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A LATE GEORGE III MAHOGANY SOFA TABLE, the rectangular top with twin drop flap ends with rounded corners above two frieze drawers and conforming dummy drawers with brass knob handles, on trestle end supports with turned stretcher, and downswept legs with brass cap castors, 28.5" high x 29" wide
A REGENCY MAHOGANY PEMBROKE TABLE, the rectangular top with twin drop flap sides with rounded corners, above a single flush-fitting frieze drawer, on a central turned pedestal and platform base with four downswept legs with brass cap castors, late 18th/early 19th century, 26.5" high x 41.75" wide
•AMBROSE HEAL FOR HEAL & SON: AN OAK CIRCULAR DINING TABLE, the broad top with moulded border on four splayed square section legs with "X"-shaped stretcher, 30" high x 49" dia. See illustration This appears to be a variant of the popular "Number 9" dining table which was in production between 1908 and 1939. The standard version of the design which formed part of Heal's ground-breaking "simple cottage furniture" range appears to be identical with the exception of the attractive extended border on this example. See Heal, O. "Sir Ambrose Heal and The Heal Cabinet Factory", pg. 58 and pg.184. Provenance: Private collection. Purchased from Heals circa 1920 by the vendor's parents.
ASCRIBED TO JAN DAVIDSZ DE HEEM (1600-1674) A still life study of fruits and a wine glass on a table, oil on canvas, in a silvered carved wood frame, 18.75" x 24.75". See illustration Provenance: Handwritten label verso "This painting was originally in the collection of Edward Hasted Esq. a Historian of Kent, and was left by the will of the Rev. Edward Hasted, his son, with his other pictures, to Joseph Oliver Esq……."
ATTRIBUTED TO FRANS BREYDEL (1679-1750) A classical scene of figures dining around a table in an Arcadian interior, oil on canvas, 21" x 18", and the companion painting of classical figures gathered around a woman playing a musical instrument (2) Provenance: The Batten Family, Church Farm, Ryme Intrinseca, Dorset.
JOHN ARROWSMITH: "THE LONDON ATLAS", 1842. "The London Atlas of Universal Geography, Exhibiting the Physical & Political Divisions of the Various Countries of the World, constructed from Original Materials. Is most respectfully dedicated to his venerable friend John Middleton Esqr. As a Testimony of gratitude and esteem by his much obliged & humble servant. John Arrowsmith, F.R.G.S & R.A.S. 10 Soho Square, London. Published by J.Arrowsmith 10 Soho Square 1842." Containing 50 maps with hand coloured details and borders. Rebound with leather spine, corners and title. The volume 22.25" x 15". Mounted in a Rosewood veneered metamorphic table and stand. The table with a rectangular top with a moulded border resting on a square column with recessed panelled sides, and on a quadriform base with turned feet and recessed castors. The rectangular top opening along its' length to reveal the Atlas in a fitted compartment. The entire top tilting ona pivot with adjustable bolt, the top folding and sliding to support the atlas when open. With a concealed slide below. 29" high x 25" wide x 18.5" deep. PROVENANCE Private collection West Dorset NOTE John Arrowsmith was a member of one of the most important London based families of map makers, eventually taking over the running of the family business and publishing the highly regarded London Atlas. The set of maps in this volume were amongst the best available at the time being compiled from the most up to date information and presented in a pleasing clear manner, the atlas is generally regarded as the first 'modern' Atlas of the Victorian period. A founder member of the Royal Geographical Society he was awarded their gold medal in 1863. This atlas has remained in the same family collection for much of the 20th century. In a remarkable metamorphic library table which was surely commissioned to house the Atlas in a fine gentleman's library, this is one of the most interesting pieces of Victorian Library furniture to have come to the market in many years.
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