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Interesting early double-headed baroque style lute, the angled head with thirteen boxwood tuning pegs, the straight head with six boxwood tuning pegs and three bone nuts, the neck with ebony and bone striped back and the nine fret ebony fingerboard with mother of pearl double heart shaped inlay, the bowl back with boxwood strung inlay, the table with a further mother of pearl heart inlay, ebony and ivory inlaid rosette and decorative carved fretwork to the sound hole, within a fitted case bearing a Rushworth & Dreaper Ltd label, total length 37.5", scale length 21 5/8" (at fault)
Interesting early lute in need of restoration, the open peg box bearing ten turned pegs and with carved head finial, the neck with ivory strung inlay and the inset ivory fretboard with inscribed musical decoration, the table with mother of pearl, bone and ebony inlay to the rosette and carved fret panel to the sound hole, the bridge with unusual mother of pearl cap, the bowl back with ebony strung scalloped bands (at fault)
Rare Cecilium, stamped Cecilium, Brevete to the front and basse tenor, 4 oct, no. 134 to the reverse, the scroll handle top above an arrangement of ninety brass buttons and pear shaped body enclosing bellows, the table with twelve fanned sound hole slots above a carved bellow handle, scrolled sound holes to the sides and upon a moulded stand, 47" high; together with associated literature (at fault)
Interesting violin labelled Joseph Benedict Gedler..., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a brownish colour on a golden ground, 14", 35.60cm (at fault)
Early 20th century violin by Otto Seiffert & Max Grossman, labelled Nell-Cremona, Kunstinstrumentenbau, no. 24, Geseflschaft, m.b. H., Berlin, 1908, also signed by both makers, the two piece back with a strong flame with similar wood to the sides and plainer wood to the head, the table of a medium width grain narrowing to the flanks, the varnish of a golden-brown colour, 14", 35.60cm, bow, case
French violin by A. Morhange, labelled A. Morhange, no. 89, Paris, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 14 1/16", 35.70cm, case *This instrument is sold with a hand written note from Charles Dancla, dated 1902 recommending the instrument
Good early 20th century violin by and labelled Ernst Heinrich Roth, Markneukirchen, 1928, reproduction of Antonius Stradivarius, Cremona 1718, the one piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of an reddish-brown colour on a golden ground, 14 1/8", 35.90cm, case
French violin circa 1870 from Justin Derazey and stamped J. Derazey to the inner back, also labelled Antonius Stradivarius.., the one piece back of broad slanting curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 3/16", 36cm
Interesting mid 18th century violin from the Castagneri School, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour, 13 3/4", 34.90cm
French violin from and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris, also signed to the inside back on the treble side, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
English violin by and labelled James and Henry Banks, Musical Instrument Makers and Music Sellers, Salisbury 1808, the two piece back of irregular curl with plainish wood to the sides and head, the table of a broad width grain and the varnish of a dark brown colour on a golden ground, 13 15/16", 35.40cm
French violin by and labelled Lutherie Artistique, Albert Deblaye, Luthier, no. 108, An 1921 and signed on the label, the one piece back of birds eye maple with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a golden-brown colour, 14", 35.60cm
French violin by and branded J. Lavest Montlucon to the inner back, also inscribed Anno 1928, no. 2 to the inner back, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish colour on a golden ground, 14 1/16", 35.70cm
Mid 19th century Mirecourt violin labelled Alessandrus D'Espine Ficit Taurini Anno Domini 1828, the two piece back of faint medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm, case *This instrument is sold with a certificate of authenticity from C.F. Langonet & Son, London, dated 30th June 1970 attributing the instrument to the School of D'Espine
19th century Bohemian flash cut glass table lustre or girondole with nine faceted drops, the body decorated with gilt designs, 28cm tall, and a pair of vases ensuite, 36cm tall CONDITION REPORT: Vase One:- Gilding loss throughout, no signs of repair or restoration Vase Two:- Gilding loss throughout, no signs of repair or restoration Lustre:- Gilding loss, a few small chips, nibbles on most lustres See images for details
Pair of 19th century Bohemian flash cut cranberry glass table lustres or girondoles with painted floral designs and gilt banding complete with twenty matched faceted glass drops, 34cm tall CONDITION REPORT: 1) Gilding loss throughout, losses to the paint 2) As above See images Most lustres have numerous nibbles The prisms do not match and some are chipped Same wear to gilding One has rubbed one inch area ruby flashing to base
Pair of 19th century and clear glass table lustres or girondoles decorated with gilt floral sprays complete with twenty four matched faceted glass drops, 29cm tall CONDITION REPORT: A lot of the drops have both minor and major chips Gilding is badly rubbed No obvious damage/restoration otherwise
19th century Chinoiserie ebonised lamp table decorated with temple and figure scenes having frieze drawer raised on tapering square supports, 73cm tall CONDITION REPORT: Some light losses to edges and wear to gilding Requires some restoration Structurally sound
Ring with a ruby and emerald of pear shape set at an angle with spray and shoulders of small diamonds, c1900 CONDITION REPORT: Shank is not hallmarked Small diamond on left shoulder missing Wear to the stones Good condition Approx 2.5g gross Diamonds clear and white Ruby and Emerald both and good rich colour Ruby measures 5mm x 3mm Ruby is in a condition expected of it Age The emerald has a scratch to the table and chips to edges when viewed with a loop
An Edwardian silver easel table mirror maker A*B, Birmingham 1904, with overall foliate and floral decoration, bevelled plate, 11¾ x 8¾in. (30 x 22.25cm.). Condition: Small indent to centralised cartouche, 12 x 10mm piece of silver missing, several small black spots to plate in the lower section, sporadic markings mainly to left side of plate, lower right corner missing a tiny piece of silver, morocco reverse has been subject to linen repairs to the upper section and stand, badly scuffed.
A part suite of Victorian Albert pattern silver flatware Samuel Hayne & Dudley Cater, London 1850-52, comprising sifter spoon, six tea spoons, two egg spoons, six dessert spoons, ten dessert forks and twelve table forks, all crested beneath terminal, weight 80 tr.oz. (42)
A late-Victorian silver mounted part dressing table set Charles Henry Dumenil, London 1900-01, comprising five cut glass jars and bottles and a pair of ivory gloves stretchers (a/f), all with repoussé foliate and fruit decoration, together with an Elizabeth II circular silver compact, Adie Bros., Birmingham 1960. (6)
A part suite of George VI Old English pattern flatware Francis Howard, Sheffield 1947-48, comprising eight dessert spoons, ten table spoons, eight dessert forks, eight table forks, eight fish knives, eight fish forks and six tea spoons; together with two matched butter knives and five salt and mustard spoons, weight 98 tr.oz. (63)
A good quality American silver dressing table set Gorham Corporation, last quarter 19th century, comprising a hand mirror, hair brush, clothes brush, shoe horn, nail file and letter opener, all with high relief decoration of cherubs amidst flowers and foliage. (6) Condition: In good condition overall. Hand mirror has a small flaw spot to silvering to edge and the mirror is slightly raised at lower edge due to loose solder spot. A few small dings and small, slight crease to end of shoe horn. Some dings to handle on letter opener and steel blade tarnished.
Six 19th century silver Old English pattern table spoons comprising three by Joseph Ash, London 1810; two marked R.C., possibly Randall Chatterton, London, 1794 & 1806; one by Peter and William Bateman, London 1811; together with a Scottish silver table spoon, James Hewitt, Edinburgh 1867, weight 14 tr.oz. (7)
A pair of silver plated Corinthian column table candlesticks early 20th century, with detachable drip pans and square bases with ram's head and swagged decoration, 7½in. (19cm.) high. (2) Condition: Corner of one base turned upwards slightly, and a few tiny dings to base edges. No other damage or restoration noted.
A pair of silver plated cluster column table candlesticks late 19th century, with fluted urn socles on four cluster columns to a flared square base, 5 7/8in. (15cm.) high. (2) Condition: Some light wear to plating to edges of bases. No baize to either base. No other damage or defects noted.
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1181627 item(s)/page