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Click here to subscribeSix George IV and later silver fiddle pattern forks, comprising three George IV dessert forks, with a monogram 'EH' engraved to the back of their finials, Benjamin Davis London 1827, 17cm long, three Victorian forks, a dessert fork, John Stone, Exeter 1840, 17cm long, two Victorian table forks, with monogram possibly 'WMG' to back of finials, Charles Boyton, London 1838, 20.5cm long, overall 9.8toz. (1 bag)
Four silver fiddle pattern table forks, comprising a pair of Victorian forks with the initial 'A' engraved to each finial, 20cm long, John Stone, Exeter 1862, together with another Victorian fork, 20cm long, Joseph & Albert Savory, London 1853, and a fork lion crest to finial, 20.5cm long, John Round & Son Ltd. Sheffield 1907. (4)
Two Georgian silver table spoons, comprising a George II silver table spoon, Old English pattern, terminal engraved 'BIA', and with shell relief to bowl, Richard Gosling, London 1751, 20cm, and George III silver table spoon, Old English pattern, terminal engraved with armorial crest, John Lambe, London probably 1778 but marks rubbed, 21cm, 3.96toz combined weight. (2)
Five Georgian silver fiddle pattern table spoons, comprising a pair of George III spoons, each with monogrammed finials, possibly 'HFB', John Lias, London 1807, 22cm long, another George III spoon, Solomon Hougham, London 1811, 22cm long, and a pair of George IV spoons, Thomas Dicks, London 1824, 23cm long, 11.8toz. (1 bag)
A group of George V silver dressing table items, comprising a cased part set silver and glass backed dressing table set, with three brushes and a hand mirror, William Hair Haseler Birmingham 1928, together with a continental 800 grade silver topped glass scent bottle, 6 by 15.5cm high, three silver topped dressing table pots of different sizes, the largest Sydney & Co. Birmingham 1916, and a smaller pair, William Devenport, Birmingham 1923, 3.8 by 3.5cm high, a silver topped scent bottle two silver topped glass scent bottles, without stoppers, William Hutton & Sons Ltd. Sheffield possibly 1911, 4 by 5.8cm high, and a pair of spill vases with flared rims and stepped square bases, James Deakin & Sons, Sheffield 1915, 4.4 by 4.4 by 12cm high, overall weighable silver 0.5toz. (1 case and 1 bag)
Six Victorian silver fiddle pattern table forks, all finials engraved with a bull atop a parapet motif, comprising four John Vaughan & Thomas Cotterell, London 1845, 20.5cm long, and two other table forks, Samuel Hayne & Dudley Cater, London 1845, 20cm long, 14toz. (1 bag)
Four pieces of George II and later silver, comprising a George II sauce ladle, its finial engraved with an 'H', heavily rubbed naive marks, 17.5cm long, a pair of George III sugar tongs, rubbed maker's marks, London 1793, 14cm long, two table spoons, both with engraved monograms to their finials, possibly 'JMJ', both approximately 21cm long, 5.8toz overall. (1 bag)
A collection of English, American and Danish silver spoons, including a George III silver table spoon, John Lias, London 1812, 21.5cm, three American silver souvenir teaspoons, for Greenville, So Carolina, Manchester Silver Co, and another for New York, Topazio, a Canadian silver teaspoon for 'The Falls' Niagara, BMCo, an English silver spoon, with jade handle, bowl engraved 'Auckland N. Z.', mark rubbed probably James Swann & Son, Birmingham 1924, 12.2cm, and a Danish silver pickle fork, 10.5cm, combined gross weight, 7.12toz. (15)
A group of three vintage lighters, comprising an oversized silver plated table lighter by S. T. Dupont, with machined decoration, serial 2A1808, 338g, 14 by 4 by 1.5cm, a gold plated Ligne D / D line lighter by S. T. Dupont, in dark blue Laque de Chine, serial 18HOL72, 5.5 by 3.7 by 1.1cm, 99.9g, in original branded red presentation box with replacement flints and booklets, and a gold plated and red lacquer lighter by Dunhill, 6.4 by 2.4 by 1.3cm, 74.1g, in branded brown suede pouch. (3)
A collection of Danish and English silver, comprising a ladle with an octagonal bowl, 22.4cm, and two spoons, J. P. Jorgenson, two serving slices, a spirit ladle, a pair of large condiment spoons with shell escutcheon and gilt bowls, R. A. Christophersen, all with assay master Christian Heise marks, a table spoon, fork, and further table spoon, all 10.37toz, a set of seven 800 silver dessert forks and one spoon, 8.36toz, English silver comprising a stilton scoop with a bone handle, George Nangle, London 1801, a pickle fork with ivory handle, John Round & Son Ltd (Joseph Ridge), Sheffield 1894, and a butter knife, with mother of pearl handle, A. J. Bailey, Birmingham 1908, all 4.15toz, together with a pair of dessert spoons, a spoon with bone handle, and a horn spoon with silver mounts marks all worn, and a toddy ladle with turned handle, three butter forks, and a leaf bowled spoon with ivory handle, all apparently unmarked, 5.68toz. (31)
A suite of similar George III silver spoons, all Old English pattern with bright cut decoration, comprising a pair of table spoons, terminals engraved 'IA', Stephen Adams II, London 1788 and 1789, 21.8cm, a set of six teaspoons, terminals engraved 'IA', Stephen Adams II, London 1789, 12cm, a pair of sugar tongs, top engraved 'IA', BW, London 1790, 13cm, and a pair of salt spoons, terminals engraved 'C', marks rubbed but possibly Peter, Ann & William Bateman, London 1800, 9.5cm, 7.97toz total combined weight. (11)
Five George IV and later silver table spoons, comprising a set of three old English fiddle pattern table spoons, with single intial engraved to each finial possibly 'J', John Harris IV, London 1828, and two old English pattern table spoons, William Chawner II, London 1830, all approximately 22cm long, 11.5toz. (1 bag)
A collection of silver items and coins, including two dressing table items, a scent bottle with white metal collar, 7.5cm high, a George V silver lidded oval pot, Birmingham 1919, 10.5cm long, a Victorian silver napkin ring, William Oliver, Birmingham 1899, and a group of silver proof coins, including a 1951 Festival of Britain crown, a ERII Silver Jubilee, a 1981 Prince of Wales and Lady Diana Spencer proof coin, and a white metal cameo ring and two small white metal and enamel pill boxes, 3cm by 17cm high. (1 box)
A Victorian silver scent bottle, of cylindrical form, the whole decorated with rococo scrolls and flowers with daisy to the silver lid, Birmingham 1901, Deakin & Francis Ltd, 1.87toz, 5.4cm diameter by 8.5cm high, together with two silver topped perfume atomisers the tallest 12.7cm high, a blue flash glass scent bottle with silver collar, 3 by 2 by 6.5cm high, a Victorian cut cranberry glass scent bottle of octagonal form with silver lid, Birmingham 1898, Levi & Salaman, 2.5 by 2.5 by 4.8cm high, a further cut glass scent bottle with silver collar, a pressed glass scent bottle and two silver topped dressing table jars. (9)
A canteen of Victorian and later silver flatware, comprising a collection of old English beaded pattern flatware, six table forks, six dessert forks, six dessert spoons, six teaspoons, four serving spoons, a pair of sugar tongs, two condiment spoons, Robert Stebbings, London 1899, together with ERII old English pattern, silver handled knives, six tables knives and six silver butter knives, Strickett & Loder (Colin Earnest Strickett & Robin Reginald Loder) Sheffield, 1986, 56toz overall of weighable silver. (43)
Thirteen various George III and later old English pattern silver table forks, four George III forks by different makers, one William Eley & William Fearn, London 1800, London 1814, 20cm long, one with rubbed maker's marks, London 1794, another with heavily rubbed hallmarks, a set of four George III forks, all with rubbed hallmarks but possibly 1820, two George IV, one William Eaton, London 1822, two Robert Rutland, London, 1823, two William IV table forks, one with rubbed makers marks possibly William Chawner II, London 1832, the other no makers marks, London 1835, 25toz. (1 bag)
Three George III old English pattern silver table spoons, comprising one with bright cut decoration to its topside and engraved 'MA' to its terminal, Joseph Hicks, Exeter 1807, 23cm long and two table spoons without engraved decoration, Edward Byne, Exeter 1809, one 23cm long, William Welch II Exeter 1817, the other 22.5cm long, 5.3toz overall. (3)
'N' gauge - wooden table-top layout of oblong form the central loop of track with sidings, station, engine shed and other buildings with the original Metcalfe kit boxes, farm with animals in fields, trees and other vegetation 122 x 61cm; and small quantity of other accessories - Condition Report
Hornby Dublo - table top layout with two loops of electric three-rail track with sidings amongst green fields and trees with tunnels and farm buildings to one corner 100 x 189cm; together with Duchess Class 4-6-2 locomotive 'Duchess of Atholl' No.6231 and tender, Class N2 0-6-2 tank locomotive No.6917, four passenger coaches (two boxed), fourteen goods wagons (eight boxed), points and cross-overs, signals, signal cabin, transformer, booklets etc - Condition Report Layout very grubby with some rusting of track.
Bussey's Table Croquet Game in part box; set of eight hardwood table top bowling woods with jack in mahogany box; blue painted solitaire board with quantity of clay marbles; as new Rollo-Quick wooden rollerball kit in box with slip case; wooden Tiddlywinks game; quantity of Britains and other plastic wild animal figures etc - Condition Report
A Mid-18th Century Ivory Fan, the monture carved, pierced and painted in strong colours, to match the vibrancy of the leaf. The guards and centre gorge feature Chinoiserie figures, and swags of flowers. The double leaf features a ball game between two young men using small bats. A lady observes, a small boy sprawls on the grass to the side, and two men are present in the background. Outside a house to the right, a table is laid with refreshments. The verso is painted with a simple rural view. Guard length approx. 10.5 inches or 26.5cm.. Rubbing to the folds. Good colour. Soiled to the verso.
The Social Gathering: An 18th Century Ivory Brisé Fan, the sticks with straight tips, the guards fitted with tortoiseshell thumb guards. The upper sections of the twenty-seven inner sticks and two guards are comprehensively carved and pierced. Centrally, a large boldly painted cartouche, bordered in gold, depicting several figures seated at the table outside a cottage, partaking of wine and a simple meal, whilst listening to a musician. To left and right, painted vignettes, in a Chinoiserie theme to complement the design in the gorge. Portraits are painted to the inner guards. The verso is a simple mirror image of the recto. Guard length approx. 8.75 inches or 22cm.Together with Another Carved Ivory Brisé Fan, this time painted with a medieval scene, with three figures within a rather sumptuously decorated room, with large paintings and extravagant hangings on the walls, the domed ceiling painted, the colours strong, as are those in the costumes being worn. The cartouche is bordered in gold. To the reserves, very Orientalist decoration with figures and blue urns, tinges of gold, some of the piercing to the sticks visible. The verso is plain, a simple mirror image outline. Guard length approx. 8.75 inches or 22cm (2) . The first fan has losses to the upper carved section of several sticks. The second fan has much the same and the ribbon is defective, sticks currently linked by thread. Some rubbing to the paint.
A Mid-19th Century Fan with deep and heavy mother-of-pearl monture, intricately carved and pierced, with no additional decoration. Centrally, a cartouche featuring two 18th century gentleman and two ladies in robes à la polonaise, the upper section cut away and backed with thin mother-of-pearl. Two side oval vignettes are carved with token of love. The double paper leaf, in dull shades of blue, depicts several groups of people undertaking various tasks or indulging in leisure pursuits. To the left, a fine gentleman seated at a table, being served a meal by a servant. Another gentleman sits with three ladies, one of whom is playing the harp. To the right, an important man wearing a ceremonial sash is attended by two others, one on bended knee. Here and there other men wearing tam o'shanters, sporrans and perhaps kilts and shawls. are in view. The verso shows a rural landscape with figures fishing in a river, habitation to the right and ruins in the background. Guard length approx. 10 and 5/8 inches or 27cm.. The verso has staining, possibly glue, and some slight loss to the leaf. Poor repair to the lower guard. The blues are more muted or perhaps faded? The recto has rubbing to the folds.
A Mid-18th Century Chinese Fan with Carved Export Monture, Qing Dynasty, the guards carved in sections on a minute scale, mainly with flowers. The gorge is carved in bands of different designs in geometric fashion. The double paper leaf, découpé, is painted with very naturalistic flowers in good colour, to include sunflowers, pansies, roses and daisies, poppies, ranunculi, and a passionflower, with butterflies arriving from the left. The verso is painted in a similar fashion with moths, heartsease, honeysuckle and soft fruits. Bears a previous auction label dated 21st October 1970. Guard length approx. 10.5 inches or 26.5cm. Together with Another Ivory Fan With Chinese Export Monture, Qing Dynasty, figures and buildings on the guards and a very stylised and geometric design in bands and columns, a central oval with entwined initials. The light cream leaf is painted with pink roses, grapevines with fruit, and swags of flowers of the hedgerow. The upper leaf sections are embroidered with tiny silver sequins. The verso is plain. Guard length approx. 11 inches or 28cm; and A Third 18th Century Ivory Fan, with birds and flowers carved to the upper guards, the gorge with regular carved and pierced design formed by seven shaped and pierced bands. The double leaf features an outdoor gathering in Chinoiserie style, a meeting of generations, with an elderly man at rest, holding a large fixed fan and perhaps a scroll, watching a younger man contemplating a board game, seated at a low table with stylised porcelain flower vase. To the right, perhaps his wife, with two young children, the lady with fixed fan in hand. To the far right, a crane partaking of the orange fruits of a bush on rocky outcrop. The verso is painted with a simple gnarled tree with several colourful blooms. Guard length approx. 11.25 inches or 28.5cm (3) . The first fan upper guard is slightly warped. Losses and tears to some of the découpage. The second fan has 4 major splits to the leaf, all holding, some by virtue of some restoration seen on the verso. The third fan lacks the tip of the upper guard. Fan three has a crisp leaf but some repairs to the bottom left corner. The upper guard is fitted with an old white metal repair plate at the shoulder. Above that, another break is holding with glue. The upper section of the lower guard has an un-repaired break.
A Selection of 19th and 20th Century Accessories, to include small mid-19th century coin purse with an expanding metal frame, the body in brown crochet, and a second purse, the body of turquoise blue beads designed in swags, with looped bead fringing, fitted onto a pressed white metal frame, with short chain; a grey ostrich feather boa, c 1900, designed for close fitting to the neck; a wood brisé fan advertising the ''Liberty Bodice''; two further advertising fans advertising the business of T. Hodgson, a tailor in Lowestoft, and another advertising George Green, an outfitter in Norwich; a red paper palmette or Jenny Lind fan, the uppermost panel advertising ''La Moda Parisien'' in Madrid, with the address and phone number; and an American cardboard fixed fan or face screen, the recto showing a group of probably 1920's children at a table outdoors, accompanied by a family dog, the recto printed with advertising for ''Allen's Shoes'' in Trenton, New Jersey (8). All in good used order.
French Fabric Sample Book, 19th century Including woven and brocade silk and wool samples, printed cotton in stripes, checks, floral designs in browns, purples, green, blues, reds, yellow and pinks etc 36cm by 60cm by 7cm Approximately 19 double sided pages and 23 blank pages, mounted with approximately 1,470 samples of varying sizes, 12% are missing In a brown and black mottled card ledger, titled Echan* D Etoffes & Sons German Fabric Sample Book, late 19th century Enclosing coloured silks in stripes, brocades, grosgrain, checks, floral and abstract designs 36cm by 50cm by 6cm 38 double sided pages, the samples are varying in size, approximately 868 samples and 3% are missing In a black fabric mounted ledger, the inside page is inscribed in black ink Inhalts Verzeichnis with a table of code and page numbers (2)
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