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Click here to subscribeInteresting violin labelled Carlo Tononi Bolognese, Fece in Venezia L'A'1753, the one piece back of faint broad curl with similar wood to the sides, the head of faint medium curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case
Interesting early 19th century violin, possibly Tyrolean and labelled Jacobus Stainer..., the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm
Belgian violin labelled Carolus Claudius Darche, fecit Bruxellis Anno Domini 1913, the two piece back of faint medium/broad curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm *This violin is stencilled to the ribs Exposition and to the back Bruxelles 1912
French violin by and labelled Lutherie d'Art Lucien, Andre Ragot, Pere & Fils... 1950, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour, 14 1/16", 35.70cm *This instrument retains the original maker's bridge
French violin by and labelled Marius Didier, luthier, Mattaincourt... 1943, no.237, the two piece back of medium/broad curl with similar wood to the sides, the head of medium curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm
English composite violin by J.J. Gilbert with back by another maker, labelled Jean Baptiste Vuillaume á Paris..., 14 1/16", 35.70cm *This violin is sold with a certificate from Dewi Holland Roberts detailing inscriptions made to the inner back when the table was taken off stating 'Belly, scroll and ribs by J.J. Gilbert, Peterborough 1903'
Good English viola from and labelled Made by Arthur Richardson, Crediton, Devon 1945, this viola is specially designed in collaboration with Mr Lionel Tertis, also signed on the label and inscribed R.T. 72034, the two piece back of medium/fine curl with similar wood to the sides, the head of broad curl, the table of a fine width grain widening to the flanks and the varnish of a deep reddish-brown colour on a golden ground, 16 7/8", 42.90cm, within a fitted J. & A. Beare Ltd case *This viola is sold with an insurance certificate from David E. Vernon dated 29th December '72
20th century violin, bearing the Hill number T903 to the end of the fingerboard, probably by John Wilkinson, unlabelled, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain narrowing to the flanks and the varnish of a plum red colour on a golden ground, 13 15/16", 35.40cm, case
Interesting violin labelled Gio Batista de Gabbrielli fece Firenze 1750, the two piece back of broad curl with faint medium curl to the sides, the restored head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Viola labelled Giuseppe Pedrazzini, Cremonese, fece in Milano L'Anno 1905; also branded G Pedrazzini on the back and bottom blocks, the one piece back of faint broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 16 1/8", 41cm
Good German violin by and labelled Ernst Heinrich Roth, Markneukirchen, anno 1923, Copie: Nicolaus Gagliano Filius, the two piece back of medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm
English petite viola of the Thomas Kennedy School, stamped G974 on the end of the fingerboard, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain on the treble side and a broader grain on the bass side, the varnish of a rich plum red colour on a golden ground, 15", 38.10cm
18th century French violin labelled Augustinus Chappuy...Fecit Anno 1771, the two piece back of faint broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light brown colour on a golden ground, 14 3/16", 36cm
French violin labelled d'apres A. Amati and signed E. Blondelet, no. 943 Annee 1925; also signed in pencil to the inner back on the treble side, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Interesting English violin of the Furber School circa 1790, unlabelled, the one piece back of plainish wood and inlaid centrally with geometric lozenge purfling, the head also of plainish wood and the sides of faint medium curl, the table of a medium/broad width grain and the varnish of a golden-brown colour, 14", 35.60cm
French JTL violin labelled Modele d'apres N. Lupot Luthier..., the two piece back of medium curl with similar wood to the sides, the head of faint medium curl, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm, with Jerome Thibouville-Lamy fitted case
English violin by and labelled William Robinson, Plumstead, London A.D. 1924 no. 102, also bearing the inked maker's initials on the label, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish colour on a golden ground, 14 1/16", 35.70cm
English viola by and labelled W. Piper, The Jinney Ring Craft Centre...Worcestershire, the two piece back of faint medium curl with similar wood to the head, the sides of fine curl, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 15 7/8", 40.30cm, case
19th century French violin of the Caussin School, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a light brown colour on a golden ground, 14 1/4", 36.20cm
18th century violoncello labelled Daniel Acheleus Stadlmann Lauten und Geigenmacher in Wienn Anno 17**, also bearing the repairer's label of Heinrich Th. Heberleth..., the one piece back of medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a dark brown colour on a golden ground, 28 1/2", 72.40cm
18th century English violoncello stamped Davenport, Oxford 1611 below the button, the two piece back of plainish wood with similar wood to the head, the sides of faint medium curl, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 29 1/8", 74cm
Good early 20th century German violoncello bearing an old repairer's label from Hamburg, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium/broad width grain and the varnish of a reddish-brown colour on a golden ground, 30", 76.20cm, hard case
Interesting 19th century violoncello bearing an indecipherable label, the two piece back of fine curl, with medium curl to the sides and the head of plain wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 29 3/4", 75.60cm
Fine 18th century French violoncello attributed to and labelled Lagetto, Maitre Luthier, A la Ville de Cremone, á Paris, 1776, also stamped below the button on the back, the two piece back of very faint broad curl with plainish wood to the sides and geometric dot carved decoration to the head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 29 1/8", 74cm, hard case *This violoncello is sold with a certificate of authenticity from Caressa et Francais dated 30th March 1920; also the instrument is accompanied by a bill of sale from John & Arthur Beare dated 18th September 1957 for £55, describing the instrument as an old violoncello of the Paris School by Lagetto, dated 1767. *This violoncello has had several table repair cracks, there are other more minor repairs to the back and ribs. See images for guidance.
Good and interesting French violoncello labelled J. Grandjon á Paris... on the top block, the two piece back of faint medium/close curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 29 3/4", 75.60cm (possible faint sound post crack on the back)
An Edwardian mahogany and inlaid display cabinet with single glazed door over a bow fronted cupboard door, together with an Edwardian mahogany and inlaid two tier occasional table CONDITION REPORTS Whilst basicly sound, there is marking to top cornice, the main door has crack to the glass, top right panel bottom corner, the door is not inlaid, cross banded unlike the frame work, the bow fronted door frame also has no inlay although the panel is inlaid. There is denting and scuffing through out the main body to sidepanels and legs. See images for further detail. The top of the bow fronted section has some discolouration to the front corner.
A glass and metal framed Nomos dining table designed by Sir Norman Foster for Tecno circa 1980-89 CONDITION REPORTS Has general wear and tear conducive to age and use to include some scuff marks to the metal, surface scratches etc. See images for rmore details 180 cm x 90 cm
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