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A Tortoiseshell Veneered Table Cabinet, circa 1840, with pewter wire stringing throughout, the upswept "caddy" top centred by a silvered metal rectangular plaque engraved with an earl's coronet over the initials "AF 1936", the lid hinged to reveal triple open compartments, the two frontal rectangular hinged doors enclosing three similarly fitted long drawers with turned mother of pearl mushroom handles, the door panels embossed with classical temple facades, edged in ivory, with petal whorled mushroom side handles, conforming bun feet, {34cm by 30cm by 22.2cm} (one door off its hinges, small veneer losses) . *The initials are, by repute, those of Lord Halifax.
A George III Mahogany Cabinet of Seals, the tulipwood banded doors enclosing sixteen slim satinwood veneered drawers with turned ivory mushroom handles, containing its original full collection of glass, wax and plaster seals, arranged into allegorical and subject matter described on the "table de l'arrangement", the first one for example titled "Venus, les Graces, Mars - 491-525", the cabinet with basal drawer, gilt bronze side carrying handles, {37.5cm by 40cm by 25.5cm}
A Pair of Table Globes, Dudley Adams, 1795, each with cartouche inscribed "To His Most Secred Majesty George The Third King of Great Britain & c This new Globe of the earth Correctly laid down according to ye best Observations & latest Discoveries Is most humbly inscribed By His Majestys most dutiful & obliged Subject & Servant Dudley Adams", the celestial inscribed "...containing all ye Southern Constellations lately observed at the Cape of Good Hope & all the stars Flamsteds British Catalogue ... made by D. Adams Globe Maker to the King & Optician to HRH The Duke of York, No.60 Fleet Street, London 1795", each 12in (30.5cm) diameter celestial and terrestrial globe made up of two sets of twelve hand-coloured engraved split gores (the celestial laid to the ecliptic pole), the equatorial graduated in degree, hours and minutes, the colures ungraduated, the ecliptic graduated in days of the month, the constellations depicted by mythical beasts and figures as well as scientific instruments, the gilt meridian circle divided on one side to each degree, with oak horizon and hand-coloured engraved paper graduated in degrees and showing compass directions, zodiac (with pictures, names and sigils) calendar scale and compass directions, also days of the month with Saints' days, on four quadrant supports upon three swept legs (both lacking compass/stretchers), {59cm (23.25in) high overall} (both A/F, terrestrial globe badly split/several crudely restored areas, faded and discoloured/varnish worn, the celestial globe punctured near Southern Polar region, otherwise similar to preceding)
An Italian Glass Micro-Mosaic Framed Easel Back Dressing Table Mirror, of rectangular shape with rounded corners, the angles with shaped medallions enclosing bouquets of roses and other flowers, divided by lozenge panels of Michaelmas daisies against a turquoise and brick red ground, set into a wood frame with bevelled mirror plate, {42cm by 33cm}
An Oval Stone Plain Flat Table Top, raised on four composition winged lions, upon an oval carved stone plinth composed of two D shape sections, {112cm by 87cm, the lower oval plinth 155cm by 125cm}, this piece was originally the support for a lead trough, the top slab displays a central pierced circular plug for a fixing
An Edwardian Oak Quarter Chiming Table Clock, the carved case with architectural pediment, 9 inch rectangular brass dial with silvered chapter ring, two subsidiary dials for slow/fast and selection chime on eight bells/chime on four gongs, the massive three train movement stamped "W H Sch" on the backplate, striking four gongs or eight bells and striking the hour on a gong, movement secured in the case by brackets, {56cm high}
An Edwardian Walnut Chiming Table Clock, the case with a shaped pediment and with carved decoration to the front upon plain rectangular padded feet, 7 inch dial with scroll spandrels, silvered chapter ring and two subsidiary dials for regulation and chime/silent selection, the three train movement stamped "W&H Sch", anchor escapement and striking the quarters on four gongs and with a further hour gong, {41cm high}
A 19th Century French Kingwood and Metal-Mounted Table Ambulante, the circular top with a pierced brass gallery, inset with a Sevres-style plate, over a shaped frieze, raised on slender cabriole legs headed by metal mounts, joined by a circular undertier inset with a small Sevres-style plate, {75cm by 44cm diameter}
A French Giltwood Pier Glass and Table, the glass having an arched rectangular plate within a convex section frame carved in light relief and surmounted by a pierced shell and leaf cresting, {190cm by 126cm}, the table with a breakfront D-shaped marble top over a fluted, tabletted frieze, raised on wrythen-flute tapered legs joined by a shaped stretcher centred on a raised urn finial, {90cm by 125cm by 41cm}
A Victorian Figured Walnut and Inlaid Work Table, the shaped rectangular hinged top enclosing a fitted interior with fret-pierced covers to the well, on carved and turned end supports joined by a turned stretcher, on carved cabriole legs with castors, {69cm by 63cm by 41cm}
A Victorian Figured Walnut and Inlaid Work Table, the rectangular hinged top enclosing a fitted interior with fret-pierced cover to the well, over a shaped frieze, on turned and spiral-fluted end supports joined by a turned stretcher, on carved cabriole legs with scrolled toes and castors, {73cm by 56cm by 41cm}
A William IV Rosewood Centre Table, the circular top with acanthus carved border above an egg and dart moulded frieze, raised on an acanthus carved baluster stem and three carved and scrolled downswept legs capped with large ball and claw feet, {83cm high, 95cm diameter} (top originally set for a marble roundel)
A Victorian Figured Walnut Games and Work Table Combined, the quarter veneered top with delicate scroll inlay and parallel line stringing, with draughts board, backgammon and cribbage, over a slim frieze drawer with compartmented interior over a sliding tapering well, raised on pairs of end fluted columns on swept legs united by a turned pole stretcher, {68cm wide}
A 19th Century Continental Oak Table, profusely carved in the "Renaissance" style, the cut-cornered top over a gadrooned frieze, drawers between lion-mask and pendant finial corners, raised on dual cup-and-cover end supports on sledge bases with scroll feet, {78cm by 141cm by 93cm}
A Victorian Walnut Side Table/Dumb Waiter, having three round-ended rectangular telescopic tiers on end supports with applied ebonised half-columns, the inverted sabre feet joined by a turned stretcher with castors, bears the trade label of "Roodhouse & Sons, Leeds", {80cm by 144cm by 65cm}
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1181390 item(s)/page