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Unique Auctions
Lot 770

A table bench saw, COLLECT ONLY.

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Unique Auctions
Lot 797

A two drawer side table decorated with images of Marilyn Monroe, COLLECT ONLY.

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Setdart Subastas S.L
Lot 104

Set of six table lamps. Baroque style, pps. XX.Carved wooden shafts, polychromed with silver colradura.Parchment lampshades.Electrified.Remains of xylophages. Lack of polychromy.Measurements: 70 cm. high.Group of six table lamps of baroque inspiration, with their shafts in carved wood, so that they alternate turned, globular and grooved forms between gallons and mouldings. The lampshades are made of parchment, decorated with fringes.

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Setdart Subastas S.L
Lot 106

Pair of baroque columns, 18th century, transformed into table lamps.Carved wood and parchment lampshades.Later bases, 19th century.Measurements: 61 cm. column height; 104 cm. total height.Pair of sogueadas columns, in finely carved wood with helicoidal mouldings in its shafts, that finish with capitals of compound order. The shafts are slightly domed. The columns are Baroque in style and period, and have been adapted for use as table lamps, with parchment lampshades, fabric stitching and fringing.Columns of this type were very common in the 18th century as they united the three artistic trends that occurred in Spain in this century: they unite a certain Rococo movement with the decorum, restraint and classical inspiration characteristic of Neoclassicism, while still remaining attached to the Baroque style.

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Setdart Subastas S.L
Lot 142

Spanish school, last third of the 19th century."Table of the Pavilions of the Globe", 1872.Mixed media on paper.Defects and dampness.Measurements: 47 x 63 cm; 60 x 76 cm (frame).Singular drawing with a wide display of flags of the nations of the world, made in 1862. It includes in its central part two paintings representing, respectively, an urban and a rural view.

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Setdart Subastas S.L
Lot 29

Spanish school, last third of the 18th century. Circle of Anton Raphael MENGS (Aussig, 1728-Rome, 1779)."Charles III". ca.1780.Oil on canvas.Re-framed.Back frame.Frame with xylophages. Slight lack of polychromy.Measurements: 121 x 100,5 cm; 142 x 121 cm (frame).Mengs's portrait of Charles III became the official image of the monarch and was the subject of several period versions, but there are significant variations in them. In the present painting, which is remarkably well executed, the monarch retains the pose of the original, holding a baton in his right hand while his left hand, with his forefinger outstretched, gives some kind of indication or order to a subject outside the painting. The wide pilaster provides a view of the palatial interior, although on this occasion the curtain is omitted. In analysing this painting, account should also be taken of contemporary works in which the governor wears the blue sash of the Royal Order of Charles III, such as the engraving by Manuel Salvador Carmona of 1783 (in which the motif of the icon of the Immaculate Conception on his chest is repeated) and, among others, the oil painting by Mariano Salvador Maella (now in the Banco de España Collection), who was painter of the chamber in 1774. As in Maella's painting, the king here wears a coat finely brocaded in gold and silk. Maella also painted a version with the king wearing armour, as in the original. The royal robe rests on the table, as in Mengs's painting. The rich qualities of the ermine, brocade, lace, silk, etc. are expressed with delicate brushstrokes and the right use of glazes. The courtly conception prevails over the military one in Mengs's painting. The face, like that of the German painter, is severe and regal. It is captured with the utmost naturalness. The successive interpretations of the royal effigy were intended to satisfy the demand for commissions from foreign courts and the governmental centres of the vast Spanish empire.

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Setdart Subastas S.L
Lot 3

Spanish school, late 18th century."Archbishop of Toledo", 1788.Oil on canvas.Frame from the 19th century.It presents faults and repainting.Measurements: 98 x 79 cm; 116 x 97 cm (frame).Portrait of the cardinal Francisco de Lorenzana (1722-1804), a figure of great relevance in the ecclesiastical sphere of his time. He was a Spanish cardinal, historian, liturgist and enlightened humanist, as well as archbishop of Toledo. It is this last position and that of cardinal that is depicted in this painting, as the scroll in the lower right-hand corner shows. With his right hand, Lorenzana makes the gesture of blessing while with his left he holds a piece of paper, perhaps a letter that he is about to write. On the red muceta, which falls from his shoulders and under which the white tunic shows, he wears a crucifix next to the large cross and the sash of the order of Charles III. Following the Baroque tradition of the velvet drapery that theatricalises the scene, the figure is placed before a maroon velvet curtain and next to a raised table on which a silver inkwell can be glimpsed. Her features are skilfully rendered, conveying an alert character. His large black eyes contrast with the whiteness of the flesh of a mature man. In the late 18th and 19th centuries several versions of this portrait were produced (such as the one in the Museo del Prado by Matías Moreno González), based on a portrait in the library of Toledo cathedral.

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Setdart Subastas S.L
Lot 59

Table clock, Empire period. France, early 19th century.Gilt bronze.Some lack in the figure.The pendulum and the key are missing. It needs to be overhauled (it does not work).Measurements: 40 x 27 x 10 cm.Desk clock from the Empire period, with the case and the sculptural decoration in gilded bronze. It consists of a base decorated with reliefs depicting Eros and a lion. On the clock case sits a round representation of the Greek goddess of Victory, Nike, whose graceful anatomy follows neoclassical precepts. Floral compositions and plant growths complete the decoration. The dial of the clock has Roman numerals in black on a white background, with Breguet-style hands, and is bordered on the outside by a bronze floral wreath.

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Setdart Subastas S.L
Lot 63

Table clock after 18th century English Bracket models. Late 19th-early 20th century.Wood decorated with chinoiserie.Swiss movement.With key.Needs overhaul of machinery. Some old xylophages. Slight lack of polychromy.Measurements: 47 x 29 x 19 cm.Desk clock, bracket type, with the wooden case painted with chinoiseries based on folkloric characters among vegetal designs. The dial, in gilt metal, is decorated with spandrels in dynamic openwork. Gilt metal pinnacles finish off the structure. It has a front with a simple architectural composition, raised on a moulded base and topped by a slope with curved corners. The dial is numbered in Roman numerals (for the hours) and Arabic numerals (for the minutes). A second dial is engraved with the inscription 'Tempus fugit'. The handle finish makes the watch easy to carry.

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Setdart Subastas S.L
Lot 64

George III Bracket Clock, signed Simpson Wigton. England, second half of the 19th century.Mahogany case with bronze appliques.Silver dial with gilt bronze spandrels.With key.In running condition, but in need of refinishing. Some old xylophagus.Measures: 44 x 27 x 17 cm.English table clock, bracket type, with the dial signed "Simpson Wigton". It has a front with a simple architectural composition, raised on a base with a cut-out skirt and finished off with a slope of curved angles. The front of the clock has classical foliate compositions, with vegetal latticework on the sides. The dial is numbered in Roman numerals (hours) and Arabic numerals (minutes). Above the dial, with a silver-plated disc, is a second dial with a chiselled eagle and the engraved inscription "Tempus fugit". The handle finish gives the piece great functionality and makes it easy to carry.Bracket clocks of English origin date back to the 1960s, when the pendulum was applied to the clock, replacing the previous "foliot" regulator or balance wheel. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This is how transportable watches came into being. These were short case pieces, which housed inside them a mechanism held between two thick plates and containing, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name.

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Setdart Subastas S.L
Lot 78

Baroque dining table, ca. 1700.Walnut wood. Iron fasteners.It has xylophages. Needs refinishing. Rear interior crossbeam.Measurements: 80 x 143 x 80 cm.17th century Spanish lyre-legged table, with a tabletop made from a single piece of wood, legs trimmed and decorated with carved details on the fronts and curved iron fastenings. As is customary for these tables, both legs are joined to the tabletop by wrought-iron fasteners. The lyre-leg table originated in Italy in the 16th century, often as a table for representation rather than for use. Inspired by the tables of classical antiquity (made of marble and with cross supports), they have two lateral supports which can be removed for transporting the piece of furniture, and which may have a lyre or vase profile. These cross supports are decorated with classical Renaissance motifs. In the centre of these supports is an H-shaped foot, which may be decorated, as shown here, with a wavy mixtilinear profile.

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Setdart Subastas S.L
Lot 80

Baroque style side table. Spain, 19th century.Walnut wood.Presents xylophages. Needs refinishing. Signs of wear and tear.Measurements: 53 x 51 x 37 cm.This baroque style table perfectly represents the tradition of Spanish furniture from the 16th century to the 20th century. In the Middle Ages, as was the case in the 16th century, the tables of the courts and great houses were simple tables on tassels, where the richness lay in the rich fabrics that covered them. It is therefore a very widespread table model in Spain, consisting of a rectangular tabletop, a frieze with one or more drawers on the front and legs joined by footings or chambranas of different shapes. The difference lies in the decorative richness, which will depend on the economic possibilities of the client. The table presented here is particularly rich, with turned legs and feet and carving on the front of the drawer. The carving of the drawer is entirely geometric, still of Mannerist heritage, as is common in 17th-century popular furniture. Thus, we see rhomboidal and faceted motifs. Also noteworthy is the highly complex turning of the legs, which alternates lentils and balusters, a highly dynamic pattern that faithfully follows the Baroque style.

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Setdart Subastas S.L
Lot 83

Baroque side table, 17th-18th century.Walnut wood.Presents xylophages. Needs restoration. It shows wear and tear due to use and the passage of time.Measurements: 54 x 68 x 40 cm.Spanish table from the Baroque period made entirely in walnut. It has a rectangular top with a marked overhang and a solid lower structure with a high waist with a reticulated front drawer and four legs joined by means of perimeter crosspieces. The waist is reinforced by a mixtilinear skirt with marked curved forms. The decoration of the piece is enhanced by the carved vegetal rails on the legs.The 17th century in Spain was a period of decadence, and this is reflected to a great extent in the furniture. There were not as luxurious pieces as in other countries, a fact also determined by the pragmatics against luxury dictated by the monarchs. However, Spanish furniture from the Baroque period was of considerable quality, with an enormous personality and, above all, a great interest from the point of view of typology and the search for functionality over decoration.

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Setdart Subastas S.L
Lot 84

Pair of corbels - bedside table, first third of the 20th century.Polychrome wood.Slight wear and tear due to use and the passage of time. Slight lack of polychromy.Measurements: 46 x 40 x 25 cm .Pair of corbels - bedside table, from the first third of the 20th century, in polychromed and gilded wood, with floral decoration. Semicircular top with drawer on the front and marbled polychrome on the top. Wavy wall support.

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Setdart Subastas S.L
Lot 88

Baroque side table, ca.1700.Walnut wood with marquetry on the top.With lateral wings.With xylophages. Wear and tear due to use and the passage of time. Needs to be reworked.Measurements: 75 x 87 x 44 cm (closed); 87 cm (diameter of open top).Spanish table from the Baroque period made of walnut, decorated with turned and carved mouldings. It has a rectangular top and a solid lower structure with a high waist with a drawer and four legs joined by a perimeter frame. It has two lateral extensible wings that turn the piece of furniture into a round table. The legs are worked with mouldings and lentils typical of the Baroque style. The construction of the piece of furniture is simple and solid, based on assemblies and one-piece tops. The top has a chessboard worked in marquetry.The 17th century in Spain was a period of decadence and this is reflected to a great extent in the furniture. There were not as luxurious pieces as in other countries, a fact also determined by the pragmatics against luxury dictated by the monarchs. However, Spanish furniture from the Baroque period was of considerable quality, with an enormous personality and, above all, a great interest from the point of view of typology and the search for functionality over decoration.

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Bonhams
Lot 155

DIAMOND-SET BROOCH, LATE 18TH CENTURYOf floral design, set with table-cut diamonds in foiled back settings, diamonds approx. 1.70cts total, later brooch fitting, fitted case by S.J. Phillips Ltd, 139 New Bond St., London, W1For further information on this lot please visit Bonhams.com

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Bonhams
Lot 302

DIAMOND-SET BROOCH, PROBABLY 19TH CENTURYOf girandole design, with scrolling foliate motifs, set with table and rose-cut diamonds, in closed back settings, later brooch fitting, length 4.5cmFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 80

ENAMEL AND DIAMOND CUFFLINKSSingle-sided, each plaque set with a table-cut diamond in foiled closed back setting, with red enamel border, the reverse with floral motif decorated with green and red enamel, via a chain link connector and T-bar terminal, plaque length 1.2cmFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 84

TWO DIAMOND BANGLESEach set throughout with table-cut diamonds, within single-cut diamond surrounds, in foiled closed back settings, with blackened metal settings, inner circumference approx. 18.5cm (2)For further information on this lot please visit Bonhams.com

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Roseberys London
Lot 118

AMENDED DESCRIPTION: Note the base is onyx not bakelite.Jaeger Le-Coultre,8-day Illuminated terrestrial globe table clock, 1930s,Cal. 201 mechanical 8-day jewelled lever movement wound through the base, Glass globe overlaid with paper, bakelite and chrome base, Unmarked other than 'MADE IN FRANCE' to chrome, Approx. 25cm diameter, 15cm highPlease refer to department for condition report Sound working order

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Roseberys London
Lot 170

David Marshall (b.1942), Brutalist place mats and a table lighter, circa 1970, Brass and chrome, leather underside, Table lighter: inscribed signature D. Marshall, others unsigned, 7 x regular hexagon 27cm x 23.7cm, 7 x elongated octagonal form 22.6cm x 11.7cm, Table lighter: 14.5cm highWould benefit from restoration. Some leather backings have separated from the metal. Various knocks, scrapes and dents, surface marks and green staining. One hexagonal mat the brass inner has come away and requires re-fixing. It is possible some crude restoration has been attempted as some of the mats have glue residue.

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Roseberys London
Lot 178

Robert Dudley Best (1892-1984) for Best & Lloyd, Model 'BL1' table lamp, originally designed 1930, this example circa 1960/70, Chromed and enamelled steel, Manufacturer's label to underside and cast mark to stand - 'British, Rd 762006, Best', 72cm highPlease refer to department for condition report

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Roseberys London
Lot 189

Norman Foster (b.1935) for Tecno, 'Nomos' table, circa 2010, Glass, chrome plated steel, rubber, Base with cast manufacturer's mark, 75cm high, 120cm diameterPlease refer to department for condition report

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Roseberys London
Lot 202

Bramin Mobler, Rosewood extending dining table, with one additional leaf, circa 1960, 73cm high, 121.5cm diameter, 172cm wide extended Cites no. 617765/01Please refer to department for condition report

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Roseberys London
Lot 213

Poul Kjaerholm (1929-1980) for E. Kold Christensen, 'PK54' dining table, circa 1963, Flint-rolled Cippolino marble, steel, 65cm high, 140cm diameter Literature Michael Sheridan, 'The Furniture of Poul Kjaerholm: Catalogue Raisonne', Gregory R. Miller, 2008, pg. 115-117Please refer to department for condition report

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Roseberys London
Lot 218

Manner of Maison Jansen, Coffee table, circa 1960, Brass, black glass, 50cm high, 99cm wide, 49cm deepPlease refer to department for condition report

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Roseberys London
Lot 220

Manner of Maison Jansen, French marble top coffee table, circa 1960/70, White marble, brass, lacquered metal, 38cm high, 141cm wide, 110.5cm deepPlease refer to department for condition report

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Roseberys London
Lot 225

Philippe Barbier (1927-2020) for Maison Barbier, Pair of 'Ipso Facto' table lamps, circa 1970, Laminated wood, ebonised wood, steel, fabric shades, 51cm high, 80cm high with shadePlease refer to department for condition report

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Roseberys London
Lot 226

Designer Unknown, Large hand hewn pine coffee table, late 20th century, Stained pine, 38cm high 158cm wide, 98cm deep Provenance Purchased from Tucker Robins, New York, 1999Please refer to department for condition report

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Roseberys London
Lot 238

Manner of Ico Parisi, Console table, circa 1950, Beech, Zebrano, brass, 81cm high, 88cm wide, 28.5cm deepPlease refer to department for condition report

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Roseberys London
Lot 244

Augusto Bozzi (1924-1982) for Saporiti, Side table, circa 1955, Teak, enamelled steel, brass, 54cm high, 99.5cm wide, 52.5cm deep Notes Featured in Domus no. 316, this side table was awarded the 'Honorable Mention' prize at the 1955 Premio Compasso d'Oro by ADIPlease refer to department for condition report

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Roseberys London
Lot 248

Manner of Romeo Rega, Chromed and brass coffee table, circa 1970, Brass, chromed steel, glass, 41cm high, 140cm wide, 70.5cm deepPlease refer to department for condition report

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Roseberys London
Lot 251

Antonio Citterio (b.1950) for B&B Italia, 'Diesis' coffee table, circa 1980, Marble, aluminium, Manufacturer's mark to underside, 26.5cm high, 190cm wide, 95cm deepPlease refer to department for condition report

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Roseberys London
Lot 255

Edward J. Wormley (1907-1995) for Dunbar, Model ‘4460’ coffee table, circa 1950, Walnut veneered wood, Stamped to underside ‘Dunbar, 4460’, 33.5cm high, 137cm wide, 68.5cm deep Provenance Treadway Gallery Auction, Sept 11th 1999, ex lot 1476Please refer to department for condition report

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Roseberys London
Lot 256

Paul McCobb (1917-1969) for Planner Group, Maple side table with drawer, circa 1950, Maple veneered wood, ebonised wood, 51.5cm high, 71.5cm high, 56cm deep Provenance Treadway Gallery Auction, August 25th 1996, ex lot 715Please refer to department for condition report

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Roseberys London
Lot 259

Designer Unknown, Modernist side table with shelves, circa 1940/50, stained oak, Stamped 'F201' to underside, 56cm high, 46cm wide, 28cm deepPlease refer to department for condition report

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Roseberys London
Lot 286

Theresia Hvorslev (b.1935) for MEMA, Silver plate First Class cutlery set for Scandinavian Airlines, c.1964, Comprising six forks, six knives, six table spoons and five teaspoons, Each marked 'Mema, EPNS, Theresia, SAS', Forks: 17.5cm long; knives: 19.5cm long; table spoons: 15.5cm long; teaspoons: 11.7cm longPlease refer to department for condition report

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Roseberys London
Lot 309

Don McCollin and Maureen Bryan for McCollin Bryan, ‘Bloc’ coffee table, circa 2010, Scagliola, wood, castors, 38cm high, 200cm wide, 90cm deepPlease refer to department for condition report

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Roseberys London
Lot 313

Maitland Smith, Modern console table, c.1990, Shagreen, patinated metal, Manufacturer’s plaque to underside, 68cm high, 180cm wide, 41cm deepPlease refer to department for condition report

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Roseberys London
Lot 314

Celeste dell ‘Anna, Pair of lacquered table lamps, circa 2015, Coquille d’oeuf lacquer, Porta Romana fabric shades, Each 75cm high, 100cm high with shadePlease refer to department for condition report

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Roseberys London
Lot 326

Tom Dixon (b.1959), 'Bell' table lamp, circa 2020, Brass, frosted glass, printed manufacturer's marks to base, 44cm highPlease refer to department for condition report

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Roseberys London
Lot 329

Armani Casa, Pair of 'Bloom' table lamps, circa 2015, Alabaster, fabric shade, Each with manufacturer's label to underside, Each 76cm highPlease refer to department for condition report

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Roseberys London
Lot 33

Charles Schneider (1881-1958) for Le Verre Francais, Fig leaves pattern table lamp base (no shade), circa 1920, Cameo glass, later wooden base, Tricolour berlingot mark to lower stem, 28cm high excluding metal fittingOverall condition good, small 4mm scrape to one of the orange leaves, no other damage found. Lamp not tested as working.

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Roseberys London
Lot 51

Carlo Bugatti (1856-1940), Octagonal side table, circa 1900, Hammered brass, vellum, ebonised wood, mahogany, pewter, copper, 40.5cm high, 39cm squarePlease refer to department for condition report

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Bonhams
Lot 153

C.L Braun (active Germany, 18th Century)A table top still life with dead birds oil on canvas64.8 x 84.2cm (25 1/2 x 33 1/8in).For further information on this lot please visit Bonhams.com

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Jones & Jacob
Lot 528

An African? carved hardwood square shaped coffee table, on block base, 42" square

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Jones & Jacob
Lot 529

An Edwardian mahogany and line inlaid music cabinet with ledge back and cupboard door enclosed three shelves, on square taper supports, 21" wide x 44 1/2" high, and a mahogany and line inlaid two-tier kidney-shaped occasional table, on square cabriole splayed supports, 23" wide x 28" high

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Jones & Jacob
Lot 542

A gold painted shaped front console table, 24" wide, and a white painted two-tier hanging wall shelf, 59" wide

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Jones & Jacob
Lot 564

A set of five teak occasional tables, four circular drop leaf and one rectangular table, 29" wide x 17" deep x 19" high

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Jones & Jacob
Lot 565

A 1960s teak low two-tier coffee table, 44" wide x 15" deep x 15" high

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Jones & Jacob
Lot 570

An Edwardian mahogany and satinwood banded two-tier occasional table, on splay supports, 16" wide x 13" deep x 27 1/2" high

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Jones & Jacob
Lot 116

An early 20th century brass table lamp, 21" high

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Jones & Jacob
Lot 18

A Waterford cut crystal two-branch table lustre, 19" high (one drop deficient)

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Jones & Jacob
Lot 189

A pair of silvered table lamps, on circular bases, with oval shades, 33" high

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Jones & Jacob
Lot 190

A pair of cut glass globe table lamps, on circular bases, 14" high

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Jones & Jacob
Lot 195

A frosted pendant glass ceiling light, a square frosted glass hall light and an alabaster table lamp

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Jones & Jacob
Lot 196

An assortment of light fittings, including a brass oil lamp, ceiling lights and a white glass oil lamp, fitted as a table lamp (shade repaired)

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Jones & Jacob
Lot 22

A quantity of clear table glass with engraved decoration, on square bases

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Jones & Jacob
Lot 24

A Gorham cut and gilt glass part table service of twenty-three white and sixteen red wine glasses, on star cut bases

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Jones & Jacob
Lot 25

A pair of Stuart cut glass brandy balloons, two pairs of Dartington Diamond Jubilee goblets and other table glass, etc

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