Lot 197

Two modern brass cased mantel clocks dressing table set a large Staffordshire style lion, Victorian and later ceramics

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Ryedale Auctioneers
Lot 215

Carved elm naturalistic fruit bowl, a burr walnut musical cigarette box with marquetry inlay, an olive wood stained cigarette box, a middle eastern inlaid cigarette box another decorative box and other decorative items including a small table bell with turned ebony handle, a heavy gauge brass bowl etc

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Ryedale Auctioneers
Lot 245

20th C Indo Persian Benares table, beaten brass top with dished centre extensively carved folding hardwood stand Diameter 78cm H53cm

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Ryedale Auctioneers
Lot 260

Burr walnut French style two-tier circular occasional table/ with single frieze drawer, with gilt metal mounts Diameter 38cm H.72.5cm

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Ryedale Auctioneers
Lot 267

Circa 1960s white painted pedestal dressing table stool and upholstered top

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Ryedale Auctioneers
Lot 280

Christian Dior white metal lidded circular ring box with red velvet interior and an EPNS table bell retailed by Harrods baring Harrods stamp (2)

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Ryedale Auctioneers
Lot 286

Geo.V silver dwarf dressing table candlesticks stepped square bases with ribbed and ribbon decoration H9cm

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Ryedale Auctioneers
Lot 303

Geo.III style mahogany dining suite comprising of oval wind out extending table, two additional leaves on scroll carved cabriole legs with claw and ball feet, L218cm W106cm H70cm, set of seven (5+2) dining chairs with drop in seats on cabriole legs with claw and ball feet, and a bow front sideboard W137cm D55cm H114cm

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Ryedale Auctioneers
Lot 311

Early 19th C mahogany tripod table, circular snap top on turned supports with ball feet D52cm H73cm (A/F)

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Ryedale Auctioneers
Lot 347

Onyx and brass table lamp H42cm another similar polished stone table lamp on squared base with feet, a pair of painted wooden astec style figure heads H50cm, H34cm, a pair of candlesticks

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Ryedale Auctioneers
Lot 350

Dressing table set with a pair of scent bottles, ring tray, powder pots and tray (AF) and other porcelain figurines

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Ryedale Auctioneers
Lot 369

Victorian mahogany Pembroke table, rectangular top with two fall leaves on turned supports and ceramic casters, W112cm D100cm H73cm

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Ryedale Auctioneers
Lot 370

Victorian mahogany oval breakfast table with tilt top on vase turned column and four outsplayed supports W122cm D90cm H74cm

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Ryedale Auctioneers
Lot 372

Elliott's of Newbury teak dressing table, three drawers with rounded square handles on U-shaped supports W.153cm D.44cm H.120cm

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Ryedale Auctioneers
Lot 375

Stag Minstrel knee hole dressing table with triple mirror and five drawers W.152cm D.30cm H.130cm and a matching stool (2)

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Ryedale Auctioneers
Lot 385

White finish two tier rectangular coffee table with oak top W100cm D660cm H45cm and a folding butlers tray table (2)

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Ryedale Auctioneers
Lot 386

Rectangular coffee table with pine finished top and a pair of laminate two drawer bedside chest (3)

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Ryedale Auctioneers
Lot 387

Oak rectangular extending dining table L198cm W91cm H77cm with additional leaf, and a set of four dining chairs with buttoned backs upholstered in grey cord on square tapered supports (5)

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Ryedale Auctioneers
Lot 392

Regency mahogany sofa table with reeded top on four scroll supports with platform base on four reeded sabre legs W157cm D68cm H71cm (AF)

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Ryedale Auctioneers
Lot 399

17th C style side table with arcade carved frieze drawer and reeded supports with platform under tier H71cm W76cm D35cm, and a Regency style Canterbury on turned supports W45cm D35cm H53cm (2)

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Ryedale Auctioneers
Lot 471

Set of cased butter knives, a silver plated part tea service and a dressing table set with floral design

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Ryedale Auctioneers
Lot 48

Geo.V Birmingham hallmarked silver - a scent bottle with enamel top 1920 (A/F), sml. vesta 1926, compact 1916 and a dressing table jar with silver top 1912 (4)

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Ryedale Auctioneers
Lot 487

Willis & Gambier Esprit light oak free standing dressing table mirror with bevel edged plate 66cm x 20cm

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Ryedale Auctioneers
Lot 490

Small Ercol medium elm gate leg table 68cm x 104cm x 45cm

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Ryedale Auctioneers
Lot 500

19th C mahogany single drawer side table with over hanging top, on ring turned tapering supports, W76cm H70cm D46cm

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Ryedale Auctioneers
Lot 51

Four early 20th C glass dressing table jars with silver hallmarked tops, Chester and Birmingham 1902-1916 (4) 1.63oz weighable silver

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Ryedale Auctioneers
Lot 524

Stag Minstrel bedside table with open section above a single drawer and a wing back Parker Knoll style arm chair (2)

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Ryedale Auctioneers
Lot 81

Poole Pottery stoneware including two owls, table lamp with etched owl detail and a square shaped table lamp with bird etched design (4)

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Sheffield Auction Gallery
Lot 73

Assorted Hallmarked Silver Topped Glass Dressing Table Jars and Scent Bottle, (various makers and dates) (dents), together with an antique style scent flask, allover detailed in relief, stamped "925". (7)

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East Bristol Auctions
Lot 375

A collection of 19th century antique Chinese oriental ceramic porcelain ware to include two small plates and a cup. All being decorated with a landscape view and people scene. Red makers marks on the back of the plates along with a small vase decorated with people scenes and floral panels along with a small hand crafted table mat. 

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East Bristol Auctions
Lot 457

A large collection of vintage Portmeirion Botanic Garden dinner service and tea service comprising of various cups, saucers, tureen, table mats, platers, etc. Makers mark to the underside. The lot is in overall good condition, two plates have rather serious cracks to them and one mug has a crack to the handle. In terms of crazing the majority of the items seem to be okay.

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East Bristol Auctions
Lot 557

A 20th wood and brass papers holder. The holder of a rectangular form with twin compartments, brass handle atop, brass decoration to the front raised on a plinth base along with a small brass table gong and wooden flower press. 

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East Bristol Auctions
Lot 658

A vintage style brass table compass and sun dial having roman numeral and marked West London. Measures 94mm in diameter. 

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Criterion Auctioneers Ltd - London & Bath
Lot 206

A mid century post modern design wood and brass table lamp. H.50cm

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Criterion Auctioneers Ltd - London & Bath
Lot 210

An abstract brass rod table uplighter of sculptural design. H.33cm

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Criterion Auctioneers Ltd - London & Bath
Lot 211

A vintage brass table lamp with glass roundels to the fringed shade on reeded column support. H.51xD.28cm

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Criterion Auctioneers Ltd - London & Bath
Lot 212

An Art Deco style figural table lamp with opaque glass globe shade and a Chinese moulded figure of a noble woman. H.66cm

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Criterion Auctioneers Ltd - London & Bath
Lot 216

A pair of vintage brass and marble table lamps in the form of candles in their stands. H.51cm

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Criterion Auctioneers Ltd - London & Bath
Lot 217

A vintage brass Corinthian column table lamp on stepped base. H.46cm

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Criterion Auctioneers Ltd - London & Bath
Lot 410

A late 19th century kingwood marquetry Louis XVI style lamp table with frieze drawer on square tapering supports united by undertier and terminating in spade feet. H.74 W.50 D.50cm

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Criterion Auctioneers Ltd - London & Bath
Lot 414

A late 19th century oak table lectern with fully articulated ratcheted folding action with arched brass crest resting on brass bracket feet. H.44 W.24 D.22cm

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Criterion Auctioneers Ltd - London & Bath
Lot 416

An early 19th century mahogany writing table with tooled leather inset top and two pull out slides above an arrangement of four drawers on turned tapering fluted supports. (one slide needs attention in order to fully fit) H.75 W.203 D.66cm

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Criterion Auctioneers Ltd - London & Bath
Lot 428

An Edwardian satin birch foldover top games table on splayed square tapering supports united by undertier. H.63 W.51 D.38cm

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Criterion Auctioneers Ltd - London & Bath
Lot 447

A Regency style yew wood drum table with inset leather top above four frieze drawers raised on quadruped swept supports on brass cap casters. H.73 W.112cm

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Adams
Lot 20

Hector McDonnell RUA (b.1947) Pool Table at Dorchen, 2003 Oil on board, 42 x 32cm (16½ x 12½'') Signed with initials and dated (20)'03

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Adams
Lot 70

Norah McGuinness HRHA (1901-1980) Melon on Terrace Table (1950) Oil on canvas, 55.5 x 89cm (21¾ x 35'') Signed; inscribed with title verso 'Terrace Table with Melon' Provenance: With Taylor Galleries, Dublin, March/April 1979, where purchased by the current owner. In the early 20th century Irish Art was steeped in tradition. The formation of the Free State in 1922 saw a nation scrambling to recapture its identity, focussing on academic depictions of rural life to separate them from an ever more modern Britain. For those artists who wished to escape this insularity, continental Europe provided the perfect opportunity. Like many Irish artists before her, Norah McGuinness travelled to Paris in 1929 to study under André Lhote and was immersed in the excitement of the European art scene. Under Lhote, McGuinness learned Cubism but, within her circles, she would have been exposed to Fauvism, Impressionism, Futurism and a myriad of ideologies in between. Leaving Paris, McGuinness took what she had learned and went to London where she briefly settled until WWII convinced her that it was time to return to Ireland. Arriving in Dublin alongside many fellow artists in the same position, McGuinness found a country devoid of new thought. Art remained in the clutches of academia, with the RHA acting as the sole exhibition space for contemporary artists. Dissatisfied, the Irish Exhibition of Living Art was established in 1943, with McGuinness among its founding members. A year later, McGuinness succeeded Mainie Jellett as president of the foundation and she continued to head it for over twenty years, encouraging and promoting modern art in Ireland. The IELA served as a platform for non-academic artists to show their works and, following the end of the War, continental artists were invited to exhibit their pieces also, creating an influx of modern ideals to the country. Suddenly, pieces by Hockney, Picasso, Manet and Miro were all accessible from Dublin and the artistic revolution was well underway. A pioneer for the modern art movement, Norah McGuinness was selected, alongside Nano Reid, to represent Ireland at the 1950 Venice Biennale. This was the first time that Ireland had entered the exhibition and it was therefore paramount that they put their best work forward. Believing that the unique styles of Reid and McGuinness could proudly hold their own against paintings by Jackson Pollock and Willem de Kooning, they were sent off with twelve works each. The exhibition was a success, with the Italian president even purchasing one of McGuinness' works. In the same year, McGuinness painted the current lot, 'Melon on Terrace Table'. A joyful and eclectic mix of different styles, this work oozes continental charm and demonstrates McGuinness as someone who is acutely aware of the progress ravaging the art world. The neon yellow table tips its hat to the Fauves, whilst the flattened subject matter and distorted perspective shows Lhote's Cubist legacy. Furthermore, the swift, loose treatment of the spoon and cloth belie the influence of early 20th century Impressionism, yet the image is distinctly McGuinness. The bold lines remember her time as an illustrator and the carefully placed items are reminiscent of her days in set design. A beautiful piece, 'Melon on Terrace Table' is representative of mid-20th century Irish art in that, rather than following a specific and doctored method of painting, it is all-inclusive, allowing the scene's energy to dictate the style.

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VAN HAM Kunstauktionen
Lot 1064

BOURDIN, ALPHONSEtätig in Frankreich um 1850Titel: Portrait eines Mädchens am Tisch. Technik: Aquarell und Gouache auf Elfenbein. Maße: 10,5 x 9cm. Bezeichnung: Signiert und datiert rechts: A. Bourdin 1853. Rahmen/Sockel: Rahmen. Provenienz:Privatbesitz, Deutschland.Erläuterungen zum KatalogAlphonse Bourdin Frankreich 19.Jh. Gemälde Porträt Miniatur Kind / Kinder BOURDIN, ALPHONSEactive around 1850 FranceTitle: Portrait of a Girl at a Table. Technique: Watercolour and gouache on ivory. Measurement: 10,5 x 9cm. Notation: Signed and dated right: A. Bourdin 1853. Frame/Pedestal: Framed.Provenance:Private ownership, Germany.Explanations to the Catalogue

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VAN HAM Kunstauktionen
Lot 986

OCHTERVELT, JAKOBum 1635 Rotterdam - um 1709 AmsterdamTitel: Die Briefleserin. Interieur mit lesender Dame und Magd. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 91,5 x 78,5cm. Rahmen/Sockel: Rahmen. Gutachten:Eduard Plietzsch, Köln Mai 1954;das Gemälde ist dokumentiert in der Datenbank des RDK, Den Haag, unter der Abb.Nr. 247618.Literatur:Susan Donahue Kuretsky: The paintings of Jacob Ochterveldt (1634-1682), with catalogue raisonne. Montclair 1979, S. 85f, Nr. 77, Abb. 89.Ausstellungen:Ausstellung von Werken Alter Kunst aus Berliner Privatbesitz, Berlin Mai - Juni 1915, im Katalog Abb. Tafel 90;Akademie der Künste, Berlin, Ausst. des Kaiser-Friedrich-Museums-Verein, Juli - August 1925, Kat.Nr. 288.Provenienz: Sammlung Young, England;Sammlung Baron Königswarter, Wien, vor 1906;Sammlung Paul von Schwabach, Berlin, bis 1915;Sammlung Nathan und Benjamin Katz, Dieren, bis 1940;Munich Central Art Collecting Point (Mü.-Nummer 2447);Restitution an die Niederlande, nach 1945;Sammlung ten Bos, Amelo;Privatbesitz, Deutschland.Der in der Mitte des 17. Jahrhunderts in Rotterdam und Amsterdam tätige Jacob Ochtevelt soll zeitgleich mit Pieter de Hooch Schüler des Haarlemer Landschafts- und Tiermalers Nicolas Berchem gewesen sein, doch scheinen beide eher von dem - wie sie in Rotterdam lebenden - Ludolf Leendertsz de Jongh beeinflusst zu sein. Wie de Jongh spezialisierten sich de Hooch und Ochtervelt auf Interieurs mit Genreszenen überwiegend des gehobenen, feinen Bürgertums. Dabei begrenzt Ochtervelt den Hintergrund häufiger, wie auch im vorliegenden Bild, wie einen dunklen Bühnen-Raum, vor dem die "Akteure", die Farbigkeit und die Textur der ausgewählten edlen Stoffe besonders leuchtend zur Geltung kommen. In der minutiösen Darstellung der Stofflichkeit steht Jacob Ochtervelt auch den gleichaltrigen Frans von Mieris, Gabrile Metsu oder Gerard ter Borch nahe.Die Hauptperson des Gemäldes trägt ein nicht eben alltagstaugliches, leuchtend weißes, aufwendig besticktes Seidenkleid und liest sitzend einen Brief, der vermutlich einen sehr intimen Inhalt hat. Dies suggeriert der kleine Hund, den die Briefleserin im Schoß hält ebenso wie die unverhohlene Neugierde der Bediensteten, die das Tablett mit einer Kanne unaufmerksam halb unter die Falten des Teppichs schiebt, der den Tisch bedeckt. Steht der leere, in schillerndem Grün bespannte Stuhl für einen erwarteten männlichen Besucher bereit, für den auch die auf dem Tisch stehende Tabakdose bereit gestellt ist? Der Betrachter ist eingeladen, neugierig über den Briefinhalt zu spekulieren.Wir danken Ellis Dullaart, RKD, Den Haag, die die Zuschreibung des vorliegenden Gemäldes auf Grundlage einer hochauflösenden Digitalfotografie bestätigt hat.Erläuterungen zum KatalogJakob Ochtervelt Originale Genre Malerei Hunde OCHTERVELT, JAKOBca. 1635 Rotterdam - ca. 1709 AmsterdamTitle: Lady Reading a Letter. Interior with reading lady and maid. Technique: Oil on canvas. Mounting: Relined. Measurement: 91,5 x 78,5cm. Frame/Pedestal: Framed. Certificate:Eduard Plietzsch, Cologne May 1954;the painting is listed and documented in the database of the RDK, The Hague, under the Ill. No. 247618.Literature:Susan Donahue Kuretsky: The paintings of Jacob Ochterveldt (1634-1682), with catalogue raisonne. Montclair 1979, p. 85f, no. 77, ill. 89.Exhibitions:Exhibition Werke Alter Kunst aus Berliner Privatbesitz, Berlin May - June 1915, in catalogue ill. panel 90;Akademie der Künste, Berlin, Exhibition of the Kaiser-Friedrich-Museums-Verein, July - August 1925, cat. no. 288.Provenance: Collection Young, England;Collection Baron Königswarter, Vienna, from 1906;Collection Paul von Schwabach, Berlin, to 1915;Collection Nathan and Benjamin Katz, Dieren, to 1940;Munich Central Art Collecting Point (Mü.-Number 2447);Restitution to the Netherlands, after 1945;Collection ten Bos, Amelo;Private ownership, Germany.Jacob Ochtevelt, who was active in Rotterdam and Amsterdam in the mid-17th century, is said to have been a pupil of the Haarlem landscape and animal painter Nicolas Berchem at the same time as Pieter de Hooch, but both seem to have been more influenced by Ludolf Leendertsz de Jongh - who lived in Rotterdam, as they did. Like de Jongh, de Hooch and Ochtervelt specialised in interiors with genre scenes mainly of the upper, fine bourgeoisie. Ochtervelt often limited the background, as in the present picture, like a dark stage space, against which the "actors", the colourfulness and the texture of the selected noble fabrics are particularly luminous. In the detailed depiction of materiality, Jacob Ochtervelt is also close to his contemporaries Frans von Mieris, Gabrile Metsu or Gerard ter Borch.The main character in the painting wears a bright white, intricately embroidered silk dress that is not exactly suitable for everyday use and is seated reading a letter that presumably has very intimate content. This is suggested by the little dog the reader holds in her lap, as well as the unconcealed curiosity of the servant, who inattentively pushes the tray with a jug halfway under the folds of the cloth covering the table. Is the empty chair, covered in iridescent green, ready for an expected male visitor, for whom the tobacco box on the table is also provided? The viewer is invited to speculate curiously about the contents of the letter.We are grateful to Ellis Dullaart, RKD, The Hague, for confirming the attribution of the present painting on the basis of a high-resolution digital photograph.Explanations to the Catalogue

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Moore Allen & Innocent
Lot 39

A modern Paisley design red ground shawl / table cover, 432 cm x 500 cm approx

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Moore Allen & Innocent
Lot 527

A modern cane conservatory suite comprising four armchairs and rectangular table, chairs approx 75 cm wide x 77 cm deep x 98 cm high, table approx 90 cm wide x 55 cm deep x 45 cm high, together with a modern beech breakfast table and two chairs, a brass coal bucket etc and a pair of linen type plain cream interlined curtains with fixed triple pencil pleat headings, 151 cm drop x 262 wide at the bottom and 110 cm wide at the top

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Moore Allen & Innocent
Lot 535

A mahogany D end dining table, the plain top with reeded edge and single extra leaf, raised on turned twin pillars to cabriole tripod bases and castors, 106.5 cm wide x 206 cm long x 72 cm high

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Moore Allen & Innocent
Lot 565

A George III mahogany side table in the Chippendale taste, the shaped top with moulded edge above a frieze drawer with egg and dart banding, raised on blind fretwork carved and chamfered supports (formerly fold-over tea table), 87 cm wide x 41 cm deep x 70.5 cm high

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Moore Allen & Innocent
Lot 586

A 20th Century Chinese hardwood altar table, the scroll ended top above a Greek key and medallion style carved frieze on moulded supports united by stretchers, 135 cm wide x 38 cm deep x 86.5 cm high

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