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Anthemion Auctions
Lot 23

A mid 20th century teak coffee table of rectangular form with an undertier and tapering legs, 121cm long

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Anthemion Auctions
Lot 236

A collection of model motorcycles together with table tennis paddles etc

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Anthemion Auctions
Lot 28

A 20th century oak extending dining table together with a matched set of five carved oak dining chairs

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Anthemion Auctions
Lot 29

A pair of pine bedside cabinets together with a pine nest of tables a pine dressing table mirror and a stool

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Anthemion Auctions
Lot 3

A Nathan teak dining suite comprising an extending dining table, four chairs, wall unit and corner unit

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Anthemion Auctions
Lot 31

An Ercol oak extending dining table and eight chairs together with a court cupboard, oak standing corner cupboard and three bar stools

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Anthemion Auctions
Lot 32

A Regency style upholstered elbow chair together with another elbow chair a carved Indian occasional table, gilt wall mirror, and a coffee table

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Anthemion Auctions
Lot 4

A reproduction walnut coffee table, with a rectangular top with a protective glass sheet, above six drawers and an undertier, on square legs together with a television cabinet

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Anthemion Auctions
Lot 42

An Ercol light elm coffee table with a rectangular top on tapering legs

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Anthemion Auctions
Lot 45

A folding card table with a square baize top

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Anthemion Auctions
Lot 49

A late Victorian supper table with an oval inlaid top on a turned column and three legs

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Anthemion Auctions
Lot 53

An Edwardian mahogany extending dining table on turned legs and casters together with a set of six Queen Anne style dining chairs

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Anthemion Auctions
Lot 62

A pine and oak library type table with a rectangular top above two drawers on turned legs

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Anthemion Auctions
Lot 67

A mahogany card table with a circular fold over top on square tapering legs and spade feet

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Anthemion Auctions
Lot 69

A side table with a rectangular top on a shaped base

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Anthemion Auctions
Lot 74

An oak nest of tables together with an Indian carved table top, and three wine tables

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Anthemion Auctions
Lot 80

A collection of N gauge railway locomotives, carriage and tenders on a large set up table

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Anthemion Auctions
Lot 84

A mahogany side table with a rectangular top and gadrooned edge on shell capped cabriole legs and claw and ball feet together with a similar bookcase

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Anthemion Auctions
Lot 85

An Edwardian mahogany bureau, with a sloping fall and three drawers on cabriole legs and claw and ball feet together with a folding card table

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Anthemion Auctions
Lot 89

A Regency style walnut twin pedestal extending dining table and ten chairs, includes two carvers and a bespoke protective covering for the table top

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Anthemion Auctions
Lot 9

A mahogany towel rail, with turned uprights and splayed feet together with a small oak drop leaf table

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Anthemion Auctions
Lot 90

An occasional table of oval form supported by an elephant together with a small table

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Dreweatts 1759
Lot 100

A CHERRY WOOD TRIPOD TABLE BY HUGH BIRKET, IN THE MANNER OF WILLIAM MASTERS, DATED 1984 The facetted tilt top revolving on a birdcage, stamped in gilt to the underside of the tripod 'H.B 1984', with stylised Barnsley style lozenge shaped dowel patches 68cm high, 69.5cm diameter Hugh Birkett was a furniture maker and master craftsman who spent a short time at Birmingham School of Furniture before working with Oliver Morel and then Edward Gardiner. In 1949 he set up on his own in Solihull making domestic and church furniture in the tradition of Ernest Gimson and Edward Barnsley. In this example, dating from his later workshop in Moreton-in-Marsh, he has combined the construction finesse of his Arts and Crafts forebears with an unmistakably 18th century design. The design of this table base with hipped shaped legs relates to an octagonal table supplied by the London cabinetmaker William Masters to the 2nd Duke of Atholl for Atholl House, Perthshire in 1755. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The table is faded and has marks and water stains.There is some opening of the grain with some fine cracks.One of the legs has been repaired with two rectangular patches over the repairs.The lozenge shaped screw patches and the chamfered edges to the bearers of the tilt top are a pleasing design feature.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 102

λ&nbspDUNCAN GRANT (BRITISH 1885-1978) A PAINTED TABLE The central roundel painted with stylised flowerheads and leaves within simulated marble and green borders 65 x 49.5 x 49.5cm (25½ x 19¼ x 19¼ in.) The present work most likely dates from the 1940s or 1950s. See next lot for the design for the roundel. Grant's interest in the decorative arts began very early in his career and became an integral part of his artistic output. In 1913, he co-founded The Omega Workshops along with Roger Fry and Vanessa Bell with the aim of breaking down the barriers between so-called fine and decorative art and bringing art into everyday life. So began Grant's long association with design and decoration. As well as fuelling the imagination, Omega provided an alternative source of income for many artists of the day, particularly fellow members of the Bloomsbury Group, including Virginia Woolf, Clive Bell and Ethel Sands. Omega produced a wide range individually designed and produced items ranging from furniture, ceramics, murals, stained glass and textiles. Although The Omega Workshops closed in 1919 due to financial troubles, Grant's interest in the decorative arts was now firmly part of his artistic oeuvre. In 1918, along with Edward Wolfe, he was commissioned by John Maynard Keynes to decorate the doors, fireplace and shutters of the first floor sitting room at 46 Gordon Square. Again in 1920, Keynes commissioned Grant, this time alongside Vanessa Bell, to produce eight panels for his residence at Webb Court, King's College, Cambridge. When Vanessa Bell rented Charleston farmhouse in East Sussex in 1916, the house and its interiors become a canvas on which Grant and Bell could express their creativity. Tables, chairs, bookcases, walls, lampshades, headboards - all became covered with the inimitable swirling designs of the two artists. The present table and associated design (lot 103) most probably date from the 1940s or 1950s and demonstrate Grant's continued interest in furniture design into later life. We are grateful to Richard Shone for his kind assistance in cataloguing this work. Condition Report: Please see lot 103 - the design for this table top.There are abrasions, nicks and craquelure across the paint surface on the table top commensurate with age and use. There are isolated areas of paint separation to the surface and general surface dirt. Some of the blocks to the underside of the table.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer

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Dreweatts 1759
Lot 103

λ&nbspDUNCAN GRANT (BRITISH 1885-1978) DESIGN FOR ROUNDEL Pencil and watercolour 46.5 x 46.5cm (18¼ x 18¼ in.) Grant's interest in the decorative arts began very early in his career and became an integral part of his artistic output. In 1913, he co-founded The Omega Workshops along with Roger Fry and Vanessa Bell with the aim of breaking down the barriers between so-called fine and decorative art and bringing art into everyday life. So began Grant's long association with design and decoration. As well as fuelling the imagination, Omega provided an alternative source of income for many artists of the day, particularly fellow members of the Bloomsbury Group, including Virginia Woolf, Clive Bell and Ethel Sands. Omega produced a wide range individually designed and produced items ranging from furniture, ceramics, murals, stained glass and textiles. The present lot is a pencil and watercolour design for Lot 102, as a preliminary design for the painted table top. We are grateful to Richard Shone for his kind assistance in cataloguing this work. Condition Report: Executed on cream wove paper, not laid down. A repaired tear to the centre of the lower edge, approx 2cm long.. The upper right corner and right hand edge with restored tears and creases. There are creases running through the centre of the work, both horizontally and vertically where the sheet appears to have been folded into quarters in the past. Further creasing to the sheet throughout, notably to the upper right corner. There is staining and smudging throughout, in particular two brown stains to the lower right quadrant and grey smudging, most probably original to the work, to the centre circle. Framed under glass.Condition Report Disclaimer

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Dreweatts 1759
Lot 107

A GEORGE II OAK AND MARBLE TOPPED SIDE TABLE MID 18TH CENTURY The breche violette top on a crossbanded stained base chalk inscribed indistinctly to the underside 'Esq Harbor' 80cm high, 143cm wide, 68cm deep The magnificent breche violette marble 'slab' top was likely acquired in Italy or France in the early 18th century and brought back to this country where it was placed on its oak frame. At that time the cost of such marble slabs exceeded the cost of the supporting frame by an order of magnitude. This slab features an unusually narrow rebate at its edge, perhaps not broad enough for the frame to bear the enormous weight of the slab, or to provide an overhang over the edge of the frame, as was the custom. Therefore it seems that the frame was designed to support the slab's roughed out underside. The lapidary skill required to enlarge the rebate, to ensure the top would sit snug into its frame was perhaps unavailable at the time of the frame's manufacture, furthermore the risk in subjecting such a valuable slab to cutting may have been deemed too great. In any case, the interest and rarity of the slab far outweighed the design or quality of the frame, which was created as a mere support to raise the slab, the better to be seen in a room setting. The distinctive form of squared off foot of the frame is close in design to the foot design on a set of walnut and parcel gilt chairs, originally made for Houghton Hall, Norfolk and now owned by the Victoria & Albert Museum, and on loan at Houghton Hall (W.17:1,2-2002). The chairs were probably made by Thomas Roberts, Jr, for Sir Robert Walpole in the late 1720s. In Houghton's inventory of 1792, marble slabs were listed separately to the magnificent furnishings of tables, beds, chairs and mirrors. One in the Green Drawing Room was recorded as 'A beautiful large Slab table inlaid with Lapis Lauzulla / valuable'. At that time the frames for such slabs were generally considered functional, not as valued ornamentation. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The top has a patina of scratches, nibbles, chips, scuffs and some rust marks. There are some chips old and more recent, in particular to the edges and corners, some patches of filler.The underside of the marble top is rough hewn other than a band around the edge under the moulded border and as per the catalogue description this does not correspond to the frieze of the table base - see the catalogue description footnote.The oak table base has a crossbanded frieze and has a dark stain overall, with some small crossbanding veneers missing and with some scratches revealing the underlying paler colour of the oak.There is some evidence of old worm.There are some cracks including to the shaped bracket areas at the top of the legs, the corners and in some places along the grain of the timber.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 160

AN EGYPTIAN TERRACOTTA OFFERING TRAY MIDDLE KINGDOM, CIRCA 1987-1640 B.C. Of oval form, the offerings moulded in relief, of meat and bread, with drainage channels and a hole at one end 4.2cm high, 31cm long, 25.2cm wide, accompanied by an ink inscribed collection label: 'Table of offerings from Gebelein IV Dynasty' Provenance: Charterhouse School Museum, largely formed between 1874-1940 Sotheby's, London, The Charterhouse Collection, 5 November 2002, lot 123, where purchased by Robert Kime Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some chips to the rim and along the edges. Please see additional images for visual references to condition which form part of this condition report. Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this sale All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

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Dreweatts 1759
Lot 186

AN EGYPTIAN BLACK GRANITE OFFERING TABLE LATE PERIOD - PTOLEMAIC, CIRCA 664-30 B.C. Engraved with four large water jars, the two central jars flanking a lotus flower, laden with offerings on either side, a channel cut through the side projection which gives the offering table the shape of "hetep", the hieroglyphic word for "offerings" 57.5cm high, 57cm wide, 13.5cm maximum depth Provenance: Robert Kime (1946-2022) Collection Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Wear and some loss to edges and corners. The wear also to surface of top with reduced detailing. Signs of moisture staining No further paperwork for provenance available Provenance: Robert Kime (1946-2022) Collection Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this sale Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

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Dreweatts 1759
Lot 216

A GEORGE IV BURR ELM AND AMBOYNA OCCASIONAL TABLE CIRCA 1825 71cm high, 43cm diameter   Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The top with some water damage.There are veneer cracks and marks in various places.The turned collar on the platform is of sectional construction and the joins can be seen.The turned feet are ebonised and later fixed to the base and have later applied wedge type blocks to the underside.The underside of the table top probably has repairs and has some filled and vacant holes and some cracks and is later ebonised.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 22

A RUSTIC BEECH SIDE TABLE EARLY 20TH CENTURY The top inset with stone, the underside with an ink inscribed label 'Brick of Nebuchadnezzar II B.C. 604/556 from Babylon Table made by H.P. Blosse Lynch, 1927' 63cm high, 36cm wide, 36cm deep Provenance: A. Tilbrook, from whom purchased by Robert Kime Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The stone is broken and with filler repairs. There are no discernible characters to the stone - see the additional photographs.There is some evidence of old worm.The table has some movement to the column on the base, one loose applied facetted foot finial and with an opened mitred corner to the reeded gallery.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 241

A WILLIAM IV OAK AND BURR WALNUT OCCASIONAL TABLE CIRCA 1830 76cm high, 40cm diameter Provenance: Formerly at Upper Farm and Warwick Square, see Alastair Langlands, Robert Kime, Francis Lincoln Limited, London, 2015, p45. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The edge of the top with some splitting and some missing sections.The top and the stem have some dark stain to what look like knots and cracks within the timber.There is some evidence of old worm.The triform has some missing nulled border.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 243

AN REGENCY BROWN OAK, BURR OAK, EBONY AND LABURNUM CENTRE TABLE ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1815 The cedar lined drawer with ebonised divisions, the lock stamped 'GR' under a crown and 'PATENT', on turned laburnum legs 68.5cm high, 63.5cm wide, 48.5cm deep Provenance: With James Graham-Stewart, from whom purchased by Robert Kime 29th June 2019. Literature: A. Coleridge, 'The work of Bullock cabinet maker in Scotland', Connoisseur, 1965, vol. CLVIII, pp. 249-252; vol. CLIX, pp. 13-17. E.T. Joy, 'A Modernist of the Regency: George Bullock, Cabinet-maker - I, Country Life, 22 August 1968, pp. 456-457; 'A Source of Victorian Romanticism: George Bullock, Cabinet-maker - II', Country Life, 29 August 1968, pp. 507-508. C. Wainwright, 'Walter Scott and the furnishing of Abbotsford', Connoisseur, 1977, pp. 3-15. C. Wainwright et al, George Bullock Cabinet-Maker, London, 1988. M. Levy, 'George Bullock's partnership with Charles Fraser, 1813-1818, and the stock-in-trade sale, 1819', Furniture History, 1989, pp. 145-213. This table is attributed to the cabinet-maker, sculptor and designer, George Bullock (d. 1818) based on two designs for marquetry borders that form part of the Tracings by Thomas Wilkinson from the designs of the late Mr. George Bullock 1820 found on the table top and frieze (Birmingham Museums Trust 1974M3.124 and 1974M3.150). Evidence from Bullock's stock-in-trade sale, Christie's, 3-5 May 1819, and on documented furniture 'suggests that the most frequently used borders and friezes used by Bullock were kept in stock and applied to appropriate pieces as required' (Levy, 1989, p. 152). A similar band of inlay but in brass (to that of the table top border) can also be seen on a pair of larchwood cabinets made by Bullock for Blair Castle (Coleridge, 1965, vol. CLVIII, nos. 4 and 5).The form of this table can be compared to an oak, ebony and satinwood games table illustrated in Wainwright, 1988, p. 110, fig. 47, which in turn relates to a bog oak and marble-top table supplied by Bullock for the Duke of Atholl (Coleridge, 1965, vol. CLVIII, no. 3). A related 'Elizabethan' style centre table following a design attributed to William Atkinson and probably made by George Bullock was supplied to the 3rd Earl of Mansfield at Scone Palace circa 1815 (sold Christie's, London, 'Scone Palace and Blairquhan: The Selected Contents of Two Great Scottish Houses', 24 May 2007, lot 414). An example of the striking contrast of light and dark timbers as found on this table is also found on a games table attributed to Bullock, sold Christie's, New York, 23 October 2018, lot 270. Condition Report: Overall there are some scratches, marks, knocks and abrasions consistent with age and use.Observations include:The top has a few slightly distinct scratches, some knocks to the front right corner and a barely discernible slight indentation along an underlying carcass construction joint, some slight raised veneer - all that said, these observations are only apparent on close inspection.There are some vertical veneer cracks to the corners of the frieze over carcass construction joints.There is one key that operates the lock.Two legs have cracks along the grain of the timber.There are cracks to one drawer runner so that part of it is loose.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 259

A GEORGE IV BURR OAK OCCASIONAL TABLE CIRCA 1825 The stem carved with a collar of oak leaves and acorns, the turned feet with recessed brass casters 68.5cm high, 40.5cm diameter Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The top with some water mark fading and some open grain cracks.The top has recently been re-fixed to the base, the screws holding the top in place have been fixed multiple times so that the underside of the table has multiple screw holes.There is some evidence of old worm.The lappet carving to the base of the column has some chips to the tips.The acorn and oak leaf carving has some chips.Some of the later staining to the turned collar on the triform has rubbed away revealing the underlying wood, this could be concealing a repair.Some knocks and cracks to the turned and recessed feet.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 262

AN OAK CENTRE TABLE IN ARTS AND CRAFTS MANNER, THE ORIGINAL DESIGN ATTRIBUTED TO SIR ROBERT LORIMER, PROBABLY MADE BY ROBERT KIME LTD The six faceted octagonal columns with Gothic corbels linked with a flat stretcher 74.5cm high, 156cm diameter The present table is based on a model attributed to architect Sir Robert Lorimer (1864-1929). Lorimer was a leading designer of Scottish vernacular furniture, combining Scottish Baronial, Gothic Revival and Arts and Crafts influences. He is known to have designed two tables of related design for Edinburgh University Library which were made by Scott Morton. A third related Arts and Crafts table of this design with the reputed provenance to the Earls of Moray was offered at Christie's, South Kensington, 16th May 2006, lot 202 and again at Christie's, Style and Spirit, South Kensington, 16th September 2014, lot 11. For a related table of recent manufacture see Christie's, South Kensington, An English Look: Robert Kime, Piers von Westenholz, David Bedale and James Graham-Stewart, 8th July 2009, lot 66.   Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with it's recent manufacture and use.There are some losses, restorations and observations including:The top has some scratches, marks and two knocks to the edge, with some scratches to the underside of the table.There is some foot scuffing to the stretcher especially the outer edge.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 270

A LATE VICTORIAN SATIN BIRCH AND BEECH CENTRE OR OCCASIONAL TABLE LATE 19TH/EARLY 20TH CENTURY The ring turned legs terminating in cast iron ball and claw feet, stencilled mark '22', with vestiges of a printed label 74cm high, 40cm wide, 40cm deep Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses and observations including:The top and undertier has some water marks and some darker stains. There are some fine cracks to the undertier.Overall the finish has scuffing and scratches.The rib turned legs with some cracks and knocks.The cast metal feet with a gilt finish that is slightly roughened. One of the feet has the remains of a wood foot which is missing to the other three feet.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 282

AN EARLY VICTORIAN BURR WALNUT OCCASIONAL TABLE CIRCA 1840 With turned central column 78cm high, 42cm diameter Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The table top is slightly bowed.There are cracks within the grain of the timber.The turned wood section between the top and the stem has a large chip to the top edge and is missing this section, other smaller adjacent chips have been glued. There is evidence of some old worm.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 298

A WALNUT TRESTLE OR CENTRE TABLE SPANISH, 18TH CENTURY The trestle supports hinged, hooks to the top of the iron crossed stretchers 72cm high, 116cm wide, 62.5cm deep Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The top with a patina of marks, scratches, knocks and cracks.The base of the table slightly paler or faded compared to the top.The trestle supports with wrought iron hinges. One trestle with a later hinge and some repair to the upper bracket area.The underside of the table top with inset patches where the metal stretcher previously fitted. There are holes to the underside from a previous brace of some kind on either side of the metal stretchers.There is some dark staining under the trestle supports suggesting that there might have been some re-fixing or repairs at some stage.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 300

A LATE VICTORIAN OAK SIDE TABLE WITH DROP LEAF CIRCA 1880 With reeded turned supports and stretcher, with recessed brass casters 79cm high, 91cm wide, 27cm deep, 45cm deep with the drop leaf extended Condition Report: Overall there are some marks and abrasions consistent with age and use.Observations include:The top slightly faded and with water marks possibly from three vases, a small scorched mark also.The casters are recessed.The gallery to the top has one screw repositioned and is missing another screw, both visible to the underside.One section of the hinge has been replaced with a spliced section.The hinges appear to be smaller than the recess cut for them, but somehow they do not look at though they have been replaced though the gap suggests that possibility.There is a sectional construction crack along the tip of the drop leaf.The oak has pleasing medullary ray figuring.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 314

AN ARTS AND CRAFTS MAHOGANY CENTRE TABLE BY MORRIS & CO., LATE 19TH CENTURY The design attributable to George Washington Jack, stamped to the underside 'MORRIS & CO 499 OXFORD ST. W 1121' 69cm high, 76cm diameterProvenance: A. Tilbrook, from whom purchased by Robert Kime.  Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:There is a fine crack to the shaped end of one section of the frieze.There are some traces of what looks like cream paint to the underside of the table.The impressed stamp to the underside of the table top.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 317

AN ARTS AND CRAFTS MAHOGANY CENTRE TABLE IN THE MANNER OF MORRIS & CO, LATE 19TH CENTURY 68.5cm high, 67.5cm diameter Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:There are some holes to the underside of the top possibly from screws from a previous brace.The top with an opaque mark to the centre, and a sectional crack opening, the previous grain filler has faded giving a pale flecked appearance to some areas.One stretcher is a later replacement, and all but one of the other stretchers have some cracks or losses at the leg joint areas with some later dowels. The legs are remarkably stable though the stretchers need some repair.There are some different colours of paint marks - perhaps this table spent some time in an artist's studio?!The legs have a pleasing chamfering and shaped design.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 337

A LATE VICTORIAN SILVER FRAMED DRESSING TABLE MIRROR ARTHUR WILLIAM CLARE, LONDON, 1898 Bevelled rectangular plate within plain moulded frame 35cm wide, 42cm high

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Dreweatts 1759
Lot 377

A PAIR OF BROWN OAK BEDSIDE TABLES OR WHATNOTS POSSIBLY IRISH, MID 19TH CENTURY 84cm high, 47cm wide, 47.5cm deep These tables were the original inspiration for the range of 'Langley side tables' made by Robert Kime Ltd Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The brown or burr oak has some dark staining and a rustic patina of scratches combined with warm colour.The galleries to the tops are missing all but one of the curved corner sections, and one table is missing half of a gallery to the side, the burr walnut veneer is lifting to one table and with some small losses.Some of the turned bun feet appear to be in two sections.These tables are robust and of some weight.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 43

A KASHMIRI POLYCHROME AND PARCEL GILT OCTAGONAL TABLE POSSIBLY SRINIGAR, LATE 19TH CENTURY The feet carved as beast heads 63.5cm high, 39cm wide  Condition Report: Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The detailed decorative paintwork has some wear overall with rubbing, scuffs, knocks, scratches and some craquelure but the paintwork remains distinct enough to distinguish colour and design. It is difficult to tell but there could be some later overpainted detail to some areas. In some places the design is almost in relief with the layers and thickness of the paint - unlike examples later in date.The table top is at a slight angle.The blue painted underside of the octagonal top has marks painted in red ' I, II and III' with adjacent holes suggesting that there were originally some pendent finials or carvings which are now missing.The underside of the tripod base has later metal braces.The spirally carved tri-support and the three legs are each painted with different detailed patterns. The interior and base of this area with fine dots painted on a pale ground.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 45

AN ARTS AND CRAFTS BRASS CANDLESTICK IN THE MANNER OF HART, SON, PEARD & CO., 19TH CENTURY Now fitted as a table lamp with parchment shade 46.5cm high, 66cm high to top of existing shade Condition Report: The finish to the surface of the shade, possibly a varnish is now cracking and deteriorating. Please see images available from the Dept. for general images, including wiring.Condition Report Disclaimer

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Dreweatts 1759
Lot 46

A CALAMANDER OCTAGONAL OCCASIONAL TABLE SECOND HALF 20TH CENTURY 50cm high, 58cm wide Condition Report: Overall there are some scratches, marks, fine cracks and abrasions consistent with recent manufacture and use.There is some slightly rough grain pitting to the interior.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 52

A LOUIS XIV RED VELVET COVERED TABLE BOX 17TH CENTURY With side drawer and green silk lining 42cm wide, 23cm high, 30cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use Internal depth is 28cm.The velvet with rubbing, wear, balding, signs of its age, some fraying to the edges and trims, the underside has been silk lined, this has disintegrated and is fragmentary overallThere are holes and tack marks visible to the undersideThere are no keys present to the locks, these are open at time of report, there are two locking arms to the front the secure the hinged lid, one of these is intact and operable, the other has lost its hooked end and does not therefore secure Dirt and discolouration to the surface Please see additional images for visual reference to condition and appearance overall Condition Report Disclaimer

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Dreweatts 1759
Lot 53

A LATE VICTORIAN OAK CENTRE TABLE BY GILLOWS, LATE 19TH CENTURY The drawer stamped 'GILLOWS 16534', the lock stamped 'HOBBS & CO LONDON', the cushion shaped frieze and arcades to all four sides 75.5cm high, 82.5cm wide, 50cm deep Literature: S. Stuart, 'A Survey of Marks, Labels, and Stamps used on Gillow and Waring & Gillow Furniture 1770-1960', Regional Furniture, 1998, pp. 58-93. https://bifmo.furniturehistorysociety.org/entry/gillow-company-1862-1897. Accessed 25 June 2023. This table is in the 'Jacobethan' style fashionable from the latter part of the 19th century, a style comprising Renaissance, Elizabethan and Jacobean motifs. 'Several combinations of marks and numbering systems seem to have been utilised by Gillow's branches [London and Lancaster] during the nineteenth century' (Stuart, p. 81). The impressed '16534' stamp on the drawer of this table denotes the Gillows' pattern number, entered into the relevant Gillows' Estimate Sketch Book on the page opposite the drawing, sometimes with the journeyman's name responsible for the work. The Estimate Sketch Books, however, only survive for Lancaster, not for London, and not all of Gillows' designs are included (ibid., pp. 66, 72). In circa 1884, when this table was probably made, the omission of an 'L' prefix to the pattern number suggests that the table was probably made in London rather than Lancaster; an 'L' prefix identified Lancaster from circa 1870. This suggestion is reinforced by the 'GILLOWS' stamp, also on the drawer, rather than 'GILLOWS LANCASTER' or 'GILLOWS & Co LANCASTER' (ibid., p. 65). If this table was made in London, it was probably at Gillows' 'works' at George Street, Grosvenor Square, established in 1881, and as Susan Stuart suggests, London may have had their own numbering system (ibid., p. 79).    Condition Report: N.B. The photograph on page 60 of the catalogue shows a key resting on the corner of this table top - this key is not for this table, the key is part of lot 123. There is no key for this table.Overall there are some scratches, marks, dark stains, knocks, cracks and abrasions consistent with age and use.Observations include:Open joins to the three plank top. The top has a slight bow, raised slightly to the front with a small gap between the frieze and top.There are chips generally to some edges and corners including the top, supports and feet.There are impressions to the drawer front where the swing handle touches the drawer front.The table has the same carved decoration to all four sides, the legs are carved to all four sides.One carved rectangular capital to the frieze above a leg is missing one narrow section.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 65

A WALNUT AND BONE INLAID MARBLE TOP SIDE TABLE INCORPORATING ITALIAN LATE 18TH CENTURY AND LATER ELEMENTS The bone inlaid borders to the outer and inner sides of the legs, with probably Kilkenny fossilised grey marble top 87.5cm high, 104cm wide, 51cm deep Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The top is modern with some nibbles and chips to the sharp cut edges. The underside of the top has a mesh type finish.The bone inlaid table base is constructed from panels or a screen with some now vacant slots. All sides of the legs and stretchers are decorated. The corner blocks to the top of the front legs are later.There is some evidence of old worm.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 67

SIR EDWARD COLEY BURNE-JONES (ENGLISH 1833-1898) BACCHUS, A SKETCH FOR THE FEAST OF PELEUS Pencil With inscription 'E. BURNE-JONES' (lower right) 16.8 x 11.7cm (6½ x 4½ in.)Provenance: Christie's, London, 18 November 2004, lot 141,where purchased by Robert Kime Literature: The Burne-Jones Catalogue Raisonne (un-numbered) This study shows Bacchus who is seated at the right-hand end of the table in Burne-Jones small and highly finished painting The Feast of Peleus (Birmingham City Art Gallery). Stylistically, the drawing can be dated to the early 1870s, which is consistent with the picture's development. Designed in 1870 for the predella of the so-called Troy triptych, a project never completed in its entirety, it was begun in 1872, worked on in 1874, 1875 and 1879, but only completed in 1881. It was exhibited at the Grosvenor Gallery (Summer Exhibition, no. 157) the following year, having been sold to William Graham, the wealthy businessman and Liberal M.P. for Glasgow who was Burne-Jones's staunchest patron.We are grateful to The Burne-Jones Catalogue Raisonne, for their help in preparing this catalogue entry. Condition Report: There is discolouration caused by staining throughout the sheet. A number of white blemishes to the three hands / arms at the upper left quadrant. Some light surface dirt scattered throughout. Unexamined out of glazed frame.Condition Report Disclaimer

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Dreweatts 1759
Lot 75

Y&nbspA WALNUT, MOTHER OF PEARL AND BONE INLAID OCTAGONAL TABLE SYRIAN, MID 20TH CENTURY The recessed top centred with a star, the sides with pierced and bobbin turned panels 75cm high, 45.5cm wideSaleroom notice:This lot may contain one or more endangered plant or animal species and is subject to CITES regulations. Prospective buyers are advised to familiarise themselves with the export and import restrictions prior to bidding as it is the buyer's responsibility to obtain any necessary import and/or export certificates and permits. We will not be able to cancel your purchase if your lot may not be exported, imported or it is seized for any reason by a government authority. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:There is a crack to the top and to one section of the central star.The parquetry border is missing some tesserae and has others filled with some paintwork.One of the upright sections of bone is missing and has been replaced with a cream painted section, presumably wood.The ebonised moulding under the top has some later pins and some rubbing to the ebonised finish, with some knocks.The detailed bobbin turnings make it difficult to spot chips, but some are chipped or cracked, with some small cracks to the fretwork bracket panels.There is some evidence of old worm.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 8

A GEORGE III MAHOGANY AND MARBLE TOPPED SIDE TABLE CIRCA 1770 The top with a moulded border, the base of hexagonal form with pierced brackets 79cm high, 122cm wide, 63cm deep Provenance: The Robin Symes collection, Bonham's Oxford, 7 October 2007, lot 204, where purchased by Robert Kime Condition Report: Pine frieze with some wormCondition Report Disclaimer

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Dreweatts 1759
Lot 96

AN IMARI VASE JAPANESE, 17TH CENTURY AND LATER FITTED AS A LAMP With stripe woven raw silk shade vase 44cm high, 91cm high to top of existing shade Susan Moore, Apollo Magazine, 22nd August 2022, an interview from 2021 with Robert Kime: Kime's acquisitive impulse, he believes, came from his maternal grandmother, Violet. 'She was a great collector, and I loved her. There were wonderful sales during the war where she lived in Hampshire, and she was always buying wonderful stuff for very little,' he explains, gesturing to the Imari jar on the table now serving as a lamp base. 'It was in a flower shop that she owned, and I picked it out one day when I was 10 or 12 and she said I could have it.' Condition Report: vase with long cracks and some losses to glaze to the sides of the cracks some wear to glazes and gildingunexamined under metal mounts Condition Report Disclaimer

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Dreweatts 1759
Lot 98

A LATE VICTORIAN OAK OCTAGONAL CENTRE TABLE MID 19TH CENTURY The cruciform base with a central octagonal column and ring turned supports, the feet with recessed casters 71cm high, 131cm wide     Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some restorations and observations including:The table is pale in colour, to the top and generally overall in part due to fading and restoration.The table top has some dark marks.The crossbanding and line inlay has repaired and later inset wood in some places presumably where there have been losses.There are some later inset sections including a section of moulding to the base of the octagonal central column, and sections along and under the cruciform stretcher.The bearers supporting the top have some later screws and filled holes and some fresh cuts, suggesting some amendments to this area.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

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Bamfords Auctioneers & Valuers
Lot 101

A mid century, Pittsburgh Lamp Co. Style table lamp, the domed glass shade hand-painted with Palm trees, on a brass base, 46cm high.

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Bamfords Auctioneers & Valuers
Lot 106

A Japanese parquetry inlaid specimen wood table top Tansu cabinet, with an arrangement of five drawers and four sliding cupboard doors, on integral plinth base, 36cm high, 36cm wide, late Meiji/Taisho period.

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Bamfords Auctioneers & Valuers
Lot 109

A pine plank-top table, rounded rectangular top, turned legs, 78cm high x 173cm wide x 77cm, early 20th century.

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Bamfords Auctioneers & Valuers
Lot 11

Royal Crown Derby - 1128 pattern, including; three goblets, twin handled loving cup, table bell, cat paperweight, 'Derby posies' trinket tray, 'Olde Avesbury' tea cup and saucer; etc (8)

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Bamfords Auctioneers & Valuers
Lot 122

A elm trestle table, 71cm high x 128cm wide x 60cm, 20th century.

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Bamfords Auctioneers & Valuers
Lot 123

An oak monk’s bench, quarter-sawn oak lift-up top, barley-twist supports, 89.5cm high x 106.5cm wide (as a bench), 69cm high as a table.

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Bamfords Auctioneers & Valuers
Lot 168

A Teak 1960s/70s G Plan dining room suit, rounded Rectangular pull-out extending dining table, integral fold-out leaf, 158cm long, (112cm closed) 112cm wide, four three bar back chairs, drinks cabinet sideboard with cupboard and fall doors above pair of cupboard doors and three drawers, tapering legs, 145cm high, 160cm wide, 46cm deep (6)

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