A 19th century walnut oval Pembroke table: the top with a crossbanded edge with projections, fitted with a frieze drawer on moulded cabriole legs, headed with cabochon foliate ornament, terminating in carved foliate feet with castors, the top 71.5cm (2ft 4 1/4in) x 89cm (2ft 11in) extended.
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An antique oak and inlaid refectory table:, the rectangular top with a moulded edge, the frieze with diagonal oak and maple banding on bulbous reeded and carved palmette decorated legs, terminating in block feet, the top 302cm (9ft 11in) x 89cm (2ft 11in). * Provenance Kingsnympton Park, Devon.
A 19th Century mahogany oval extending dining table:, in the Regency manner, the top with a moulded edge on turned central column and reeded quadruped splayed legs, terminating in castors - including two additional leaves, the top 113cm (3ft 8 1/2in) x 102cm (3ft 4 in) extending to 172cm (5ft 7 3/4in).
Edwards and Roberts - A 19th century 'Dutch' floral marquetry, ebonised and ivory inlaid rectangular side table:, the top decorated with birds amidst scrolling floral foliage bordered with sycamore lines and with an ebonised and ivory dentil edge, containing a single long frieze drawer, on ebonised spirally turned legs united by curved and flattened x-frame stretcher, terminating in ebonised bun feet, the top 113cm (3ft 81/2in) x 75cm. (2ft 51/2in) the drawer stamped Edwards and Roberts, Wardour Street, London.
A Moorish red and black lacquer octagonal occasional table on a folding stand:, decorated with panels of temples with numerous figures and a procession with warriors and an elephant, the stand similarly decorated with panels of figures and elephants, 76cm (2ft 6in) across.
A Victorian walnut and inlaid combined games and work table:, bordered with boxwood lines, decorated with stylised foliate designs and with ebonised lozenge panels, the hinged swivel top with carved ends, inlaid on the underside for chess and backgammon, having a fitted frieze drawer and tapered sliding well below, on turned, fluted and foliate carved column end and dual splayed legs, united by a similar stretcher, terminating in castors, 69cm (2ft 3 1/4in.) wide.
A George II mahogany concertina action card table:, of shaped outline, the hinged top with projecting rounded corners, enclosing a baize lined interior with circular candle stands and counter recesses, on hipped tapered legs, terminating in pad feet, 89cm (2ft 11in) wide.
A late 19th Century Indian carved hardwood Tiffin table:, the top of shaped outline with a wide blind fretwork band decorated with scrolling foliage, peacocks and elephant masks, inset with an octagonal metal central panel pierced and decorated with further foliage and peacocks, on a similarly decorated octagonal folding stand, 84cm (2ft 9in) across.
A George IV silver fiddle and thread pattern table service, comprising thirteen table forks, seven dessert forks and six dessert spoons, by William Crossley, London, 1823, and three other table forks, one dessert fork and one dessert spoon of similar pattern, various dates and makers, (weight 72ozs)
A late Georgian mahogany bow front two tier side table with moulded edge to top, fitted one dummy and one real frieze drawer, inlaid with ebony stringings, on slender turned supports, 25ins wide x 17ins deep x 32ins high, (adapted from a wash stand - with lift off top)
***Adrian Paul Allinson (1890-1959) - Pastel - Portrait of Bianca McGilvray Loughnane in evening dress and wearing orange feather trimmed hat, seated at a dining table with two glasses of wine to foreground, 15.75ins x 11.75ins, signed "Allinson" and dated '23, in modern gilt moulded frame Provenance: Bianca McGilvray Loughnane was the wife of a surgeon McGilvray Loughnane, and they were friends with the artist from their medical student days, and with black and white photograph shown wearing the same hat as in the portrait Note: See David Boyd Haycock - "A Crisis of Brilliance - Five Young British Artists and The Great War" - published 2009 - the book talks a great deal about Adrian Allinson, as all five artists were at The Slade School of Art before The First World War
A large Chinese carved red painted and giltwood altar table screen, the shaped top carved in low relief with dragons and with characters to central panel, on shaped sides and trestle feet, 22ins (56cm) wide x 24.25ins (61.6cm) high Note : Purchased in Macao in 1977
Chinese School - Scroll painting - Scene of the Judgement of Demons and Gods with a seated bearded figure and his two attendants behind a table, the demons below performing various acts of torture, with three character inscription to banner at top, 73ins (185.5cm) x 15.75ins (40cm) (discoloured and paper frayed)
A modern French mahogany and gilt metal mounted circular occasional table of Louis XVI design with white flecked marble slab to top, the frieze inlaid with panels of trellis and floral ornament, on four moulded and gilt metal mounted cabriole legs with paw feet, 20.5ins diameter x 24.5ins high
A pair of George III silver table spoons with bright cut handles, by Francis Parsons & Stephens Crees, Exeter, 1798, a pair of George V silver fiddle pattern table spoons, makers mark rubbed, London, 1919, (initialled), a selection of silver napkins and other silver and silvery metalware, various, (combined weighable silver 27ozs)
A Chinese carved red painted and giltwood rectangular tablet inscribed with characters, 14.365ins (36.5cm) x 9.5ins (24.2cm), a similar tablet dedicated to Chu Ta Hsien, 16.125ins (41cm) x 8.75ins (22.3cm), and two other larger table tablets Note : See Keith Stevens "Chinese Gods: The Unseen World of Spirits and Demons", page 28
A Chinese carved, red painted and giltwood rectangular charm tablet, carved with a seated figure holding a scroll below a compass and character inscription, 7.5ins (19cm) x 4.5ins (11.5cm), three other similar charm tablets, a Chinese carved painted and giltwood travelling shrine, opening to reveal a seated figure of Guanyin flanked by two standing acolytes, 8ins (20.3cm) high, and seven carved and painted table screens, various
A George III silver Old English pattern soup ladle, 12.75ins, by Peter, Ann & William Bateman, London 1804, six silver fiddle pattern table spoons, all variously embossed and engraved with differing ornament, various makers and dates, seven other table/serving spoons, and a quantity of tea spoons, coffee spoons and other spoons, various (combined weight 59ozs)
A late Victorian oak table cabinet, fitted nine small drawers enclosed by a pair of bevelled glass panelled doors, on moulded base, 16ins wide x 11ins deep x 18ins high (lacking key), and a small walnut nest of seven small drawers with recessed brass handles, 8ins wide x 10ins deep x 12ins high
Chinese School - Nine watercolours/gouache on pith paper, including - Seated lady with two attendants making offerings, and standing female figure leaning on a table with two attendants, each 9.75ins (24.8cm) x 6.75ins (17.1cm), all framed and glazed, and a small pocket album containing six loose watercolours of individual figures, various (Qing dynasty - 19th Century)
A Chinese carved and painted hardwood boat people junk altar, carved with thirteen seated figures above a central altar inscribed and flanked by two acolytes with billowing robes within red border, 13ins (33cm) x 18.5ins (47.6cm) (slightly damaged and now lacking stand), and seven other carved and painted table screens, various
A modern Ercol elm dining suite, comprising - rectangular extending dining table with fold-out central leaf, on square splayed legs, 61ins x 36ins extending to 89ins x 28ins high, six matching stick back chairs with wood seats, on turned and splayed legs, and loose squab cushions for same, and sideboard fitted three central drawers flanked by cupboards enclosed by doors, on castors, 61ins wide x 17.5ins deep x 27ins high
A 1920s mahogany rectangular extending dining table of 18th Century design, with two extra leaves, moulded edge to top, on leaf carved cabriole legs with claw and ball feet and castors, 60ins x 48ins extending to 94ins x 29.5ins high, and eight dining chairs of "Queen Anne" design (including two armchairs) with shaped crest rails, solid splats, the drop-in seats upholstered in gold patterned cloth, on slender cabriole front legs and pad feet
A modern plated table service by Arthur Price of England, with moulded handles and with shell and scroll ornaments, (for twelve place settings), comprising - four table spoons, twelve table forks, twelve dessert spoons, twelve dessert forks, twelve soup ladles, twelve fish knives and forks, twelve tea spoons, twelve coffee spoons, twelve table knives and twelve dessert knives with stainless steel blades and plated handles, contained in mahogany effect canteen
A late George III mahogany Pembroke supper table with reeded edge to top, fitted one real and one dummy drawer, on turned and reeded central column and quadruple splayed and reeded legs with brass toes and castors, 47ins x 52ins x 28ins high (repolished - dummy drawer loose and lacking handles)
An early Victorian birds-eye maple and rosewood rectangular library table with plain top, the incurved sides fitted two frieze drawers on shaped end supports with carved and applied rosewood scroll and leaf ornament and turned rosewood stretcher, on trestle supports with carved rosewood paw feet with recessed castors, 42ins wide x 20.5ins deep x 30ins high
An early Victorian rosewood circular occasional table, the top with moulded edge and the reversible central section inlaid with chess board to one side, lifting to reveal metal lined compartment, on turned central column and triangular inswept base with bun feet and castors, 19ins diameter x 29.5ins high (slight damage)
A Taiwanese carved giltwood altar tablet dedicated to Ch'i Hsien Nu - The 7th Immortal Maiden, carved with inscription and dragon and hung with tassels and on tapered base, 14.5ins (37cm) high, a Chinese carved red painted and giltwood tablet dedicated to T'ien Ti San Chieh Shih Fang Wan Ling Chen-Tsai - The "Ruler of the Myriad Spirts everywhere in the Three Worlds", of shaped outline with inscription to centre, 8.75ins (22.3cm) wide x 4.75ins (12.2cm) deep x 16.25ins (41.2cm) high, a carved giltwood altar table with inscription to centre, 16ins (40.8cm) high, and nine other tablets, various Note : Ch'i Hsien Nu tablet - See Keith Stevens "Chinese Gods: The Unseen World of Spirits and Demons", pages 28
A late George III mahogany rectangular drop leaf work table, the swivel top cross banded in rosewood, fitted two real and two dummy drawers, on slender twin turned end supports, and moulded splayed legs with brass paw feet and castors, 27ins x 19.5ins x 27.75ins high
An early George III lady's mahogany kneehole dressing table, the top with moulded edge and re-entrant corners, fitted one long frieze drawer, fitted one small drawer and cupboard, flanked by three small drawers on each side, and on bracket feet, 30ins wide x 20ins deep x 31ins high
A Chinese black painted and gilt framed rectangular table screen inset with painting on silk depicting a seated bearded god with four acolytes, on trestle feet, 21ins (53.2cm) x 41.25ins (36.5cm), a pair of Cantonese red painted and giltwood altar candlesticks, the stems carved with dragons and on lion dog pattern bases, 14.5ins (37cm) high, and a pair of Chinese pewter and gilt metal temple candlesticks of square section, 14.5ins (37cm) high
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