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A pine blanket box with a padded fabric hinged top, H-55cm, W-126cm, D-55cm, together with a kidney shaped painted pine dressing table with stool, also including a painted wooden dressing table mirror, a jardiniere and two brass and copper ladles, also including a pair of wicker chairs with padded seating (5)
Good Gibson, Style A, mandolin bearing the standard Kalamazoo guarantee label, no. 68662 circa 1920; also stamped with factory order number on the neck block 11417, with pronounced figuring on the table wood, brown back and sides and faux tortoiseshell scratch plate, within original Gibson case
Interesting French violin circa 1800, signed J. Pirouel below the button, with inked purfling, the one piece back of plainish wood with similar wood to the sides and head, the table of a broad width grain and the varnish of an orange-brown colour, 14 1/4", 36.20cm, within a good 19th century mahogany and rosewood crossbanded fitted domed case with brass carrying handle *This violin retains the original neck
Good French violin labelled Lutherie d'Art, Lucien, André Ragot, Pere & Fils; also inscribed on the label and dated 1949, the two piece back of faint medium curl with similar wood to the sides and head, the table of a broad width grain narrowing to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Good French seven-eighth size violin by and labelled Lutherie Artistique, Jean-Baptiste Colin, Annee 1892, no. 2, the two piece back of fine/medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 13 3/4", 34.90cm
Good French violin stamped Breton Brevete de S.A.R.M to the inner back, also stamped Breton on the button, the one piece back of slightly irregular medium curl, with medium curl to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm
Very interesting early European Pochette or dancing masters kit, the two piece back and ribs probably of beech and the purfled table of a wide grain pine, the peg box carved with the head of a cherub and verso with hair bells, 16.5" long overall *This pochette is sold with an anonymous erudite article written about the instrument
Good French violin bearing a hand written label signed Anton Hoffmann..., the two piece back of broad curl with similar wood to the sides, the head of medium curl, the table of a medium width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm, case
English viola by and labelled A. Warrrick, pupil of Chanot, Leeds, anno 1907; also signed on the label, the one piece back of irregular broad curl with similar wood to the sides, the head of medium curl, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 15 15/16", 40.50cm
Interesting late 18th/early 19th century violin, possibly English, indistinctly labelled... Giovanni Napoli 1765, the one piece back of birds eye maple with plainish wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a reddish-brown colour on a golden ground, 13 13/16", 35.10cm
French violin of the Grandjon School labelled Joseph Guarnerius..., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/4", 36.20cm
Scottish violin by and labelled Malcolm F. Richmond, Camelon, Falkirk, 1927, the two piece back of faint medium curl with similar wood to the sides, the head of a broader curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Fine contemporary English violin by and labelled Glen A. Collins, Luthier, Maker to Their Royal Highnesses The Prince and Princess of Wales, and inscribed on the label For Christine, 2007, the one piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 13 13/16", 35.10cm, within a Paxman case
Interesting late 18th/early 19th century German violin possibly of the Klingenthal School and labelled Paolo Antonio Testore Figlio...1752, the one piece back of very faint medium curl and with fine curl to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 7/8", 35.20cm (condition issues)
Interesting 18th century German violin by Pancratius Reber and labelled Puncraty Reber fecit, Mogonty AO. 1786; also bearing two repairer's labels dated 1792 and 1863, the two piece back of faint medium curl with fine curl to the sides and plainish wood to the head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm, case *This violin is sold with a silver mounted violin bow indistinctly stamped
Good modern Italian violin by and attributed to Stelio Rossi and labelled Stelio Rossi fece á Siena, in Fonte Nuova l'anno 1944, the two piece back of faint medium/fine curl with similar wood to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a reddish colour on a golden ground, 13 15/16", 35.40cm, case *This violin is sold with a certificate of authenticity from Colin G. Nicholls dated 31st March 2014 This violin is also sold with an insurance valuation from Hieronymus Kostler dated 14th January 2020 for 10,000 Euros
Good French violin labelled Paul Bailly...Paris Annee 1890, the one piece back of medium broad curl with similar wood to the sides, the head of fine curl, the table of a fine/medium width grain and the varnish of a dark reddish-brown colour on a golden ground, 14 1/16", 35.70cm, bow, case
Good French violin of the Caussin School circa 1890 and labelled Antonius Stradivarius..., the one piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm
Good modern viola labelled and possibly by Lorenzo Frassino Guado, Cremona 1990 and bearing the maker's initials inscribed in ink on the label, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 15 15/16", 40.50cm
French violin stamped D. Nicolas Aine, á la Ville de Cremonne to the inner back, the one piece back of faint fine/medium curl with similar wood to the sides, the head of medium curl, the table of a fine width grain widening to the flanks and the varnish of a plum red colour on a golden ground, 14 5/16", 36.40cm *This violin has a good sound post patch repair to the back
Interesting 19th century restored violin, unlabelled, the one piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm *This violin has had several well repaired cracks to the back and table
Interesting violin labelled Ansaldo Poggi, Allievo di G. Fiorini, fece in Bologna Anno 1929, the one piece back of broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm, within a W.E. Hill & Sons violin case
Interesting English violin by and labelled John Betts, no. 2 North Piazza Royal Exchange, London, 178*, the two piece back of faint medium curl with similar wood to the head, the sides of irregular curl, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14", 35.60cm, Hill case *This violin is sold with a silver mounted bow faintly stamped Tubbs (at fault)
Interesting 18th century violin labelled Carlo Antonio Testore Figlio Maggiore del fu Carlo Giuseppe in Contrada laga al segno del' Aquila, Milano, 1740, the two piece back of faint medium/broad curl with similar wood to the sides and later head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm, within a W.E. Hill & Sons plush lined oak case
Fine French violin by and stamped to the inner back D. Nicolas Aine, á La Ville de Cremonne; also signed D. Nicolas Aine to the inner back by the sound post, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks on the bass side and the varnish of a rich plum red colour on a golden ground, 14 5/16", 36.40cm, case *This violin has a had professionally repaired table sound post crack
Contemporary violoncello labelled Sevola Cremonese, Fratelli Molini Carlo & Giorgio, fecit Parmae Anno 1977, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 29 7/8", 75.90cm, case *This violoncello is sold with a silver mounted violoncello bow stamped *Gunter A. Paulus*** ,also another nickel mounted violin bow
Good 19th century German violoncello labelled Louis Noebe...Hamburg and inscribed in ink on the label L.N. no. 375, 1884, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 31 1/2", 80cm *This violoncello has a good sound post patch repair to the back
Interesting 19th century violoncello labelled Gustave Mavard, Brussels 1889, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 28 1/4", 71.60cm, case
Late 19th century violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 29 13/16", 75.80cm, case *This violoncello is sold with two nickel mounted violoncello bows
Very interesting 18th century Italian or English double bass, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the later head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, length of back 42 1/2", stop length 22.75" and vibrating string length 40" *This instrument is sold with a valuation and appraisal from A. Pryce (Stringed Instruments of Wadhurst), East Sussex) dated 10th October 1989. The double bass was valued by this dealer at £6000 and described as Milanese dating from 1750
Fine 18th century Italian double bass by Pietro Pallotta circa 1790, unlabelled, the back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a dark reddish-brown colour on a golden ground, length of back 41", stop length 22", vibrating string length approximately 40.5" (condition report available) *Although this instrument is not labelled we are confident that the idiosyncratic workmanship is characteristic of Pietro Pallotta.
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1181390 item(s)/page