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A French Empire mahogany dressing table, late 19th century, with oblong hinged lid opening to reveal a fitted interior, above a single freize drawer, set on four column supports joined by a column stretcher, the whole decorated with gilt metal mounts, 19.25in (49cm) wide, 28.5cm (72cm) high, 13.5in (34.5cm) deep.
A Victorian walnut work table, the oblong hinged lid with canted corners, enclosing a fitted interior, above a single freize drawer, set on two pierced splat supports joined by a turned stretcher, with four short turned supports, 17.5in (44.5cm) wide, 27in (69cm) high, 14.5in (37cm) deep.
A late 19th century mahogany sofa table, the oblong top with string boxwood inlay, flanked by twin hinged leaves, above two frieze drawers opposed by faux drawers, set on four ring turned columns and outswept supports with brass paw cappings and castors, joined by two turned stretchers, 56in (142cm) wide.
A fine George III inlaid rosewood demi lune card table, the inlaid and cross-banded fold-over top with leaf patera and satinwood decoration, opening to reveal a later baize lined interior, the frieze with shell and bat's wing patera, set on six inlaid and tapering supports with inlaid ebony band, 39.5in (100cm) wide.
Johann Hamza (1850-1927) Austrian. An Elegantly Dressed Gentleman, seated beside a table in a library reading. Signed and inscribed "Wien", extensively inscribed on an old typewritten label giving biographical details of the artist in German and dated "19th May 1952" and signed by a member of staff from Anton Schroll & Co, oil on panel, 34cm by 24cm. A painter of genre scenes and portraits, he was a pupil of Edward Von Engerth with the Academy of Fine Arts of Vienna. He exhibited in Vienna, Dresden, and Munich 1879-1890. See illustration
A Cut Glass and Gilt Bronze Mounted Table Oil Lamp, F & C Osler, late 19th century, the chamfered circular foot cut with an outer band of repeat triangle motifs, on a support of three lion head monopodia, supporting an semi- ovoid cut glass reservoir with main hobnail cut band, and with Hinks & Sons Patent burner mounts and glass chimney, stamped on the base F & C Osler, 45cm high (excluding chimney)
A Tunbridgeware Table Cabinet, circa 1850, predominantly rosewood, of rectangular section, the top inlaid with a view of a castle gate amongst trees, two doors with floral panel to the fascia revealing four graduated drawers with banded fronts and turned mushroom handles, on a canted plinth on bun feet, 20.5cm wide, 18.5cm high
Follower of Francis Torond: A Pair of Reverse Painted Glass Profile Family Groups, circa 1900, one depicting an elegant couple, she stands holding a fan, an Italian greyhound at her feet, he stands resting his left hand on a walking cane, divided by a tripod table, beneath a tasselled pelmet, in a parcel gilt ebonised wood decorative frame, image only 25.3cm by 28cm; and Another Similar, depicting two ladies wearing crinoline dresses, both holding fans, one seated and one standing, by a chinoiserie cabinet, beneath a tasselled pelmet (2) See illustration
A French Boulle Table Clock, signed Balthazard a Paris, circa 1860, the elaborate case applied with gilt brass mounts and finials to the top corners, glazed side panels flanked by figural canted corners, 5-1/2-inch cast dial with Roman enamel cartouches, arched enamel plaque signed Balthazard a Paris, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Raingo Freres and numbered 1135, 49cm high See illustration
A Fine George III Mahogany Quarter Chiming Table Clock, Mat.s Nicolason, London, circa 1790, the figured case with inverted bell top, side carrying handles and pierced scroll and mask decorated sound frets, rectangular base upon gilt metal scroll shaped feet, 8-inch arched brass dial with painted circular chapter ring and Roman and Arabic numerals, the arch with two subsidiary dials for chime/silent and calendar, massive triple fusee movement, possibly converted to anchor escapement, quarter chiming with eight hammers striking eight bells, and two further hammers striking two bells, one for the hours striking on the half hour mark and the other for the hours on the hour mark, movement backplate highly engraved with floral and scrollwork decoration, movement secured by brackets, 62cm high See illustrations. Purchased from Hansord Antiques, Lincoln.
A Small Joined Oak Table, the moulded top on shaped rails and inverted baluster legs joined by plain stretchers, 17th/18th century, 61cm by 45cm by 48cm (converted from a joint stool) See illustration. Bears a paper label recording its possession in the collection of C H St J.Hornby.
An Edwardian Rosewood and Marquetry Lady's Writing Desk and Work Table, the superstructure with central cupboard door enclosing a fitted interior of pigeon holes and a single drawer fitted with inkwells, flanked by two small drawers above a green leather writing surface, the base with a single frieze drawer with fitted compartments, above a sliding work box, on square tapered legs with castors, 68cm by 50cm by 107cm; A Silver and Leather Bound Telegram Book; and Brown Leather Blotter (3) See illustration
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1181627 item(s)/page