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Lot 185

A George V silver three piece dressing table set, comprising hand mirror, 26cm high, hairbrush and clothes brush, each engine turned with a plain circular cartouche, Birmingham 1919. (3)

Lot 241

Various silver jewellery and related effects, a quantity of spirit labels, napkin ring, table lighter, costume jewellery, silver and silver plated items, hand fan, etc. (a quantity)

Lot 313

An early 20thC Homeland pewter table lamp, with later shade, the tapering hammered body numbered 513 to the underside, 53cm high.

Lot 315

A vintage metal framed table lamp, with domed shade, in fawn, with articulated switch to the stem, on circular foot, unmarked, 35cm high.

Lot 504

A 20thC Noritake dressing table set, with oval tray 32cm wide, pair of candle sticks, lidded jar and footed comport, each centred with hand painted sections of mountains and trees, marked beneath (a quantity)

Lot 849

An Art Deco style table lamp, formed as a figure of a nude lady, with arm outstretched holding a crackle glass orb, on an inverted socle, with electrical feature, unmarked, 69cm high.

Lot 850

A 20thC two branch brass table lamp, with cylindrical reeded section and upper S scroll sections holding frosted pink, white and clear glass shades, on a tricorn base terminating in ball and claw feet, 82cm high.WARNING! This lot contains untested or unsafe electrical items.  It is supplied for scrap or re-conditioning only. TRADE ONLY 

Lot 851

A 20thC brass urn table lamp, on inverted stem with square base terminating in stylised paw feet, 59cm high.

Lot 862

A Chinese style ebonised and mother of pearl inlaid urn table, with a pierced frieze, the top with engraved and inlaid decoration, 44cm high, 17cm wide, and a walnut wine table with piecrust top. (2)

Lot 885

A modern cream Perspex square coffee table, on a rectangular plinth, 28cm high, 80cm wide.

Lot 894

A mahogany writing table, the rectangular top with a red leather insert, above two frieze drawers, on square tapering legs, 107cm wide.

Lot 896

A late 19th/early 20thC oak extending dining table, the rectangular top with canted corners, on square tapering reeded legs with castors, two loose leaves, 75cm high, 120cm wide, 149cm long extended.

Lot 905

An Eastern hardwood television table, the panelled top with a glass inset above a door and a carved drawer flanked by two recesses, on shaped feet, 60cm high, 110cm wide.

Lot 913

A mahogany carved table, in mid 18thC style, shaped top enclosing a baize lined interior, on leaf and scroll carved cabriole legs with hoof feet, 73cm high, 84cm wide.

Lot 917

An early 19thC oak and mahogany fold over tea table, with a small frieze drawer, on square tapering legs, 92cm wide.

Lot 934

A 19thC ebonised Aesthetic movement writing table, the rectangular top with a brown and gilt tooled leather inset, above a freeze drawer flanked by two pierced cupboard doors, on part turned supports with stretcher, in the manner of Gillows, 77cm high, 100 wide.

Lot 940

A continental walnut draw leaf dining table, with a marquetry shaped top, on leaf carved cabriole legs, 73cm high, 206cm wide, 89cm deep extended.

Lot 942

A pine occasional table, circular top with a moulded edge, on turned column and reeded splayed legs with castors, 75cm wide,.

Lot 944

An oak rectangular occasional table, with a carved border on turned supports and feet, 66cm wide.

Lot 945

A mahogany sofa table, the top with rounded corners and a reeded edge, above two frieze drawers, on turned down supports with stretcher and sabre leg, 82cm wide.

Lot 947A

A pine coffee table, the rectangular top with a moulded edge above two frieze drawers, on fluted turned bulbous legs, 47cm high, 132cm wide.

Lot 950

A cream painted kidney shaped dressing table, the raised back with a rectangular mirror plate, with ornate framing, the base with a glass top above three drawers on cabriole legs, 115cm wide.

Lot 952

An Edwardian mahogany and tulipwood cross banded envelope card table, with a frieze drawer on square tapering legs, 55cm wide.

Lot 956

A 19thC oak side table, with a rectangular top with a moulded edge above a frieze drawer, on turned supports with shaped stretcher and bun feet, 70cm, high, 76cm wide, 49cm deep.

Lot 957

An early 19thC oak side table, of plain form with a single mahogany cross banded frieze drawer with oval brass handles on square tapering legs, 71cm wide.

Lot 961

A 19thC oak occasional table, the octagonal top with a chequer banded border, on a turned column and tripod base, 60cm wide.

Lot 962

A mahogany serving table, the rectangular top with a moulded edge above five drawers and a shaped apron on turned tapering legs, 81cm high, 177cm wide, 47cm deep.

Lot 966

A 19thC mahogany occasional table, the square tilt top on a turned column and splayed tripod base, 67cm wide.

Lot 968

A 19thC mahogany occasional table, the rectangular tilt top on a turned column and tripod base, 73cm wide.

Lot 971

A 19thC oak side table, the rectangular top above two frieze drawers, on chamfered legs.

Lot 974

An oak draw leaf extending refectory table, with cup and cover supports and flat stretcher, 143cm wide.

Lot 978

A Regency style mahogany extending dining two pillar dining table, the rectangular top with rounded corners and a reeded edge, on turned columns and slayed legs, 73cm high, 210cm wide, 106cm deep.

Lot 984

A William IV rosewood card table, the rectangular top with rounded cornice to the front above a tapering frieze carved with scrolls, leaves, etc., on a baluster carved fluted column, above a concave platform with scroll carved feet, 91cm wide.

Lot 985

A Victorian pitch pine writing table, the rectangular top with a shaped edge above two frieze drawers, each with Gothic style brass handles, on turned tapering legs, 99cm wide.

Lot 987

A George III mahogany drop leaf table, the rectangular top on turned tapering legs with brass castors, 73cm high, 122cm wide, 174cm deep.

Lot 997

A Danish Skovby rectangular coffee table, with simulated ebony stringing, the rectangular top on a plain base, 39cm high, 140cm wide, 90cm deep.

Lot 998J

A mahogany two pillar dining table in Regency style, the rectangular top with a cross banded border, each support with a turned column and reeded splayed tripod base and brass castors, two loose leaves, the top 271cm x 124cm.

Lot 534

A collection of x6 Gale Force Nine / Battlefront ' Tanks Of Modern Age ' table top war gaming sets comprising x3 Starter Sets and x3 Expansion Packs. All sets appearing complete and unused, within original packaging.

Lot 586

A collection of vintage Subbuteo table top football team figures, boxes (empty) and accessories. Examples comprising felt pitch, goal posts, trophy, x10 boxes and a large bag of assorted figures and goal posts.

Lot 805

Star Wars - An original vintage 1983 Palitoy made Star Wars ' Millennium Falcon Vehicle ' action figure playset. Near complete, just lacking the training ball, arm and floor panel - its other small accessories (top gun, canopy, struts, chair, table, and ramp etc) all present. Housed within its original Return Of The Jedi box. 

Lot 808

Star Wars - An original vintage 1983 Palitoy made Star Wars ' Millennium Falcon Vehicle ' action figure playset. Near complete, just lacking the training ball, arm and floor panel - its other small accessories (top gun, canopy, struts, chair, table, and ramp etc) all present. Housed within its original Return Of The Jedi box.

Lot 1201

A box of assorted vintage silver plated table items and cutlery. To include: early 20th century Elkington plate lidded warming/serving dish, circular galleried serving tray and carving sets.

Lot 1460

November 1943 dated train - tram & bus service “Lightning” time table for Nazi occupied Strasbourg, France.

Lot 114

Table or floor lamp, Italian manufacture, 1980s.Metal and opaline glass.The piece will be available approximately 15 days after payment has been made.Measurements: 86 x 18 x 44 cm.This lamp stands out for its truncated cone-shaped body with a narrow profile and clean lines enhanced by the opaline glass that forms the body supported by a low metal foot. Given its dimensions, it is perfect for placing on a table or chest of drawers, as well as on the floor, creating a comfortable and luminous space.During the 1980s, design became independent from architecture, taking its place in society as a tool of social function and beginning a close relationship with the world of industry.In Italy, the design field, composed of a select group of designers and companies that supported the exclusive creation of decorative elements, held the first exhibition of furniture and decorative accessories independent of architectural support. This event gave rise to the so-called New Design, where more consideration was given to the expression of the spirit of the times through its objects. Many of them were handmade, with the idea of their uniqueness and exclusivity, other pieces were made in series, but in short runs. It was during this period that there was no distinction between art and design, in fact, a large number of decorative objects were exhibited in art galleries and elevated to art objects.

Lot 119

BRUNO GECCHELIN (Milan, 1939) for SKIPPER.Floor lamp, model "Gesto", 1970s.Marble base, metal rods and white metal shade.Producer Skipper.May show signs of age.Working.The piece will be available after a period of approximately 10-15 days.Measurements: 220 x 17 x 62 cm.Bruno Gecchelin graduated in architecture at the Milan Polytechnic School. Since 1962 he has been designing furniture, decorative items and lighting equipment. His most important professional experiences include the design of office machinery and electronics for Olivetti, at first together with Ettore Sottsass and later alone, Panda car accessories for Fiat and air conditioning equipment for Riello. Other companies he has worked for include Fratelli Guzzini, Frau, Arteluce, Indesit, Busnelli, Skipper, Antonangeli, Ycami, Venini and Magneti Marelli.His work has received numerous awards, the most prestigious being the "Lampada D'Oro" in 1980, the BIO/Lubiana in 1982 and 1988 and the Compasso D'Oro in 1989 and 1991. He has been working with Oluce specifically since 1968, and in 1985 this cooperation was marked by a recommendation for the Compasso d'Oro award for the "Personal" table lamp.

Lot 127

Table lamp, France, 1970s.Producer Drummond.Chromed metal and brass.The piece will be available approximately 15 days after payment has been made.Measurements: 58 x 39 x 39 cm.The influence of Art Deco, which emerged in France during the 1920s, is reflected in this elegant lamp from the 1970s. In spite of the temporal distance between the birth of the Deco design and decoration and the production of this lamp, the combination of different materials and the vintage structure, shows us the own vision of this style. The elegance, practicality, glamour and futuristic look are the bases shown in this lot, as well as the combination of silver and gold colour, together with the use of materials such as steel and glass shades announce the extraordinary style of the Art Deco luminaire.

Lot 133

Italian design lamp, 1960s.Chromed metal and plastic lampshade.Measurements: 70 x 45 cm.Table lamp of Space Age style, in white colour, with stylized foot and lampshade in white opaline glass. Space Age is the name given to the period in which the space race was launched, starting in 1957 with the launch of Sputnik. This fever to conquer space also reached design, and during the 1960s and 1970s a model of decoration was developed based on an idyllic vision of the future, and on everything to do with spaceships, new technologies and innovative materials.

Lot 21

Scandinavian dining table and set of six chairs. Art Deco, ca.1920.Birch.Measurements: 79 x 182 x 88 cm.Dining table with six matching chairs. Elegant Scandinavian design in light birch wood. Subtle curves outline chairs and table top, so that support and backrest are defined in a single stroke, characterising the design by combining extreme simplicity and remarkable originality. The table is elevated on legs arranged on a base of slats joined in a double facet, opening out into a subtle wedge and joined by a single crossbeam. The art of economising and stylising forms achieved the highest levels in Scandinavian furniture in the 1920s and 1930s, when Denmark and Sweden were among the countries that championed Art Deco.

Lot 5

OLE WANSCHER (Denmark, 1903-1985).Writing table.Rosewood.Measurements: 74 x 167 x 84 cm.The desk table presented here, a model by Ole Wanscher, made of rosewood, has a design of refined shapes, straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous and organic lines. Standing on four square legs, it has three drawers on each side and two drawers on each side of the central axis.Considered integral to the core aesthetic and functionality of Danish design, Ole Wanscher studied KaareKlint at the Royal Danish Academy of Fine Arts and then worked at Klint's design studio before becoming a freelance furniture designer. Wanscher's classic and contemporary designs made him popular. In 1958, the Danish newspaper Politiken wrote: "Having a Wanscher chair is an adventure every day, and it will be so even several hundred years from now, for this is how long it lasts. Today, his modern classics are still revered for their detailing and his deep respect for materials. While travelling in Egypt and Europe, Wanscher studied furniture design, finding inspiration in diverse visual expressions that he incorporated into his own unique design aesthetic. He saw furniture design as a branch of architecture and emphasised slender dimensions and sturdy forms, a pursuit exemplified in many of his works, particularly the Colonial Chair and Colonial Sofa. Wanscher created his best-known designs mainly between the late 1940s and early 1960s, in the post-war era, when the philosophy of "design for all" emerged. In Denmark, some of the biggest names in design created functional and affordable furniture for the Danes and the small spaces in which they lived. Wanscher took a keen interest in industrially produced but high quality furniture, designing several successful pieces. Wanscher's design won him numerous accolades, including the Copenhagen Carpenters' Guild Annual Prize and the gold medal at the Milan Triennale in 1960, honours that underlined Wanscher's esteemed reputation both in Denmark and internationally.

Lot 7

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969).Barcelona" Armchair. Designed for the 1929 Barcelona International Exhibition.Chrome-plated frame and loose cushions upholstered in brown buttoned leather.Lower upholstery with brown leather harness straps.With maker's label, Knoll International.Condition: intact, unused. In original packaging (84 x 84 x 88 cm).Literature: C. & P. Fiell. 1000 chairs. Mentioned and illustrated on p. 172.Measurements: 80 x 75 x 70 cm. approx.The Barcelona chair (model MR90) is a classic of 20th century industrial design. Mies van der Rohe created it, together with the ottoman and the matching side table, for the German pavilion at the 1929 Barcelona International Exposition, a building which was itself a landmark in the architecture of the last century. The chairs were so admired that they were used as thrones for the King and Queen of Spain when they visited the Barcelona pavilion. They were seats with a structure made entirely of polished stainless steel, with the seat and backrest entirely covered in pigskin upholstery. Later, in 1950, some adjustments were made to the design for mass production. Van der Rohe based his creation, in his personal brand of modern classicism, on the "sella curulis", a type of seat used by Roman magistrates in antiquity. On the other hand, the visible joining of the frame and seat cushions as separate components, and the combined use of traditional and modern materials, appropriately matched to their function, eloquently reveal Mies' personal vision of international style. Today, both the Barcelona chair and the matching ottoman and side table are still produced by Knoll, the firm that bought the licence from the architect in 1953. Modern models are produced in two different steel configurations, and in various types of leather in different colours. Examples of the Barcelona chair can be found in important collections around the world, such as the MoMA in New York.An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany forced him to emigrate to the United States shortly afterwards. There he continued his brilliant career, while at the same time teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings, mainly in Germany and the United States, particularly his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

Lot 8

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969).Barcelona" Armchair. Designed for the 1929 Barcelona International Exhibition.Chrome-plated frame and loose cushions upholstered in brown buttoned leather.Lower upholstery with brown leather harness straps.With maker's label, Knoll International.Condition: intact, unused (in original packaging).Literature: C. & P. Fiell. 1000 chairs. Mentioned and illustrated on p. 172.Measurements: 80/44 cm (height approx.) x 75 x ca.70 cm; 84 x 84 x 88 x 88 cm (packing).The Barcelona chair (model MR90) is a classic of 20th century industrial design. Mies van der Rohe created it, together with the ottoman and the matching side table, for the German pavilion at the 1929 Barcelona International Exposition, a landmark building in the architecture of the last century. The chairs were so admired that they were used as thrones for the King and Queen of Spain when they visited the Barcelona pavilion. They were seats with a structure made entirely of polished stainless steel, with the seat and backrest entirely covered in pigskin upholstery. Later, in 1950, some adjustments were made to the design for mass production. Van der Rohe based his creation, in his personal brand of modern classicism, on the "sella curulis", a type of seat used by Roman magistrates in antiquity. On the other hand, the visible joining of the frame and seat cushions as separate components, and the combined use of traditional and modern materials, appropriately matched to their function, eloquently reveal Mies' personal vision of international style. Today, the Barcelona chair, ottoman and matching side table are still produced by Knoll, the company that bought the licence from the architect in 1953. Modern models are produced in two different steel configurations, and in various types of leather in different colours. Examples of the Barcelona chair can be found in important collections around the world, such as the MoMA in New York.An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany forced him to emigrate to the United States shortly afterwards. There he continued his brilliant career, while at the same time teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings, mainly in Germany and the United States, particularly his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

Lot 58

VICTORIAN DRESSING TABLE SET: PINK GROUND WITH ENAMELS

Lot 101

ART DECO STYLE NUDE FIGURE COFFEE TABLE

Lot 114

ANTIQUE DRESSING TABLE TOP MIRROR

Lot 187

ANTIQUE OVAL WALL MIRROR AND DRESSING TABLE MIRROR

Lot 201

VICTORIAN MAHOGANY DINING TABLE

Lot 210

ANTIQUE TABLE TOP BOOK PRESS

Lot 1004

An oak barley twist writing/fold over table.

Lot 104

A 19th century mahogany dressing table mirror; a 3 tier cake stand

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