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A four-piece silver backed dressing table set, W I Broadway & Co, Birmingham 1983, comprising hand held mirror, 23.2cm long, a hairbrush, 22cm long, a clothes brush, 15cm long, and a comb, 16.7cm long, each embossed with green man masks, birds and scrolling detail, mirror and brushes with vacant cartouches to reverse, all set to a fitted boxCR; Good order. Some denting, general scratching and mostly concentrated to the highpoints of the embossed decoration, and around the edges of the hairbrush and mirror. the comb shows the most wear and damage, as the silver mount is becoming slightly detached and shows some splitting and thinning. There is no obvious thinning or splitting to any of the other pieces, and none show signs of repair. Glass of the mirror is in good order, and teeth of the comb are in good order. There are some bent and misshapen bristles on the hairbrush and clothes brush.
An Edwardian silver cut glass inkwell by James Dixon & Sons, Sheffield 1904, the octagonal base with pierced scrolling borders raised on four feet, 6.5cm high, together with a pair of George V silver mounted cut glass pepperettes, by George Unite, Birmingham 1924, each 5.7cm high, a silver mounted cut glass dressing table bottle, 9.4cm high, and a silver mounted cut glass bottle, 9cm high (5)
A selection of George III and later silver, silver coloured and silver plated cutlery, to include: a part set of plated cutlery by Elkington & Co, comprising six fish knives (22cm long), six dinner forks (21cm long), six salad forks (18cm long), four fish forks (20cm long), six dessert spoons (17.5cm long) and three table spoons (21.5cm), a cased set of six silver coffee spoons, Roberts & Dore Ltd, Sheffield 1960, each 9.5cm long, a cased pair of silver plated fish servers by Walker & Hall, knife 32cm long, a further cased pair of silver plated fish servers by Lee & Wigfull, knife 33cm long, a George III composite three-piece silver Christening set, each marked for London 1802 (maker?s marks worn), knife 18cm long, set to a later box, and a further assortment of silver and white metal cutlery (Qty)
A quartetto of Chinese hardwood tables, mid 20th century, each with a rectangular top above an openwork frieze, raised upon legs of square section united by peripheral cross stretchers, the largest 66cm H x 45cm W x 34cm DCondition reportFirst table (smallest), chip and restoration to the top of one leg, repair/restoration to one cross stretcher, very minor split to the table top.Second table, cross stretcher re-glued at joint, restoration/repair to the frieze and underside at the top of both rear legs, light water marks to the table top.Third table, table top has joint split at the border.Fourth table (largest), light scratches to table top, one leg has been chamfered and has gap at the top joint, indicating some level of repair/restoration.
A selection of silver mounted and silver coloured tableware and accessories, to include; an Edwardian silver mounted photograph frame by Boots Pure Drug Company, Birmingham 1905 (at fault), a Victorian silver double frame mount by William Comyns, London 1899 (at fault), a matched silver back hairbrush and mirror, a silver back clothes brush, a silver mounted comb, three silver mounted dressing table jars, and a further example with silver coloured mount (10)
A pig skin Pittway & Brothers gentleman?s travelling Gladstone type vanity case, enclosing a selection of dressing table bottles, including six silver topped examples by Norman Marshall, London 1911, brushes, a vesta case, a shoe horn, a writing folio etc, case 42cm wide
A silver mounted glass hunting flask, possibly Thomas Johnson I, (assay and date letter absent), the tapering glass bottle with silver bayonet clasp, 25cm long, together with a William IV silver mounted cut glass cylindrical dressing table jar, Archibald Douglas, London 1829, 6.8cm high, a rectangular example, 9.5cm x 6.2cm, and a Victorian silver sauce boat, Joseph Rodgers & Sons, Sheffield 1898, 15.8cm long (4)CR; Rectangular jar: No large dents, splits or signs of repair to the cover. General scratching and wear, and some losses to the engraved decoration. There is a heavy amount of small chips and losses to the highpoints of the glass body, mostly concentrated around the corners. General scratching and wear to the glass body. Cover is stiff to remove.Cylindrical jar: A few small dents to the edge of the cover. There is moderate wear to the engraved decoration on the cover. No splits or signs of repair. There is a heavy amount of small chips and losses to the highpoints of the glass body. General scratching and wear to the glass body.Sauce boat: Some small dents to the body. General scratching and wear commensurate with age and use. No signs of splitting or repair.Flask: Some chips to the base of the bottle. General scratching and wear to the glass body. Some small dents to the cover. Moderate scratching and wear. Bayonet mechanism in working order.
An oak haberdasher's table top display cabinet, early 20th century, comprising four sectioned trays joined by a brass concertina mechanism with a sectioned drawer under, the second and third trays with printed black outlined gilt lettering "CLARK'S "ANCHOR" STRANDED COTTON FOR EMBROIDERY", the glazed top with applied label "FAST COLOURS", 57cm W X 20cm D x 16cm H, with contents to include yarns, bobbins, buttons and shells CONDITION REPORT:The concertina mechanism is slightly loose allowing some lateral movement. The FAST COLOURS label shows some staining. The top shows some form of white residue to the right of the label and on the back edge of the frame supporting the glass top. There is a split to the left hand side of the bottom drawer section.
A Murano style millefiori caneware table lamp, mid 20th century, the mushroom shade raised on a baluster stem on bun foot, 34.5cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
After Henri Coutheillas (French, 1862-1927), an Art Nouveau bronze figural table lamp, modelled as a butterfly winged nymph entwined in a foliate stem, the stem extending to support an opaque glass foliate shade, set to a shaped marble base, signed in the casting, 55cm high (at fault) CR: Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.The base is fractured (see pictures). The broken area remains attached by the felt to the base, and will require repair. The figure is loose in the base, owing partly to the large fracture which runs beneath it, and requires tightening. The glass shade shows no visible chips, cracks or losses, but is slightly wobbly, and may require tightening.
A Rococo style brass standard lamp/wine table, late 19th, early 20th century, the converted oil lamp reservoir upon a telescopic Corinthian column, extending to a galleried marble tray top upon three cast scrolling foliate supports, terminating in an ebonised baluster column applied with rams mask terminals upon down swept leafy supports and hoof feet, 173cm extending to 222cm, (shade at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of French Art Nouveau spelter figural table lamps, titled 'Muse des Bois' and 'Chant des Pres', each mounted on rouge marble effect circular bases, with toleware flower heads and leafy decoration, signed, tallest 90cm high (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A 17th century style oak refectory table, the early three plank cleated top above an invert moulded frieze, raised upon turned bulbous legs and block feet, united by a 'H' cross stretcher, 75cm H x 229cm W x 79cm D Length of table without the top 168cmCondition reportLength of table without the top 168cmTable top appears to be early early timbers with plenty of character, minor splits and gnarls with a deep patina.Minor circular plug fills and a small block repair to one side with later cleats to both ends.Legs and frieze are later timbers, with splits to two legs although this does not effect the stability.Cross stretchers also appear to be early timbers with evidence of historic worm.Overall the table is in good solid condition however due to the later reconstruction should not be considered as a purists table.
A George III mahogany tray top tripod table, the scalloped table top mounted upon a birdcage movement and a baluster pillar, with carved wrythen detail, extending to three leaf carved cabriole supports terminating in ball and claw feet, 73cm H x 72cm DCondition reportOverall light fading/ bleaching, minor light scratches, rubbing and marks to the top. Very fine hairline crack to the top running 30cm from the rim.Metal bracket added to the underside of the pillar extending to the underside of one leg.Very minor split at the top of one leg joint
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1181390 item(s)/page