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A set of six George III Scottish old English pattern table spoons. Each engraved with an Earl's coronet and thistle crest and motto 'Juvant Aspera Forteis' ( They help the rough and the brave), mark of William & Patrick Cunningham, Edinburgh 1799, 325g (a little under 10 1/2 ozs)
Nine various George II and later table spoons. Comprising; a George II hanovarian pattern 'bottom marked' spoon with initials 'W' over 'IR', the maker's mark rubbed. London 1736; another with a double-drop heel and engraved with initials 'A' over 'I*E'. mark of James Wilkes, London 1745; an old English pattern spoon with script initials, mark probably that of Thomas Law, Sheffield 1799; another similar mark of Richard Crossley, London 1801; another similar , the masker's mark mis-struck, London 1795; another similar, mark of Robert Wallis, London 1847; together with three fiddle pattern spoons with script initials, comprising; one with the mark probably that of John Harris IV, London 1836; another gothic initial 'G', mark of Thomas W Barker London 1815; and another mark of William Woodman, Exeter 1835; the nine spoons weigh 581g gross (a little under 18 3/4 ozs)
A French .800 standard part table service. The dessert forks and spoons each engraved with the crest of Goldsmid, each with French post 1838 800 standard mark and maker's mark 'JD', Comprising; 14 large table forks, 10 large table spoons, 8 crested dessert spoons, 8 crested dessert forks, 3 sauce ladles, 3,235g (104 ozs); Together with an associated mahogany canteen.
A rare Decca Deccalian Gramophone in a Georgian style wine cellerette case. The speaker in the hinged lid and in a sarcophagus shaped mahogany case and standing on four-toed hairy lion's paw feet. Comes with a Swiss made 'The Salon' sound box regd no. 3000754. H44cm x W56cm x D36.5cm Condition Report: The clock work mechanism appears to function, winding smoothly and the turn table revolving after a couple of turns, when brake lever is released. NOT play tested.
A fine 19th century Chinese hardwood inlaid side Table, inlaid with ivory and exotic woods, square top depicting detailed flora and phoenixes, the petals being ivory and foliage being wood, raised on square similar inlaid legs, under tier inlaid in hardwood depicting a classical temple, dragon and bamboo, note some missing inlay and damage to top, see images, W 42 cm x H 71 cm x D 42.5 cm. DEFRA Ivory Act submission ref: G75DE72RProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large Chinese carved hardwood centre / occasional Table, circa 1900, top with smooth flower centre surround by floral carvings and beaded edges, above foliate carved frieze and raised on cabriole legs, W 75 cm x H 62 cm x D 75 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese hardwood and mother of pearl inlaid two-tiered side Table, square top above carved, pierced and inlaid foliate frieze, over under tier, raised on square supports also with mother of pearl floral inlay, raised on scrolled square feet, W 41 cm x H 79 cm x D 41 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
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1181627 item(s)/page