Good French violin by and labelled Marius Didier, Luthier Mattaincourt, Exhibition des Meilleurs Artisans de France, Grand Prix, no. 149, 1933, also signed on the label, the one piece back of broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm
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Late 18th century Irish violin attributed to Thomas Perry of Dublin and labelled Ferdinandus Gagliano...1762, the two piece back of faint medium curl with broader curl to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm, case *This violin is sold with two nickel mounted violin bows, one stamped J.E. Vickers and the other stamped Techler **This violin is also sold with various correspondence including a certificate of authenticity from Ralph P. Powell dated November 27th 1951 and further letters from the sale dealer discussing the violin and the maker Thomas Perry. There is also a valuation certificate from J.E. Vickers dated September 11th 1984
Good English violin by and labelled William Piper, fece Birmingham 1983, the two piece back of strong fine curl with similar wood to the sides and head, the table of fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm, case *This violin is sold with a nickel mounted violin bow stamped Marc Laberte and another unstamped nickel mounted violin bow
Violin labelled Sesto Rocchi du S. Polo, Fece l'anno 1934, the one piece back of medium wild flame with medium curl to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Good French violin of the Collin-Mezin School labelled Storini, Anno 1922, the two piece back of medium curl with similar wood to the sides and head, the table of a medium/broad width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Hawkes & Son Concert model Violoncello II, labelled and dated 1923, Denman St, Piccadilly Circus, London, W., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground, 30 1/4", 76.90cm, hard case
Good German violoncello by and labelled Josef Ostler, Intrumenten-Bauer, Mittenwald 1889, the two piece back of faint medium curl with plainish wood to the sides and head, the table of a broad width grain narrowing to the flanks and the varnish of a reddish-brown colour on a golden ground, 30 1/4", 76.90cm, nickel mounted bow, hard case
Good and interesting French violoncello labelled J. Grandjon á Paris... on the top block, the two piece back of faint medium/close curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 29 3/4", 75.60cm (possible faint sound post crack on the back)
Guyot, Edme-Gilles Dictionnaire des Postes. Paris: Chez la Veuve Delatour, 1754. 4to, full calf, spine decorated in compartments, lettered directly in one in gilt, all edges red, red star endpapers; folding letterpress table; provenance: Francesco Berio (armorial bookplate upper pastedown) - William, 3rd Viscount Dudley and Ward (armorial bookplate upper pastedown). First edition of this vital guide to the post offices of France. The guide addressed failures of delivery owing to incorrect addresses by breaking down districts and their designated offices.. Binding showing some wear, with slight loss to foot of spine, though joints still tight, pages a touch cockled, with some marking etc internally but generally very good.
Dalton, John A New System of Chemical Philosophy. Manchester: Printed by S. Russell for R. Bickerstaff, 1808-10; and George Wilson, 1827. 8vo (3 vols). I Part I in paper-backed marbled boards with paper label, other two in later buckram-backed boards; pp: I Part I: vi, [2 (contents, verso blank)], 220; I Part II: [8], 221-560; II: [2 (half-title, verso blank)], xii, 357, [3 (advertisements)];; I Part I: add. eng. port. laid down on dedication, four plates, I Part II: four plates. First edition. Dalton's major contribution to the study of science was an insistence on the significance of relative atomic weights. Dalton believed that all matter was composed of indestructible and indivisible atoms of various weights, each weight corresponding to one of the chemical elements, and that these atoms remained unchanged during chemical processes. This led to his creation of the first periodic table and created the first scientific theory of the atom, based on experimentation. Dalton's work was not without flaws, in part owing to the quality of this tools, but it shaped scientific thinking and laid the groundwork for Mendelev's table.. Condition variable across the three volumes, with the second and third with frequent mould spotting throughout, still a good set of a hugely important work.
Stoeffler, Johannes Elucidatio Fabricae ususque Astrolabii. Lutetiae: Guillaume Cavellat, 1553. 8vo, full calf, sometime rebacked, blind panelling to lower board enclosing crowned CR monogram with small skull all crossed out; leaves: [8], 48, 57-172 (lacking 49-56 and final un-numbered leaf); 1 folding letterpress table (of 3), numerous illus to text, letterpress tables. A highly significant text in early astronomy, Stoeffler's book studied the manufacture and use of the astrolabe through a series of worked examples. His style of presentation was influential, with many of the following 16th century books on mathematical instruments using a similar style. This monogram and skull suggests the binding was executed in memorial of Charles I, as similar bindings can be seen in the UL's special collection (e.g. CCE.8.20).. w.a.f.
Edwardian large silver topped dressing table cut glass scent bottle, star cut body with graduated circular decoration, complete with stopper (possibly a replacement), plain polished silver hinged lid and collar, makers mark partially rubbed, probably Akers & Co, Birmingham 1906, height approximately 15cm
MODERN GILTWOOD CONSOLE TABLE WITH LARGE MIRROR, of 18th Century design, the table with black marble top, on turned fluted tapering legs joined by ‘X’ stretchers, 194cm wide, 83cm high, along with large mirror, set with three triple plates within half round fluted columns, with relief moulded ceramic frieze above, 185cm x 188cm
George III silver table spoon, Old English pattern, initials to reverse, makers Thomas Dealtry, London 1772, length approximately 20.5cm, together with a pair of George III silver table spoons, Old English Pattern with textured decoration to edges, makers William Eley I & George Pierrepoint, London 1817, length approximately 21.5cm (3)
Mappin and Webb silver flatware comprising four dinner knives and five starter knives, modern Grecian pattern, hallmarked Sheffield 1971 together with six starter forks, six soup spoons, six dessert spoons, four table spoons, and one coffee spoon, stylised Delphic pattern, hallmarked Sheffield 1960 and a similar silver teaspoon, makers Hugh Foulerton, Sheffield 1982 (q)
Victorian travelling vanity set in burr walnut box, pull out drawer to side, engraved cartouche to hinged lid with presentation inscription 'Presented to Miss M. L. Ferrer by the teaching staff of Thomas St Public School as a token of esteem, Glasgow January 1879, the fitted interior containing white metal topped dressing table bottles and jars and glass topped scent bottles, engraved foliate scroll decoration and plain polished tops
A vintage cream French-style six-piece bedroom suite comprising kidney shaped dressing table, serpentine front chest, long chest of drawers, mirror with base drawer, double wardrobe and a triple wardrobe Condition reports provided on request by email for this auction otherwise items purchased `as seen`
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1181390 item(s)/page