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HARDWOOD KANG TABLE LATE QING DYNASTY the rectangular top set within a mitred, mortise and tenon frame, above a narrow plain waist and an elaborate apron carved with beribboned auspicious objects, supported on four cabriole legs terminating in paw feet 107cm long, 51cm deep, 30cm high Provenance: Formerly in a family collection in Piedmont, Italy.
PAIR OF PORTRAITS OF A COURTESAN QING DYNASTY, 19TH CENTURY oil on canvas, each depicting a young lady seated wearing a pale blue embroidered robe, with one hand clasped supporting her chin, the other holding a sprig of flowers in the first portrait and a beaded bracelet in the second, the body leaning against an elaborately carved zitan table with inset dreamstone panel, the face with a contemplative expression (2) 73x51cm (overall) Provenance: Private Scottish collection. For more information, please see lot 183.
TABLE SCREEN WITH INSET FAMILLE VERTE PLAQUE LATE QING DYNASTY/REPUBLIC PERIOD decorated with five scholars gathered on the veranda of a traditional dwelling, the scene set in a jagged mountainous river landscape, the plaque inset into a hardwood frame carved with classic scrolls 39cm high (overall) Provenance: Private Scottish collection. For more information, please see lot 183.
A George III mahogany architect's table, circa 1760 , the moulded rectangular rising top with an adjustable ratchet support, sprung folio ledge and pivoted candle stands, the frieze drawer with integral square supports revealing a baize-lined sliding panel and compartments including a pivoted quadrant pen drawer, the supports headed by angle brackets, 79cm high, 91cm wide, 59cm deep
δ A modern polished brass end table by Willy Rizzo, with smoked glass shelves, from Rizzo's 'Flaminia' range, designed in 1968, 40cm high, 80cm wide, 19cm deep IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
An unusual Art Deco marble octagonal occasional table , circa 1930, decorated with a chequer board of pale onyx and Portor marble further set within onyx, the frieze similarly decorated with applied gilt brass interlocking roundels against portor marble, centred by raised panels of brass bound onyx, the legs with interlocking gilt brass roundels supporting a second tier conforming to the design of the top, resting on small brass stepped feet, 75cm high 53cm wide, 53cm deep, lacking one corner tablet to the frieze
A Charles X mahogany writing table, circa 1830, the shaped top with a replaced tooled leather inset writing surface above a single drawer with a pull-out slide above, on columnar-turned legs joined by a flat 'H'-shaped stretchers and with concealed castors, 74cm high, 96.5cm wide, 53.5cm deep
An Irish George III mahogany rectangular side or serving table , circa 1760, the top with a 'plum pudding' central reserve outlined with boxwood stringing and oblique crossbanding, the slightly serpentine frieze carved with fluting and centred by a patera, on square, moulded chamfered square legs headed by carved scroll brackets, 85cm high, the legs re-tipped , 153cm wide, 75cm deep
Ω A Japanese export black lacquer occasional table, late 19th century , the octagonal tip top inlaid with a mother of pearl and abalone landscape depicting a cart, birds and flowers, on a conformingly-inlaid baluster-turned stem and tripod supports, bearing the inventory label of the Hanoverian Royal Collection, 73cm high, 54cm wide, 54cm deep Please note, this lot may be subject to CITES regulations if exported from the EU.Cites RegulationsPlease note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
A Chinese export lacquer inset low table , 19th century and later, of rectangular form, the top decorated with figures, pavillions and river scenery with a mountainous background, on a modern Chinese style ebonised stand, 40cm high, the panel probably adapted from a screen , 177cm wide, 119cm deep
Ω A large Regency mahogany circular extending dining table in the manner of George Bullock , early 19th century, the finely figured top with four semi-elliptical additional leaves decorated with foliate ebony marquetry, attached with numbered pull out supports all above a four column base on turned feet joined by a shaped plinth, with further floral carving and motifs, 71cm high, 232cm diameter with leaves, 155cm diameter without leaves Related tables include an expanding circular dining table with four supports at Wentbridge House, Yorkshire, in the collection at Temple Newsam House, Leeds, illustrated in C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Leeds, 1978, no. 413; a table with a similar concave-sided plinth sold Sotheby s London, 2 June 2000, lot 156. A further almost identical table was offered Christie s London, 22 November 2007, lot 700. Both the distinctive monumental base with its central finial and the bold ebony marquetry inner border to the leaves epitomise the work of the leading Regency cabinet-maker George Bullock (d. 1818), who established his Piccadilly `Grecian Rooms in 1812 before also opening a `tasteful repostitory at 4 Tenterden Street, Hanover Square, London. The latter premises were highly commended in Rudolph Ackermann s The Repository of Arts for their magnificent `British Oak furniture and the ebony foliate border here relates to that on a sofa designed by Bullock in Ackermann s Repository of Arts, 1817, pl. 93. The style of the marquetry also has affinities with `Tracings by Thomas Wilkinson, from designs of the late George Bullock 1820 , now known as the Wilkinson Tracings which were acquired by the City Museum and Art Gallery of Birmingham in 1974 (see Clive Wainwright et. al., George Bullock Cabinet Maker, 1988). Two `Jupe patent dining tables with the a very similar pattern of base are recorded in the dining room at Mottisfont Priory (see H. Avray Tipping, `Mottisfont Priory, Hampshire , Country Life, 19 November 1921, p. 656, fig. 9). Please note, this lot may be subject to CITES regulations if exported from the EU.Cites RegulationsPlease note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
A Sicilian carved, painted and parcel gilt side table , late 18th century, the rectangular grey marble top above a central oval cartouche of figures within a band of ribbon tied laurel leaves, flanked by carved giltwood scrolling acanthus and classical urns on a white painted ground, the sides are similarly decorated, each corner with an elaborately carved giltwood mask, on turned, tapering, and fluted legs with collars of bound leaves and laurel swags, terminating in toupie feet, the marble top possibly replaced , 137cm high, 93cm wide, 68cm deep
A George II style mahogany card table , the shaped top opening with a concertina action to reveal a baize-lined interior with candle stands and guinea wells, the hinges to the concertina action including the stamp of `H. Tibats', on boldly carved front cabriole legs headed by carved lion masks and acanthus brackets above leaf-carved knees terminating in carved hairy lion's paw feet, part 18th century , 73.5cm high, 92cm wide, 46cm deep Provenance : Sotheby's London, 20 Septemer 2011, lot 82. The stamp of H. Tibats on the hinges is thought to relate to Hugh Tibbats or Tibats (both spellings are recorded) 'hinge and sash fastening maker' of Bell Street, Wolverhampton, listed in 'The Birmingham, Wolverhampton, Walsall, Dudley, Bilston and Willenhall Directory, 1781'. The 'Tibats' stamped hinge has been recorded on a number of notable concertina-action tables (see P. Thornton, `A Signed Hinge', Furniture History, 1966, pp. 44-45). A comparable table is illustrated in Ralph Edwards, The Dictionary of English Furniture, London, 1965, 3 vols., vol. III, p.197.
A Neo-classical silver plated oval table centre, the two handles cast with stiff acanthus leaves, the stop fluted sides embossed with central vacant oval cartouches, flanked by corn-u-copia, laurel branches and ribbon tied floral swags, 50cm wide, impressed WAF, c.1890
A GOOD QUALITY CHINESE REPUBLIC STYLE HARDWOOD FRAMED FAMILLE ROSE PORCELAIN TABLE SCREEN, in two sections, the plaque painted with a scene of birds perched on rockwork and peony, the screen on stand 16.8in wide at widest point & 18.75in high, the porcelain plaque 9.2in x 5.8in.
AN EARLY 20TH CENTURY CHINESE JADE & SOAPSTONE ONLAID TABLE SCREEN & STAND, the screen decorated with four various panels of buddhistic lions, censors, bats, the moon and lingzhi, the stand carved with formal fruit and foliage, 15.5in wide at widest point & 23in high overall.
A GOOD QUALITY LATE 19TH CENTURY CHINESE RED GROUND EMBROIDERED TABLE HANGING, the main area decorated with a detailed design of storks, deer, peach, pine, bats and peony, the dependant top flap embroidered with a floral spray and blossom-bearing branches, approx. 36.5in wide & 33in high.
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1177565 item(s)/page