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A regency mahogany bar-back carver chair, with moulded frame, scrolled arms and splat over a drop-in seat, raised on ring turned and tapered forelegs, together with a matching single chair, a 19th century mahogany tri-pod table, a 19th century three tier whatnot and a small Georgian toilet mirror, with oval plate, and a further 19th century mahogany bidet (6)
A late Victorian ebonised freestanding corner cabinet partially enclosed by a pair of panelled doors with carved foliate detail beneath two inset mirror plates, pierced fretwork panels, etc, together with a further ebonised side cabinet and oval drop-leaf occasional table with open barley twist supports and stretcher (3)
A Georgian mahogany drop-leaf table fitted with one real and one dummy frieze drawer raised on square tapered supports (once originally the central section to a larger table, together with a 19th century mahogany drop-leaf dining table raised on ring turned and tapered legs (af)
A Victorian carved oak fire screen with applied trailing floral rams mask, cherub and other panels (possibly earlier) raised on swept supports, with eagle mask detail, enclosing a petite point tapestry panel, showing a carolean interior scene, with three characters studying a volume, a Victorian carved oak hall chair and occasional table
R M Cox (20th century British school) - Study of a garden, watercolour and bodycolour on paper, signed and with Bear Lane Gallery exhibition label verso, Summer 1963 - Deserted Garden, 24 x 34cm approx, together with further pictures and prints including an oil on board of a garden scene, a further oil on canvas of still life with table, signed with initials JW, a late 18th century coloured engraving - Charlotte at the Tomb of Werter, published 1783, two pen and ink drawings, study of an artichoke and a study of a fountain, both signed with initials CC (in one frame) etc, various sizes, all framed (8)
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