Sign in
Register
notifications_none notifications Alerts

We found 1181390 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 1181390 item(s)
    /page

Criterion Auctioneers Ltd - London & Bath
Lot 375

A Mappin and Webb crystal claret jug with silver plated neck and spout, two hallmarked silver topped dressing table bottles and a silver spoon. H.29cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 38

A Danish rosewood extending dining table with two extra leaves on square tapering supports. H.73 L.223 W.116cm (fully extended)

More details

Criterion Auctioneers Ltd - London & Bath
Lot 443

A contemporary opaque glass table lamp of shaped and waisted outline. H.44 W.14cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 444

Two table lamps from vintage gaming machine illuminations. H.37 W.45cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 45

A C.1900 oak Howard and Sons writing table with single drawer raised on square tapering supports on brass casters with maker's plaque to the inside of drawer. H.76 W.69 D.61cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 46

A bentwood occasional table on shaped stretchered cabriole supports joined by central finial. H.76 L.82 W.82cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 460

An Empire style gilt glazed ceramic table lamp with central cartouche and husk swag decoration. H.100cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 54

A mid century early Georgian style walnut quarter veneered crossbanded and herringbone strung writing table fitted with three frieze drawers on cabriole supports. H.76 W.107 D.55cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 85

An Edwardian burr walnut and satinwood crossbanded occasional table on shaped tapering supports united by galleried undertier. H.68 W.47 D.47cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 9

An Edwardian mahogany and satinwood inlaid lamp table on square tapering stretchered supports. H.77 L.60 W.43cm

More details

Criterion Auctioneers Ltd - London & Bath
Lot 91

A mid century vintage teak G-Plan dressing table with adjustable triple mirrors above drawers on ebonised shaped supports. H.134 W.125 D.47cm

More details

Bonhams
Lot 30

LOLÓ SOLDEVILLA (1901-1971)Untitled, circa 1950 signed LOLÓ (on the reverse)oil, wood elements and mixed media on panel in the artist's frame68 x 83 x 4 cm.26 3/4 x 32 11/16 x 1 9/16 in.Footnotes:This work is accompanied by a photo-certificate of authenticity signed by Martha Flora Carranza Barba and dated La Habana, Cuba, 3 de abril del 2021.ProvenanceGalería Phelps, Caracas Private Collection, Panama (acquired from the above in 1995)Acquired directly from the above by the present ownerThe artists of Los Diez Pintores Concretos formed the definitive avant-garde of Latin American painting in the middle of the Twentieth Century, and none were more significant than Loló Soldevilla, Sandú Darié, and José María Mijares. Formally existing between 1959-1961, the style of the group was rooted in Concretism; a movement that emphasised the materiality and geometries of their compositions. The works presented here demonstrate the strength and subtle varieties of the visual language that Los Diez devised, resplendent in sculpture, multidimensional canvases, and works on paper. Latin American Modernism has often been overlooked and undervalued. Subjected to the political isolationism of Fidel Castro's rule that forced many of its artists to flee in the years after the 1959 Revolution, the history of these pioneering groups has found renewed traction in recent decades as the Modernist canon is realigned. In the 1940s and 50s, following the Constitution of 1940 that engineered radical ideas and major social reforms, Cuba was undergoing a dramatic urbanisation and rising global standing that created an energetic and internationally minded artistic class. At the centre of Los Diez was Pedro de Oraá and Soldevilla, husband and wife whose Galería Color-Luz formed the nerve centre for the group's ideas since its founding in 1957. In a decade of insurrection and revolution, Los Diez were the leading artists of the era who established an identity for Cuban art that was contemporary, pioneering, and captivatingly unique. Concretism emerged in earnest in the 1930s in Europe – a term coined by Theo van Doesburg, and championed by artists including Max Bill, Julio Le Parc, and Francois Morellet. It established a break from the school of abstract geometric painting that was deemed to be too 'referential' and a development of Cubist aesthetics that was essentially rooted in representative forms. In Cuba, Concretism became the language of the avant-garde, politically charged as a style that was international and progressive. In Darié's Serie Dinamismo Espacial and Columna Espacial, the geometries and refined palette of Cuban Concretism is utterly recognisable; akin to Piet Mondrian and Josef Albers' compositional and colour theories whose interlocking elements reduced a painting to a series of discrete choices. Here, Darié's works demonstrate the advanced stages of geometric painting that border on the optical – taking the formulaic approach of the European school inherited from the Bauhaus and imposing a far richer, more complex strategy of delineating form through colour. The same rings true for Mijares' Untitled work from 1963, whose lattice of collaged blocks feels reminiscent of the sub-tropical architecture of Havana. Soldevilla, however, is undoubtedly the grande dame of Cuban Concretism. Not only was she pivotal in the establishment of the Los Diez, but her artistic versatility and sense of material is supremely apparent in the two Untitled works presented here: a table sculpture and relief on canvas, respectively. Wonderfully balanced and elegant, Soldevilla's style and ability to defy her materials' weight shows her deft hand in the present works, pointing to why she has been reassessed as one of the most influential Latin American artists of the Twentieth Century.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 64

FRANZ WEST (1947-2012)Creativity: Furniture Reversal, 1999 signed and numbered 27/30 F West (on the underside of the table)two chairs, table, lamp, various coloured fabric tapes and video cassetteoverall installation dimensions variableThis work is number twenty-seven from an edition of thirty plus ten artist's proofs.Footnotes:ProvenanceAcquired from the artist by the present ownerExhibitedNew York, Brooke Alexander Inc., Editions, 1999, another example exhibitedPlease note that this work has not yet been styled with the fabric tape.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

More details

Benedetto Trionfante Casa D' Aste
Lot 1097

MAX INGRAND Produzione Fontana Arte, Italia 1950 ca.Lampada da tavolo in metallo satinato, base a forma di clessidra e straordinario terminale scultoreo, paralume in vetro conico acidato.Bibliografia: Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Deboni. Fig.372. TABLE LAMP IN SATIN METAL, HOURGLASS-SHAPED BASE AND EXTRAORDINARY SCULPTURAL TERMINAL, SHADE IN CONICAL ACID-ETCHED GLASS. Alt. cm 65 Ø cm 28.

More details

Benedetto Trionfante Casa D' Aste
Lot 1103

PIETRO CHIESA Produzione Fontana Arte, Italia 1940 ca. Lampada da tavolo (Abat-jour), struttura in ottone, corpo illuminante composto da un disco di vetro a cui è sovrapposto un diffusore in cristallo curvato, sabbiato ed inciso a decori con ghiande.Bibliografia: Quaderni Fontana Arte. TABLE LAMP (ABAT-JOUR), BRASS STRUCTURE, LIGHTING BODY COMPOSED OF A GLASS DISC ON WHICH IS SUPERIMPOSED A CURVED, SANDBLASTED AND ENGRAVED CRYSTAL DIFFUSER WITH ACORNS. Alt. cm 18,5.

More details

Benedetto Trionfante Casa D' Aste
Lot 1104

PIETRO CHIESA Produzione Fontana Arte, Italia 1940 ca. Lampada da tavolo (Abat-jour), struttura in ottone, corpo illuminante composto da due diffusori in cristallo curvato, sabbiato ed inciso a decori con fiori.Bibliografia: Quaderni Fontana Arte. TABLE LAMP (ABAT-JOUR), BRASS STRUCTURE, LIGHTING BODY COMPOSED OF TWO CURVED GLASS DIFFUSERS, SANDBLASTED AND ENGRAVED WITH FLOWER DECORATIONS. Alt. cm 19,5.

More details

Benedetto Trionfante Casa D' Aste
Lot 1105

LUIGI CACCIA DOMINIONI Produzione Azucena, Italia 1950 ca.Lampada da tavolo mod. Lta 1. Sasso con base in onice del Pakistan, struttura in ottone brunito e diffusore in alluminio verniciato.Bibliografia: Catalogo originale; G. Gramigna, Repertorio del design italiano 1950-1980, p. 58, Mondadori, 1985. TABLE LAMP MOD. "LTA 1". STONE WITH PAKISTANI ONYX BASE, BURNISHED BRASS STRUCTURE AND PAINTED ALUMINUM DIFFUSER. Alt. cm 39.

More details

Benedetto Trionfante Casa D' Aste
Lot 1106

PAOLO VENINI Produzione Italia 1950 ca. Rara lampada da tavolo in vetro soffiato, base in ottone, stelo in vetro a torchon trasparente e a reticello, corpo diffusore in vetro a reticello con murrine policrome.Bibliografia: F. De Boni, I vetri Venini. Catalogo 1921-2007, Ed. Allemandi, Torino, 2007. M. Barovier C. Sonego, Paolo Venini e la sua fornace, 2016 Skira editore. RARE TABLE LAMP IN BLOWN GLASS, BASE IN BRASS, STEM IN TRANSPARENT AND RETICELLO TORCHON GLASS, DIFFUSER BODY IN RETICELLO GLASS WITH POLYCHROME MURRINE. Alt. cm 95 Ø cm 30.

More details

Benedetto Trionfante Casa D' Aste
Lot 1127

ICO PARISI (Attr.le) Produzione Cantù Italia 1950 ca. Grande ed importante tavolo da conferenza in legno di frassino massello, con due allunghi, piano in legno, gambe a svasare, scarpette in ottone (usure).Bibliografia: I. de Guttry, M. P. Maino, Il Mobile Italiano degli anni 40 e 50 ,Laterza, 2010. LARGE AND IMPORTANT CONFERENCE TABLE IN SOLID WALNUT WOOD, WITH EXTENSIONS, WOODEN TOP, FLARED LEGS, BRASS SHOES (WEAR). cm 402 x 121 Alt. cm 78.

More details

Benedetto Trionfante Casa D' Aste
Lot 1129

OSVALDO BORSANI Produzione Tecno, Italia 1960 ca. Tavolo basso mod. T1 in ottone cromato e piano in vetro specchiato blu.Bibliografia: Osvaldo Borsani - architetto, designer, imprenditore, Giampiero Bosoni. T1 MOD. COFFEE TABLE IN CHROMED BRASS AND MIRRORED BLU GLASS TOP. Alt. cm 45 Ø cm 27,5.

More details

Benedetto Trionfante Casa D' Aste
Lot 1135

ANGELO MANGIAROTTI Produzione Italia 1970 ca. Consolle Eros in marmo nero di Marquina. Bibliografia: Il Design in Italia: Dell'Arredamento Domestico, Gramigna and Biondi, pg. 294 illustrates series Su Mangiarotti: Architettura, Design, Sculptura, Finessi, pg.185. EROS CONSOLE TABLE IN MARQUINA BLACK MARBLE. cm 180 x 45 Alt. cm 73.

More details

Benedetto Trionfante Casa D' Aste
Lot 1137

ANGELO MANGIAROTTI Produzione Bernini Italia 1959 ca.Tavolo mod. 302 in fusione di bronzo finita al tornio e piano in marmo di Carrara.Bibliografia: Domus 400, marzo 1963, pubblicità; Domus 408, novembre 1963; I. de Guttry, M. P. Maino, Il Mobile Italiano degli anni 40 e 50, p. 200, Laterza, 2010. TABLE MOD. 302 IN CAST BRONZE FINISHED ON THE LATHE AND TOP IN CARRARA MARBLE. Ø cm 120 Alt. cm 71.

More details

Benedetto Trionfante Casa D' Aste
Lot 1139

PAUL EVANS (Attr.le) Produzione USA 1960 ca.Importante e raro tavolo scultura, piede in bronzo fuso a cera persa e modellato come massa fusa, piano in vetro.Bibliografia: Opere di Paul Evans Studio (per un tavolo simile). IMPORTANT AND RARE SCULPTURE TABLE, BRONZE FOOT CAST WITH LOST WAX AND MODELED AS A MOLTEN MASS, GLASS TOP. Alt. cm 70 Ø cm 130.

More details

Benedetto Trionfante Casa D' Aste
Lot 1143

GIANFRANCO FRATTINI Produzione Bernini Italia anni 1956 ca. Tavolo da pranzo mod. 522 in palissandro , Piano rotondo, piede quadripartito, Etichetta della manifattura.Bibliografia: G. Gramigna, "Repertorio del Design italiano 1950 - 2000" Torino 2003, Vol I, p. 81. DINING TABLE MODEL NO. 522 IN ROSEWOOD. ROUND TOP, QUADRIPARTITE FOOT. MANUFACTURE LABEL. Alt. cm 73 Ø cm 128,5.

More details

Benedetto Trionfante Casa D' Aste
Lot 1157

VENINI Produzione Venezia 1970 ca. Lampada da tavolo in vetro lattimo, canne a spirale, corpo a uovo.Bibliografia: Bibliografia F. Deboni, I Vetri Venini, Allemandi, 2012. MILK GLASS TABLE LAMP, SPIRAL RODS, EGG BODY. Alt. cm 31.

More details

Benedetto Trionfante Casa D' Aste
Lot 1158

ERCOLE BAROVIER (Attr.le) Produzione Barovier e Toso, Italia 1940 ca.Cornice portafoto da tavolo in vetro cordonato trasparente e ottone.Bibliografia: M. Barovier L'arte dei Barovier: vetrai di Murano, 1866-1972. TABLE PHOTO FRAME TRANSPARENT CORDED GLASS, BRASS. cm 24,5 x 19,5 - cm 17,5 x 12,5.

More details

Benedetto Trionfante Casa D' Aste
Lot 1177

CARLO NASON (Attr.le) Produzione Mazzega, Italia 1970 ca.Lampada da tavolo in vetro lattimo e paglierino, corpo ovale cavo ottenuto con piegatura a caldo.Bibliografia: Pubblicazione AV Mazzega. TABLE LAMP IN MILKY AND STRAW-COLORED GLASS, HOLLOW OVAL BODY OBTAINED BY HOT BENDING. cm 36 x 19 Alt. cm 38.

More details

Benedetto Trionfante Casa D' Aste
Lot 1217

GINO VISTOSI (Attr.le) Produzione Murano, Italia 1970 ca. Una lampada da tavolo, corpo a fungo conico abilmente soffiato come un pezzo unico in vetro di murano trasparente decorato con murrine lattime e nere a strisce in diagonale.Bibliografia: Astone Gasparetto , Il vetro di murano dalle origini ad oggi, Venezia 1962. S. Tagliapietra, La Magnifica Comunità di Murano, 1900-1925, Verona 1980. A TABLE LAMP, CONICAL MUSHROOM BODY SKILFULLY BLOWN AS A SINGLE PIECE IN TRANSPARENT MURANO GLASS DECORATED WITH MURRINE IN DIAGONAL STRIPES. Alt. cm 46.

More details

Benedetto Trionfante Casa D' Aste
Lot 1223

ALFREDO BARBINI Produzione Murano Italia 1980 ca. Lampada da tavolo in vetro lattimo e azzurro, corpo a cono, base in metallo verniciato nero, etichetta di origine.Bibliografia: Luca Melegati, Vetri, Arnoldo Mondadori, 1995. TABLE LAMP IN MILKY AND LIGHT BLUE GLASS, CONE-SHAPED BODY, BLACK PAINTED METAL BASE. ORIGIN LABEL. Alt. cm 45.

More details

Benedetto Trionfante Casa D' Aste
Lot 1232

EBANISTERIA ITALIANA Produzione Italia 1950 ca. Tavolo da gioco in legno di mogano, piano circolare in panno verde, bordo concavo in legno con quattro posacenere, quattro gambe a cono.Bibliografia: Il mobile italiano degli anni '40 e '50, Irene De Guttry - Maria Paola Maino, Laterza. GAME TABLE IN MAHOGANY WOOD, CIRCULAR TOP IN GREEN CLOTH, CONCAVE WOODEN EDGE WITH FOUR ASHTRAYS, FOUR CONE LEGS. Alt. cm 76 Ø cm 114,5.

More details

Benedetto Trionfante Casa D' Aste
Lot 1246

EBANISTERIA SICILIANA Produzione Italia 1930 ca. Un tavolo art déco a vassoio in radica di noce, due ripiani, piedi baccellati.Bibliografia: Il mobile déco italiano 1920-1940, De Guttry Irene Maino Maria Paola. Laterza, 2006. AN ART DÉCO WALNUT BRIAR TRAY TABLE, TWO SHELVES, PODED FEET. cm 70 x 48 Alt. cm 67.

More details

Benedetto Trionfante Casa D' Aste
Lot 1264

EBANISTERIA ITALIANA Produzione Italia 1940 ca. Tavolo da pranzo in legno di frassino, piedi a lira scolpiti e laccati a finto rame, piano in vetro con sei sedie in legno di frassino, seduta e spalliera in skai color rosso scuro (difetti).Bibliografia: Il mobile italiano degli anni '40 e '50, rene De Guttry - Maria Paola Maino, Laterza. DINING TABLE IN ASH WOOD, LYRE FEET CARVED AND LACQUERED IN FAUX COPPER, GLASS TOP WITH SIX CHAIRS IN ASH WOOD, SEAT AND BACK IN DARK RED SKAI (DEFECTS). cm 200 x 100,5 Alt. cm 81 (tavolo) - Alt. cm 95 Alt. seduta cm 50.

More details

Bonhams
Lot 10

Duncan Grant (British, 1885-1978)Still Life with Fruit and a Jug signed and dated 'D.Grant/-/60' (lower right)oil on paper laid on board38.2 x 79.2 cm. (15 x 31 1/4 in.)Footnotes:ProvenanceThe Artist, circa 1965, where acquired byPrivate CollectionTheir sale; Christie's, London, 2 March 1979, lot 97 (as Still Life with Fruit and Jug on a Table)With The Belgrave Gallery, London, where purchased by the family of the present ownerPrivate Collection, U.K.In his later years, Duncan Grant frequently included works of art in his still lifes. They ranged from sculpture (Stephen Tomlin's bust of Virginia Woolf; Private Collection), furniture (the Omega Workshops screen in his studio at Charleston), to Japanese art (a Sharaku textile, Private Collection) to Matisse (Still life with Matisse, Royal Collection). More often, he uses designs by himself as backgrounds for flowers and fruit. The present work shows a decorative design pinned to the wall and is highly typical of Grant's decorative designs of the 1950s and 1960s. This still life was probably painted in Grant's and Vanessa Bell's London flat rather than at Charleston.We are grateful to Richard Shone for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

More details

Bonhams
Lot 3

Vanessa Bell (British, 1879-1961)Landscape at St Tropez signed with initials and dated 'VB 1921' (lower right)oil on canvas35.7 x 59.8 cm. (14 x 23 1/2 in.)Footnotes:ProvenanceWith Austin Desmond Fine Art, London (as Landscape in the South of France)Private Collection, JapanThis painting was carried out during an extended period spent by Vanessa Bell at La Maison Blanche, a house at the back of St Tropez. It belonged to Charles Vildrac, poet and Paris dealer, and his wife Rose. Bell, her three children, their two nurses and Duncan Grant went by train in October 1921, returning to England in January 1922. Several landscapes, such as this one, resulted from this visit as well as one of Bell's best paintings, her Interior with a Table, St Tropez (Tate). The view through the French doors in that work is the same – if more distant – as the present painting, with a glimpse of the Mediterranean to the right. Bell's colour here is subtle and warm, putting one in mind of her love of Corot's Italian landscapes and possibly of recent works by André Derain that she had seen in Paris.We are grateful to Richard Shone for compiling this catalogue entry.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

More details

Adams
Lot 316

*A MOTHER OF PEARL INLAID WOODEN MIDDLE TABLE / CONSOLE IN THE MANNER OF GABRIEL VIARDOT (1830-1904) France, Circa 1900 With a Vietnamese / Indochinoise touch, the top with a refined inlaid bouquet of flowers. H: 73 cm - L: 50 cm - l: 24,5 cm ** Please note that this lot contains mother-of-pearl and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.** BÀN GỖ TRANG TRÍ KHẢM TRAI THEO PHONG CÁCH CỦA GABRIEL VIARDOT (1830-1904) Pháp, khoảng năm 1900

More details

Adams
Lot 317

A BRONZE-EMBELLISHED WOODEN MIDDLE TABLE / CONSOLE IN THE MANNER OF GABRIEL VIARDOT (1830-1904) France, Circa 1900 With a Vietnamese / Indochinoise touch and nice bronzes beast faces to both sides. H: 76,5 cm - L: 71 cm - l: 43,5 cm BÀN GỖ TRANG TRÍ ÁNH ĐỒNG THEO PHONG CÁCH CỦA GABRIEL VIARDOT (1830-1904) Pháp, khoảng năm 1900

More details

East Bristol Auctions
Lot 256

A collection of 20th Century silver and related items to include a James Deakin & Sons cut glass decanter with a silver collar (hallmarked Birmingham 1906), a pair of cit glass and silver collared table salts (hallmarked Chester 1907), an Indian silver white metal bowl, silver plated bowl and a Danish Cohr Atla candle holder. 

More details

East Bristol Auctions
Lot 269

A 1920s Art Deco style silver hallmarked dressing table / vanity brush set consisting of two hairbrushes, a hand held mirror and two more brushes, all having engine turned striped decoration with empty circular cartouche to the top. Hallmarked for Henry Matthews, Birmingham, 1923. Mirror glass missing. Measures 23cm in length. Total weight 513g. 

More details

East Bristol Auctions
Lot 272

A 20th century vanity dressing table brush set comprising of a pair of brushes hallmarked for Charles S green and Co, 1947, Birmingham with the initials AWB to the top, alongside a handheld mirror, clothes brush and hairbrush all hallmarked for W I Broadway & Co, 1970, Birmingham. All having engine turned decoration to the top. Measures 29cm in length. Total gross weight 644g. 

More details

East Bristol Auctions
Lot 273

A large collection of Edwardian early 20th century cut glass and hallmarked silver dressing table pots and boxes to include an oval silver lidded vanity pot with cherub atop hallmarked the Boots Pure Drug Company, 1907, a large cotton pad jar hallmarked for a Robert Pringle & Sons, a cut glass powder pot hallmarked for F H Adams & Co and may more examples 14cm tall. Silver lids measuring 113g. 

More details

East Bristol Auctions
Lot 276

A collection of 20th Century silver and silver plated items to include a pair of cut glass decanters with silver hallmarked rims, a cased silver plated set of four table salts, a silver hallmarked cruet set in case including mustard pot, pepperette and table sale (hallmarked Birmingham 1923), a pair of silver hallmarked spoons in case (hallmarked London 1903). Approx weight 200g. 

More details

East Bristol Auctions
Lot 277A

A collection of antique hallmarked sterling silver items comprising of dressing table jars, mirror frame, chamberstick, napkin rings, sugar tongs, photo frame and more. Bearing hallmarks for Birmingham 1905, Crisford & Norris, London, 1909, Makers mark illegible, London, 1910, London, Crisford and Norris, London, 1913 and more. Gross silver weight 171g

More details

East Bristol Auctions
Lot 280A

A Walker and Hall silver hallmarked cruet set to include mustard pot, table salt and pepper shaker, the table salt and mustard pot having blue glass liners. Hallmarked London 1934. Weight 107g.  

More details

East Bristol Auctions
Lot 288

A group of early 20th Century chinese export silver by Zee Sung of Shanghai to include a round dressing table pot, a rectangular box and a button hook all having repousse high relief decoration in the form of Chinese dragons. All marked Zee Sung. Round box measures 9cm diameter. Total weight approx 400g. 

More details

Moore Allen & Innocent
Lot 183

A 1930's mahogany and inlaid inverted serpentine fronted two drawer canteen table on shell carved cabriole legs to claw and ball feet, together with the contents of various plated cutlery, 75 cm wide x 52 cm deep x 75 cm high

More details

Moore Allen & Innocent
Lot 47

A 19th Century brass table centre of Classical form, the milk glass cornucopia candle holders with brass mounts on scrolling acanthus adjustable supports, raised on a centre columns with fruit finial, the main pedestal with harpie, three Graces, dolphin head, ram's head and winged sphinx decoration in the manner of Rundell, Bridge & Rundell, raised on a stepped plinth base, 83 cm high x 99 cm wide

More details

Moore Allen & Innocent
Lot 514

A modern cherry wood dining table, the plank top with cleated ends on a scrollwork wrought iron base (ex John Lewis), 101.5 cm wide x 183 cm long x 75 cm high

More details

Moore Allen & Innocent
Lot 572

A 19th Century oak rectangular drop-leaf gate-leg dining table with single end drawer, 97 cm wide x 102 cm long x 65 cm high

More details

Moore Allen & Innocent
Lot 582

A red leather covered dining table on end "X" trestle supports by Dominic Chambon of Paris, 130 cm wide x 80.5 cm deep x 75 cm high

More details

Moore Allen & Innocent
Lot 620

A burr walnut cased radiogram with Dynatron tuner / amp and Garrard SP25 MKIV record deck with synchronous motor (introduced 1974), 98 cm wide x 42.5 cm deep x 64 cm high, together with a mahogany two tier tea trolley, two standard lamps, three various stick back kitchen chairs, mahogany and inlaid oval wall mirror, two cane seat bedroom chairs and an Edwardian oak occasional table on cabriole legs (cut down)

More details

Moore Allen & Innocent
Lot 623

A modern oak circular extending dining table on centre pedestal to quadruped cabriole base and pad feet (with one extra leaf making a D end dining table), 122.5 cm wide x 169 cm long max x 76.5 cm high, together with a set of six oak rush seat ladder back chairs in the 19th Century North Country manner and a modern oak demi-lune side table in the Georgian style, raised on square tapered legs, 71 cm wide x 38.2 cm deep x 76.5 cm high

More details

Thomson Roddick Auctioneers & Valuers
Lot 324

Early 20th Century painted mahogany officer's chest with stenciled top and fitted felt interior divided into compartments for the transportation of Table Lamps No2. The chest is addressed to the Officer's Mess in Donegal and belongs to the Donegal R.G.A.M (Royal Garrison Artillery Militia, disbanded 1909). H26 W76.5 D48

More details

Dreweatts 1759
Lot 100

A WALNUT SIDE TABLE, POSSIBLY IRISHCIRCA 1750 AND LATER80.5cm high, 118cm wide, 59cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits and chips. The top is associated to the base of the table. There are later batons of timber applied to the underside of the top. Joints later re-glued. Timber has been cleaned and has a pale colour. Evidence of old worm to the underside of the table and in some areas the front of the frieze. One 'ear' lacking to each rear leg. Some later tacks securing the 'ears' of other legs. Later supporting corner blocks to the rear of the frieze. Vacant screw hole to the front edge of the top. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

More details

Dreweatts 1759
Lot 102

A GEORGE II MAHOGANY SIDE TABLE CIRCA 1745 69.5cm high, 72cm wide, 48cm deep Condition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Some old chips and splits. Metalware original. Key present and operates lock. Two strips of later tape applied to the underside of the drawer. The interior of the carcass with some later supporting blocks and later drawer runners. The legs and frieze with good rich depth of colour. The top with more faded and polished appearance and a 'flat' colour. Some additional dark marks to top. Please refer to additional images for visual reference to condition. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

More details

Dreweatts 1759
Lot 104

AN IRISH GEORGE II MAHOGANY CARD TABLECIRCA 1740 74cm high, 89cm wide, 43cm deep (when closed)For a closely related example of card table, but without the central shell carving to the frieze, see The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 237, figure 133. Condition Report: Marks, scratches and abrasions, old chips and splits commensurate with age and use. some old repairs. Some additional indented marks to the edge of the top.(see images) Some relatively minor evidence of old worm to the underside of the top. Some of the pine blocks to the underside of the top may be later. There is a cabinet makers and retailers label attached to the underside which may not be original and is for a 19thc retailer/ maker. (see additional images) It looks to have been more recently glued to the underside possibly. There are areas of remnants of a dark coloured wax to the surface which does rub away. The table overall appears to have been cleaned but does retain reasonable colour although patina has been lost to a degree it may only be possible to improve with careful and experienced treatment. The edges of the interior surface have been cleaned and show evidence of surface filler. The hinges of the top are later replacements. There are filled holes and marks from previous hinges to the rear edges of the top (see additional images)The baize inset is a later and relatively recent replacement. The rear leg on attached to the hinged element has a crack through the upper part of it that has previously been glued but slightly inaccurately and could be easily done better. There are no other obvious old breaks to legs. The 'ear' brackets to the tops of the legs at the rear frieze and lacking. Some later re-gluing to joins of other 'ear' brackets. The carved shell terminal has previously been detached and re-glued. It has also been secured with a later screw from the reverse of the frieze. There is no clear evidence that the shell is later or associated and the shadow to the frieze supports it being original. The table is more pale in colour than it appears in the catalogue image. See additional images. Please refer to additional images for visual reference to condition.   Condition Report Disclaimer

More details

Dreweatts 1759
Lot 107

AN IRISH GEORGE II MAHOGANY HALL OR SERVING TABLECIRCA 175079cm high, 152cm wide, 73cm deepFor a table of closely related form see, The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 231, figure 106.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Old splits and chipsChip of loss to moulding to one rear corner of the topSome additional dark marks to topThe shaped frieze to one side with small section of replacement timber adjacent to the rear legSome minor evidence of old worm to the rear frieze and the undersideLater supporting corner blocks to the underside (see images)Some later screws securing the base to the topSome fragmentary loses to the tips of the rear feetPlease refer to additional images for visual reference to condition. Condition Report Disclaimer

More details

Dreweatts 1759
Lot 112

A GEORGE III GILTWOOD EAGLE CONSOLE TABLE IN THE MANNER OF WILLIAM BRADSHAW, SECOND HALF 18TH CENTURY With shaped marble top 77cm high, 62cm wide, 38cm deep Condition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Old chips and splits. Gilding has been re-freshed at some point. Some cracks opening along the lines of the underlying construction of the eagle. Glued repairs to cracks through the feet of the bird (see images for extent). Glued repair with filler used to the neck of the eagle where it meets the underside of the top. The gilding with various chips, rubbing, and some areas of losses. The marble top with old repaired crack running diagonally across it. The edge of the marble top with some chips and nibbles. Please refer to additional images for visual reference to condition.     Condition Report Disclaimer

More details

Dreweatts 1759
Lot 135

A GEORGE III MAHOGANY TRIPOD TABLE OR CANDLE STAND IN THE MANNER OF INCE AND MAYHEW, CIRCA 177083.5cm high, the top 38cm diameterThis style of double C scroll tripod base is a simplified form inspired by the engraved designs of Ince and Mayhew around 1760 for tea-kettle stands, popularised by the publishing of their designs in 1762 as The Universal System of Household Furniture.For Ince and Mayhew engraved tea-kettle stand designs see Peter Ward-Jackson, English Furniture Designs of the Eighteenth Century, Victoria and Albert Museum, 1984, plate 164.

More details

Dreweatts 1759
Lot 160

A GEORGE III MAHOGANY WORK TABLE CIRCA 1800 With rising silk screen to the back above the serpentine top and arrangement of slides and drawers71cm high, 57cm wide, 40cm deepCondition Report: A condition report for this lot has not yet been completedThe key is present in a Moss Harris envelope in the drawer Condition Report Disclaimer

More details

Dreweatts 1759
Lot 172

A GEORGE III MAHOGANY AND LINE INLAID PEMBROKE 'BREAKFAST' TABLECIRCA 1800The drawer fitted with a slide and inkwells, above the pleated silk and wire panelled lower compartment74cm high, 90cm wide, 68cm deep The form of this piece related to Thomas Chippendale's design for a 'Breakfast' table, Thomas Chippendale, The Gentleman and Cabinet Maker's Director, 1754, 3rd Edition, 1763, plate XXXIII. Condition Report: The drawer with a sliding writing surface, later inset and painted, and compartments for two brass inkwells and pens.Marks, scratches and abrasions consistent with age and useOld chips and splits, sections of replacement and losses to veneers including to the base of the interior; ruled joint hinges; door joints and hinge area; section below drawer and door.One later painted grille section.Handles replacedEvidence of old worm Please refer to additional images for visual reference to condition Condition Report Disclaimer

More details
Loading...Loading...
  • 1181390 item(s)
    /page

Recently Viewed Lots