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A George III mahogany bowfront writing table, with single frieze drawer on square tapering legs, together with a similar example with string inlay (2)Condition report: A small circular patch of veneer repair to the top, and numerous polish scratches to the top, drawers runs freely, structurally sound, the second table formally a tea table, now missing top leaf, with various surface scratches to the polish, inlay intact, structurally sound
Two Victorian footstools upholstered in matching pink fabric, a George III mahogany rectangular galleried tray, on a later stand, a Regency mahogany and ebony strung tripod table of octagonal shaped for, and a further metal stool with buttoned seat (5)Condition report: Tray on stand - 64cm by 45cm by 43cm, Tripod table, 53cm by 40cm by 54cm, Rectangular footstool, 30cm by 25cm by 16cm, Circular footstool, 30cm diameter by 15cm, brass stool, 30cm by 32cm by 61cm
A George III mahogany dressing table, the moulded top above three drawers and on chamfered legsCondition report: Original colour, some fading patches to the top, and numerous superficial marks, draws run freely, and structurally sound, some minor knocks and chips to the legs
An early 18th century oak side table, the plank top with cleated ends above a single drawer, on turned legs with peripheral stretcherCondition report: Good colour, some chips and slight losses to the cleat, some later element to the drawer casing, minor movement in the joints, some superficial marks throughout
A mid 19th century mahogany extending dining table with one leaf, on gadrooned legsCondition report: The top is level with very minimal warping to the leaves. Structurally sound. Good colour and with only minor superficial scuffs and marks. There are three rails per side. 209cm (open) by 122cm by 73cm.
Early 20th century oak three height stacking bookcase, 'The Lebus Bookcase', 88cm by 36cm by 120cm; together with an oak three height chest of drawers (formerly a dressing table) with Art Nouveau drawer pulls, 106cm by 49cm by 75cm; a mahogany bedside chest, a Georgian style tray top occasional table, a bamboo table and a Victorian kitchen stool (6)
A Mappin & Webb silver bowl and cover, silver vesta case, silver dressing table box with Masonic engraving ''Leigh Lodge, Diamond Jubilee No 957 1863-1923'', plated compact, and a presentation silver-plated tray engraved ''Presented to George Tandy, by the West London BTA (stands for Boot Trade Association) (5)
A tray of assorted 19th century and later amber glassware, including a mallet formed decanter, a table lustre, candle stand etcCondition report: Decanter stopper and rim with small chips, further small chips to the lower part of the body, small pedestal glass and pair of small salts, with slight chips, the other four pieces in good condition
MID 19TH CENTURY MAHOGANY PEMBROKE TABLE,on tapered column legsCondition report: Table appears to be in relatively good condition, wear consistent with age, some scratches and chips to the woodwork of the table tops and legs. Stains and residue also present.75cm Tall x 107cm Long x 108cm Wide (extended) 52cm unextented
'SCHOLAR READING A SCROLL', LATE MING TO EARLY QING DYNASTYChina, 16th-17th century. Ink on very fine silk. Remarkably detailed painting depicting a bearded scholar wearing voluminous robes and a prominent headdress, holding a fan in one hand, seated on a barrel stool at a table and reading a scroll unrolled before him.Provenance: From an English private collection. Condition: Good condition, as expected and commensurate with age. With old wear and traces of use, soiling, browning, foxing, creasing, small losses, minor touchups.Dimensions: Image size 59 x 42.7 cm, Size incl. mounting 78 x 68.7 cmA stack of books rests beside the scroll, a small censer on an incense stand (xiangji) as well as further scrolls, a lacquer box, various vessels, and other scholar's objects on a high table behind a standing screen painted in magnificent quality with crashing waves, all behind a large curtain with floral roundels to the right side.With an imperial yellow silk brocade frame, laid down on board.Auction result comparison: Compare a related silk painting of a scholar and students, dated late 15th-16th century, at Bonhams New York in Chinese Paintings and Calligraphy on 20 March 2013, lot 3013, sold for USD 62,500.明末清初《文人觀畫圖》中國,十六至十七世紀。絹本水墨。文人坐於書房内,一手持扇一手按著面前的一幅畫。四周場景描寫細緻入微。 來源:英國私人收藏。 品相:狀況良好,符合預期並與年齡相稱。有磨損和使用痕跡、污漬、褐變、起毛、摺痕、小缺損、輕微修飾。 尺寸:畫面59 x 42.7 厘米, 總78 x 68.7 厘米 絹本裝裱。 拍賣結果比較:比較一件相似的十五至十六世紀絹本《文人書生圖》,見紐約邦翰思Chinese Paintings and Calligraphy 2013年3月20日 lot 3013, 售價USD 62,500。
'LADY AND PARROT', BY XU CAO (1899-1961)China. Ink, gilt, and watercolors on paper. Finely painted with a noble lady seated in an elaborately crafted wooden chair with gilt fittings and silk brocade back, a table holding a wine cup and an ancient bronze vessel as well as a large vase held by a stand beside her. The lady is looking toward her parrot perched on a gilt swing suspended from a dragon fitting mounted to a wooden pole.Inscriptions: Upper left, signed 'Yansun Xu Cao', and with a lengthy inscription. One seal of the artist.Provenance: UK trade, by repute acquired from a British private collection.Condition: Excellent condition with minor old wear. Soiling, browning, and foxing, all found exclusively outside the depiction, therefore probably added by the artist on purpose. Mounted as a hanging scroll.Dimensions: Image size 81 x 35.5 cm, Size incl. mounting 215 x 51 cmExpert's note: Xu Cao was a leading conservative artist in Beijing during the 1930s and 1940s. Some scholars have later described him as possibly the last living proponent of the Imperial School. Xu Cao's zestful brushwork and taste for theatrics were conservative in their references to the past, but wholly modern in the spirit of defiance and abandon they celebrated. This is clearly seen in the present work, with the paper being deliberately 'aged' with simulated wear, a dramatic effect that - like in theater- creates a stark contrast between the actual depiction and the background.Auction result comparison: Compare a closely related painting by Xu Cao, also depicting a lady and parrot, dated 1939 by inscription, at Christie's Hong Kong in Fine Chinese Modern Paintings on 30 May 2017, lot 1297, sold for HKD 150,000. 徐操(1899-1961)《美人鸚鵡》中國。立軸,紙本水墨設色描金。畫中一位仕女坐在絲錦椅背上,身畔桌子上放著酒杯和銅瓶,旁邊的三足架上放著一隻大花瓶。仕女正逗玩著棲息在一個鎏金鞦韆上的鸚鵡。設色精美,人物造型準確,形態逼真,陳設傢俱細節刻畫細緻。款識:新將金巢籠鸚鵡,朝餐多與教來香閣幾行詩,贏得頻開齲齒,小鳥聰明如許,誦來楚之,休將呢語令他知,恐怕人前亂語。霜紅主人燕孫徐操。鈴印:燕孫徐操來源:英國古玩市場,據説來自英國私人收藏。品相:狀況極佳,有輕微舊磨損。 汙漬、褐變和起皮。裝裱立軸。尺寸:畫面81 x 35.5厘米,總215 x 51 厘米拍賣結果比較:比較一件徐操1939年的《美人鸚鵡》,見香港佳士得Fine Chinese Modern Paintings 2017年5月30日 lot 1297, 售價HKD 150,000。
A HUANGHUALI TABLE-FORM STAND, LATE MING TO MID-QINGChina, 17th-18th century. Finely carved as a miniature recessed-leg table, the top set with everted flanges above the apron carved with cloud scrolls, the legs with openwork panels carved with fierce dragons, resting on slightly splayed ends.Provenance: Gisele Croës, Brussels, August 1990. Belgian private collection, acquired from the above. Old inventory label to base, '123'. A copy of a signed and stamped certificate for the present lot, issued by Gisele Croës, from 16 August 1990, dating the present lot to circa 1620, accompanies this lot. Gisele Croës is a Belgian dealer of Chinese art, who opened her gallery in Brussels in 1976. She has regularly exhibited at major international fairs, such as the Biennale des Antiquaires in Paris, where she has been present since 1980, and TEFAF in Maastricht. An internationally renowned specialist, Croës has worked with important collectors and foundations, as well as American, Chinese, and European museums.Condition: Very good condition with minor wear, minuscule nicks, and light scratches.Weight: 842.5 gDimensions: Size 15.8 x 38.2 x 14.5 cm Auction result comparison: Compare a related huanghuali table-form stand, 14 by 39.4 by 15.6 cm, dated to the 18th century, at Sotheby's New York in Important Chinese Art on 15 March 2017, lot 717, sold for USD 30,000. 明末至清代中期黃花梨翹頭案形座中國,十七至十八世紀。精雕細刻為微型翹頭案,牙頭鎪出卷雲紋,兩側腿間鑲檔板,當中透雕兩面作雙螭紋。來源:布魯塞爾Gisele Croës 1990年8月16日;比利時私人收藏購於上述藝廊。舊時收藏標籤上有“123”字樣,隨附一份購買證書副本,上面確認了購買時間和斷代“約1620年”。Gisele Croës 是一位比利時中國藝術品經銷商,她於 1976 年在布魯塞爾創立了她的藝廊。她經常在主要的國際博覽會上展出,例如自 1980 年以來一直在巴黎的雙年展和馬斯特裡赫特的 TEFAF 展覽。作為國際知名專家,Croës 曾與重要的收藏家和基金會以及美國、中國和歐洲的博物館合作。 品相:狀況極好,有輕微磨損、微小的劃痕。 重量: 842.5 克 尺寸:15.8 x 38.2 x 14.5 厘米 拍賣結果比較:比較一件相近的黃花梨翹頭案形座,14x39.4 x15.6 厘米, 十八世紀,見紐約蘇富比Important Chinese Art 2017年3月15日 lot 717, 售價USD 30,000。
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1177565 item(s)/page