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A Regency mahogany writing table, attributed to Gillows, the rounded rectangular reeded top, with hinged rectangular compartment opening to reveal an interior fitted for pens and inkwells, above a frieze drawer, on turned, reeded and tapering legs, terminating in brass caps and castors 66cm wide, 72.5cm high, 44.5cm deep
A late Regency rosewood library table, the rounded rectangular top inset with gilt tooled red leather leather writing surface, above two frieze drawers to one side and two false drawers to the other, on turned and gadrooned ball supports, joined by a similar stretcher, on bar bases with gadrooned bun feet 121cm wide, 75cm high, 68cm deep
A Regency mahogany and satinwood crossbanded sofa table, with ebony and boxwood stringing, the rectangular top with with rounded drop-flaps above two inlaid drawers opposing two dummy drawers, raised on twin reeded column supports linked by a curved stretcher and standing on curved reeded legs terminating in brass caps and castors 158cm wide, 70.5cm high, 69.5cm deep
An early 19th century mahogany silver table, of Chinese Chippendale style, the moulded rectangular top with three-quarter pierced fretwork gallery, above similar pierced fretwork frieze and spandrels, on triple column and chamfered block legs joined by double column X stretcher, on moulded chamfered block feet 106cm wide, 75.5cm high, 71cm deep
An early George III mahogany drop flap breakfast table, in the manner of Thomas Chippendale, the rectangular hinged top above a single drawer raised above a lower compartment with wirework sides and twin concave doors to the front, raised on square chamfered legs and terminating in leather-covered castors 100cm wide, 73.5cm high, 68.5cm deep Literature; ‘The Shorter Dictionary of English Furniture’, Ralph Edwards, pp. 516-517 ‘Director’, Thomas Chippendale, 1st Edition 1745, pl. XXXIII
A William IV mahogany side table, the ledge back with rosette and leaf scroll terminals, the rectangular top with stylised and boldly carved egg and dart mouldings above two massive scrolled consoles with anthemion carvings, raised on a shaped plinth base with moulded edge 168cm wide, 107cm high, 71cm deep
A Scottish Regency mahogany sofa table, in the manner of William Trotter, Edinburgh, the rectangular top with rounded drop flap ends with bead and reel moulding, above opposing frieze drawers and dummy drawers with similar moulding, on four scrolling supports with rosette terminals, raised on a concave quadruped base with hipped and reeded sabre legs, brass caps and castors 164.5cm wide, 72cm high, 65.5cm deep
A George III mahogany tilt-top tripod table, the circular top with pie crust moulding on fluted and stiff leaf cast baluster column with three harebell carved downswept cabriole legs with ball and claw feet 74cm diameter, 71cm high Provenance; Colstoun, East Lothian; sold Sotheby’s, 21st May 1990, Lot 195.
A Regency mahogany simulated rosewood sofa table by Gillows of Lancaster, the rounded rectangular reeded twin flap top above two frieze drawers to one side and two false drawers to the other, on square supports joined by an arched stretcher with hipped reeded downswept sabre legs, terminating in brass caps and castors, one drawer stamped “Gillows, Lancaster” 155cm wide, extended, 73.5cm high, 65.5cm deep
An exceptional mid Victorian walnut centre table, attributed to Henry Eyles, Bath, the burr quarter veneered top centred by a cartouche shaped marquetry panel depicting a basket of flowers against a black background, the sloping boxwood frieze carved in relief with sixteen oval panels depicting the ‘Ages of Man’ and ‘Adam and Eve expelled from Paradise’, between rope twist mouldings, the underside containing four concealed compartments, on dolphin and floral carved column above shell, swan and scroll carved tripartite base, with three downswept fluted and acanthus scroll carved legs fitted with ceramic castors 160cm diameter, 74cm high Note: A similar table by Henry Eyles was exhibited at The Great Exhibition of 1851and is now at the Victoria & Albert Museum in London. It may be that the edge carving was carried out by his relation George Eyles, woodcarver of Claverton Street in Bath. The elaborate carving and decoration to the table may indicate thet it also was specifically produced as an exhibitionpiece. Literature; ‘The Pictorial History of British 19th Century Furniture Design’, Woodbridge, 1977, p.xxvii
Keltie, John S. History of the Scottish Highlands, Highland Clans and Highland Regiments. Edinburgh: T.C. Jack, 1887, 2 volumes, 8vo, 71 plates (42 coloured plates of tartans), and 1 map, contemporary red half morocco, slightly rubbed; Stewart, David. Sketches of the Character, Manners, and Present State of the Highlanders of Scotland. Edinburgh: A. Constable, 1822, second edition, 2 volumes, 8vo, 1 folding printed table, contemporary blue calf, sides tooled in blind and gilt, spines gilt, bookplates of Sir Alfred Sherlock Gooch, somewhat spotted; Reid, John T. Art Rambles in the Highlands and Islands of Scotland. London: G. Routledge, 1878, 8vo, illustrations by Dalziel Brothers, brown morocco gilt by Bickers and Sons, gilt stamp of The College of Preceptors on sides, spine gilt, g.e., slipcase; Quigley, Hugh The Highlands of Scotland. London, 1949, 8vo, tree calf gilt, spine gilt; Pennecuik, Alexander. The Works of Alexander Pennecuik of New-Hall, containing the Description of Tweeddale. Leith, 1815, 8vo, folding map, modern calf-backed boards, slightly spotted, map split at one fold (7)
A large Tudor crystal part suite of table glass engraved in the 'Burleigh' pattern, comprising; pair of champagne flutes and four bowls, six hock glasses, six white wine glasses, nine sherry and licquer glasses, one large whisky tumbler, eight medium and five small tumblers, and eighteen 'nip' glasses.
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1177565 item(s)/page