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A Chinese Hardwood Recessed Leg Table, probably 19th/20th c., rectangular inset top with archaic carved edges over similarly carved brackets and apron supported on carved trestles, height 32 1/2 in., width 55 in., depth 16 1/2 in. Provenance: Estate of Restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.
Two Art Deco Silvered-Bronze Polar Bear Table Lamps, c. 1925, by Thomas François Cartier (French, 1879-1943), both with "Fabricator Française" foundry mark, one signed "T. Cartier", modeled as polar bears playing with iceberg-form shades, plinth base, largest height 12 in., width 13 in., depth 6 1/4 in.
A German Rococo-Style Gilt Bronze-Mounted, Gilt and Polychrome Porcelain Table, late 19th c., blue underglaze mark, probably Carl Thieme, circular top centering inset plaque depicting 18th century courting figures amid conforming plaques, frieze with applied flowers, baluster support on scrolled legs surmounted by putti, height 32 1/2 in., width 31 1/2 in., depth 31 1/2 in.
A Fine American Renaissance Burled, Inlaid, and Gilt-Decorated Walnut Center Table, c. 1870, New York, intricately inlaid top, stepped molded edge, frieze with panels and bosses, tapered fluted legs surmounted by scrolled capitals, shaped stretcher, tapered feet, casters, height 29 1/2 in., width 45 1/2 in., depth 29 in. Note: The strong Louis XVI elements of this table relate closely to examples from a number of French émigré cabinet makers working in New York, including Leon Marcotte (1824-1887). A center table by Marcotte with supports and stretcher terminals similar to those seen here is conserved by the Metropolitan Museum of Art (acc. no. 34.140.1). Reference: Howe, Katherine S., et al, Herter Brothers: Furniture and Interiors for a Gilded Age, 1994, fig. 47, pp. 68-69; http://www.chipstone.org/publications/1994AF/index1994gray.html
An American Classical Carved Mahogany Pier Table, early 19th c., marble top, (probably violet brocatelle), cove-molded frieze, scroll supports with elliptical and rosette carving, mirrored back flanked by pilasters, shaped plinth, lappet-carved feet, height 36 in., width 41 1/2 in., depth 19 3/4 in.
An American Classical Carved Mahogany Games Table, early 19th c., Boston, possibly carved by Thomas Wightman, foldover top, frieze centering foliate panel above acanthus-carved baluster standard, round plinth, saber legs, brass paw feet, casters, height 29 in., width 36 in., depth 18 in. Note: London-trained carver Thomas Wightman adapted his work to American sensibilities and frequently worked with Boston cabinetmakers John and Thomas Seymour and William Fisk. The use of carved details, distinctive for a Boston maker, on this table as well as the use of choice mahogany and a distinctive manner of mounting the top to the base, strongly suggest Wightman as a source for this table.
An American Late Classical Carved Mahogany Pier Table, c. 1840, Boston, Egyptian marble top, lancet carved frieze, fluted columnar supports, conforming pilasters flanking mirror back, plinth base, height 35 3/4 in., width 40 1/4 in., depth 18 1/2 in. Note: A similar pier table from the Estate of Lee B. Anderson, New York, sold in these rooms on September 15, 2012 as lot 94.
An American Classical Carved Mahogany Sécrétaire à Abattant, early 19th c., Boston, molded cornice, paneled fall front enclosing fitted interior with open compartment and drawers, paneled doors below, pilasters with lotus leaf capitals, plinth base, height 59 in., width 40 1/2 in., depth 17 1/2 in. Note: The bold lotus-carved capitals on this sécrétaire relate closely to those on a console table made for Salem philanthropist George Peabody by Abraham Kimball (1789-1890) or Winthrop Sargent (1799-1850). The distinctive ornamentation on the door panels of this lot can be seen in many Boston examples, including a cabinet exhibited by antiquarian Stuart Feld. Reference: Farnam, Anne, "Furniture at the Essex Institute, Salem, Massachusetts," The Magazine Antiques (May, 1977), p. 973, pl XVI; Feld, Stuart P., Boston in the Age of Neo-Classicism: 1810-1840, 1999, p 61-63, pl. 25,26.
An American Classical Carved Mahogany Center Table, early 19th c., attributed to Anthony Quervelle, Philadelphia, inset marble top with gadrooned molding, torus-molded frieze, gadrooned baluster standard, incurvate plinth, scrolled bracketed paw feet, casters, height 29 in., diameter 43 in. Note: A center table bearing two labels from the shop of Anthony Quervelle, with identical standard and collar to that seen here, is conserved by the Metropolitan Museum of Art (acc. 68.96). Quervelle also made very similar examples for the White House in 1829, as well as a table descended in the Bache Family of Philadelphia. The design of this table belongs to a small group of tables in Quervelle`s oeuvre based on designs from George Smith`s 1808 Collection of Designs for Household Furniture, (see pl. 89). Reference: Davidson, Marshall, The American Wing, The Metropolitan Museum of Art, p. 162, fig. 250. Smith, Robert, "The Furniture of Anthony Quervelle of Philadelphia, Part II, the Pedestal Tables," Magazine Antiques, (July, 1973), p. 91.
An American Classical Carved Mahogany Center Table, early 19th c., attributed to Anthony Quervelle, Philadelphia, segmented top, conforming narrow frieze, acanthus carved and turned pedestal support, incurvate plinth, winged lion`s paw feet, height 30 1/2 in., diameter 41 in.
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