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Interesting Neapolitan mandolin by and labelled Francesco Salomone...Napoli, the spruce table with decorated faux tortoiseshell scratchplate and inlaid with the royal coat of arms, also banded with decorative geometric mother of pearl inlay and the fingerboard also overlaid with mother of pearl, case *This mandolin is sold with a letter of provenance from Saxon Cross Antiques stating that it was a 'Presentation Piece' given by King George VI to the King's court musician on his retirement from service at Buckingham Palace, Balmoral and Sandringham
Group of mainly Middle Eastern instruments, two zilli masa (Turkish tong cymbals), a keman?e (a Turkish spike fiddle from Trabzon), the body a gourd with painted vellum table, three strings, with bow, length 555mm, a pair of cymbals, possibly Turkish, a tambourine with four jingles, a rebab or kemance, Turkey, boat shaped body, three strings, length 550mm, with bow, a Turkish pellet drum (8)
French violin from the Workshop of Leon Bernardel, labelled Fait Sous la Direction de Leon Bernardel Luthier ? Paris, also labelled Copie de J.Bte Vuillaume ? Paris, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Good French violin by and labelled L.A. Ragot, Grand Prix Paris Exposition..., 1947 no. 092, also stamped on the treble side, signed on the inner back and stamped L.A. Ragot below the button, the one piece back of broad curl with faint medium curl to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish colour on a golden ground, 14 3/16", 36cm
Good English decorative violin modelled in the style of Hardanger, by and labelled J.E. Hardwick, Luthier (pupil of G. Wulme Hudson), Ashstead, Surrey, 1962, no. 180, signed on the label and also bearing another label on the treble side inscribed Nonsuch, the table and back inlaid with a wide band of geometric purfling, the back also carved and inlaid with geometric interlaced designs, the ribs carved and painted with similar decoration, the one piece back of faint broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm
Violin labelled Charles Brugere, Luthier, 11, Faubourg Poissonniere, no. 232, Paris An. 1920, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm
Good French violin labelled Fait Sous la Direction de Leon Bernardel, Luthier ? Paris, also labelled Copie de J.B. Vuillaume ? Paris, the two piece back of fine curl with faint medium curl to the sides and head, the table of a broad width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm, with two nickel mounted violin bows, one stamped Dorfler, case
Interesting early violin labelled Joannes Florenus Guidantus Fecit, Bononia Anno 1734, the one piece back of faint medium horizontal curl with plainish wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm
Interesting 19th century violin bearing an inked label inscribed F.G Lang***...Leipzig 1862, the one piece back of plainish wood with similar wood to the sides, the head of faint medium curl, the table of a medium width grain narrowing to the flanks and the varnish of a plum red colour on a golden ground, 14", 35.60cm, case
Good late 19th century German viola of the Neuner & Hornsteiner School, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground, 15 1/2", 39.40cm, case
Good English viola by and labelled Made by Laurence Cocker, Derby 1955 - Tertis Model - no. 22, the one piece back of medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 16 7/8", 42.90cm, case *This viola is also sold with a silver mounted cane bow by and stamped L. Cocker
French violin by and labelled Charles Francois Charotte, Maitre-Luthier ? Paris, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm *This instrument is sold with a Certificat de Garantie from Georges Apparut dated 9th January 1940. The original Charotte bridge has also been retained
French violin attributed to and labelled A. Delivet, Luthier, Ex-Ouvrier de H.C. Silvestre, Paris, also faintly stamped A. Delivet to the inner back and at the end button, the one piece back of broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a rich plum colour, 14 1/16", 35.70cm *This violin is sold with a certificate of authenticity from Philippe Ferrand Luthier, Paris dated 2nd February 2016
Violin labelled Ch.J.B. Collin-Mezin, Luthier 1922, Grand Prix-Exposition Universelle 1900, Paris, also signed to the inner back on the treble side and numbered 613, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
French violin by and signed in ink Paul Bisch no.479, 1950 to the inner back, the two piece back of broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a brown colour on a golden ground, 14 1/8", 35.90cm *This violin is sold with a certificate from the maker dated 20th October 1951
French double purfled violin by and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris and signed in ink on the label and further inscribed Modele Exceptionelle no. 243, 1946, also signed to the inner back on the treble side and bearing another label inscribed Artisans Lutherie Artistique Francaise, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/4", 36.20cm *This violin is sold with a certificate of authenticity from Ch.-J.-B. Collin-Mezin dated 1946
Interesting early 20th century violin labelled Varagnolo Ferruccio Veneziano..., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a reddish-brown colour on golden ground, 14 1/16", 35.70cm
Violin stamped Stentor ? Paris to the inner back and again on a shield to the reverse of the peg box, the two piece back of faint medium broad curl with fine curl to the sides and plainish wood to the head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm
French violin by and labelled CH. J.B. Collin-Mezin Fils luthier, Medaille d'Or - Exposition Universelle 1900, Paris 1926, 129 bis, the two piece back of medium curl with similar wood to the sides, the head a faint broad curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/6", 35.70cm
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1181390 item(s)/page