A Chinese blue and white dish, Qianlong, the centre painted with a chrysanthemum flower and a peony flower, 34cm diameter and a Chinese blue and white dish, Qianlong, painted with precious objects on a 'rockwork' table beside a peony tree, 35.5cm diameter (2)Provenance: The property of a Lady清乾隆 外销青花花鸟纹及博古图盘两件拍品来源:英国私人女士珍藏Condition Report: the first dish with no apparent cracks or chips but with minor surface scratchesthe second dish with fine 3.5cm hair crack on rim and some scratching to surface glaze and fritting to rim and scale chip to underside or rimCondition Report Disclaimer
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A Chinese qianjiang-style cylindrical vase, late 19th century, finely painted with a woodcutter and fisherman in conversation on one side and signed Ren Huan Zhang on the reverse, mounted as a table lamp and shade, 27cm high excluding fittings and shadeProvenance: From the collection of Sir David and Lady Scholey. 晚清 任焕章作《桃源问答》图浅绛彩帽筒拍品来源:英国Scholey爵士及女爵伉俪私人收藏,David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席。Condition Report: Cracked and glued Condition Report Disclaimer
A Chinese blue and white vase, Qing Dynasty, 19th century, painted with four ladies in a garden with a table, a large mirror and precious objects, seats and flowers, with apocryphal six character Kangxi mark in underglaze blue, 20.5cm high Provenance: From the collection of Sir David and Lady Scholey.清19世纪 "大清康熙年制"款青花仕女图瓶拍品来源:英国Scholey爵士及女爵伉俪私人收藏,David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席。Condition Report: in good condition other than firing blemishes Condition Report Disclaimer
A Collection of printed books relating to the Middle East, in German, Syriac, Russian, Farsi and Arabic [mostly nineteenth or early twentieth century] comprising: (i) Rubayat Hakim Omar Khayyam, dated 1304 AH, numerous ink inscriptions to preliminary leaves, two plates of manuscript facsimiles of the work at the back, 160 x 120mm., boards covered with contemporary dutch-pastepaper; (ii) Hermann Gotz, Eine Orientreise, Leipzig, 1901, adnuchromolithographic frontispiece, numerous illustrations in the text, lightly foxed, 235 x 160mm., morocco-backed boards, spine gilt with raised bands; (iii) Philoxeni Mabbugensis, Scriptores Syri (Latin edition), Paris, 1907 AD, ex-libris stamps, 235 x 160mm., half vellum over marbled boards; (iv) Grey's Elegy, illuminated by Owen Jones, London, 1846, lightly foxed, 255 x 180mm., gothic-style binding; (v) A Qajar work on medical pathology, Tehran, dated 1300 AH, first leaf loose, 250 x 170mm., contemporary morocco binding; (vi) Ganjiyeh Qur'an, Tehran, dated 1328, plates and a folding table, 215 x 150mm., morocco-backed cloth boards; (vii) A history of the Russo-Japanese war, Istanbul, dated 1321, illustrations throughout, some gatherings loose, 240 x 170mm., original cloth with chromolithographic map pasted to upper cover, spine worn; (viii) Tuhfat al-Ayan bi-sira ahl'Uman, dated 1330 AH, 245 x 150mm., original printed cloth-backed boards All from the Mohamed Makiya collection
A 15th Century Nottingham carved (Chellaston) alabaster panel / devotional table depicting St John the Baptist flanked by St James and St Thomas with Jesus Christ to the centre. In a wooden case marked 'DENTON COLLEGE' on the rear panel with attached handwritten label by the Reverend E. C. Lowe 1892.230mm x 184mm x 80mm.Provenance: Denstone College, Uttoxeter, Staffordshire.
A Gordon Russell style rosewood dining suite, comprising sideboard, with four frieze drawers over four cupboards, opening to reveal a shelf, to a wavy serpentine edge, width 81.5ins x depth 19ins x height 32ins, a set of 8 (6+2) dining chairs, and an extending dining table, max length 91ins x width 41.5ins x height 31ins - CITES certificate received 22.4.21
A gilt occasional table, raised on slender cabriole legs, 22ins x 16ins, height 28.5ins, together with a carved square topped occasional table, with rising lid to reveal compartment, width 18.5ins, height 27ins and a painted work table, with a rising lid , decorated with a reclining nude, over a dummy drawer with a drawer below, 16ins x 13ins, height 24ins
A Victorian burr walnut sewing/games table, the fold over swivel top revealing a chess board, back gammon board and pegging board, having a fitted work drawer below and a wool box, width 22ins - small, old veneer loss to top, veneer splitting to back gammon board, fitted interior af, various other scuffs and marks commensurate with age and use
Edwardian Sheraton Revival satinwood cross banded mahogany kneehole dressing table, with one long and six short drawers with decorative pierced brass handles around a central cupboard on shaped bracket feet with concealed casters, locks stamped Clarke & Timins, Birmingham, W92cm D54cm H85cm
Andrew Conning Butterfly Furniture - an oak dining table, rectangular top with rounded ends on solid tapering supports, joined by a stretcher, carved with signature butterfly L165cm W85cm H77cm and a set of four Victorian style oak kitchen chairs with turned stick backs, shaped solid seats, on turned supports, all carved with signature butterfly (5)
Late Victorian rosewood cross banded and satinwood strung mahogany writing table, raised back with ten compartments and drawers enclosed by a pair of panelled doors, above a single drawer with inset writing surface, brass lock stamped crowned VR, on square tapered supports W91cm D59cm H127cm
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