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Lot 512

François Garnier, um 1600 Paris – 1672 ebenda, zug.Stillleben mit Früchten in Porzellan- und ChinaschaleÖl auf Leinwand. Doubliert.45 x 66 cm.Auf einer Marmorplatte zwei Porzellanschalen, gefüllt mit Früchten, die farblich gegeneinander konkurrieren: links hellrote Kirschen, rechts leuchtend rote Erdbeeren, dazwischen dunkle Heidelbeeren in einem Holzkistchen. Davor sind auf der Platte drei Pfirsiche leuchtend ins Zentrum gelegt, sowie weiße Versailles-Johannisbeeren. Die Schale rechts zeigt sich mit der chinesischen Blaumalerei der Ming-Periode. Das Gemälde in der Feinmalerei, wie sie bei den bekannten Werken des Malers festzustellen ist. A.R. (†) Provenienz:Sotheby‘s, Paris, 12. September 2018, Lot 37.Anmerkung 1:Werke Garnier finden sich im Pariser Louvre: „Fruits sur une table“ (Stachelbeeren und Kirschen, Öl auf Holz, signiert und datiert 1644) sowie „Erdbeerschale und Korb mit Kirschen“, Garnier zugeschrieben 1950 vom Private Property Office des Louvre Inv.Nr. MNR.36.Ein Werk seiner Hand „Stillleben mit einer Schale Kirschen unter Kastanienblättern auf einer Schachtel“ wurde verkauft für 170.185 Euro bei der Auktion, Piasa, Paris 27. März 2008.Anmerkung 2:Michel Faré hat neben dem Louvre neun weitere Werke von François Garnier veröffentlicht und reproduziert, von denen vier aus der Galerie Pardo stammen. Literatur: Michel Restaurant, Grand Century Stillleben in Frankreich, das XVII. Jahrhundert, Freiburg 1974. (13306022) (11)François Garnier, ca. 1600 Paris – 1672 ibid., attributedSTILL LIFE WITH FRUITS IN A PORCELAIN AND CHINESE BOWLOil on canvas. Relined.45 x 66 cm. (†)Provenance:Sotheby’s, Paris, 12th of September 2018, lot 37.Literature: Michel Restaurant, Grand Century Still Life in France, das XVII. Jahrhundert, Fribourg 1974.

Lot 600

Bedeutendes Esszimmer im Empire-StilMaße des Tisches: 77 x 129 x 119 cm. Tischlänge im ausgezogenen Zustand: 327 cm. Jede der vier Einlegeplatten: 129 x 52 cm. Maße der Kredenz: 163 x 145 x 45 cm. Maße des Buffets: 180 x 161 x 55 cm.Mercier Frères, zug.Frankreich, um 1895.Das beeindruckende Ensemble besteht aus zehn Stühlen und zwei Armlehnstühlen, einem Ausziehtisch, einer Kredenz und einem Buffet. Jeweils in warmem Holz furniert mit vergoldeten und ziselierten Empire-Bronzen. Das zweiteilige Buffet mit verspiegelter Rückwand und teilverglastem Aufsatz, applizierten Genien und dem Retour d‘Egypte entsprechenden ägyptisierenden Dekorelementen, die sich ebenso bei der Kredenz mit der verspiegelten Rückwand wiederfinden. Mehrere Schlüssel vorhanden. Minimal besch.Anmerkung:Claude Mercier (geboren 1803) wirkte erst in der 15 rue Beauttreillis in Paris und zog dann 1828 in die 100 rue du Faubourg Saint-Antoine, wo seine Firma bis heute zu finden ist. Auf den großen Ausstellungen, die er mit seinen Möbeln beschickte, gewann die Firma häufig Medaillen. Literatur:Vgl. Denise Ledoux-Lebard, Les ébénistes du XIXe siècle, Paris 1984, S. 478-479. (1330507) (1) (13)Important dining room suite in Empire styleTable dimensions: 77 x 129 x 119 cm. Length of table extended (with four extension leafs): 327 cm. Dimensions of each leaf: 129 x 52 cm. Sideboard dimensions: 163 x 145 x 45 cm. Dimensions of buffet table: 180 x 161 x 55 cm.Mercier Frères, attributed.France, ca. 1895.This impressive dining room suite comprises ten chairs and two armchairs, an extending dining table, a sideboard, and a buffet table. Literature:cf. Denise Ledoux-Lebard, Les ébénistes du XIXe siècle, Paris 1984, pp. 478-479.

Lot 603

Salontisch mit Pietra dura-PlatteHöhe: 79 cm.Durchmesser der Deckplatte: 84 cm.Frankreich oder Italien, 19. Jahrhundert.Auf drei Löwentatzenfüßen stehende dreistrahlige Basis mit zentraler Säule und umliegenden geschnitzten Voluten. Die Zarge in ornamental intarsiertem Holz mit aufliegender runder weißer Deckplatte in Marmor mit eingelegten Pietra dura-Elementen, die radial angeordnet sind. (1331816) (13)Salon table with Pietra dura panelHeight: 79 cm. Diameter of tabletop: 84 cm.France or Italy, 19th century.

Lot 65

Chinoiserie-TischHöhe: 77 cm. Breite: 84 cm. Tiefe: 56 cm.Deutschland, um 1720.Die Lackmalerei zugeschrieben an Martin Schnell (um 1675-vor 1740), Dresden erstes Viertel 18. Jahrhundert, um 1720.Über rechteckigem Grund die gekanteten, konisch auslaufenden Beine mit geschnitztem Chinoiserie-Dekor und Goldlackmalerei in chinoiser Art auf schwarzem Fond. Zarge einschübig mit gegossenem Bronzeknauf und umlaufenden figürlichen Chinoiserien inmitten einer angedeuteten Architekturlandschaft mit Federvieh. Leicht überkragende Deckplatte, alt mit Samt bezogen.Anmerkung:Ein vergleichbarer Tisch befindest sich in den Staatlichen Kunstsammlungen Dresden (Inv.Nr. 42332), ebenfalls Martin Schnell zug. und auf um 1720 datiert. Des Weiteren (ebenfalls im Dresdener Kunstgewerbemuseum unter Inv.Nr. 37321) ein weiterer Tisch Martin Schnell zug., mit ähnlichen Dekor und Beinformen. (13318123) (13)Chinoiserie tableHeight: 77 cm. Width: 84 cm. Depth: 56 cm.Germany, ca. 1720.The lacquer painting is attributed to Martin Schnell (ca. 1675–before 1740), Dresden, first quarter of the 18th century, ca. 1720. Notes:A comparable table attributed to Martin Schnell held at the Staatliche Kunstsammlungen in Dresden under inv. no. 42332 is dated around 1720. Furthermore, another table attributed to Martin Schnell with similar décor and leg shapes is also at Dresden Kunstgewerbemuseum under inv. no. 37321.

Lot 72

Grosser Pietra dura-TischHöhe: 64 cm.Durchmesser: 119,5 cm.Italien, 20. Jahrhundert.Im Empire-Stil gestalteter Tisch mit drei Greifen auf einer eingezogenen Platte auf deren Köpfen vergoldete Blattgebinde liegen. Mittelschaft als vegetabil gestaltete Säule, die Hauptlast der Deckplatte tragend. Bronze, patiniert und vergoldet, ziseliert. Runde Zarge mit Palmettfriesband und applizierten vergoldeten antikisierenden Ornamenten. Überkragende hohe Deckplatte mit eingelegten Porphyrplättchen, welche einen Ring mit unterschiedlichen Marmorsorten umschließt und mittig durch sechs trapezförmige Kartuschen gegliedert wird, welche durch Lapislazuliplättchen getrennt werden. Die Kartuschen mit vedutenhaft eingelegten Pietra dura-Plättchen, jeweils eine unterschiedliche italienische Landschaft zeigend. Minimal besch. (†) (12821128) (13)Large Pietra dura table Height: 64 cm.Diameter: 119.5 cm.Italy, 20th century.Empire style table. The table top decorated with three griffins wearing gilt wreaths. Central table leg in the shape of a pillar with vegetal decoration holding the main load of the table top. Patinated, gilt and chased bronze. With minimal damage. (†)

Lot 78

Neoklassizistischer Pietra dura-Tisch77,5 x 84 x 55 cm.19. Jahrhundert unter Verwendung der florentinischen Panele aus dem späten 17./ frühen 18. Jahrhundert und der römischen Deckplatte aus dem späten 18. Jahrhundert.Über vier vergoldeten Füßen in Blütenkelchform konisch auslaufende Beine mit vergoldeten Profilen. Darüber die hohe zweischübige Zarge mit Pietra dura-Einlagen. Diese an drei Seiten geometrisch gestaltet, schauseitig mit eingelegtem Landschaftsdekor. Überkragende Deckplatte in Fiorito Alaber, Verde Antico und Rosso Antico. Die Schübe hinter den Landschaftsszenen durch unter der Zarge befindlichem Druckknopf zu öffnen. Zwei seitliche Marmorpanele durch gemaserte Holzeinlagen ergänzt. (†)Anmerkung:Besonders nach den 1770er-Jahren war es durchaus üblich, etwa bei Möbelkünstlern wie Martin Carlin und Adam Weisweiler italienische Möbel in ihre Elemente zu zerlegen und partiell in neue Kompositionen einzulegen. Als Auftraggeber solcher Möbel und Initiatoren können zum Beispiel die Kunsthändler Claude Antoine Julliot, Simon Philippe Poirier und Dominique Daguerre gesehen werden. Ein solcher Sekretär von Martin Carlin von ca. 1780 befindet sich im Louvre (Inv.Nr. OA 11176).Literatur:Vgl. Stéphane Castelluccio, Les meubles de pierres dures de Louis XIV et l‘atelier des Gobelins, Dijon 2007, S. 110-117.Vgl. Anna Maria Giusti, Pietre dure. Hardstones in Furniture and Decorations, London 1992, S. 32.Vgl. Anna Maria Giusti and W. Koeppe, Art of the Royal Court. Treasures in Pietre Dure from the Palaces of Europe, New York 2008, S. 330-337.Vgl. Anna Maria Massinelli, Hardstones, London 2000, S. 47. (13306067) (13)Neoclassical Pietra dura table77.5 x 84 x 55 cm.19th century using the late 17th/ early 18th century Florentine panels and the late 18th century Roman cover plate. (†)

Lot 85

Neoklassizistischer SpieltischHöhe: 73 cm. Breite: 88,5 cm. Tiefe (in geschlossenem Zustand): 44,5 cm. Tiefe (in geöffnetem Zustand): 89 cm.Russland, 19. Jahrhundert.In Rocaille-Bronzesabots stehende, geschweifte und gekantete Beine, die durchgehende gerade Zarge tragend, diese frontseitig und an den Seiten mit Kapselfestons und Knitterschleifen sowie zentralem radialem Medaillon. Rückwärtig ein Gateleg-Bein zur Aufnahme der aufgeklappten Deckplatte, diese mit Scharnieren versehen und in Palisander, Wurzelholz und Birke intarsiert und teils gefärbt. Die vier Längsseiten mit oblongen Muldungen, für die Jetons, sowie mittlerer textiler Einlage und umlaufenden Palisanderfurnierband. Erg. (13318125) (13)Neoclassical gaming table Height: 73 cm. Width: 88.5 cm. Depth (closed): 44.5 cm. Depth (open): 89 cm.Russia, 19th century.Export restrictions outside the EU.

Lot 124

A mid to late 20th century drop leaf dining table, the top with rounded corners, on gate legs. H.74 W.148 D.84cm

Lot 138

A Victorian Aesthetic movement ebonised occasional table, the circular amboyna top on a baluster turned stem, with brass mounts, on tripod supports. H.75 Diam.45cm

Lot 174

A late George II mahogany serpentine card table, the foldover table top lined with green baize, the square section legs with blind fretwork detail and slender brackets. H.70 W.86 D.85cm

Lot 180

An 18th century and later oak birdcage tilt top table, the circular top over a turned birdcage section, on a turned stem, above shaped tripod supports. H.62 Diam.57cm

Lot 200

A late 20th century gilt metal console table, with a black glass top, on fluted legs. H.79 W.75 D.23cm.

Lot 206

A contemporary white painted wood dining table, of rectangular form, on square section legs. H.75 W.198 D.91cm

Lot 215

A Victorian walnut tripod table, the hexagonal tilt top with an ornately carved and pierced edge, on a turned, carved and fluted stem, on tripod supports, carved with acanthus leaves to the knees, on ball and claw feet. H.63 W.53cm

Lot 225

A collection of brass instruments. Including a Stanley London brass nautical compass with Natural Sine table to outer casing, brass pumps, a Primus brass travel stove with case and intructions and other brass compasses. H.74cm. (largest)

Lot 248

A Regency style mahogany coffee table, the rectangular crossbanded top on curved end supports joined by a turned stretcher. H.49 W.111 D.58cm

Lot 307

An Edwardian mahogany and satinwood strung circular occasional table, on square section splayed legs joined by an undertier. H.72 Diam.48cm

Lot 316

A Victorian pine planked top kitchen table, with an end drawer, on turned legs. H.75 W.186 D.97cm

Lot 46

A circa 1970s light coloured onyx table lamp, of cylindrical form with a ribbed shade and base. H.26 Dia.10cm.

Lot 48

An Edwardian mahogany kneehole writing table, with a burgundy writing insert, over a central drawer and two cupboard doors, on ornately carved cabriole legs. H.73 W.106 D.55cm.

Lot 58

A pair of table lamps, the ivory coloured ovoid body with allover leaf design, parcel gilt, with shades. H.60 Dia.45cm. (each)

Lot 94

A 19th century oak extending refectory dining table in the antique style, the plank top with cleated ends and two additional leaves, on turned cup and cover type legs joined by a stretcher. H.77 W.266 D.80cm (extended)

Lot 65

Giovanni Boldini (Italian, 1842-1931)Al caffè signed and inscribed 'To Miss B. Pearce/with admiration/Boldini' (on the reverse)oil on card10.5 x 18.5cm (4 1/8 x 7 5/16in).Footnotes:ProvenancePrivate collection, Italy.Please note that this lot is accompanied by a digital certificate of authenticity issued by expert on the artist and author of his catalogue raisonné, Dr Francesca Dini.The son of an artist, Boldini undertook training in his hometown of Ferrara before moving to Florence where he lived for about a decade. Here, from 1864, he joined the Macchiaioli group of artists, now known as the greatest exponents of Realist art in Italy. The portraits painted by the young Boldini at this time - mainly of his artist friends and of some members of the Russian and English aristocracy residing in Tuscany - mark in Italy the renewal of this pictorial genre and they cemented the young Boldini's reputation. Subsequently, in 1871, he travelled to London where he sought patrons amongst English high society; however, in the same year, drawn by the light and glamour, he decided to settle in Paris. Here, he began producing small fanciful oils designed not only to capture the costumes and lifestyle found in the city's grand homes, but also to please the international clientele of the famous gallery, La Maison Goupil. During the 1880s, however, Boldini moved away from these somewhat staid subjects and instead devoted himself to the more faithful representation of his beloved Paris. Now, the French capital appears at its most vital with paintings depicting the squares and animated streets, the outdoor cafes, the transit of carriages and their horses' manes in the wind, the elegant bourgeoisie and street vendors, all characterised by a new freedom of brushstroke and modern spatiality. The present lot can be placed during this period of the artist's life.This work is an early example of his Parisian café sketches, a subject which he revisited several times. These studies seem to have been produced in preparation for one his masterworks, Scène de fête au Moulin Rouge, currently housed at the Musée d'Orsay in Paris. In the Musee d'Orsay painting, during one of the usual night sorties, Boldini stops in at the famous Parisian restaurant, made characteristic by the bright reds of the tapestries; he welcomes the clamour of the voices that mix with the sounds of music, of shimmering garlands of suspended lights that come down from the ceiling and make the glasses sparkle, illuminating the wonderful costumes; he has revelled in the attitudes of bystanders, with their desire to seduce and be seduced, as in the case of the seated gentleman to the right of the scene, who confidently perches in front of the cocotte that has approached his table, smiling at him, winking and amused. The atmosphere of this finished oil is captured in the present study, and this shows how the immediacy of these sketches could inform his more highly finished works. This painting can therefore be seen as an early idea on this theme, defined with quick brushstrokes with the characteristic Tiepolesque white lighting. The dedication placed on the back of the card brings us to the second half of the eighties, at which time Boldini - who was perfecting his new style of portraiture, highlighted by elegant figures painted on a large scale, with energetic and loose brushwork - befriended John Singer Sargent and the group of American painters active in Paris at the time, including Charles Sprague Pearce, a genre painter native to Boston who was distinguished by his gold medal at the Salon of 1883. Pearce married a French lady and remained in France for the rest of his life, so the Miss Pearce mentioned on the reverse of the card could be an American relative of the painter.We are grateful to Dr Francesca Dini for compiling this catalogue entry.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 11

Jugendstil table clock, WMF. Germany, ca. 1905.Silver-plated tin-plated metal and glass.Table clock by the German manufacturer WMF (Württembergische Metallwarenfabrik) in which we see the main characteristics of the Jugendstil of Central Europe, the geometric and fluid forms, with the use of bronzes and metallic materials (in this case silvered metal) which are not simple ornaments but essential parts of the structure. The central front part has two columns of cut glass that support the Arabic numeral dial, which is plated with this copper. In working order. Marks on the back of the base.Provenance: Private Spanish collection, formed between 1970 and 2010. Needs cleaning. Good condition. Normal wear and tear due to use and the passing of time.Measurements: 43 x 23 x 7,5 cm .

Lot 17

Sèvres style table centre, 19th century.Porcelain and gilt bronze. Painted decoration.Measurements: 25 x 23,5 x 17 cm.Sèvres porcelain centrepiece in the shape of a classic goblet, decorated on the outside in the style of the 18th century Sèvres coloured backgrounds, in this case with a cobalt blue background, specifically the one known as "Bleu Lapis", characterised by its irregular appearance, with waters of different tones. The decorations are painted in gilt enamel, following neoclassical models. The interior is decorated with a delicate floral motif.Originally founded in Vincennes in 1740, the Manufacture Nationale de Sèvres was transferred to Vincennes in 1756. One of the leading European porcelain factories, the Manufacture was successively named after different political regimes: royal, imperial and national manufactory. Still active today, the firm continues to produce objects created since 1740, although its current production is largely oriented towards contemporary creation. The Manufacture de Vincennes was founded with the support of Louis XV and Madame de Pompadour, with the idea of creating pieces for the court and competing with the porcelain productions of Meissen and Chantilly.

Lot 26

OTTAVIANI table clock in sterling silver. Second half of the twentieth century. Representing a harlequin following classical models. Quartz movement.Weight: 485 g.Measures: 15x 10 x 10 x 3 cm.

Lot 32

OTTAVIANI table clock in sterling silver. Second half of the twentieth century. Depicting a lady and an angel following classical models. Quartz movement.Weight: 534 g.Measures: 19 x 12 x 5 cm.

Lot 49

Side table. England, 19th century.Rosewood and brass.Measurements: 72 x 57 x 38 cm.Side table of stylised design. The slender cabriole legs and raised shoulders give lightness to the rectangular waisted table, which houses a front drawer. The top has a curved, rococo-inspired profile. As a whole, the piece combines rococo reminiscences and neoclassical elements. Fine brass vegetal marquetry decorates the waistband and the envelope.

Lot 57

Harness. France, late 19th century.Marble and bronze.Measurements: 47 x 67 x 18 cm (clock); 47 cm (candlestick).This garniture consists of a table clock and a pair of candlesticks. The clock consists of a moulded podium, in which marble is combined with gilt-bronze fillets. The clock case sits on the podium or base, with a white porcelain dial and Roman numeral hour-markers. A slender figure rests on the clock case. The figure is a man wearing a long robe and a wide cloak, who writes while seeming to hold something in his other hand, which is no longer preserved. His stern character and elderly build suggest that he may be a philosopher. The candelabra, for their part, have rectangular bases on which the moulded shafts and arms of lights rest.

Lot 168

Extraodinaire plaque d'agate montée en table basse Immense Agate Geode Slab on BaseBrazil To our knowledge, this is possibly the largest agate slab available on the market. With hand polished beveled edges, this fine decorative slab of agate features bull's eyes and a chalcedony center surrounded by colorful color banding in hues of ochre, brown, beige and tan. Weighing approximately 49 kilograms and measuring 40.5 x 142.5 x 80 cm inclusive of removable metal base (2) For further information on this lot please visit Bonhams.com

Lot 20

Plaque de stromatolite polie avec support Polished Stromatolite Slab with StandCollenia cylindricaPrecambrian Sinian1.7 million years oldShia-San-li-tai FMTTien-shan Mountains, Kuan-Tung ProvinceSouth Manchuria, ChinaAs one of the oldest of Earth's fossils, stromatolite offers an intriguing peek into the emergence of life on Earth. Created by fossilized layers of cyanobacteria (blue-green algae) and sediment, this piece contains a record of early life dating back over 1.7 billion years. This fascinating stromatolite slab displays orbicular patterning and attractive reddish-brown hues. It has been beautifully polished into a rectangular slab suitable for use as a console table. Measuring 200 x 56.5 x 2.5 cm (2) Footnotes:Offered with a black metal easel-type standFor further information on this lot please visit Bonhams.com

Lot 62

Table d'appoint en bois pétrifié Petrified Wood Console TableDipterocarpus sp.PlioceneSumatra, IndonesiaAt the end of the Tertiary era (Pliocene), a dense tropical forest, made up of magnolia and palm trees, covers the Indonesian volcanic chain from Sumatra to Java. From time to time, the volcanoes became active. The force of the eruption was such that surrounding forests were uprooted and a thick layer of burning volcanic ash covered them. The silica found in volcanic ash became dissolved in percolating fluids and gradually replaced the wood cell by cell with minerals such as quartz, agate or marble, hence preserving the shape and structure of the trees. Petrified trees are sometimes found in streams, but the most beautiful pieces are found buried several meters deep. The present specimen has been fashioned into a useful, decorative console table featuring a cross-section slab of a large tree which has undergone compression during the lithification process to produce an elliptical shape. With rugged bark texture still visible on all edges, black variegated tones to the center and a polished surface. Wood measuring 95.5 x 28 x 4 cm. Height with metal legs 76 cm Footnotes:Raised on three tapered black metal legs which can be removed for transport.For further information on this lot please visit Bonhams.com

Lot 420

An art deco table lamp 'Manufacture Saint Etienne'. The first half of the 20th century. Dimensions: (L: 12,5 x W: 25 x H: 24 cm)

Lot 421

A girandole table lamp made of bronze in Louis XVI style, with 4 points of light. Dimensions: (L: 40 x W: 40 x H: 43 cm)

Lot 432

A pair of Chinese table lamps finished with sculptured panels. Circa 1970-1980.Dimensions: (L: 18,5 x W: 26,5 x H: 75 cm)

Lot 433

A pair of mid-century table lamps, brass decorated with cork. Condition: Lampshades to be restored. Dimensions: (H: 67 x D: 30 cm)

Lot 434

A pair of table lamps made of onyx. Dimensions: (H: 54 cm)

Lot 442

A table lamp with green shade, art deco style. Circa 1920-1930. Dimensions: (H: 43 x D: 36 cm)

Lot 448

Muller Frres Luneville, a table lamp with pate de verre shade, on a wrought iron base. Dimensions: (H: 42 x D: 17 cm)

Lot 449

A collection of 3 table lamps, of which 2 hava a Schneider signed lampshade. Silver-plated metal and bronze. Dimensions: (H: 53 cm)

Lot 534

A Chinese table screen with a white jade plaque, decorated with koi. 20th century. Dimensions: (W: 35,5 x H: 31 cm)

Lot 537

A Chinese hardwood side table with marble top. Dimensions: (L: 35 x W: 35 x H: 48 cm)

Lot 541

A Chinese Famille Rose vase, rebuilt as a table lamp. 19th/20th century. Dimensions: (W: 24 x H: 45 cm)

Lot 547

A Chinese coffee table, decorated with mother of pearl, black and white marble. 19th century. Dimensions: (L: 96 x W: 96 x H: 57 cm)

Lot 646

A figurative table lamp with nude female in art deco style. Spelter standing on a marble base. Circa 1920. Dimensions: (L: 17 x W: 42 x H: 29 cm)

Lot 650

A table lamp made of onyx and spelter, decorated with deer in art nouveau style. Dimensions: (L: 12 x W: 52 x H: 26 cm)

Lot 716

Arne VODDER (1926-2009) 'Round table' for Sibast. Extendible with 2 extension pieces for a large table. Extendible untill 220 cm. Not marked. Dimensions: (H: 75 x D: 120 cm)

Lot 717

Cesare LACCA (1929) a mid-century coffee table with glass top for Cassina. Circa 1960. Dimensions: (L: 47 x W: 96 x H: 46 cm)

Lot 720

A collection of 2 table lamps made of opaline white glass. circa 1980. Dimensions: (H: 21 x D: 20 cm)

Lot 728

A mid-century display side table, brass and glass. Circa 1960. Dimensions: (L: 53 x W: 87 x H: 62 cm)

Lot 729

A mid-century coffee table, brass on a wood base, finished with an organic design. Signed Roland Le Fvre. Dimensions: (L: 70 x W: 140 x H: 32,5 cm)

Lot 730

A mid-century coffee table, brass and marble. Hollywood Regency style. Dimensions: (W: 82 x H: 45 cm)

Lot 736

A coffee table, brass with a fume glass top. In the style of Maison Bagus. Condition: There is a small chip to the rim of the glass. Dimensions: (L: 46 x W: 110 x H: 40 cm)

Lot 737

A copper coffee table with glass top. 20th century. Dimensions: (L: 35 x W: 120 x H: 33 cm)

Lot 745

Angelo MANGIAROTTI (1921-2012) Secticon, a vintage table clock. With the original papers and documents, circa 1960. Condition: The clock is currently not in working condition, the electronic system does wind, the mechanical works need fresh oil from a watch/clockmaker. Dimensions: (H: 24 x D: 12,5 cm)

Lot 746

Gerrit RIETVELD (1888-1964) 'Shr_der 1' for Cassina, a side table. Signed and numbered 1089. Dimensions: (L: 50 x W: 51,5 x H: 61 cm)

Lot 750

KHO LIANG LE (1927-1975) 'Coffee Table' for Artifort. Chromed metal and a formica wood top. Dimensions: (L: 72 x W: 72 x H: 33,5 cm)

Lot 751

A coffee table finished with lacquered burlwood veneerDimensions: (L: 150 x W: 100 x H: 34 cm)

Lot 752

Ludwig MIES VAN DER ROHE (1886-1969) 'Barcelona Coffee Table' for Knoll. Steel frame with a glass top. Condition: Generally in good condition with use marks on the glass. There is some light surface grime forming on the steel base. There is one small chip at a corner of the glass top.Dimensions: (L: 100 x W: 100 x H: 46,5 cm)

Lot 757

Philippe STARCK (1949) 'Ara lamp' a pair of table lamps for Flos. Chromed metal. 1988Condition: One of the lamps is missing a glass shade just in front of the light bulb. Dimensions: (L: 18 x W: 17 x H: 52 cm)

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