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AN EDWARDIAN ART NOUVEAU EIGHT PIECE DRESSING TABLE SET, maker Thomas Bishton, Birmingham 1908, the fascias stamped in high relief with iris and other flowers, comprising circular bevelled hand mirror, hair and clothes brushes, pin box, pair hobnail cut globular scent flasks and hair tidy, comb back
A WILLIAM IV ROSEWOOD WRITING TABLE by John Kendell & Co, Leeds, of rounded oblong form, with plain frieze, raised on X shaped end supports, centred by a roundel and joined by a pole stretcher, each on rounded oblong platforms with applied roundels, flattened bun feet and inset brass castors, paper label Kendell No. 56196, maker`s name Riley, 30" x 19 3/4" x 29" J Kendell appears to have been active in Leeds as early as 1792, the business was described as a timber merchant and cabinet maker, and in 1816 became known as John Kendell & Co. They were employed by the Earl of Harewood at Harewood House between 1818-22 and at Farnley Hall, Otley between 1833/34 and also supplied Rudding House, Harrogate. From the 1830`s they adopted a policy of labelling their furniture. The firm was taken over by Marsh & Jones in 1863. (The Dictionary of English Furniture Makers 1660-1840, Leeds 1986)
A VICTORIAN MAHOGANY EXTENDING DINING TABLE by T Simpson & Son, Halifax, of rounded oblong form with wind out action and five separate leaves, moulded edged top and plain frieze, raised on baluster turned and fluted legs with china castors, paper label No.10446 workman`s name Graham (?), 12` x 4`3" x 28 1/2" high
A REGENCY ROSEWOOD WORK TABLE of serpentine oblong form, the centre dividing top sliding to reveal fitted interior with lidded compartments having turned ivory handles, frieze with applied foliate clasp and turned corner pendants, over pleated silk sliding basket, (probably associated), raised on rounded oblong end supports on platform base with scrolled feet joined by a pole stretcher, 22 1/4" x 17 1/2" x 28 3/4"
A VICTORIAN BURR WALNUT FOLDING GAMES WORK TABLE (cut down) of rounded oblong form with stringing and marquetry patera, the hinged swivel top inlaid with a chess board and opening to reveal baize lined interior with counter wells and begique markers with inlaid registration mark dated 1872, and frieze drawer with turned wood handles flanked on either side by two small drawers with sliding wooden work basket below, raised on fluted turned tapering legs with later castors, 30" x 17 1/4" x 24 1/4"
A VICTORIAN PINE THREE PIECE PART BEDROOM SUITE with black and orange foliate transfer borders and strapwork, and comprising wardrobe with moulded cornice over arched mirrored door flanked by arched panels, two drawers below with turned wood handles, on moulded plinth, 56" x 23 3/4" x 84", matching pedestal dressing table, and pedestal washstand with veined white marble top
AN EDWARDIAN MAHOGANY WRITING TABLE of oblong form, the moulded edged top inset with green leather, quarter veneered frieze drawer above arched kneehole flanked on either side by a deep drawer, oval brass drop handles, raised on turned tapering legs with brass toes and castors, label for Merryweather & Sons, Holloway, London, 48" x 21 3/4" x 31 1/4"
A VICTORIAN EBONISED AND AMBOYNA FOLDING CARD TABLE of oblong form with stringing, brass trim and gilt embellishment, swivel top with baize lined interior, panelled frieze with gilt metal guilloche banding inset with floral porcelain roundels, turned faceted twin end supports on platform base with downswept feet and castors joined by pole stretchers, 36" x 17 3/4" x 30 1/4"
A LADY`S EDWARDIAN MAHOGANY WRITING TABLE by Christopher Pratt, Bradford, of bowed form crossbanded with stringing, the inset green leather top with arched superstructure having central enclosed stationery cabinet flanked by a small shelf over a drawer, two frieze drawers with brass drop handles, raised on square tapering legs with brass castors joined by stretchers, paper label underneath, 38 3/4" x 19 3/4" x 41 1/2"
A MAHOGANY SOFA TABLE, c.1900, the rounded oblong top with stringing and reeded edge, frieze with drawer and dummy drawer with turned brass handles, similar arrangement opposite, raised on square section end supports and joined by a reeded stretcher, on similar downswept legs with brass toes and castors, 30 1/4" (closed) x 18 3/4" x 28 3/4"
PETER "RABBITMAN" HEAP OAK DINING TABLE AND EIGHT CHAIRS, the substantial table with adzed hexagonal top constructed of five dowelled planks, raised on a quad-form pedestal base, with carved rabbit signature; the chairs with lattice-backs and raised on faceted legs terminating in blocks joined by stretchers, with carved rabbit signatures. Table 0.74m by 1.52m by 1.52m
ROBERT "MOUSEMAN" THOMPSON OAK 6` DINING TABLE, c.1955, the four plank rectangular top raised on a trestle base with faceted baluster legs joined by a long stretcher, adzed, with carved "fat" mouse signature, good rich colour. 0.74m by 1.52m by 0.83m Note: The presence of the "fat" mouse signature suggests the table was carved by Paul Golding Senior, a master carver at the Kilburn workshop for over forty years.
GEORGE III STYLE MAHOGANY AND ROSEWOOD CROSS-BANDED TWIN PEDESTAL DINING TABLE, with rounded ends and one leaf, each pedestal with fluted standard, the tripod legs carved with wheat sheaf and pendant bellflower, terminating in brass paw feet moving on castors. Table (extended) 2.63m
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1177565 item(s)/page