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Click here to subscribeAN 18TH CENTURY YEW WOOD TILT-TOP TRIPOD TABLE, the circular top raised on a baluster stem continuing to hipped downswept legs terminating in pad feet. 72cm high, 67.5cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In generally good condition commensurate with age.
AMENDMENTA REGENCY GONCALO ALVES FOLDOVER CARD TABLE, the crossbanded top with rounded corners above a cylinder moulded frieze flanked by fan-carved out-scrolled supports, raised on a ring-turned stem issuing from a platform base, with four c-scroll reeded downswept legs, terminating in paw-cast brass caps and moving on castors. 72cm high, 90cm wide, 44cm deep (closed)
~ A REGENCY ROSEWOOD TILT-TOP BREAKFAST TABLE, the rectangular top with rounded corners and beaded edge to the frieze, raised on a faceted tapering stem with reed moulding, issuing from a quad-form platform base with shell, leaf and claw carved feet. 73.5cm high, 152cm long, 121cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The top detaches. There is no extra leaf. The top is split and has been adapted with brass bracket beneath to accommodate the split.
A SMALL CHINOISERIE LACQUER TRIPOD TABLE, EARLY 20TH CENTURY, with dished circular top and downswept legs. 51cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Two legs reapplied. Split across the top. The usual surface wear, but generally structurally sound and very decorative.
A CHINESE HARDWOOD TABLE SCREEN, the square panel with fretwork carving to depict bats and scrolling foliage, the inset circular silk panel swivelling, raised on a similarly carved trestle stand. 83.5cm high, 67cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In good condition.
A GEORGE III MAHOGANY SIDE TABLE, the rectangular top above a frieze drawer with brass circular ring handles, raised on square-section tapering legs. 74.5cm high, 79cm wide, 49.5cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Restoration to top right corner, left corner at front and back left. Surface scratches, legs sound.
A VICTORIAN ROSEWOOD FOLDOVER CARD TABLE, the moulded rectangular top with rounded corners, raised on a boldly carved reeded baluster stem continuing to hipped downswept legs terminating in scroll feet. 74.5cm high, 93cm wide, 46cm deep (closed)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Overall good condition. A few surface marks and scratches, needs a new baize. Slight wobble when table is open.
A SMALL GEORGE III OAK TRIPOD TABLE, 18TH CENTURY, the circular top raised on a baluster stem continuing to hipped downswept legs terminating in pad feet. 70cm high, 46.5cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The top and base probably associated. Repair to the base. General surface wear commensurate with age.
~ A GEORGE III MAHOGANY PEMBROKE TABLE, with rounded leaves and frieze drawer, raised on moulded square section tapering legs. 69cm high, 92cm longThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.92cm x 46cm x 69cm high. 97cm wide extended.
A PAIR OF VICTORIAN SILVER TABLE SPOONS, by Joseph & Albert Savory, London 1844, Fiddle pattern; together with A GEORGE IV SILVER TABLE SPOON, by Charles Eley, London 1825, Fiddle pattern; and A WILLIAM IV SILVER TABLE SPOON, by Benjamin Stephens, London 1835, Fiddle pattern. (4) Gross weight 9.5 troy ounces
AN ART DECO SILVER AND GREEN ENAMEL DRESSING TABLE SET, by William Comyns & Sons Ltd (Richard Comyns), London 1934, 1936 and 1939, comprising two brushes, hand-mirror and cut-glass powder jar, each silver-mounted with engine-turned green enamel. (4) The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The enamel in good condition. The marks are clear and well struck. No dents to the silver and generally in good condition commensurate with age.
~ A GEORGIAN MAHOGANY CUTLERY TRAY, containing silver and plated flatware, the silver including an Old English pattern silver table spoon by Richard Crossley & George Smith, London 1807; a Fiddle pattern table spoon, by William Chawner, London 1828; and a Victorian Fiddle and Thread pattern table fork, by George Adams, London 1859; etc. (qty) 17.2 troy ounces of weighable silver
A GROUP OF ASSORTED SILVER, including a George III silver table spoon, by Samuel Godbehere & Edward Wigan, London 1790; a set of nine Victorian silver teaspoons, probably by Susan Whittaker, London 1867, Fiddle pattern; a set of six Victorian silver teaspoons, by Samuel Hayne & Dudley Cater, London 1860, Fiddle pattern; flower vase (weighted), mustard, etc. Gross weight of weighable silver 18.8 troy ounces
A SILVER TABLE LAMP, by Walker & Hall, Sheffield 1906, turned Bakelite column on a circular base. 38.5cm high, 27.93 troy ounces, weightedThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Hallmarks well struck and clear. The base is very slightly misshapen. In otherwise very good condition.
~ A GROUP OF SILVER-MOUNTED DRESSING TABLE ARTICLES, including four Victorian silver-topped jars and boxes, by George Reid; two silver-backed mirrors and a brush; an oval jar with engraved silver lid; together with TWO GLASS JARS WITH SILVER-PLATED TOPS. (10)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Dents on rim.
~ A SMALL GROUP OF MALAYSIAN WHITE METAL ITEMS, comprising table gong with beater, each bears marks, presentation inscription from Kenang-Kenangan Pasokan Police to Mr K.S. Leeston Smith, dated 1953; a cigarette box, bears marks, rectangular, presentation inscription to Mr K.S. Leeston Smith on his transfer to Sarawak by Brunei Police District, dated 1959; and a circular box and cover, bears marks. (3) Gong 31cm high
~ A GEORGIAN OAK CUTLERY TRAY, containing silver flatware, various marks but each engraved with the same crest. 44 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Five table forks, eight dessert forks.
A GROUP OF COPELAND SPODE BLUE ITALIAN TABLE WARES, comprising eleven 9-inch plates, three 7 1/2-inch plates, nine 6 1/2-inch tea plates, eight 5 3/4-inch saucers, seven 5-inch saucers, four cereal bowls, four dessert bowls, three tea cups, eight coffee cans, four egg cups, large 9 1/2-inch bowl and a small bowl.
A mid-19th century figured walnut work table; the moulded hinge top opening to reveal compartmentalised interior above a full-width cushion-moulded drawer and wool slide below, raised on turned reeded supports united by a stretcher and with castors (50cm wide x 36cm deep x 71.5cm high)
A late 19th/early 20th century Chinese hardwood low table; the fielded panelled top rebating into sides and ends carved with sinuous dragons chasing the sacred pearl of wisdom amongst stylised clouds etc., the bow-fronted ends also carved with dragons amongst stylised clouds and terminating in scrolling feet (88cm wide x 40cm deep x 32.5cm high)The table is tight, the joints at the edge are coming away a little but this is because of the individual pieces of wood used. One of the legs has been broken and repaired at the bottom at above 3cm in, it looks like it has been off completely and then put back on crudely with a nail, this could probably be addressed. The table appears to be a good overall colour, some scratching and scuffing as commensurate with age. Otherwise in good overall condition.
A fine Robert 'Mouseman' Thompson of Kilburn refectory dining table together with six lattice back chairs upholstered in bright-green leather, one table support with large carved mouse running upward, each chair also with mouse signature, sold together with original Robert Thompson's Craftsman Ltd invoice dated 16 May 2007 for £7019 (the table 183cm wide x 7.5cm deep x 74.5cm high)The chairs are very tight, they come privately and have been in the same family since new. Minor (water?) staining to some lower areas but very tightly put together with no movement. Green seats appear to be in good order. The sets looks as if it has been well looked after.
An archaistic-style heavily patinated Chinese bronze wood-mounted table lamp; the height-adjustable twin lamp above various verdigrised bronze symbols and animals etc. in early style, raised upon an oval hardwood base with four downswept-shaped feet (the bronze height 31cm, overall height to tip of finial 68cm)
A large mid-19th century patinated Japanese bronze table two-handled temple censer; Xuande mark below rim in Shang style and decorated in relief with taotie masks raised on Kiri (paulownia wooden base with concave sides) (36cm wide x 31cm high to tops of handles not including wood base)Base of censer is drilled (three holes - see images on website). The interior with signs of corrosion and verdigris, the circular signed floral roundel later applied. The censer body surface with scratches to the bronze commensurate with age and use. The wooden base is also associated.
A late 19th century continental silver table bell, the handle modelled as a young boy in 18th century dress and with a bird (possibly a bird of prey?) perched upon his left arm and with his right arm outstretched, vacant central cartouche and the lower body decorated repoussé style with foliate tendrils etc., maker's mark JGP, other markings include 925 and date, letters etc. (7.5cm diameter (widest) x 10cm high)Condition is good no major problems, it has come privately
A late 19th century white-metal table lighter of squat spherical form; decorated in low relief with leaves, tendrils and vignettes of topographical scenes etc. (possibly Dutch), together with a two-handled trophy-shaped silver inkwell and a heavy hallmarked silver circular napkin ring (3)
A set of six hallmarked silver small table forks (London assay marks) together with a matched set of six Old English pattern hallmarked silver serving spoons, a 19th century hallmarked silver teaspoon and one further engraved teaspoon marked 800 (total combined weight approx. 781.8g)
A 19th century oak-cased three-tier silver-plated flatware/cutlery service by Elkington & Co (original label label to underside of hinged lid); comprising table knives, carving knives, cheese spoon, fruit/dessert forks, cheese knives, table forks, dessert forks, tea spoons, egg spoons, sugar tongs, nut crackers, salt spoons, butter knives, fruit/dessert forks, sauce ladle, soup ladle, gravy spoon, dessert spoons, table spoons and other associated silver-plated Elkington flatware etc. (mostly forks)The canteen is 99% complete.
The Imperial Order of the Crescent 1st Class (the Sultan’s Medal for Egypt 1801) to Captain Philip Beaver R.N. (1766-1813). The 54mm gold medal with original gold chain suspender (3.4cm), fastening hook and yellow riband (9.8cm x 3.5cm) contained in a Spink folding glazed easel case with plaque reading: SULTAN'S GOLD MEDAL FOR EGYPT 1801 - GRANTED TO CAPT. PHILIP BEAVER R.N. H.M.S. FOUDROYANT – FLAG CAPTAIN TO ADMIRAL LORD KEITH. Provenance: by direct descent through the male line to the vendor. Philip Beaver’s naval career began in 1777 as an eleven-year-old midshipman on board the Monarch. His career and life ended, towards the end of the Napoleonic Wars, in 1813, at Table Bay as a 47-year-old in command of the frigate HMS Nisus. Apart from his distinguished naval service, Beaver has gone down in history as an anti-slavery adventurer, who gave a fascinating first-hand account in African Memoranda (1805) of the short-lived settlement of the island of Bulama, near Sierra Leone, in 1792 (see lot 761).The circumstances behind the award of the Sultan’s Medal are recounted by Capt. W. H. Smyth in his biography The Life and Services of Captain Philip Beaver - Late of his Majesty's Ship Nisus (Murray 1829):The Determinée being sent to Constantinople, with intelligence from the armies, Lord Elgin announced, in a very friendly note, an intended pecuniary gift from the Porte [the Ottoman Court of Salim III], of 2,000 piastres for the captain, and specified sums for the officers and ship’s company; but knowing Beaver’s repugnance to accepting money from a foreign power, his lordship added, “I am well aware of the awkwardness of this, but attempts which I have made, on former occasions, to alter this practice, have proved unsuccessful, this being the established etiquette. The matter, therefore, stands thus: the Porte intend a politeness, and this is the known mode adopted by them”. Notwithstanding this liberal explanation, the captain refused to countenance what he disapproved of, and he therefore declined the proffered favour for himself and officers, but accepted the portion which was intended for his crew.That this delicacy of feeling was neither misunderstood, nor disregarded, even by the Turks, was soon proved in a second letter from Lord Elgin, who, by unreserved communications on various matters, appears to have placed the highest confidence in the discretion of our officer. “As the Porte,” says the ambassador, “are particularly anxious to pay a compliment to you, both as Lord Keith’s former captain, and as the bearer of good news from Grand Cairo, a diamond-box is prepared for your acceptance, and a gold one for each of your lieutenants.” Beside this mark of favour, Captain Beaver’s services in Egypt were rewarded with the medal of the Crescent; for, by a curious solecism, the Grand Signior [Sultan Selim III] had been induced to institute an order of knighthood, as mode of rewarding his allies.
Assorted bijouterie to include bone-handled dressing table requisites and needles, late 19th/early 20th century brass protractor and a late 19th century mother of pearl-handled fruit knife with ornately engraved hallmarked silver blade (small selection), together with kidney-shaped silver hallmarked card case with engine-turned decoration and central monogram (small selection)
A 19th century mahogany, chequer strung and mother of pearl inlaid table display cabinet; the hinged glazed top folding back to reveal a central front mahogany frame with oval glass and lifting vertically for removal, mahogany frame with glass top, sides and front and glass shelf raised on four heavily cast brass feet modelled as animal paws upon squat bun undersides (47.5cm high x 42.5cm at widest point to tip of brass feet)
A late 19th century Chinese brass-bound hardwood table cabinet, the swing handle as a Shou character above two panelled doors opening to reveal two drawers with recessed heart-shaped handles and a further exterior drawer below, together with lock and keys (14cm wide x 20cm high)
A gilt-framed and glazed Indian watercolour/gouache study of a high-ranking gentleman, wearing a turban, pearl and green stone necklace and a gold cloak, in his right hand he holds a walking stick with carved Mughal-style handle, his left elbow rests upon a table with red drapes, probably 19th century (25.5cm x 21cm)
A mid-19th century bird's-eye maple framed oil on canvas study of a portly gentleman sitting in a Windsor chair before a circular-topped tripod table, upon the table rests his book and spectacles, signed and dated lower right, 'J Hol..., 1840' (25.5cm x 19.5cm)The painting has been relined and there is extensive craquelure to the centre of the canvas measuring approximately 19cm x 14cm following the line of the stretchers (see images)
A mid-19th century figured walnut work table; the (un-affixed) hinged top opening to reveal a chessboard interior, the chessboard banded with an exotic Eastern timber (possibly kingwood) and above a single fully fitted full-width drawer with many accessories to include mother of pearl bobbins, buttons, tape measure, clamps etc. raised on pierced standard-style ends with various motifs including a William IV-style bulb and a lower quatrefoil, the pull-out wool slide below with the maker's original paper label of 'Robert Rough, Cabinet Maker and Upholsterer, opposite the Mansion House, London', the supports united by a central turned stretcher and terminating in French-style scrolls (57cm wide x 42cm deep x 74.5cm high)
An early/mid-19th century walnut military campaign table; the removable square top centrally carved with the Worcestershire Regiment crest and bordered by a key fret design, the folding base with four slightly splaying square legs similarly carved with key fret motifs and united by stretchers with a central pinion (the square top 34.5cm x 35cm)
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