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Great Western Railway/BR brass Signal Box Lamp with glass globe. Original C/I cradle accompanies but has been modified for table use. Originates from Toddington Signal Box, now part of the Gloucestershire Warwickshire Railway. The original receipt for 10/- accompanies showing it was purchased through the Gloucester Area Manager. Together with an LMS Railway/BR brass Signal Box Lamp with glass globe. Original C/I cradle accompanies but has been modified for table use. Originates from Cheltenham Spa Lansdown Junction Signal Box. Original receipt dated 1969 for 10/- accompanies
19th CENTURY BURR-WALNUT VENEERED DRESSING TABLE, the superstructure with arched cushion- moulded mirror swivelling between scrolled uprights above three short drawers, the base fitted with two short drawers, raised on fluted and beaded tapering circular section legs, terminating in castors, decorated throughout with ebonised borders and highlights. 1.63m by 0.99m by 0.55m
EARLY VICTORIAN BURR WALNUT FOLDOVER CARD TABLE, the boldly figured quarter veneered cushion- moulded swivelling top above a plain frieze and supported on an elaborately carved base formed of four columns, resting on four scroll-carved downswept legs terminating in castors. 0.72m by 0.95m by 0.92 (open)
GEORGE IV MAHOGANY SOFA TABLE OF SMALL PROPORTIONS, the moulded rectangular top fitted with two leaves, above two short frieze drawers, opposed by dummy drawers, raised on trestles, joined by lyre stretcher with flowerhead carving, raised on reeded scroll feet. 0.74m by 1.37m by 0.46m
GEORGE II MAHOGANY TRIPLE-TOP GAMES TABLE, the foldover top with lobed corners, above a concave frieze fitted with a dummy drawer, raised on lappet-carved tapering circular section legs, terminating in pad feet, the top first opening to reveal a baize lined surface with oval counter wells and circular candle stands, and further opening to reveal a marquetry inlaid backgammon and checkers board, with a hinged cover to a well. 0.78m by 0.87m by 0.87 (open)
AMBROSE HEAL FOR HEAL & SON: RARE "FINE FEATHERS" OAK BEDROOM SUITE, c. 1898, comprising a boldly figured combination wardrobe, with a pewter-inlaid frieze with the inscription, "Fine Feathers Make Fine Birds" amidst pewter feathers, above a pair of panelled cupboard doors further decorated with ebonised hearts inlaid with pewter, flanking a pair of cupboard doors above two short over five long graduated drawers, fitted throughout with pewter handles and backplates, with tin label, "Heal & Son, 196 Tottenham Court Road, London"; a dressing table with mirror swivelling between tapering posts each inlaid in pewter with a stylised peacock against an ebonised ground, fitted with a pair of candlesticks with pewter drip pans and nozzles, the table top above three frieze drawers, raised on chamfered square section tapering legs, top of one drawer stamped "Heal & Son, London" and also stamped to the base of a drawer, "Heal & Son, Tottenham Court Rd., London W"; and a blanket chest of rectangular tapering form, with faceted domed hinged cover, opening to reveal a lift-out tray above a well, over two long drawers, decorated with a pewter-inlaid stylised peacock against an ebonised ground, flanked by pewter-inlaid ebonised hearts, the drawers with pewter drop handles and backplates, stamped "Heal & Son, London". Wardrobe 1.68m by 1.91m by 0.56m; dressing table 1.41m by 1.07m by 0.57m; blanket chest 0.92m by 1.22m by 0.55m (3). Note: After training as a cabinet maker, Ambrose Heal joined the family bedding business in Tottenham Court Road in 1893. He became involved with the Art Worker's Guild and the Arts and Crafts Exhibition Society and was inspired to create furniture designs which were initially made for him by Ashbee's Guild of Handicrafts. In 1898 his factory was moved to its definitive position at the end of Alfred Mews where he produced his own furniture and, in particular, four new bedroom suites including the "Fine Feathers" suite of which the subject lot is an example.
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