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An Art Deco Japanese style silver mounted enamel dressing table set to include: mirror, hair brush, clothes brush and comb, the apple green ground decorated with stylised fans to with radiating black striped painted with scrolls, the silver hallmarked Birmingham, 1928, import marks, in fitted case, the comb apparently unmarked
A Louis XVI table clockWhite and black marble Decorated with chiseled and gilt bronze applications depicting foliage motifs surmounted at the center by an eagle White enamel dial with black Arabic numerals, signed "Rouviere/ à Paris" France, 18th century (wear signs, mechanism not tested)Provenenance: Rowlands Castle (Hampshire), Counts of Bessborough.52,5x35,5x11 cm
Yves Klein (1928-1962), Table IKB , technique mixte, (verre, plexiglas, piètement en métal et pigment bleu), signée par Mme Rotraut Klein-Moquay et numérotée ARC 89-A-30 (sur l'étiquette fixée sous la table), 37x125x100 cmNote : Cette oeuvre fait partie d'une édition commencée en 1963 sous la supervision de Mme Rotraut Klein-Moquay d'après un modèle d'Yves Klein LA COLLECTION D'UN AMATEUR D'ART CONTEMPORAIN Tous les lots marqués en rouge dans le catalogue papier, lots 44 à 60 de la vente à la criée et 1925 à 2012 de la vente online, proviennent de la collection d’un amateur d’art contemporain ayant résidé à Genève.Participant activement à la vie artistique de Genève, ancien membre du Centre d’Art Contemporain, il a constitué au fil des années une importante collection avec une sensibilité particulière pour les artistes contemporains africains dont certains figurent aujourd’hui parmi les noms les plus reconnus.Tous les lots de cette collection sont mis en vente sans prix de réserve.
Yves Klein (1928-1962), Table d'Or , technique mixte (plexiglas, piètement en métal et feuille d'or), signée par Mme Rotraut Klein-Moquay et numérotée 09 LI-CEN (sur l'étiquette fixée sous la table), 35,7x124,5x99,7 cmNote : Cette oeuvre fait partie d'une édition commencée en 1963 sous la supervision de Mme Rotraut Klein-Moquay d'après un modèle d'Yves KleinLA COLLECTION D'UN AMATEUR D'ART CONTEMPORAIN Tous les lots marqués en rouge dans le catalogue papier, lots 44 à 60 de la vente à la criée et 1925 à 2012 de la vente online, proviennent de la collection d’un amateur d’art contemporain ayant résidé à Genève. Participant activement à la vie artistique de Genève, ancien membre du Centre d’Art Contemporain, il a constitué au fil des années une importante collection avec une sensibilité particulière pour les artistes contemporains africains dont certains figurent aujourd’hui parmi les noms les plus reconnus. Tous les lots de cette collection sont mis en vente sans prix de réserve.
A very fine Republic period famille rose censer, painted with a group of three ladies seated by a table in a fenced garden. The shoulders embellished with a pair of Foo Lion mask handles with reticulated cover. A calligraphy poem describes the scene. Marked to underside. Dimensions: 5"W x 7.5"HCountry of Origin: ChinaCondition: Age related wear.
An Art Deco beechwood veneered console / dressing table with a rectangular beveled mirror, the table top covered with glass standing on round tapered legs, measuring W84cm, D49cm, table top H78cm, mirror top H144cm, the mirror frame measuring 66x42cm, early / mid 20th century.
John Pettie, RA HRSA (British, 1839-1893)'George Fox refusing to take the oath at Houlker Hall' signed and dated 'J Pettie/1864' (lower left); further signed and titled '1. George Fox refusing to take/the oath at Houlker Hall/John Pettie' (on artist's label affixed to the stretcher)oil on canvas 92.5 x 139cm (36 7/16 x 54 3/4in).Footnotes:ExhibitedLondon, Royal Academy, 1864, no. 471.This year marks the 400th birthday of George Fox. George Fox was one of the founders of The Religious Society of Friends.The work depicts Houlker Hall, Yorkshire in 1663. Where the oath was tendered to George Fox, by the Justices of the neighbourhood. A rumoured 'plot in the north', which probably had no existence, was met by a general lending of the oath of allegiance and supremacy. George Fox was the first victim. In the work, George Fox is the prominent figure and Margaret Fell can be seen to be seated to his side. The Justices are around the table, the gentleman stretching out his hand is Justice Rawlinson.For further information on this lot please visit Bonhams.com
ROGER FRY (BRITISH 1866-1934) THE ROUND TABLE Oil on canvas Signed and dated 1920 (lower right) 76 x 69.5cm (29¾ x 27¼ in.)Provenance: The Mayor Gallery, London Exhibited: London, Courtauld Institute Gallery, Portraits of Roger Fry, 18 September - 14 October 1976, no.22; this exhibition travelled to Sheffield, Mappin Art Gallery, 23 October - 21 November 1976 London, The Belgrave Gallery, Masters of Modern British Painting, 1977, no.1Literature:F. Birrell and D. Garnett, Some Contemporary English Artists, London, 1921, (Illustrated)R. Shone, Bloomsbury Portraits, London, 1976 (Illustrated plate 118, p. 197)R. Shone, The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant, London, 1999, p.205, fig.120D. Edwards, Winter Sonata, Virago Modern Classics, London, (front cover illustration)J. Rolls, The Bloomsbury Cookbook, London, 2014, p.232 (illus.) In the Spring of 1920, Roger Fry visited in Vence, staying at Maison Barrière with friends and fellow artists. Amongst this group were the sculptor Marcel Gimond and his wife Julie, both depicted in the present work. Gimond created a number of portrait busts of Fry in the early 1920s. An example of which is now held in London's National Portrait Gallery. The third figure present in Fry's painting, playing a guitar, is the illustrator and Post-Impressionist artist Sonia Lewitska. Lewitska was married to Fry's close friend Jean Marchand. Although present in a small oil sketch of the same scene he is not depicted in the present work. Fry admired Jean Marchand, including his work in both of his groundbreaking exhibitions held at the Grafton Galleries; Manet and the Post-Impressionists, 1910 and The Second Post Impressionist Exhibition, 1912. Through their friendship Marchand became closely associated with the Bloomsbury Group and Fry even dedicated a whole chapter in his 1920 book of essays Vision and Design, observing his move away from cubism; "Having once learned by this process of willed and deliberate analysis how to handle complex forms, he has been able to throw away the scaffolding and to construct palpably related and completely unified designs with something approaching the full complexity of natural forms, through the lucid statement and ease of handling which it actuates testify to the effect of his apprenticeship in Cubism." (R.Fry, Vision and Design, London, 1920, p.282) Although Fry wrote this about the work of Jean Marchand one cannot help but feel that he could have had in mind his fellow Bloomsbury artists Vanessa Bell and Duncan Grant after only recently closing the doors on the Omega Workshop due to lack of funds. Condition Report: The canvas has been relined. Ultraviolet light reveals scattered retouching to the extreme edges consistent with the relining. Otherwise in good condition. Condition Report Disclaimer
A Poole ‘Mushroom and sepia’ pattern part table service for six including; a tea pot, coffee pot, milk jug, sugar bowl, six dinner plates, a lidded tureen, gravy boat and stand, etc; Poole blue and pink tea service for six comprised of; one picnic plate, six tea cups and saucers, six side plates, milk jug, sugar bowl; etc
Boxes & Objects - a 19th century brass miniature wall pocket, shaped back, pierced tapering pocket, 16.5cm high, two pairs of miniature brass taperstick candlesticks, pair of 19th century Manx (Isle of Man etched glass spirit nip glasses, both cased, compacts, pin cushion and pin cushion dolls, gilt metal and glass dressing table trinket box, Rowntree's & Co 1910-1935 City of York George V and Queen Mary silver Jubilee tin etc
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1181627 item(s)/page