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A modern mahogany circular concentric extending dining table attributed to Arthur Brett, the moulded edge top with six additional leaves, the open base on turned columns and downswept supports to brass lions paw sabots and castors, the leaves are housed in a baize lined cabinet, 29.25in (74.3cm) h, 60.25in (153cm) dia., 84.5in (214.5cm) dia. extended.
A Regency mahogany supper table, inlaid ebonised stringing, the reeded edge twin-flap top above two end frieze drawers, one fitted with a pull-out inkwell compartment and with a ratcheted leather lined writing slope, the other fitted with four hinged pull-out tea canisters flanking a glass mixing bowl, each with gilt brass flower head handles above a waisted stem on downswept legs terminating in brass paw sabots and castors, 29in (73.7cm) h, 39.75 x 48in (101 x 121.7cm) open.
A George IV mahogany writing table by Gillows, the moulded edge top fitted replaced gilt tooled leather above two frieze drawers to either side, the front right drawer stamped `GILLOW`, on turned and reeded tapering legs, brass caps and castors stamped `COPE & COLLINSON, PATENT STRONG`, 30in (76cm) h, 53.75in (136.4cm) w, 33.75in (85.5cm) d.
A George III mahogany demi-lune fitted tea table, inlaid stringing, the hinged top on twin gate supports above a fitted frieze drawer with a spoon tray, two lidded compartments and two pull-out tea canisters all with brass swing handles, on square tapering legs, 29in (73.3cm) h, 37in (94cm) w, 18.5in (46.9cm) d.
A set of four bright cut old english pattern table spoons, by Hester Bateman, London 1787, monogrammed, and another one ensuite, by Peter and Ann Bateman, London 1772, a pair of old english pattern teaspoons, by Hester Bateman, London 1783, crested, 12.5cm long, and a wriggle work old english pattern salt spoon, c.1783, monogrammed, 9.75cm long, 11oz (8)
A suite of table glassware, 1880s, possibly Lobmeyer, wheel engraved with flamboyant srapwork and a bird, comprising: sixteen pedestal tumblers twelve green tinted pedestal ten tumblers eleven conical pedestal fourteen shaped champagne fifteen small conical pedestal ten custard cups twenty two dishes three decanters and stoppers (one missing) a claret jug and stopper a small decanter and stopper (115)
In the manner of Thomas Sheraton, a Regency strung mahogany lady’s work table, the galleried top with a hinged front over a navette-shaped stretcher and shaped end supports, 57cm wide 38.5cm deep 72cm high This example closely corresponds to an engraving for A ‘Lady’s Work Table’ published in Thomas Sheraton’s ‘Cabinet-Maker and Upholsterer’s Drawing Book’, 1793, pl 54.
A William IV rosewood library table, the frieze carved with leaf scrolls and stylized palmettes and fitted with two drawers above solid trestle ends terminating in scrolls, united by a twin turned and lappet carved stretcher on carved hairy paw feet and castors, 30in (76cm) h, 48.5in (123cm) w, 25.25in (64cm) d.
A William IV mahogany writing table, with a gilt tooled red leather inset top, with a cross banded edge above three frieze drawers having dummy reverse and sides, with ebonised edging and later handles, the ribbed legs on later ceramic castors, 28.25in (72cm) h, 48in (122cm) w, 37.25in (95cm) d.
A late Victorian teak Hatherley folding table, with a book rest the sides stamped `HATHERLEY PATENT`, 27.25in (69cm) h, 23in (58cm) w, 18in (45.5cm) d. This table was designed by Charles Allan Jones and was named after Hatherley Manor. It was designed for use as a table, easel or reading stand.
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1181627 item(s)/page