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Heavily carved table with dragon skirts. Each leg also has a dragon head carved on it. Ebonised surface with natural wood top. Dimensions are: 40" long, 29 1/2" deep, 30 3/8" tall. All measurements are approximate. Condition: Minor surface wear mostly from age. A couple of scratches to top. Excellent. Provenance: Rhode Island Estate imported by family's great-grandfather, who was an importer of Japanese products in the late 19th - early 20th century.
Complete eight place size for 12 people. Also has two table serving spoons, six large soup spoons, sugar spoon, master butter knife and butter fork and a child's knife and fork. Eight of the dinner knives are hollow handle but have sterling blade four are sterling handle with stainless blades. Set is monogrammed "C" except child's pieces which are "E.P.C" Set was sold by Stelfox Jewelers of Austin, TX. Total approximate weight: 3995.3 grams including approximately 56 grams for the hollow
114 pieces total. Set includes: 11 French Hollow knives, 9 flat handle butter knives, 10 dinner forks, 16 salad forks, 19 oyster forks, 12 iced tea spoons, 18 teaspoons, 8 round bowl soup spoons, 2 table spoons, solid gravy ladle, solid jelly server, solid lemon fork, hollow pastry server, hollow cheese server, hollow carving set, hollow wood salad fork and a spare hollow handle. Many, but not all, are early pieces with the 1897 patent date. All housed in a mahogany four drawer approximate. Condition: Not monogrammed. Some pieces has small dings, scratches, tarnishing. Fine overall.
19th century Elizabethan style table, with two folding panels and sliding support for top. Appears to have original finish. Dimensions are: Top - 23" square with leaves unfolded, 27 5/8" tall. All measurements are approximate. Condition: Surface wear and some discoloration. Very Good - Fine.
18th century copy of an Elizabethan table or stand with pegged construction. Dimensions are: 29 7/8" long, 16 3/4" deep, 28 7/8" tall. All measurements are approximate. Condition: Three panel top board has separation on seem. Surface wear. Bottom crossbar split. Right front leg old age split. Very Good.
ALEXANDER OSMERKIN (RUSSIAN 1892-1953)Still Life with a Beer Bottle, 1946oil on canvas65 x 80 cm (25 6/8 x 31 1/2 in.)signed, dated and titled in Cyrillic on verso [initials and date altered in 1975 upon emigration of family from the USSR]PROVENANCEProperty of the Family of Alexander Osmerkin, to the present day.EXPERTISEThe nephew of the artist, son of Rostislav Osmerkin (brother of Alexander Osmerkin), has provided a notarized letter of provenance and identity to be sold with this painting, a copy of which is available upon request. LOT NOTESAleksandr Osmerkin was an avant-garde Soviet artist, best known as one of the members of "The Jack of Diamonds" group along Pyotr Konchalovsky, Mikhail Larionov, and Ilya Mashkov. Born in 1892 in present-day Ukraine, Osmerkin first entered the St. Petersburg Art School at the Society of Encouraging Artists at the age of 18 (where one of his classmates was Nicholas Roerich) and then the Kiev Art School, until traveling to Moscow in 1913 to study under Mashkov. The following year, Osmerkin began exhibiting with "The Jack of Diamonds" and made the acquaintances of Osip Mandelstam, Anna Akhmatova, and Sergei Esenin, among others. In 1918-1947 Osmerkin was active mainly as a professor at various art institutions in St. Petersburg and Moscow (such as VKhUTEMAS and the Imperial Academy of Arts), until forced to resign from his position under accusations of formalism.Osmerkin often referred to Paul Cezanne as a major influence on his work, in addition to the Fauvists and Cubists. Still Life with a Beer Bottle exhibits these influences of Western modern art, but with Osmerkin's own expressive style, bravura brushwork, and Russian character. The table, featuring a vase of blooming roses, is set luxuriously with lobsters, sausages, cheese, a bottle of beer - foodstuffs not easily available to Osmerkin or the general public in 1946 Soviet Russia. In light of Osmerkin`s personal life - who lived through the Revolution, both World Wars, and was devastated by the execution of his friend Osip Mandelstam - this vibrant, textured painting may be seen as a response to the harsh realities of life.
VIOLA PUSHKAROVA (UKRAINIAN B. 1929)Two Ivans and Oksana, 1964oil on canvas108 x 164.5 cm (42 1/2 x 64 3/4 in.)PROVENANCEJurii Maniichuk and Rose Brady CollectionEXHIBITEDNew York, Brooklyn Museum, Russian Modern, 2011-2016New York, Ukrainian Institute of America, December 2016-April 2018.LITERATUREJurii Maniichuk, Realism and Socialist Realism in Ukrainian Painting of the Soviet Era (Kiev: LK Maker, 1998), p. 191 (illustrated) LOT NOTESViola Oleksiivna Pushkarova is a genre and still-life painter. In 1958, Pushkarova graduated from the Kharkiv Art Institute, where she studied under Leonid I. Chernov, Oleksandr P. Luibimskiy, Oleksandr A. Khmelnitskiy, et al.Two Ivans and Oksana serves as both a still life study and an authentic genre scene - the exhausted father dozes off at the table while his two children play on the floor. Pushkarova enriches the piece with details such as the milk bottle, placed precariously close to the sleeping man, and the overboiling pot on the stove in the upper right corner. The surface is remarkably textured - from the curving strokes on the walls to the richly patterned carpet, the image seems to pulsate, embodying the spirit of spontaneous verisimilitude. The concise, soft modeling of the children's faces, though mostly hidden from view, is reminiscent of that of Mary Cassatt, particularly in her mother-daughter scenes, and exemplary of Pushkarova's technical prowess.The following lots come from the collection of the Ukrainian-born American lawyer Jurii Maniichuk (1955-2009), who amassed nearly 150 large-scale pieces of Ukrainian Socialist Realism of the 1950s-1980s. Maniichuk acquired these paintings (primarily from working artists or their heirs) while working in Kiev as a legal consultant for the World Bank in the 1990s, and brought them to the U.S. in 1999. With UkraineÕs newfound independence from the USSR in 1991, Socialist Realism fell out of favor with most collectors and curators. Recognizing their historical value and aesthetic appeal, Maniichuk made it his preeminent goal was to preserve the paintings for future study and appreciation. As part of that effort, his widow, Rose Brady, now the collectionÕs owner, lent nearly half of the collection long-term to the Ukrainian Institute of America in New York (2012-2018). Select works have also been featured at the Brooklyn Museum (Russian Modern, 2011-2016), at East West Fine Art (formerly known as Gallery on Fifth) in Naples, Florida (We the People. Everyday Life in Post-Soviet Union and modern-day Southwest Florida, November 29-December 20, 2014; Rescued from the Flames, Soviet Era Social Realist Paintings from the Collection of Jurii Maniichuk and Rose Brady, December 2013-January 2014), and at Florida Gulf Coast University in Fort Myers, Florida (Ukraine: The Maniichuk-Brady Collection of Socialist Realist Art, August 27-December 4, 2015).
A SET OF THREE ANTIQUE OCCASIONAL TABLEScomprising:a) Louis XV style marble top walnut side table with ormolu floral decorations, the kidney-shaped top with pierced gallery rail, rising on metal cap foot curved legs, height: 76 cm (30 in.)b) Louis XVI style marble top walnut side table with gilt brass gallery rail, of rectangular form, rising on carved legs, height: 76 cm (30 in.)c) George III style oval mirror-plateau side table with gilt brass gallery rail, on four fluted tapering legs, the mirror center supported by a wood base, height: 50 cm (19 3/4 in.)This lot is being sold without reserve. PROVENANCEProperty of a prominent Westport, Connecticut Estate
A Pair of Oak Folding Luggage Stands, modern, stamped Cresta, 66cm by 40cm by 47cm; A Habitat Drew Small Occasional Folding Table, with white melamine top, 47cm by 37cm by 60cm; A Pair of Hardwood Folding Chairs, modern, with slatted back and seat, 44cm by 44cm by 79cm; An Oak Three-Tier Side Table, modern, of rectangular form and raised on square form legs, 99cm by 52cm by 86cm; and A Folding Clothes Rail, modern, with a slatted and hinged base, 50cm by 58cm by 171cm (7)
A Hardwood Coffee Table, labelled Starbay Living the Legend Furniture and Accessories, modern, in the form of a butler's tray, inlaid with a marquetry sunburst, with brass hinged sides and pierced carrying handles, raised on a folding stand, 88cm by 66cm by 46cm; and A Hardwood Hall Table, modern, in Victorian style, of D shaped form with scroll back support and frieze, raised on cabriole legs with scrolled toes, 90cm by 40cm by 76cm (2)
A Four Piece Wrought Iron and Cream Painted Bedroom Suite, modern, comprising a glass top dressing table with scrolled apron and square form legs, 98cm by 39cm by 93cm, a wall mirror with plain glass and scrolled heart shaped pediment, 110cm by 67cm, a dressing stool with scrolled handles and overstuffed seat, 61cm by 44cm by 57cm, and a glass top side table with scrolled supports, 46cm by 46cm by 54cm; A White Painted Wrought Iron Towel Rail, modern, with scrolled end supports, 45cm by 38cm by 91cm; A Cream Painted Metal Headboard, 133cm wide; and A Cream Painted and Gilded Standard Lamp, modern, with three frosted glass shades, 165cm high (7)
An Egyptian Revival Burr Maple, Ebony and Gilt Metal Mounted Dining Table, modern, comprising an oval dining table with Greek Key patterned border above tapering legs with gilt mounts in the form of leopards, terminating in paw feet, the underside stamped M1893, 250cm by 130cm by 77cm; and A Set of Eight Dining Chairs, including two carvers, upholstered in gold and crimson floral fabric, the armchairs with leopard mask hand grips and square tapering forelegs terminating in paw feet, 60cm by 51cm by 95cm, singles 51cm by 46cm by 95cm See illustration
Sir William Bentley: A Bespoke Mahogany Billiard/Dining Table, modern, with four removable leaves and handle to adjust the playing height of the table, with dark blue cloth, raised on curved end supports with chrome bases, 231cm by 124cm by 83cm, complete with a set of Aramith resin snooker balls, a set of resin pool balls, a scoreboard, three Peradon cues, a rest, a cue stand, and a brush See illustration
A Oak Dining Table, by Siesta, retailed by Chapman & Co Ltd, Newcastle-upon-Tyne, with a rectangular top above a plain frieze, raised on turned baluster legs with block feet and joined by a stretcher, 168cm by 92cm by 76cm; and A Set of Six Dining Chairs, en suite, including two carvers, upholstered in close-nailed multi-coloured floral fabric, singles 46cm by 45cm by 110cm, carvers 57cm by 46cm by 110cm (7)
A Castelli Black Dense Resin with Rubber Nosing Rectangular Office Table, raised on polished tubular steel supports, 209cm by 104cm by 73cm; A Two-Drawer Filing Cabinet, with recessed handles, raised on cylindrical wooden legs, 45cm by 80cm by 60cm; and A Single Drawer Filing Cabinet, 45cm by 79cm by 60cm
A Black Ash Dining Table, modern, raised on a rectangular base, 250cm by 100cm by 75cm; and A Set of Eight Eichholtz Dining Chairs, upholstered in close-nailed silk fabric and raised on black ash tapering legs, labelled on the verso with a polished chrome handle, 55cm by 50cm by 81cm (9)
Selva: A Beech and Walnut Four Piece Bedroom Suite, modern, comprising a four drawer chest on splayed feet, 87cm by 48cm by 89cm, a pair of matching three drawer bedside tables, 59c by 35cm by 62cm, and an oval dressing table or desk, with a single drawer above column legs and a curved base, 119cm wide, all labelled SELVA MADE IN ITALY
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1181627 item(s)/page