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Lot 21

STAG MAHOGANY BEDROOM OF FIVE PIECES WITH A PAIR OF TWO DOOR WARDROBES, A DOUBLE DIVAN HEADBOARD, A KNEEHOLE LONG DRESSING TABLE AND A BEDSIDE PEDESTAL OF FOUR DRAWERS (5)

Lot 271

MIXED LOT TO INCLUDE; WALL MIRROR IN WOODEN FRAME, TABLE LIGHTER, NAPKIN RINGS, TRAVEL IRON BOXED, SOUVENIR DOLL ETC....

Lot 274

FOUR TABLE LAMPS AND SHADES AND A LARGE AYNSLEY COTTAGE GARDEN FRUIT BOWL

Lot 294

ART DECO CHROMIUM PLATED FRAMED GLASS FOLD OUT DRESSING TABLE TRAY, A PAIR OF ART DECO MOULDED GLASS DRESSING TABLE CANDLESTICKS, MOULDED GLASSWARES AND AN ORNAMENTAL GREEN GLASS JAR AND STOPPER

Lot 301

MIXED LOT OF DECORATIVE ORNAMENTS, TO INCLUDE; GLASS PAPERWEIGHT, WEDGWOOD ITEMS, DRESSING TABLE WARES, DECORATIVE EGGS, LURPAK POTTERY TOAST RACK

Lot 34

A PAIR OF WALNUTWOOD NESTING COFFEE TABLES, WITH PIE CRUST EDGES, A SIMILAR COFFEE TABLE, AN ITALIAN MUSICAL WORK TABLE AND A MAGAZINE RACK, ALSO A SMALL FLAT SCREEN TELEVISION AND A MODERN DROP HEAD SEWING MACHINE IN WOOD EFFECT CABINET

Lot 39

A STEEL FRAMED DINING TABLE WITH PLATE GLASS TOP AND A SET OF EIGHT HIGH BACKED DINING CHAIRS ENSUITE

Lot 41

A BRIGHT METAL FLOOR LAMP WITH SIX LIGHTS AND MATCHING THREE LIGHT TABLE LAMP

Lot 59

DUCAL PINE DEMI LUNE HALL TABLE WITH ONE DRAWER AND UNDERSHELF

Lot 73

SIX BOXES OF ASSORTED BED LINEN/DUVETS/PILLOWS, SCATTER CUSHIONS AND TABLE LINEN, TOWELS ETC...

Lot 78

EARLY TWENTIETH CENTURY OAK CHEST OF TWO SHORT AND THREE LONG DRAWERS ON PLINTH BASE, 3'6" WIDE, AN OAK ART DECO OBLONG DRAW LEAF DINING TABLE, ON SHAPED STRAIGHT LEGS WITH SALTIRE STRETCHER (2)

Lot 8

A EARLY 20TH CENTURY KITCHEN TABLE, FORMERLY PAINTED, PLANK TOP ON TURNED SUPPORTS, AND A SIMILAR SMALLER EXAMPLE (2)

Lot 85

UNATTRIBUTED (TWENTIETH CENTURY) WATERCOLOUR DRAWING VILLAGE GREEN WITH MEMORIAL ANOTHER BY G. BUTLER COTTAGE INTERIOR WITH GATELEG TABLE SIGNED AND DATED 1987 AND ANOTHER WATERCOLOUR DRAWING (3)

Lot 96

A SMALL TEAK 'D' END SAVE-SPACE DINING TABLE WITH STRAIGHT GATE LEGS, AN OAK OVAL THREE TIER DUMB WAITER; A PERIODICAL RACK AND A FOLD-FLAT OCCASIONAL TABLE (4)

Lot 269

CHINESE HARDWOOD DINING TABLE AND EIGHT CHAIRS the table approximately 205cm wide, the chairs including two carvers

Lot 274

INDIAN WHITE METAL CUTLERY PART SET comprising six forks, six table spoons and six dessert spoons, each finial with embossed figure of a deity, unmarked, possibly silver, approximately 978g

Lot 321

MID 20TH CENTURY CHINESE JADE TABLE PENDANT on wooden stand, 34cm high

Lot 326

EARLY 20TH CENTURY CHINESE HARDWOOD COFFEE TABLE with frieze section, 151cm long

Lot 364

EARLY 20TH CENTURY JAPANESE LACQUERED TABLE CABINET fitted with drawers and hinged doors with inlaid designs of flowers, 23.5cm wide, 27cm high

Lot 402

20TH CENTURY MALAYSIAN MAHOGANY COFFEE TABLE of rectangular form, with stylised motif to top, 107cm wide

Lot 431

EASTERN RECTANGULAR FRUITWOOD OCCASIONAL TABLE with carved frieze panels, on splayed legs, 155 cms. x 63 cms.

Lot 462

20TH CENTURY CHINESE HARDWOOD COFFEE TABLE of rectangular form, 121.5cm wide

Lot 491

20TH CENTURY CHINESE HARDWOOD DINING SUITE comprising table and eight chairs and sideboard, the table approximately 195cm wide extended, the sideboard 152cm wide

Lot 14

A mid to late 20th Century mahogany 65 cms diameter side table with gallery top, carved column supports and tripod base with carved foot decoration, 72 cms overall height

Lot 15

An 18th Century oak tilt top tripod table with later carving to the top, 75 cms high, 91 cms diameter top

Lot 168

A silver handled shoe horn, a silver handled manicure knife, a silver backed dressing table brush and a silver backed buffer (parcel of four)

Lot 170

A pair of glass dressing table jars of panelled form with globular silver screw tops, London 1905, a circular based silver trumpet vase, 1.7 troy ozs, Sheffield 1910 and a circular based silver candleholder (loaded and damaged), marks indistinct, possibly Birmingham 1920

Lot 178

A hallmarked silver and pink enamel five piece dressing table set in a fitted case, Birmingham 1934 (some damage to mirror handle enamel)

Lot 22

A folding chequer top games table, a black painted folding steamer chair and an Edwardian mahogany folding cakestand

Lot 25

An antique oak circular tripod table with turned baluster support and 75 cms diameter top

Lot 26

A Georgian inlaid mahogany half moon tea table on square tapering supports with floral inlaid oval panels, 72 x 91.5 cms closed

Lot 269A

A 'Tournament at Camelot' chess set, circa 1970s, walnut effect chess table on a folding stand, the two end drawers with a crafted pewter chess set, electroplated with 0.995 silver and twenty four carat gold by Franklin Mint Ltd, the cabinet top with chess board finish, 50 cms square

Lot 27

A Chinese style walnut side table, the rectangular top with pierced gallery over opposing side drawers, carved frieze decoration on shaped carved legs with knurled feet, 50 x 75 cms approximately (some areas with breaks on gallery)

Lot 28

An antique mahogany circular tilt top tripod table with a 61 cms diameter top and a mahogany antique style pierced splatback side chair with chintz covered drop-in seat

Lot 4

An antique style walnut library table with single frieze drawer on tapering corner supports with spade feet, the drawer interior marked 'Brandt, Hagerstown, Maryland', 75.5 x 137 x 61 cms

Lot 48

An antique style crossbanded mahogany two door sound system cabinet with two side table speaker housings having twin flaps and end drawers with brass swing handles, one with crossbanded top on square tapering supports, the other with shaped top, canted legs with reeded decoration and double stretcher, various measurements

Lot 52

An excellent reproduction oak refectory table, the three plank top over a leaf and berry carved frieze, substantial block and turned supports and stretchers, all peg jointed, along with four modern spindleback farmhouse chairs, 76 cms high, 185 cms wide, 80 cms deep the table

Lot 62

A small 20th Century oak twin flap gate leg side table on spindle and block supports and a walnut oval glass topped coffee table

Lot 69

A reproduction mahogany twin flap side table, an oval topped walnut side table and a mahogany wine table with twist column on a tripod base, various measurements

Lot 74

A Victorian carved yew circular topped tripod table, the 47 cms diameter top on a turned and carved column with three shaped legs, 76.5 cms high

Lot 79

A Victorian mahogany single drawer side table with bookcase top having twin glazed doors and interior adjustable shelves, the whole raised on turned tapering supports, 213 x 115 cms approximately

Lot 89

A Victorian mahogany Pembroke table with single end drawer on turned tapering supports, 74 x 98 cms closed (requires re-polishing) and an oak twin flap barley twist gate leg table, 72 x 75 cms closed

Lot 153

A mid-18th century mahogany concertina rectangular card table: The top with green baize-lined interior, on slender cabriole legs and pad feet, H 74cm x W 91cm x D 45cm

Lot 154

An Edwardian style mahogany and cross-banded sofa table

Lot 158

A Chinese style demi-lune hardwood side table

Lot 159

A Benarus table; together with two Victorian balloon back chairs

Lot 164

A George III mahogany table with two drawers and tapering legs

Lot 165

A walnut Victorian games table

Lot 167

A 19th century walnut and mahogany hall table with two frieze drawers

Lot 171

A 19th century Waring & Gillows mahogany card table with two graduated under tables

Lot 172

A 19th century mahogany table with frieze drawer

Lot 176

A white French-style dressing table

Lot 181

A 19th century dining table on reeded legs and castors

Lot 183

An aluminium coffee table on tripod base

Lot 274

Two small Victorian or Edwardian Bowie knives, together with five various modern knives, a reproduction Second Pattern Luftwaffe dagger, a knife sharpener and a table top display case. (Parcel)

Lot 35

Gerard Dillon (1916-1971) THE FISH EATERS, 1946 oil on board signed lower right; Arts Council of Ireland label on reverse 17¼ x 21in. (43.82 x 53.34cm) C.E.M.A. Collection, Tyrone House;Arts Council of Northern Ireland;Sotheby's, 24 November 1993, lot 29;Private collection;Sotheby's, 13 May 2005, lot 97;Private collection 'Gerard Dillon Retrospective', Municipal Gallery of Modern Art, Dublin, 5 January to 4 February 1973, catalogue no. 24 S. B. Kennedy, 'Irish Art & Modernism 1880-1950, Belfast, 1991, p.141 (illustrated) In The Fish Eaters Gerard Dillon draws inspiration from Celtic manuscripts and the relief carving on the High Crosses that he studied while staying with his friend, the artist Nano Reid, in Drogheda. Dillon and Reid went out sketching to Monasterboice and Mellifont Abbey in the Boyne Valley where they studied the architecture and the relief carving on the monumental High Crosses which date from the tenth century. While staying with Reid in 1950, Dillon wrote to the Australian art historian Bernard Smith, 'I've done a lot of watercolours from early Christian carvings on an old Celtic Cross near here, they are wonderful - all the male figures have got big walrus moustaches like Douglas Hyde, the last President.' (1)The 'big walrus moustaches' that Dillon admired, one of which can be seen in The Fish Eaters, originate on Muiredach's Cross at Monasterboice. Like the Tall Cross at the same site, Muiredach's Cross is a 'scripture cross' carved with scenes from the Bible. In later paintings such as Holy Island, Dillon included balding figures with long curling moustaches that are comic self-portraits. The resemblance between the moustached figure in The Fish Eaters and the artist is not as obvious as it is in later works but this may still be an instance of the artist putting himself into the painting. As Niamh NicGhabhann has pointed out in her essay in the catalogue for the exhibition Nano Reid and Gerard Dillon, the images that Dillon borrowed from the high crosses were often changed or rearranged to suit his needs. (3) In this work, he has utilised the stylised figurative style and flattened perspective from high crosses to create a scene of four figures eating a meal of fish and potatoes. The bottle of Chianti in its traditional fiasco bottle, brings a contemporary note to what could otherwise be a timeless scene. From the window a west of Ireland landscape is visible and the statue of the Madonna and Child also helps to contextualise the scene. Unlike the similar work, Fast Day, which is now in the Drogheda Municipal Collection at Highlanes Gallery, The Fish Eaters does not feature the stylised patterning taken directly from Celtic manuscripts such as The Book of Kells. And yet, the simple dress and bare feet of the four figures, which appear to be two men and two women, are more austere than other paintings of this period. The unadorned interior, simple clothes and dominance of the statue of the Madonna and Child may suggest that this is an image of a religious community eating the traditional Friday meal of fish, or simply a very poor and pious household. Nano Reid's painting Friday Fare, painted in 1945, a year before The Fish Eaters, also depicts a table laden with fresh fish, wine, fruit and vegetables, ready to be made into Friday's dinner.In his biography of Dillon, James White suggested that the high cross carvings plus the influence of manuscript illuminations, allowed Dillon to move away from the literary nature of much Irish art and to combine narrative painting with modernist flatness. In The Fish Eaters, Dillon is not illustrating any particular story but does hint at a narrative that is neither ancient nor modern, but timeless. Dr Riann CoulterApril 20161. Letter from Gerard Dillon to Bernard Smith, 1950, CSIA, National Gallery of Ireland. 2. Niamh NicGhabhann, 'Ancient and Modern', Nano Reid and Gerard Dillon, exhibition catalogue, Highlanes Gallery, Drogheda, 2009, p.52. L

Lot 107

Garden table and two chairs

Lot 112

Fahstrup retro dining table and six chairs

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