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Lot 610

CAST IRON LIONS FOOT TABLE LEGS - 2' TALL

Lot 639

OAK TABLE - 30" H X 111" L X 32" W EXTENDED

Lot 703

SET OF FOUR OAK SNOOKER TABLE LEGS - 30" HIGH

Lot 723

BRADBURY SEWING MACHINE (COMPLETE) AND TABLE

Lot 764

OAK TABLE AND SIX ELM CHAIRS - 30.5" H X 73" L X 32" D

Lot 126

Large mahogany table. Possibly Cuba. Late 18th century - early 19th century.There is a join on the inside of the table top, where a crack in the wood was restored.79,5 x 135 x 93,5 cm.

Lot 2

Florence Knoll Bassett (Saginaw, Michigan, 1917 - 2019, Coral Gables, Florida)"Oval 96 table". Created for Knoll in 1961.Chromed steel and marble table. It comes with three leather and chromed steel chairs. Circa 1960.Measurements: 73,5 x 189 x 106 cm.American architect and furniture designer, who studied with Mies van der Rohe and Eliel Saarinen.She trained at the Cranbrook Academy of Art, where she became a protégée of Eero Saarinen and she graduated in architecture from the Armour Institute (now the Illinois Institute of Technology) in 1941.She worked for a short period of time alongside leaders of the Bauhaus movement, such as Walter Gropius, Marcel Breuer and Wallace K. Harrison.In 1946 she married Hans Knoll, and they formed Knoll Associates.As a pioneer of Knoll’s Planning Unit, she revolutionised the structure of interior space with her idea of "total design".In 2002, Florence Knoll was awarded the prestigious National Medal of Arts for her extraordinary contributions to architecture and design.

Lot 202

Mahogany gaming table. England. Late 19th century.Open measurements: 76 x 89 x 93 cm.

Lot 4

Dieter Rams (Wiesbaden, Germany, 1932)Pair of chairs, 620 Chair Program for Vitsoe and auxiliary table 621 for Vitsoe + Zapf / Vitsoe. Designed and created in 1962.The cushions are rather worn.These are two of the most iconic creations from the collaborations between Dieter Rams and the Vitsoe firm, which began in 1959.Rams was design director of Braun from 1961 until the mid 90s. According to their website, "Dieter Rams is one of the figures crucial to the understanding of industrial design over the last hundred years. His ten “Good design” principles – among which the maxim "less, but better" stands out – and the work he developed over decades for the electronics company Braun and the furniture makers Vitsoe+Zapf made him key to understanding the sector in the 20th century. The Chief Design Officer of Apple, Jonathan Ive, and the renowned British designer Jasper Morrison have publicly recognised their admiration for Rams’ legacy."Similarly, as explained in the design, architecture and contemporary creation magazine roomdiseno.com, "Dieter Rams established that products have to be like tools, not decorative objects or works of art. [.. .] In his 620 Chair Series for the Vitsoe firm, the modular facet [is repeated] in a system of individual easy chairs, which can also compose, together, a sofa of various seats. Its birch wood base and its frame, covered with a rubber fibre moulding and a synthetic veneer in black or white, gives it an elegant and timeless look. An example of the fact that the aesthetic is not only something that surprises but also endures.”The 620 chair has been awarded various prizes, such as the Rosenthal Studio award in 1966 and the Golden Medal in the International Furniture Exhibition in Vienna in 1969.This model has formed part of the permanent collection at the Victoria and Albert Museum in London since 1970, a fact which shows the extent of its importance in the history of design.Reference bibliography:- Braun Design. (s.f.). Dieter Rams. Https://www.braundesign.es/- Braun Design. (s.f.). Dieter Rams y su colaboración con Vitsoe. Https://www.braundesign.es/dieter-rams-y-su-colaboracion-con-vitsoe/- Moon, A. (4th June 2021). 10 objetos de Dieter Rams a través de su decálogo. Room Diseño. Https://www.roomdiseno.com/10-objetos-de-dieter-rams-a-traves-de-su-decalogo/

Lot 5

Maurice Burke for Arkana, Bath, UK.Mid-century 1960s Tulip dining table made of cast iron and aluminium, numbered 22 on the base and with a set of four fibreglass chairs that were made between 1960-1969.Table measurements: 72 cm x 120,5 cm (diameter).Chair measurements: 79,5 x 48 x 50 cm.

Lot 9

Dario Tognon (Italy, 1936-2008)Pair of table lamps Model Dania in cast iron and white lacquered.Designed by Tognon for Artemis, Italy in 1969. 40 x 34 x 34 cm. each.

Lot 91

Blue and white pottery table and seat. China. Circa 1900.46 x 31 cm. and 50 x 33 cm.

Lot 306

Icona su tavola decorata con fondo oro. Fine secolo XVIII. Cm 48x40Icon on table decorated with gold background. Late 18th century. 48x40 cm

Lot 378

Tavolo tondo in legno con piano in vetro e base in rame con inserti in perspex. Cm d 100 h 56,5Round wooden table with glass top and copper base with perspex inserts. Cm d 100 h 56.5

Lot 115

Framed measurements: 165 x 174, canvas measurements: 155 x 164 cm (each one, both canvases same large, one 5 cm taller). Where we observe, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer You can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate Caprices. Work typically associated with the artistic canons of the Italian Baroque that directly connects with similar models of the famous painter of the Roman school Francesco Noletti, called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university.

Lot 128

A pair of late 19th century French silver plated cluster column table lamps with acanthus scroll and grape decoration to the upper section, with embossed detail to the square section base, height including fitment 65cm (2).Provenance: The contents of a Cheshire Country House.Additional InformationBoth are presented in good condition. They are tarnished and have toning throughout, as you would expect, but otherwise presented very well, with a pair of shades. Sold electrically untested.

Lot 129

A pair of late 19th century French white marble and ormolu mounted table lamps with rams' head masks, hoof supports to a tripartite base and three bun feet, height including fitment approx 60cm, sold with shades (2).Provenance: The contents of a Cheshire Country House.Additional InformationThere is some light yellow staining to the marble and some rubbing to the metal mounts to the raised sections as you would expect. A couple of tiny chips around the edges of the marble base, but overall condition is good.

Lot 130

AFTER MARIN; a pair of 20th century bronze figural table lamps, each raised on bead decorated circular plinths, height including fitment 40cm (2).Provenance: The contents of a Cheshire Country House.Additional InformationThe bronze figures both retain a good dark brown patina throughout. The bases are of a lighter colour. General surface wear only.Height including shades is 51cm.

Lot 131

A pair of late 19th century French green marble and ormolu mounted table lamps, each with Bacchus mask adornment to stepped hooves and tripartite base to circular feet, height approx. 47cm, height including shades 78cm (2).Provenance: The contents of a Cheshire Country House.

Lot 132

A pair of white marble bronze and ormolu twin light cherubic table lamps, each with fluted marble body, rectangular base and twin scrolling branches, heights including fitments approx. 66cm (2).Provenance: The contents of a Cheshire Country House.Additional InformationBoth have minor rubbing to the raised parts of the bronze, but overall condition is good, with just a couple of minor chips to the edges of the marble bases. Sold electrically untested.

Lot 133

A pair of late 19th century French white marble and gilt metal cherubic twin branch table lamps, each raised on a shaped base and raised on four bun feet, height including fitment 41cm (2).Provenance: The contents of a Cheshire Country House.Additional InformationBoth originally would have had wings - these are now lacking. A few chips and scuffs to the white marble and general surface wear to the gilt metal, but overall condition of both is good.

Lot 199

A Regency mahogany serving table in the manner of Gillows, the one piece rounded rectangular top above three faux front drawers, twin opposing side drawers, raised on fluted tapering legs to elongated peg feet, height 84cm, width 153.5cm, depth 64.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationSome staining marks and scuffs to the top, but overall a good colour. Some light fading to the frieze. Just general surface wear.The handles appear to be original.

Lot 207

An Edwardian painted satinwood occasional table, the rounded rectangular top centred with a floral bouquet within a green scroll decorated border, raised on hexagonal baluster central column to tripartite base, raised on three brass paw feet, height 71cm, length 40.5cm, width 37cm.Provenance: The contents of a Cheshire Country House.Additional InformationThere are a few flecks of veneer which have been replaced over the years and a couple are missing - noticeably to the base and the column. A couple of old repairs here. The top has a split running through it and looking at the edge decoration, it is possible that this has been applied at a later date. There is also a split to the underside of the base, but this is not detracting from the item itself.

Lot 208

A painted satinwood coffee table, the crossbanded top with floral bouquets to the corners, raised on twin lyre end supports united by a fluted stretcher and raised on square sectioned outswept supports to brass paw feet and castors, height 48cm, length 122cm, width 61cm.Provenance: The contents of a Cheshire Country House.

Lot 210

A painted satinwood circular occasional table, the top decorated with three floral sprays above a baluster ring turned central column to three square sectioned outswept supports and spade feet, height 67.5cm, diameter of top 41.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationThis is a reproduction piece in the Edwardian style. the base and legs are slightly sun bleached. The top is in very good condition and overall the condition is good throughout.

Lot 212

A monumental oak plank top refectory table formed of four enormous oak planks with cleated ends, raised on eight baluster and block ring turned supports united by stretchers and a set of nineteen oak dining chairs, each with shaped top rail, vertical splats, padded stuff-over seats and turned and block front legs (17+2 elbow), table dimensions: height 82cm, length 508cm, width 117cm, height of side chairs 111cm (20).Provenance: The contents of a Cheshire Country House.Additional InformationThe table and chairs are from the Shoot Room of the country house and have therefore seen much entertaining over the years. However, it retains a good strong colour throughout, with just the occasional surface mark or stain. The chairs are of sound construction and the upholstery in general is in good condition.

Lot 224

GILLOWS OF LANCASTER; a William IV rosewood breakfast table, the two piece circular top with bead decorated rim, hinging on a substantial brass clasp revealing the maker's stamp to the platform, on an octagonal central column, to lobed tripartite base with three paw feet, diameter 128cm, height 71cm.Provenance: The contents of a Cheshire Country House.Additional InformationAs detailed, the top is a two-piece top. It overall presented in very good condition. Some old repairs to the veneers around the edge and it has been re-polished at some stage.

Lot 225

An early 20th century Irish mahogany console table, the moulded rectangular top above carved detail to the plain frieze and knee carved cabriole legs to pad feet, height 78cm, length 89cm, depth 45cm.Additional InformationA few surface scratches, as you would expect from a used piece of furniture, but otherwise ok.

Lot 228

A Regency rosewood and line inlaid sofa table, the rectangular top with twin flaps above two frieze drawers, opposing two faux drawers, with square sectioned swept end supports terminating in brass paw caps and castors, height 71cm, length unextended 81cm, width 71cm.Provenance: The contents of a Cheshire Country House.Additional InformationA large split running through the top. The top is slightly warped and also colour faded, with a little bit of colour fading to the leaves. Otherwise general surface wear throughout. 

Lot 229

A reproduction mahogany and yew wood crossbanded sofa table, the rectangular top with twin flaps above frieze drawers, raised on lyre shaped end supports united by a turned stretcher, raised on square sectioned outswept supports to brass paw feet and castors, height 74cm, length of top unextended 104cm, depth 60.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationOverall condition is good. There is one small piece of veneer which is loose but present. A few scuffs and surface marks throughout, but overall condition is good.

Lot 230

A George II style mahogany tea table of small proportions, the hinged rectangular top above frieze drawer, raised on cabriole legs to pad feet, height 72.5cm, width 72.5cm, depth 36cm.Provenance: The contents of a Cheshire Country House.Additional InformationThe table probably dates from the 1950s. There is a patch repair to the top of the upper right hand corner. Some sun fading to the back of the table and general surface wear.

Lot 231

A William IV mahogany drop-leaf sewing table, the rectangular top with twin flaps above single drawer, with silk lined basket, to a quadripartite base and four paw feet, height 75cm.Provenance: The contents of a Cheshire Country House.Additional InformationThe main issue is that the table is leaning backwards and would require attention. Both leaves are warped, some old repairs to the veneers, the top is split, with surface scratches. It also has an upper drawer which is unable to be opened. Some veneer repairs to the base. 

Lot 232

A William IV rosewood occasional table, the circular top with raised gallery above baluster knopped turned central column to tripartite base and squat carved bun feet, height 73cm, diameter 47.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationThe top is a two-piece top and has been glue repaired in the past, where the slightly darker section shows. Some old repairs to the veneers and an old veneer repair to the tripartite base. A couple of patch repairs to the veneer around the base.

Lot 233

A George III mahogany piecrust top circular tilt-top occasional table, the one piece top above ring turned central column to three cabriole legs and pad feet, height 72cm, diameter 66cm.Provenance: The contents of a Cheshire Country House.Additional InformationSome of the edge moulding is slightly loose and appears to have been glue repaired previously, but not quite in the right way. Unfortunately, there is a patch repair to the top of the table. There is a metal bracket underneath the legs, where there has been a historic repair done a while ago, splicing in a new section of wood. It retains a good strong even colour throughout.

Lot 234

An early 19th century mahogany occasional table, the oval inlaid top centred with a shell patera above a tapering turned central column to three cabriole legs and pad feet, height 71cm, length 58cm, width 38.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationThe top is fixed, there are a few old repairs to the stringing around the edge. Surface scratches and marks as you would expect. There is a metal plate now attached to the base, where one of the legs has fractured previously. Retains a good colour throughout.

Lot 235

An early/mid-19th century mahogany tripod occasional table, the rounded rectangular top above turned and lobed central column to three square sectioned outswept supports, in the Gillows manner, height 73cm, width 81cm, depth 63cm.Provenance: The contents of a Cheshire Country House.Additional InformationOverall well presented. There are a few surface marks and stains and four square sectioned areas of discolouration where a vase has been sat for many years. General surface wear.

Lot 236

A late George III mahogany tripod occasional table, the rounded rectangular one piece top above ring turned central column, to four square sectioned outswept supports, to brass caps and castors, height 70cm, length 84cm, width 63cm.Provenance: The contents of a Cheshire Country House.Additional InformationThere are a couple of splits to the top through the graining of the wood. Slightly faded in parts. The action for the tilt-top works well. The base is of a good colour, with no issues.

Lot 237

A rectangular glass topped coffee table formed from an early Eastern door with stud and embossed metal decoration, raised on four substantial legs, height 45cm, length 165cm, width 86.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationSome light surface scratches to the glass, some discolouration and staining to the frame, with general surface knocks throughout. 

Lot 238

An Edwardian oval mahogany coffee table with raised gallery, chevron string inlay to the frieze and to the square section tapering legs, to peg feet, height 48cm, length 71.5cm, depth 51cm.Provenance: The contents of a Cheshire Country House.Additional InformationGood colour to the top and an even colour throughout. A few scuffs and marks as you would expect. There is a small section to the frieze where the veneer is cracked.

Lot 239

A Chinese nest of three hardwood occasional tables with pierced friezes, raised on square sectioned supports united by stretchers, the largest table height 61cm, width 38cm, depth 29cm.Provenance: The contents of a Cheshire Country House.Additional InformationThere is an outline of a mark to the top table, where something has clearly been sat for a while. General light scuffs. A very small split to the smallest table - this is being ultra critical, a few scuffs to the frame.

Lot 240

A reproduction mahogany quartetto nest of tables, each raised on twin turned supports to shaped stretchers, the largest table height 65cm, width 50.5cm.Provenance: The contents of a Cheshire Country House.Additional InformationThe top table is very slightly sun bleached, light general scuffs and marks, but overall condition is good.

Lot 174

◆ ‡ René Lalique (French 1860-1945) CARAVELLE TABLE CENTREPIECE, DECORATED WITH COLONY OF SEAGULLS designed 1938clear, frosted with a hint of grey staining, engraved with 3 birds on the front and 10 birds to the reverse, the rigging also engraved, nickel-plated illuminating mountwheel-engraved R. LALIQUEDimensions:47.7cm (18 3/4in) high, 72.3cm (28 1/2in) long, 14.5cm (5 3/4in) deep overallNote: Literature:Marcilhac, F., René Lalique 1860-1945 Mâitre-verrier, Analyse et Catalogue Raisonné de L'Œuvre de Verre, Paris, 2011, p. 151 (variant example gifted to King George VI and Queen Elizabeth photographed).Note:Surtout de tables or ornamental centrepieces were an essential part of formal dining from the second half of the 18th Century and throughout the 19th Century. The design with the seagulls was created for the visit of King George VI and Queen Elizabeth to Paris in 1938 and was part of a large dinner service also featuring seagulls. The Caravelle centrepiece had been designed in 1931 but the seagulls were added for the gift. The galleon is an emblem on the coat of arms of Paris. The Royal visit was intended to take place on 29 June but the Queen's mother died so it was postponed until July. Only two other examples are known to exist - a version held in the Musée Lalique Collection and one in the Royal Collection, UK. IMPORTANT INFO FOR ‡ LOTSLots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.Collections of Purchased ‡ Lots:For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.

Lot 1388

Interesting copy of a 16th century South German Astronomical table clock in the manner of Jeremias Metzjer, within an ornate chased and gilt metal cast case, 12" high (pendulum) ** There is a very similar clock in the Metropolitan Museum in New York

Lot 1399

Small fusee verge table clock, the movement signed Thomas Pitter, London, the 1.25" white dial within a foliate engraved surround and inset into a square case supported upon turned brass feet (with special extended key for winding)

Lot 2015

Interesting rare early 18th century iron framed two train turret clock movement, 30.25" wide, 15" deep, 27" high **This turret clock movement has been used as a novelty table and comes with a glass top 36" wide, 18.25" deep

Lot 2502

Reproduction Sinclair Harding gilt metal engraved table clock, fitted with an alarm mechanism and bell supported upon three curving dolphin feet above the dial, the base fitted with winding and regulation apertures stamped Sinclair Harding, England, A263, 8.75" high

Lot 186

A British World War Two Table Top Wooden Stationary / Letter Rack From The Spitfire Fund, Luton, Dated 1940.

Lot 32

A Hallmarked Silver and Pink Enamel Five Piece Dressing Table Set, DM Co, Birmingham 1931, (damages / enamel loss), in original fitted case.

Lot 1661

A PAIR OF FIGHTING COCKS TABLE ORNAMENTS. 5ins high.

Lot 1001

AN 18TH CENTURY FIGURED MAHOGANY HEPPLEWHITE DESIGN PEMBROKE TABLE with folding shaped flaps, crossbanded top end drawer, supported on turned curving legs with brass casters. 3ft 6ins wide with flaps up, 2ft 8ins deep, 2ft 4ins high.

Lot 1008

A GEORGE III DESIGN MAHOGANY TWIN PEDESTAL DINING TABLE, comprising a pair of 'D' ends, a single leaf, on turned column supports, each with four curving legs with brass caps and castors. Extended size 6ft 9.5ins long x 3ft 5ins wide Closed size 5ft long x 3ft 5ins wide.

Lot 1021

A GOOD SMALL 19TH CENTURY FRENCH KIDNEY SHAPED TABLE with rising top inlaid with mother of pearl, turned legs with undertier. 1ft 6ins wide, 2ft 6ins high.

Lot 1040

A 19TH CENTURY BURMESE CARVED HARDWOOD DEMI-LUME CONSOLE TABLE, with carved and pierced upstand and frieze, on stretchered curving legs (faults). 4ft 6ins wide x 2ft deep x 3ft 1ins high.

Lot 1048

A HIGHLY ORNATE SHAPED RECTANGULAR PEDESTAL TABLE inset with Sevres style porcelain panels, (weathered condition) 3ft 1ins long x 2ft 5ins wide

Lot 1057

A GOOD 19TH CENTURY MAHOGANY EXTENDING DINING TABLE, with two loose leaves.

Lot 1184

MOORCROFT GUSTAVIA AUGUSTA BALUSTER TABLE LAMP on a wooden base. 10ins high excluding electrical fittings.

Lot 165

An Art Deco chrome table lamp, the glass globular shade supported above a sailing yacht to an ashtray base48cm high

Lot 173

Giancarlo Mattioli (1933-) for Artemide, a pair of Nesso table lamps, designed 1967, orange plastic35 x 50cmIn good decorative and working order, not PAT tested.

Lot 174

A copper table lamp, of bulbous form embossed with bands of repeat geometric patterns38cm high to top of light fitting

Lot 185

Luca Bergo, Claudio Naro and Patrizia Peracchio for Fontana Arte, a Morgana table lamp, with three upward facing coloured bulbs into a frosted glass cone87.5cm high

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