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MORRIS, R. An Essay in Defence of Ancient Architecture... 1st.ed. 1728 London, engrvd. frontis. 14 plts. & 1 table, bnd. with Select Architecture: Being Regular Designs... 1755, engrvd. t.p. 50 engrvd. plts. bnd. with Andrea Palladio's Elements of Architecture 1759, 25 (of 28) engrvd. plts. & The Young Painter's Assistant in the Art of Drawing 1753, 46 (of 59) engrvd. plts. 4to cont fl. cf. fr. bd. det. plus SALMON, W. Palladio Londinensis... 4th. ed. 1752, 50 engrvd. plts. some with trs. loss & old repairs, 4to cont. fl. cf. loose & wrn. bds. det. (2)
A French continental 19th century brass desk table twin arm candelabra candlestick holder. The candle holder having a reticulated handle atop over twin arm candle holders with scrolled acanthus leaves shaped arms. Winged dragon figure to centre. Raised on triangular pierced base with phoenix figures throughout. Measures approx. 39cm x 31cm x 17cm.
John Leathwood, Hull - An Art Nouveau style stained leaded glass & metal Tiffany style desk table lamp light. The lamp having a floral inspired shade in pink & greens with lead pendants to ends. Raised on a floral moulded circular central foot. Measures approx. 55cm tall x 30cm in diameter. Sold as untested. Some general wear & damage due to age.
A Victorian 19th century Bohemian green glass & enamel table lustre. The lustre having a crown shaped top with alternating enamel vignettes depicting children's portraits & floral swags. Clear glass droplets surround with a central inverted tapering column reinforced with metal banding. Raised on circular foot decorated with further enamel floral cartouche and gilt detailing. Measures approx. 32cm tall x 14cm in diameter.
Attributed to Ernst Heinrich Barlach (Germany, 1870-1938) - An early 20th century circa 1907 untinted plaster gesso figure of woman with child (Bettlerin mit Kind) by Expressionist sculptor Ernst Barlach. Signed E. Barlach to right side of base. Measures approx. 35cm x 26cm x 32cm. The sculptures from 1906 -1908 mark the first highlight in the work of the sculptor Ernst Barlach. “Beggar Woman with Child” is the most important work in dealing with the impressions of the trip to Russia. The artist had already sketched figures and scenes of everyday life during his years of study in Hamburg, Dresden and Paris, but it was only a two-month trip through southern Russia in 1906 that led him away from the artistic goals of Art Nouveau, which had strongly influenced his early work. Even without knowledge of the customs and customs as well as the language, in the Russian villages and small towns, which were characterized by a latent revolutionary mood, the mood and intensity of the feelings of the ordinary people, which became familiar to the taciturn North German, were communicated to him. "In Russia I found this amazing unity of inside and outside, this symbolic: That's how we are as humans, all beggars and problematic existences basically. That's why I had to shape what I saw, and of course I grew among the suffering, the simple, the longing "A brotherly feeling arises from people who are longing for themselves and are therefore addicted to drinking, singing and music." (Letter dated October 6, 1920 to brother Karl Barlach, Reemtsma Collection, quoted from Eva Caspars, Ernst Barlach Haus, Reemtsma Collection, Munich n.d., p. 28). In his catalog raisonné, Friedrich Schult published a photograph by Berthold Kegebein from 1935, which shows the artist in his Güstrow workshop in front of the "Frieze der Listenenden"; He leans against a rotating work table on which there is an approx. 60 cm high version of the "Russian Beggar Woman with Child" as a wooden sculpture, which is not listed in the catalog raisonné (see illustration).
A pair of Victorian 19th century Bohemian ruby glass & gilt table lustres. Each having crown shaped atop with floral decoration a within gilt framing. Bulbous body below with clear glass elongated drops. Raised on a central column with circular foot below. Each measuring approx. 36cm tall x 16cm in diameter.
A Balinese Indonesian carved Asian Water Buffalo skull with horns desk table lamp. The buffalo skull intricately carved with head of Balinese dragon to front & floral motifs surround. Horn to each side. The skull held upon bespoke made lamp support with squared plinth base. Measures approx. 87cm x 65cm x 35cm. Sold as untested.
Pendoletta scheletrata in bronzo dorato, retta da una struttura a quattro colonne di gusto neoclassico e terminanti in pinnacoli a vasetto. Sul sostegno della macchina e a fastigio della medesima, due fregi a racemi e antemioni; quadrante in smalto bianco con numeri romani per le ore, arabi in cinque per i minuti, lancette in ottone dorato a fuoco, movimento oignon, con grande coq e bilanciere a pendolo corto, firmato Gloria a Rouen. Alt. 27 cm, larg. diametro 9 cm.GLORIA ROUEN, GILT BRONZE TABLE CLOCK, FRANCE 1720-1780 CIRCA
Piccolo orologio in bronzo dorato e finemente cesellato, racchiuso in una cassa a guisa di chitarra; quadrante in smalto bianco con numeri arabi, lancette fantasia, movimento a caricamento a chiave. Alt. 20 cm, larg. diam. 5,5 cm.A GILT BRONZE TABLE CLOCK, DEPICTING A SMALL GUITAR, FRANCE 1840 CA
Probably Henning Kjaernulf for Soro Stolefabrik, a 'Mid Century Vintage' circular extending teakwood dining table with drop down carriage leg and four leaf inserts, supported by stylish angular tapering legs, 125 cm wide (3.25 mtrs when open) x 125 cm x 74 cm overall height.Four leaf inserts presentThe d ends have some drop outs in the finish that look as if they are as a result of a spillage of a spirit. This is also true for the leaf inserts, the carriage is a little sticky but works, the frame is tight.
Set of six Ercol beech and elm All Purpose (391) design dining chairs, each stamped with Kite Mark 1960/2056, an Ercol beech and elm rectangular dining table, with blue and gold label, 152.5 cm long, 75 cm wide, 71 cm high, and an Ercol rectangular beech and elm coffee table, with spindle undershelf, unmarked, 105 cm long, 46 cm wide, 36.5 cm highQty: 8The chairs are in good order but the joints will need to be firmed up due to shrinkage and use they have become a little loose.The dining table shows usage with dents and scratches from usage these are quite subtle but the table top top will need work to make showroom ready. It is structurally firm.The coffee table has some white water marks and other signs of usage to the top and is a couple of shades darker than the accompanying table and chairs, it is structurally firm.
An Arts and Crafts Newlyn copper table box by John Pearson, of rectangular form on four feet, with hammered and repoussé decoration of three birds to the hinged cover, incised 'J.P. 1900' to the underside, 9.5 cm high x 16 cm x 10 cm.Generally good order with a rich dark patina, the two back legs need straightening see the extra images
A group of silver to include: Edwardian silver shaped oval reticulated bon bon / dressing table dish, chased scroll decoration, hallmarked by George Nathan & Ridley Hayes, Chester, 1901 together with a George V shaped oval Neo-Classical style raised bon bon dish, reticulated sides with beaded border, hallmarked by RC (William Comyns), London, 1926 and an Edwardian cut glass toilet bottle with silver cover chased with Reynold's Angels, hallmarked by Henry Matthews, Birmingham, 1905, weighable silver approx. 3.88 ozt (120.8 grams) (3) Further details: Nathan & Hayes dish has misshapen area to side, minor dents and scratching, minor dents and marks to toilet pot, general wear and slight tarnishing.
A collection of ladies hats to include au-de-nil coloured picture hat in fine straw with a large brim and a crown edged in a black band with a bow by Whitely, a black velvet type felt hat with a brass buckle, a black felt hat with a satin bow, two straw hats, one in cream and one in caramel, an Austrian type green hat with feather and rope braiding around the crown, a mans wool beret with a badge inside made in Lima and a card of three small vintage hat pins. (7), together with a leather box (1940s) containing a manicure and dressing table set and 2 hat boxes.
A collection of linen and table wear to include a set of dorma embroidered pillow cases in presentation box (late 1930s), a presentation box of Irish linen, table mats, napkins with decorative edge in a pale turquoise (some slight discolouration), a sateen nightdress case with purple flower and ribbon design, a sleeping snood (1918-20) (small hole), a collection of hankies (1930s), an embroidered shoe bag, a white bedspread with appliqued design (early 1900), a 1920s starched cloth with a centre embroidered design in red and black, 6 table mats and a lace 1930s/40s hankie from Burges.
An early 20th century ornate table gong with Eastern carved wooden surround, with brass central bell shaped gong, no striker. Along with a small quantity of brasswares including dish, cat figure, beaker, bells, miniature models of a rocking chair, penny farthing, a cannon and a wheelbarrow. Also a small circular nut cracker, and two modern German wooden mask wall hangings. (1 box)
A matched Edwardian/George V silver dressing table set consisting of hand brush, mirror, clothes brush and later hallmarked tray, all with engine turned and dot design with central intertwined EB initials, brushes and mirror hallmarked by Finnigans Ltd, London, 1909, tray hallmarked by ES Barnsley, Birmingham, 1917, approx. 31.3cm x 22.2cm. Weighable silver approx. 436.4 grams (14ozt) Further details: some surface scratching to tray, tarnishing to all, dents, marks and scratches to all parts of dressing table set.
A modern Chinese large famille verte circular bowl, cut card border with deep recess to centre, the centre painted with carp, the sides with panels depicting deer, vases on a table, shrimp, flowers, birds and foliage, with multi coloured dots to border, the underside with flower, four blue character marks to base, approx 40.3cm diam x 11cm high
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1181627 item(s)/page