A good quality late 19th century oak and brass bound table-top games compendium/Tantalus, with fitted base drawer complete with playing cards, cribbage board and sundries, with the hinged top enclosing five section fitted cigarette and cigar interior and with three cut glass stoppered decanters, height 31cm, width 34cm, complete with key
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Shirley Temple collection comprising four piece bakelite dressing table set comprising hand mirror, hair brush, desk top calendar and lidded trinket pot also a pocket mirror and four pieces of Shirley Temple crystal blue glass ware comprising rectangular lidded butter dish, jug, handled beaker and cereal bowl (9)
`British Artist Kate Greenaway` sixteen examples in colour of the artists work with an introduction by M H Spielmann, published by A & C Black, Soho Square, London 1905 in green cloth with Kate Greenaway front piece, `Under The Window` by Kate Greenaway, printed Frederick Warne & Co Ltd of London and New York in white and beige cloth and illustrations by Greenaway, `Babies Own Aesop` being the fables condensed in rhyme with portable morals pictorially painted by William Crane, engraved and printed in colour by Edmund Evans with coloured boards, `Robin Hood and the men of the Green Wood` by Henry Gilbert with sixteen illustrations in colour by Walter Crane, printed T C & E C Jack, Edinburgh and London, with white boards with colour front piece, `Stories of the Knights of the Round Table`, by Henry Gilbert with eight illustrations in colour by Walter Crane to T C & E C Jack of London, covered in grey boards with coloured front piece (af), `The Language of Flowers` illustrated by Kate Greenaway, printed by Frederick Warne & Co Ltd of London and New York with covered coloured boards (af), `Rubaiyat of Omar Khayyam` a reprint of the first translation by Edward Fitzgerald with twelve illustrations by Blanche McManus, printed by Alexander Mooring, London 1903, covered in green leather, also six other copies of the Omar Khayyam by the following, `An Essay by John Morgan` of Aberdeen privately printed 1901, covered in grey boards, copy introduced by Joseph Jacobs, printed by Samson Lowe, Maston & Co of London and Edinburgh with a loose front piece covered in brown leather (af), another copy printed by George Reutledge & Sons of London covered in brown leather, another copy printed by Selwyn & Blunt of London, covered in white paper boards with original dust jacket, another copy by Frederick Muller Ltd of London dated 1947 with engravings by George Buday, and a copy with paintings and designed by Motway McCannell printed by Ward, Lock & Co Ltd of London & Melbourne covered in green cloth with original illustrated dust jacket, `Cecil Beetons New York` illustrated from drawings by the author and photographs by the author and other, printed by B T Batsford Ltd of London, 1938 with original dust jacket (14)
Three pieces of late 19th/early 20th century Meissen table china comprising hand painted milk jug with stork handle, shaped footed sugar bowl and tea cup, each hand painted with thistle and rose decoration, height 16cm and smaller, with blue painted crossed sword marks and no. 59, 70 and 87 respectively
A 19th century mahogany cased table top part canteen of silverplated flatware by Joseph Elliott & Sons, including tablespoons, dessert spoons, sugar tongs, sauce ladle, forks, dessert forks etc, quantity of bone handled table knives etc, in mahogany Wellington style case
A Victorian hallmarked silver topped cut glass scent bottle with repousse decoration of a winged angel, made by William Comyns, London 1897/98, together with a hallmarked silver matched dressing table set with repousse decoration throughout to include hand mirror, shoe horn, comb, hairbrush and cloths brush, assorted dates and Assay offices
An early 20th century Jacobean revival solid oak dining suite, comprising a sideboard, width 157cm, a draw-leaf dining table width 114cm extending to 181cm, and a set of seven chairs, comprising one carver and six singles, the whole elaborately carved throughout with traditional motifs
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