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Lot 117

A good late 18th century ebonised single pad top table clockEdward Bird, BristolSurmounted by a cast handle on a brass-framed pad over elaborate moulded cornice, fish-scale side frets and stepped moulded base raised on brass ogee bracket feet. The 7.5 inch painted Roman dial (refreshed) with blued steel spade hands. The twin gut fusee movement with anchor escapement and rack striking (with trip repeat) on a bell, the signed backplate decorated with a pattern of symmetrical foliate scrolls. Ticking, striking and operational trip repeat , together with a door key on a tassle to operate both front and back doors. 46cms (18ins) high.For further information on this lot please visit Bonhams.com

Lot 38

A third quarter of the 18th century English red Chinoiserie lacquered quarter chiming table clock with enamel dialsEardley Norton, London, No.368The bell-top case decorated all over with chinoiserie figures picked out in gold and set around buildings within foliate sprays and lattice work detailing, surmounted by five gadrooned urn finials over side handles and pairs of sound apertures to each side (note only one now glazed, and case in need of attention generally), on a moulded plinth with shaped apron on brass ogee feet. The 6 inch white enamel Roman and Arabic dial with blued steel moon hands below a strike/silent subsidiary. The substantial triple gut (now wire) fusee movement with six heavy knopped pillars, pivoted verge escapement and rack strike on the hour on a bell, chiming the quarters on a nest of eight bells and hammers (note the largest quarter bell broken, the nest stand in need of straightening). Ticking; striking train and chiming train in need of attention. 48cms (19ins) high.Footnotes:Please note that this clock is sold as seen and it offers a wonderful restoration project. Several of the case joints have become loose, the quarter bell stand is bent and has lost the largest bell, but the enamel dials are fine. For a more complete assessment, please see the condition report.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 131

A very rare late 17th century ebony veneered basket top table clock caseSurmounted by a tied-bud handle on foliate pommels set on a repousse basket of floral swags, scrolls and birds within a moulded base, the simple overhanging cornice over rectangular glazed side panels to a moulded base, the rear door glazed, the front door with a working lock opening to reveal a mask measuring 6.75ins wide by 7ins high, with original oak seatboard to the interior. 36cms (14ins) highFor further information on this lot please visit Bonhams.com

Lot 77

An important third quarter of the 18th century mahogany table clock with phases of the moon, time of high water, automatic representation of the state of tide, and date. Together with an 18th centuryoak box.Designed by James Ferguson, circa 1764, made by Samuel Northcote, Plymouth shortly afterThe bell top case with handle and four cone finials over shaped and circular glazed side apertures to a moulded base on later brass ogee bracket feet, the front door with brass edging and cast seashell quadrants. The 7.5 inch tall rectangular dial set to the arch with a rotating spherical moon, half-silvered/half-blued to represent the state of the moon in the night's sky, set over a hand-painted panel depicting a standing couple with goats by their side looking across the sea to a castle flying the Union flag on the opposite bank; the scene is centred by a painted sea inhabited by a manned rowboat, the sea panel is set on a vertical arm which is geared to the clock movement and automatically raises and lowers itself to indicate the relative height of the tides each day. The silvered Roman and Arabic chapter ring with inner concentric date set over a pair of subsidiary dials; the left hand side with twice I-XII scale around the moon's age 1-29.5 one hand gives the age of the moon, the other the time of high tide; the right hand side dial is divided into eight sections, the single hand geared to rotate and show the ebbs and flows of the ocean, each three-hour sector engraved variously for High Water - Half Ebb - Low Water - Half Flood - High Water - Half Ebb - Low Water - Half Flood, framing the engraved signature Samuel Northcote, Plymouth.The twin gut (now wire) fusee movement now with anchor escapement, and rack striking on a bell, the gearing for the falling and rising sea level is set between the front plate and the dial. The backplate repeat signed Saml. Northcote, Plymouth with interlaced straps and foliage. Ticking, tide automaton, spherical moon and subsidiary dials all apparently working. Together with a pendulum and two case keys. Together with a contemporary oak travelling box, the slightly tapering case with a deep top lid set over a pair of front doors opening to reveal a felt-lined interior, set with iron handles to the sides and a large shaped escutcheon plate and sliding bolt to the front. With the brass ogee feet removed, clock sits within this case. Presumably for travel, padded felt 'cushions' would have been used to give additional protection and provide a tighter fit. The travel case 58cms x 40cms x 24cms. (2)Footnotes:Literature:Ponsford, Devon Clocks and Clockmakers, 1985, pp109-111; Plates 36 and 37. Samuel Northcote senior (c1709-1791) was the son of a painter; two of Samuel's sons survived childhood, Samuel junior (c.1742-1813), who followed in his father's footsteps and James (1746-1831) who became a successful painter, though he had completed, on his father's insistence, a full horological apprenticeship in his own workshop. In his autobiography James says of his father that he was 'valued by all who knew him for his great integrity, abilities, and general knowledge...he was a pious, studious, humble and ingenious man.' Plymouth was a busy port in the 18th century, and Devon was home to many gifted minds. In 1740 Northcote and his good friend Lyne Brett were founder members of the Otter Club - a group of twelve men who would take morning baths in the sea, and once a fortnight meet for supper. Dr John Mudge, (1721-1793) brother of the celebrated horologist Thomas Mudge (1715-1794) was also one of the twelve members. John was a Fellow of the Royal Society and was awarded its Copley gold medal in 1777. Doubtless Mudge would have discussed the latest London experiments and events with his fellow Otters. It is worth noting too, that Thomas returned to Plymouth in 1771 in order to work on the problem of finding longitude at sea. Ponsford illustrates this clock by Samuel Senior in his definitive book and states 'Another bracket clock has a plate in the dial arch which rises and falls to indicate the state of the tide. Signed 'Samuel Northcote, Plymouth, it was made to a design by the astronomer James Ferguson, who visited Plymouth and stayed for several months as a guest of Northcote's friend, Dr John Mudge. The original clock of this kind was contrived by Ferguson in 1764 for Captain Hutchinson, dockmaster at Liverpool, but it was from Plymouth in May 1766 that Ferguson sent a detailed description of it to the Royal Society, together with a large drawing of the dial and its mechanism.' Ferguson himself described it as follows; 'a table clock, showing the hours and minutes, the day of the month, the moon's phases, age, and time of coming to the meridian, with the time of high water every day, and the state of the tide at any time of the day or night, by inspection.'For further information on this lot please visit Bonhams.com

Lot 74

A good second quarter of the 18th century walnut table clockof small size.William Webster, LondonSurmounted by an unusual knopped brass handle on an inverted caddy framed by a deeply moulded cornice over glazed arched side windows to a moulded base and block feet. The 4.75 inch arched brass dial signed Willm Webster London in the strike/silent subsidiary with tulip shaped pointer over the silvered Roman and Arabic chapter ring with floating lozenge half hour markers, the matted centre with chamfered date and mock pendulum apertures under elaborately pierced blued steel hands. The twin gut fusee movement with five knopped and ringed pillars and knife-edge verge escapement, sounding the hours on a bell and repeating the quarters on six bells and hammers, the backplate intricately engraved with floral strapwork, a winged figure sprouting from the central flower and a bird in each corner. Ticking and striking with a door key. 35cms (13.5ins) highFootnotes:Provenance: The collection of Charles Smith, Topsham.For further information on this lot please visit Bonhams.com

Lot 79

A rare first half of the 18th century burr walnut quarter repeating table timepieceWattson, London (sic)The inverted bell top case surmounted by a handle over an intricately moulded cornice and tall arched glazed side windows on a moulded plinth on block feet. The 7 inch brass dial with shouldered arch set with a subsidiary date ring marked 1-9 consecutively, then 11-31 with odd numbers only, flanked by the signature and foliate engraving, four winged cherub head spandrels frame the silvered Roman and Arabic chapter ring with lozenge half-quarter marks and meeting-arrowhead half hour markers, the finely matted centre with engraved chamfered mock pendulum aperture. The single gut fusee movement united by six knopped pillars, knife edge verge escapement, the pull repeat sounding the hours on a (replaced) bell and the quarters on a run of six bells and hammers. The backplate signed in a leafy cartouche framed by symmetrical interlaced foliate scrolls. 47cms (18.5ins) highFor further information on this lot please visit Bonhams.com

Lot 42

An 18th Century brass-bound ebonised two-tune table clock playing on eight bells and sixteen hammers. Together with a later wall bracket.Richard Wilson, LondonThe inverted bell top case with foliate cast handle over a deep cornice, the front glazed door with gilt floral quadrant sound frets, similar to the rear, the sides with fish-scale frets backed in silk, on a plinth base and brass block feet. The eight inch arched brass dial with tune selection in the arch offering A Minuet or A March over two levers for Strike/Not Strike and Chime/not Chime, the Roman and Arabic chapter ring framing the finely matted centre with mock pendulum and calendar apertures. The triple chain fusee movement with thick plates united by knopped pillars, now with deadbeat escapement mounted on the backplate, rack striking on a bell, and playing the tunes on a run of eight bells and sixteen hammers, the backplate signature set within elaborate interlaced foliate scrolls and a line border. Ticking, striking and chiming, together with a pendulum and crank winding key, also with a substantial ebonised double-support wall bracket with moulded edge. (2) The clock case 57cms (22.5ins) high. The wall bracket adding a further 37cms (14.5ins). For further information on this lot please visit Bonhams.com

Lot 92

A good early 19th century rosewood gothic style table clockG & W Yonge, LondonThe lancet shaped case surmounted by an elaborate finial on a stepped gadrooned plinth flanked by a further pair of finials on brass mounted cluster columns to a plinth on gadrooned ball feet, the sides with lancet shaped pierced brass frets backed in red silk. The seven inch signed silvered Roman dial with open moon hands. The five pillar, twin wire fusee shouldered movement with anchor escapement and rack striking on a bell, the plain backplate signed to the centre. Ticking and striking, together with a bezel key. 56.5cms (22ins) highThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Lot 63

A rare 19th Century patinated and gilt brass wall hanging calendar timepiece in the manner of Thomas ColeJames McCabe, London, no. 1744The frame cast with flowerheads, C-scrolls and foliage around a frosted gilt surround to an inner mask of engraved foliate scrolls centred by the head of an imp, the rear body of the case with rounded edge and screw-on back panel (sliding cover now lacking), set with a suspension hook.The 2.5 inch silvered Roman dial with gilt floral edging enclosing a minute band and Roman numerals to a decorated centre with blued steel hands. Below the main dial sits a manually adjusted weekly calendar, the main table marked 1-31, with a rotating day-of-the-week drum; a mercury thermometer sits to the right hand side with silvered Fahrenheit and Reamur scales. The rectangular movement measuring 7cms x 5.5cms with chain fusee to a five-wheel train terminating in a lever escapement (cut and compensated bimetallic balance currently distorted), signed on a subplate Jas McCabe Royal Exchange, London, No. 1744. 21cms (8.25ins) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 132

A late 17th and later ebonised basket top table clockDaniel Parker, Londini The later bespoke case with repousse basket over glazed sides and a moulded base on bun feet. The re-gilt dial with replaced chapter ring enclosing the finely matted centre. The movement with five latched turned pillars and fusees now cut for chain, to a re-instated knife-edge verge escapement, with numbered outside countwheel striking on a bell, the backplate signed Daniel Parker, Londini in a scroll cartouche within a series of foliage and flowers in a single line border. (restorations) 35cms (14ins) highFor further information on this lot please visit Bonhams.com

Lot 35

A fine and rare late 18th century Chinese Imperial tribute paste-set ormolu and white marble quarter striking, centre seconds 'Double Gourd' table clockThe movement, pendulum and dial swinging horizontally as one in the open centre of a double gourd frame supported by a large tied foliate mount on a stepped oval socle applied with an open ormolu frieze of overlapping and intertwined scrolls and foliage, the top of the frame surmounted by a shaped ormolu mount depicting a stylised bat among clouds below a pineapple, the front of the frame set with over 160 individually shaped brilliant turquoise square-cut glass stones mounted between cast foliage and beading. The white enamel Roman dial with Arabic quarters centred by a pair of paste-set hands and centre seconds hand, all framed by a multi-coloured bezel of 92 applied blue, red, yellow and clear paste gems mimicking sapphires, rubies, topaz and diamond. The pendulum-rod mounted with a similar running design of oval-cut paste gems and centred by a red-framed long life medallion, suspended on a knife edge mount set behind the finial. A pair of hinged arms mounted to the rear of the frame allow the clock to be secured for transit. The twin spring barrel movement suspended on a knife edge with fine-screw adjustment set behind the top finial, the circular plates united by turned pillars, with deadbeat escapement mounted on the backplate; striking the quarters every fifteen minutes on a large bell and a pair of hammers, the whole backplate framed by an engraved running border and with stylised signature Luloilu(?). Ticking and striking. 68cms (2ft) high.Footnotes:Provenance:The Dimitri Mavrommatis Collection. Literature:Illustrated and discussed in White, I. (2012) English Clocks for the Eastern Markets 1580 - 1815. Ticehurst: Antiquarian Horological Society, Figure 8.41. Comparative literature:Xiuhua, L., Xiaopei, Q. (2002) Clocks and Watches of the Qing Dynasty From the Collection in the Forbidden City. Beijing: Foreign Languages Press.Magnificent Clocks for the Chinese Imperial Court from the Nezu Museum, Christies Hong Kong, 27th May 2008, lot 1501.For further information on this lot please visit Bonhams.com

Lot 48

An early 20th century five-glass electromagnetic glazed mahogany table timepieceEureka Clock Co. Ltd. London No. 7077The flat top case with large observation window, the four glazed sides supported by square columns on a tall plinth containing the modern battery compartment below. The 4 inch Roman dial signed Eureka Clock Co Ltd London beneath the blued steel spade hands, all set in a brass bezel. The movement with large visible balance wheel, pivoted between twin roller ball bearings on each side, set on a shaped steel plate secured by knurled toupie finials, the front plate stamped No 7077 Patent No 14614 1906. 34.5cms (13.5ins) highFor further information on this lot please visit Bonhams.com

Lot 80

A fine mid 18th century gilt metal mounted burr walnut table clockRobert Higgs, LondonThe stepped caddy top with substantial brass centre section, flanked by five ball-and-spire finials over a concave cornice supported by a well-cast Caryatid mount to each of the canted corners, terminating in a stepped brass base on cast block feet, the sides with shaped sound frets within brass frames. The seven inch arched brass dial with large date subsidiary over twin smaller subsidiaries for regulation (marked Adelantar and Atrafar) and strike/silent (Tocar/Silencio), the silvered Roman and Arabic chapter ring framing the finely matted centre carrying the shaped signature plaque, with fine blued steel hands. The movement with substantial plates united by six knopped pillars, pivotted verge escapement with rise-and-fall regulation, rack striking on a bell with trip repeat. Ticking, striking, together with a door key. 57cms (22.5ins) high.Footnotes:Provenance:Anthony Woodburn.For further information on this lot please visit Bonhams.com

Lot 28

A good mid-late 19th century French brass table regulator with perpetual calendar and moonphasePhilibert Bally, Paris, and Japy Frères No. 1855The concave cornice over two glazed sides and glazed doors, raised on a moulded brass base. The Roman dial with Breguet style hands and recessed centre with visible jewelled Brocot escapement, signed Pert Bally Paris, the lower dial displaying phases of the moon, month, day, leap year indication and date, personifications of Spring and Autumn painted in delicate colours to either side, all dials sunk into the florally engraved brass mask. The twin spring barrel movement with visible jewelled Brocot escapement, and outside countwheel striking on a bell, the backplate stamped 1855 above the stamps for Philibert Bally and Japy Frères. Striking the half and full hours with a winding key and three bar gridiron pendulum. 42cms (16.5ins) highFootnotes:Antoine-Philibert Bally is first recorded in 1844 at the National Exposition in Paris. It is not known where he served his apprenticeship. In August 1847, he took out a patent for a new method of cutting anchor escapements. He is noted as working out of number 25 Notre Dame de Nazareth at this point. He exhibited at the National Expositions in 1849 and 1851; he also took out another patent in the latter year for his 'étouffoir économique', roughly translated as an 'affordable damper/extinguisher'. In the patent, he is recorded as still working out of number 25 and described simply as a Parisienne horologist. Less then a year later, Bally had taken out another patent, for a mechanical perpetual calendar. He had apparently moved to number 26 and was described as a clock and watch maker. Interestingly, he took the patent out together with Dumouchel, who was described as a Parisienne horologist working out of number 4 Rue de Bretagne. Based on the descriptions, it is possible that Dumouchel had the basic idea for the calendar, and Bally was able to supply the practical knowledge which turned the theory into reality, though this remains speculative. This partnership, if that is what it was, does not appear to have produced more patents; in 1853 Bally took out a patent on his own for a repeating alarm clock, presumably including the new mechanism in his exhibit at the National Exposition of that year. The alarm clock would sound the hour at the appointed time, and then repeat the hour every five minutes until turned off. He is again described as a Parisienne horologist, working out of 25 Notre Dame de Nazareth. This patent seems to have attracted notice; over forty years later, Bally would be grouped together with the likes of Brocot and regarded as an original and inventive horologist. Bally exhibited at the 1855 National Exposition, and his next patent was taken out in 1857, for an eccentric remontoir; unfortunately, the details of this remontoir are not known. His address was listed as 46 Rue de Bondy; it seems likely he moved at some point between 1855-1856. Bally next exhibited at the 1861 exposition, possibly winning bronze, though this is not confirmed. He was still working at 46 Rue de Bondy in 1864, when he patented a new method for turning tallow into stearic acid. Stearic acid has been used as a foodstuff, but also in candle and soap making, the latter most endeavour possibly being how he came upon the method as a working horologist. In this same year, he was advertising the shop as Maison Philibert Bally and boasting a wide range of bronze statues and clock cases, all types of pendulum clocks, candelabras, wood sculptures and a number of different horological curiosities. In April of 1864, he exhibited his stock to the public over two days, before auctioning off a significant amount of it between 25-29 April. The auction appears to have been significant as catalogues were even printed; Catalogue des modèles et surmoulés en bronze de la Maison Philibert Bally, fabricant de bronzes d'art et d'horlogerie. It is unclear if the auction was to divest excess stock or indicated financial need on Bally's part.In 1865, it appears that Bally took out another patent, for a device to improve the precision of bottle making. Unfortunately, no address is listed in the patent application, the application itself being taken out by Vinck, in 33 Boulevard St.-Martin. In 1867, a patent was taken out for an 'Advanced pendulum balance', with Vinck again listed as the representative. This same year, Bally exhibited at the National Exposition, possibly with the pendulum balance. The following year, Bally patented a new type of grande sonnerie movement and his address was listed as 14 Rue d'Aboukir. It appears that this was Bally's new shop, though exactly when he moved in is unclear.In 1872, he took out a patent, again with Vinck's representation, for a new type of candle-lit night clock. This patent was apparently quite a success; Bally was mentioned in an 1875 horology book as one of the preeminent makers of such clocks, the author dismissively noting that Bally 'even made pretensions toward regulating them'. In 1877, a novel bed was patented by a Bally, working out of 83 Rue du Faubourg Saint-Honoré. It cannot be confirmed if this was Philibert, if so, it would suggest another change of address. If this was Philibert, it would be the last patent he took out, as he seems to have died sometime around 1877. One of his patents, the improved bottle making device, came up for renewal in 1879. The renewal was filed by his wife, who was noted as 'the widow Bally'. As there are no other patents filed under Bally's name after this point, or any advertisements placed in trade journals after 1876, it seems likely that he died around this time.The Revue Chronométrique would later remember Bally, around the turn of the century, as a skilled horological innovator, writing several paragraphs about his repeating alarm patent. Regulators appear to have been a preference for Bally; an ebony regulator by him was sold in a house sale in 1892. In the catalogue, the regulator is described simply as being from 'chez Bally'.Firmin-Didot, A. (1857-1880) Annuaire-almanach du commerce, de l'industrie, de la magistrature et de l'administration. Paris: Firmin-Didot frères.(1864) Catalogue des modèles et surmoulés en bronze de la Maison Philibert Bally, fabricant de bronzes d'art et d'horlogerie. Paris: Renou et Maulde.Requier, C. (1898) 'Les Réveils a Répétition', Revue chronométrique: journal des horlogers, scientifique et pratique, No. 496, pg. 11.Anquetin, M. (1875) L'horlogerie : des montres en général, de ceux qui les font, de ceux qui les vendent, de ceux qui les réparent et de ceux qui les portent. Paris: Modeste Anquetin, pg.129. Ministère du Commerce (1851-1880) Catalogue des brevets d'invention. Paris: J. Tremblay.(1864) Le Constitutionnel: Journal politique, littéraire, universel, 19 April, pg. 2. Mannheim, C. (1892) Catalogue des objets d'art et d'ameublement, faïences italiennes et autres, porcelaines de Saxe, de Sèvres, de Chantilly, de Chine et du Japon. Paris: E. Ménard et Cie.La Nature (1905) 'Calendrier Perpétuel Automatique', Revue chronométrique: journal des horlogers, scientifique et pratique, No. 581, pg. 220.National Center for Biotechnology Information (2023) PubChem Compound Summary for CID 5281, Stearic Acid. Available at: https://pubchem.ncbi.nlm.nih.gov/compound/Stearic-Acid.For further information on this lot please visit Bonhams.com

Lot 94

An early 19th century rosewood table clock with pull repeatBarrauds, Cornhill, London, No.1062The lancet shaped case surmounted by gadrooned finials on lobed and quatrefoil pedestals, the sides with gothic-arched silk-backed frets with architectural fretwork, on a lobed plinth and matching feet. The signed 7 inch painted Roman dial with good hands and a cast bezel over a brass-mounted recessed panel. The signed twin gut fusee movement with anchor escapement and a pendulum with facetted brass rod and stirrup type regulation, with rack striking on a bell. Ticking, striking and repeating, together with two case keys. 55cms (21.5ins) high.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Lot 72

A good late 17th century ebony table clockDaniel Quare, LondonThe case with typical turned handle on S-scroll uprights on ball pommels over a caddy with four applied mounts, the sides with rectangular glazed panels to a moulded plinth and replaced block feet. The 6.5 inch square dial with winged cherubs heads spandrels framing the silvered Roman and Arabic chapter ring with fancy half hour markers and inner quarter track, the finely matted centre with ringed winding squares and decorated apertures for date and mock pendulum, signed between VII and V, with blued steel hands. The twin gut fusee movement with six knopped and ringed pillars, pivoted verge escapement, the striking train with rack strike on a bell (quarter repeat train now removed). The backplate with single line border framing a symmetrical pattern of interlaced foliate scrolls centred by the signature in a wheatear border 39cms (15.5ins) high. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 3568

Großer Art Déco-Tisch Flächendeckender Fond aus Schwarzlack. Über flacher, leicht geschweift ansteigender Sockelplatte drei unterschiedlich breite, sich weitende Streben als Träger für kräftige, an den Längsseiten bombierte und gestuft ansteigende Deckplatte. H. 74,5 cm. 210 cm x 110 cm.A large French black lacquered Art Deco style dining table.Frankreich. 20. Jh.

Lot 4127

Transition-"Table de Chevet" Rosenholz, furniert sowie teilw. grün gefärbte Einlagen. Gerader Korpus, seitlich mit kleeblattförmigen Aussparungen auf hohen, geschweiften Beinen. In der Front kleine Tür sowie schmales Schubfach. Allseitig gespiegelt angeordnete, breit gerahmte Furnierfelder. Eingelegte Deckplatte aus weißem Marmor. H. 83,5 cm. 31 cm x 31 cm. A rosewood veneered Transition table de chevet.Frankreich. Mitte 18. Jh.

Lot 246

Thévenot (Jean de) The Travels...into the Levant, 3 parts in 1, first English edition, second issue, engraved portrait frontispiece and 3 plates, errata leaf and 2ff. Alphabetical Table present at end, later half morocco, covers slightly stained and foot of spine chipped, [Atabey 1217; Wing T887; cf. Blackmer 1650 (first edition)], Printed by H. Clark, for H. Faithorne, J. Adamson, C. Skegnes, and T. Newborough, 1687; and another copy (lacking the portrait and one plate, but Atabey's copy), folio (2)⁂ The Ghani copy of the second issue, the first issue had only Clark's name in the imprint. First copy with part 3 leaf I4 cancelled; second copy with I4 present.

Lot 283

Darwin (Charles) On the Origin of Species by means of Natural Selection, third edition (seventh thousand), half-title, folding lithographed plate, advertisement f. at end, newspaper clippings tipped onto title verso and first contents page, pencil markings and marginal notes, 1 or 2 ff. with short closed tear running into text, some splitting to gutter but holding firm, upper hinge starting, original green cloth, spine ends and corners a little bumped and with minor fraying, slight darkening to spine, light rubbing to extremities, but a very good copy overall, [Freeman 381; PMM 344 (b), note], John Murray, 1861; and a first edition of his Insectivorous Plants, 1875 (not collated), 8vo (2)⁂ 'the most important biological book ever written' (Freeman). The third edition 'was extensively altered, and is of interest for the addition of a table of differences between it and the second edition, a table which occurs in each subsequent edition, and also for the addition of the historical sketch... which was written to satisfy complaints that Darwin had not sufficiently considered his predecessors in the general theory of evolution... there is also a postscript on page xii... concern[ing] a review of the earlier editions by Asa Gray' (Freeman p. 78). Provenance: 'Thomas J.T. Corfield, St. Dye, Sept. 19th, 1863' (ink inscription to head of title); João Maria de Montezuma Diniz de Carvalho (1923-2020, ink inscription to endpapers), researched for his doctorate at the John Innes Horticultural Institution, Bayfordbury (awarded 1963), and went on to become the director of the Botanical Institute and its gardens at the University of Coimbra, where he published extensively in the field of plant genetics (ink signature to front free endpaper, verso of advertisement f. and rear endpaper, the first London, 1958).

Lot 262

Victorian Rosewood Library Table Victorian rosewood library table, rounded rectangular top, shaped frieze with two short drawers on one side, a central carved shell motif and scrolling mounts to both sides, raised on two hexagonal faceted baluster-shaped end supports, shaped platform base on claw feet with brass castors142cm wide, 68cm deep, 72cm high

Lot 272

Regency Style Bow Breakfront Console Table Regency style bow breakfront console table, cross-banded top over two short and a central bow fronted long drawer, all cock-beaded with oval brass handles, raised on four turned legs98cm wide, 51.5cm deep, 85cm highOverall in good condition, a couple of areas of cross banding have started to become proud of the surface no missing areas. Top has been slightly sun stained too. Small loss above the left drawer and minor wear to the legs commensurate with age. Please view all images. writing in crayon to the inside of the right drawer.

Lot 275

Victorian Mahogany Telescopic Snap Top Occasional Table Victorian mahogany telescopic snap top occasional table, irregular octagonal top with a snap top mechanism below, over a screw to adjust the height of the table, single barley twist baluster column to six splayed uprights connecting to a hoop base, raised on three ball feetUnextended: 38cm wide, 34cm deep, 70cm high

Lot 284

Chinese Carved Hardwood Low Table Early 20th century Chinese carved hardwood low side table, circular inset red marble top over a shaped carved frize, raised on four legs with claw and ball feet42cm diameter, 46.5cm high

Lot 287

George III Mahogany Occasional Table George III mahogany snap-top occasional tripod table, circular two-piece top, birdcage action on a turned column, acanthus-carved tripod legs, terminating in ball and claw feet on brass castors74cm wide, 74cm deep, 73cm high

Lot 299

William IV Rosewood Fold-Over Tea Table William IV rosewood fold-over tea table, swivel D-shaped top over a moulded and carved frieze on an octagonal baluster shaped column with a carved acanthus leaf collar, raised on a concave platform with a beaded edge, four paw feet92cm wide, 45.5cm deep, 75cm high

Lot 304

Aesthetic Movement Oak Breakfast Table by James Lamb, Manchester Late 19th century Aesthetic Movement oak breakfast table by James Lamb, Manchester, oval top with moulded edge over a plain freize, raised on curved square section legs united by oriental inspired trellis stretchers, on castors122cm wide, 92cm deep, 76cm highSold by Hansons 28 July 2014Small split to the top where the oak joins, no makers stamp

Lot 306

William IV Mahogany Extending Dining Table William IV mahogany extending dining table, rounded rectangular top over a plain frieze, with two additional leaves, raised on turned tapering legs with brass castors149cm wide, 121cm deep, 73cm high. Each additional leaf adds 50.5cm width (total with with both 250cm)Purchased from Rex Boyer Antiques in NantwichConsistent colour across both table ends and the leaves. Some wear and scratches to the top of the table. Pull out mechanism operating as expected. Please see all additional images.

Lot 308

Edwardian Mahogany Work Table Edwardian mahogany work table or plate stand, oval top with a wavy gallery, lidded compartment to one side, on three turned tapering legs50cm wide, 34cm deep, 60cm highRing mark to the top

Lot 312

Fold-over tea table Mid 19th century mahogany fold-over tea table, the "D" shaped top with three read edge above 3.5" frieze, with central drawer decorated with figured mahogany veneer within oval whitewood string, all supported on four turned legs, the two back legs hinged.Sun stained top, inner surface revarnished with a thin line of sun bleaching to the edge of the fold. A couple of small areas of stringing missing on the frieze. Legs in good overall order with some knocks and scratching commensurate with age.

Lot 317

Edwardian Mahogany Bijouterie Table Edwardian mahogany and satinwood crossbanded bijouterie table or cabinet, rectangular beveled glass top with hinged lid enclosing a cream lined interior raised on four tapering square section legs united by a raised undertier shelf, with key56cm wide, 34cm deep, 60cm highSolid construction, no movement in the joints. No cracks or chips on the glass, there are some scratches however to the top and sides but nothing substantial.

Lot 320

George III Mahogany Fold Over card Table George III mahogany and satinwood cross-banded fold-over card or games table, demi-lune top enclosing a green baize interior, frieze with crossbanding, ebonised stringing and shell marquetry, raised on moulded square section tapering legs99cm wide, 49cm deep, 74cm highLosses to the crossbanding, both freize and top, baize interior with small tears on the seam and areas of discolouration

Lot 321

George III Mahogany Occasional Table George III mahogany circular snap-top occasional table, birdcage block above a single turned column with three outswept legs80cm wide, 80cm deep, 72cm highRepair to the edge of the table top, please see additional photos.

Lot 325

Late 19th Century Louis XV Style French Marquetry and Ormolu Mounted Side Table Late 19th century Louis XV style French kingwood, marquetry and ormolu mounted side table, pierced brass gallery, oval top inlaid with floral and classical imagery, over three frieze drawers on cabriole legs united by a kidney shaped under tier shelf with literary marquetry48.5cm wide, 35cm deep, 79cm highSome cracking to the veneer, losses to veneer on under tier shelf (photographed). Ormolu mounts in good condition.

Lot 344

George III Mahogany Wine Table George III mahogany snap-top wine table, circular two-piece dish top supported on a single turned column with triform base on pad feet46cm wide, 46cm deep, 80cm highEdge of the table has been repaired and reattached, loose nails connecting the top to the snap top action.

Lot 346

George III Mahogany Fold Over Tea Table George III mahogany fold over tea table, the 'D' shaped top with a four reed edge over a boxwood and ebony strung frieze, raised on four turned legs, the rear two hinged91cm wide, 38.5cm deep, 74cm highLosses to back leg, evidence of old worm

Lot 78

After Rembrandt van Rijn (Dutch 1606-1669) Two figures at a table Signed and dated 1636 in the plate, inscribed in pencil "hand printed by Rae Boer" in the margin, etching.13 x 12cm (framed 47 x 34.5cm)The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 99

Seven 18th century and later silver table spoons, Seven 18th century and later silver table spoons, gross weight 12.13ozt.

Lot 100

Two early 18th century Irish silver table spoons, Two early 18th century Irish silver table spoons, Charles Leslie, Dublin, date letter indistinct, circa 1740, gross weight 3.90ozt. Overall condition fairWith scallop shell crest to reverseBowls misshapen, shalllow and light dents throughoutMarks worn and partially indistinct, see images

Lot 102

Two early 18th century Irish silver table spoons, Two early 18th century Irish silver table spoons, marks indistinct, Dublin, 1743-4, gross weight 3.81ozt.

Lot 105

A selection of George III and later silver table spoons, A selection of George III and later silver table spoons, fiddle pattern, various London and Exeter marks, gross weight 19.62ozt. Overall condition good to fairTwo - H J Lias & Son, London, 1872 - marks clear, monograms to terminalsTwo - WS, London, 1862 - marks clearTwo - WE, London, 1825 - marks clear, monograms to terminalsTwo - Peter & Ann Bateman, London, 1818 - marks clear, monograms to terminalsOne - William Woodman, Exeter, 1821

Lot 106

A selection of silver, A selection of silver, to include a silver backed dressing table set, silver lidded jars, fluted vases, etc, gross weight of solid silver items 4.77ozt.

Lot 108

A selection of silver, A selection of silver, to include a cased cruet set, dressing table tray, clear glass sugar sifter, etc, gross weight of solid silver items 20.36ozt.

Lot 110

An Edward VII silver dressing table tray, An Edward VII silver dressing table tray, James Deakin & Sons, Chester, 1903, gross weight 9.05ozt.

Lot 132

A selection of silver, A selection of silver, to include a tortoiseshell dressing table set and a shaker (5).

Lot 134

A large selection of silver, A large selection of silver, to incude dressing table items, silver fronted photograph frames, shaker, cigar case, flatware, etc, gross weight of hallmarked and solid silver items 30.13ozt.N.B. Image represents a sample of total lot

Lot 146

A selection of dressing table items, A selection of dressing table items, to include silver backed brushes, silver backed mirror, silver purse, various hallmarks.

Lot 157

A canteen of Austro-Hungarian silver flatware, A canteen of Austro-Hungarian silver flatware, comprising twelve dinner forks, twelve table spoons, twelve teaspoons, one serving spoon, twelve dessert forks, twelve silver handled dessert knives, twelve silver handled dinner knives, and one silver plated ladle, Austro-Hungarian marks for .800 silver, maker's marks ST, gross weight of solid silver items 90.02ozt.

Lot 178

Royal Crown Derby dressing table set Royal Crown Derby dressing table set, decorated in an imari pattern. The tray measures 32.5cm wideOne box base is missing, its lid has the finial broken and restuck. Another box lid is damaged.

Lot 239

Early 20th Century Brass Table Lamp with Dragons Early 20th century cast brass table lamp with scrolling foliate decoration throughout on a triangular base with a dragon to each corner dragon figures38cm high

Lot 240

Late 19th Century Brass Table lamp Late 19th century brass table lamp with a pink acid-etched glass shade, baluster shaped column raised on a tripod base48cm high

Lot 243

Edwardian Brass Table Lamp Edwardian brass table lamp with a green acid-etched glass shade50cm highNo chips or breaks to the glass shade. Some discolouration to the brass stand. Please view the attached images.

Lot 10

A mahogany circular inlaid occasional table on three scroll legs, 70 x 53cm

Lot 117

Dresden figurine of a lady seated at a dressing table, marks to the base, 18.5 x 17 x 9.5cm

Lot 27

A pair of gilt metal table candlesticks, the ivy bound columns on triform claw feet, converted to electric, 32cm (h)

Lot 28

A pair of carved marble table lamps in the form of eagles on raised rectangular plinths, 38.5cm (h) including electrical fitting

Lot 29

A mid 20th century studio pottery table lamp decorated with poultry, 46cm (h)

Lot 3

A continental rectangular Kingswood glazed display table with brass mounted hinged top on four cabriole legs, 78.5 x 75.5 x 52cm

Lot 363

A pair of Victorian hallmarked silver Corinthian column table candlesticks on stepped square bases with beaded borders, Sheffield 1898, 24.5cm (h)

Lot 364

A pair of hallmarked silver table candlesticks, Georgian style on raised octagonal bases, Birmingham 1937, 15cm (h)

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