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CHRISTIE, Agatha. PERIL AT END HOUSE Collins Crime Club, 1932. First edition. 8vo. Original orange cloth, with black titles. Cloth soiled, spine extremities a little rubbed. CHRISTIE, Agatha. CARDS ON THE TABLE Collins Crime Club, 1936. First edition. 8vo. Original orange cloth, with black titles to spine. Spine slightly faded, neat inscription to the front free endpaper. A bright copy. (2)
Edwart Collier (Breda c.1640-1710 Leiden?) A vanitas still-life of a globe, books, an hourglass, a violin, a recorder, sheet music and a pocket watch on a draped table signed and dated 'E.Colier/fe: 1680' (strengthened, lower right) oil on canvas 32? x 28 1/8 in. (83.1 x 71.4 cm.)
Circle of Hendrick Gerritsz. Pot (Haarlem c. 1585-1657 Amsterdam) Portrait of a lady, aged 24, standing full-length, by a draped table, wearing a black dress and a lace headdress inscribed ' aetatis svae 24 Anno 1624 ' (centre left) oil on panel 16? x 11 1/8 in. (42 x 28.2 cm.)
Johann Seitz (?-after 1809) Crayfish in a porcelain bowl with oysters, lemons, flowers in a glass, a jug, a knife and a fa?on-de-Venise wine glass on a table; and Salmon in a porcelain bowl with lemons, oysters, flowers in a glass, a knife and a fa?on-de-Venise wine glass on a table the first signed and dated ' Johann.Seitz/A.1801 '; the second signed and dated ' Johann Seitz F.1801 ' (lower left) oil on copper 11? x 17? in. (29.2 x 44.3 cm.) a pair (2)
The Master of the Hercules Cassone (active Florence, late 15th Century) Five men standing in a wooded landscape, with one standing at a table handing a boy a cap: a panel from a cassone oil on panel 14? x 20 in. (37.5 x 50.8 cm.) " The panel was part of a cassone that existed at Hovingham Hall from the nineteenth century until it was broken up in 1984.
An early 20th century silver trefid-variant pattern part canteen of flatware, with reeded edges, by William Hutton, each piece engraved with a crest of a hand brandishing a kosh, comprising seven table spoons, six dessert spoons, five dessert forks, five dinner forks, a sauce ladle and a teaspoon, London 1910 and 1911, combined weight approximately 53 oz, (25) From the estate of the late Miss Sheila and Miss Muriel Raeburn
A pair of 19th century Bohemian glass table lustres, each white overlaid cranberry glass stand painted with portrait and flower spray cameos, suspended with prismatic cut glass drops, one drop lacking, one stand broken and re-glued, 28cm high, 13cm diameter
A late 17th century oak sledge foot gateleg table, the oval top incorporating a pair of drop flaps, above knop and baluster turned end supports, united by a platform stretcher, on sledge shaped feet, one leaf re-tipped, other minor alterations, 75.5cm wide, 85cm long extended, 67cm high
A fine Art Deco oval extending dining table, the Indian rosewood parquetry chequer veneered top above a burr walnut shallow frieze, on an Indian rosewood and parcel ebonised fluted oval column and a spot hammered brass platform with four block shaped feet, will house three extra leaves which are lacking, the underneath incorporating a pair of fold out legs, 181cm long, 120cm wide, 75cm high
An early Victorian rosewood card table, the rounded rectangular fold over top enclosing a circular inset claret baize above a scroll and leaf carved frieze and an octagonal baluster shaped column with lappeted collar, on a quadriform shaped platform and four lion paw feet with brass castors, slight losses to veneers, 91cm wide, 45cm deep, 74cm high
A mid-Victorian rosewood and chessboard topped occasional table, the octagonal birdseye maple and rosewood marquetry inlaid top above a crenellated frieze applied with turned pendant finials, above a spiral fluted column, on three leaf carved scrolled legs, 49cm wide, 75cm high
A George IV rosewood card table, the rounded rectangular fold over top enclosing a cross banded green baize inset, above a tapered octagonal column with reel moulded collar (much lacking), on a quadriform shaped platform and four lion paw feet with brass castors, 92cm wide, 46cm deep, 74.5cm high
A late Victorian rosewood and line inlaid centre table, by James Shoolbred and Co., Tottenham House, Tottenham Court Road, the quadriform shaped top above a pair of end cupboards with central circular bevelled glass panels and marquetry inlaid borders, flanked to each side by a conforming shelf, with square line inlaid uprights, terminating in turned ring turned feet, with brown china castors, bears ivorine label, 90.5cm wide, 73cm high
A 19th century mahogany breakfast table, the rounded rectangular top with line inlaid and cross banded border and reeded edge, with tilt action above a turned column and four moulded downswept legs with later lion brass caps with brown china castors, alterations, 105.5cm long, 88cm wide
A Regency mahogany, cross-banded and ebony banded serving table, in the manner of Gillows of Lancaster, of inverted breakfront form, the shaped and scroll-end splashback above a rosewood crossbanded and brass line inlaid top and a panelled frieze fitted with a single central drawer, raised on six reeded and turned legs, faded and slightly water damaged, 167cm wide
A Regency rosewood pier table, with reel moulded borders, the rectangular top above a shallow panelled frieze, supported by a pair of projecting columns with engine-turned ormolu capitals and a pair of panelled pilaster rear supports, united by an inverted breakfront shaped platform, on gadrooned and turned feet, losses to mouldings, water stained and faded, 84.5cm wide, 25.5cm deep, 47cm high
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1177565 item(s)/page