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An Axminster Power Tool Centre router table with instructions, along with an Elu MHB157 belt sander with instructions, a Black and Decker H264 - H15 hammer drill, a Performance 140W rotary power tool with stand and instructions, a Black and Decker plunge action router with instructions and a Bosch router with instructions and various parts and accessories
A collection of various antique china including three Royal Worcester coffee cups cobalt and gilt decoration with import marks, Royal Worcester aquamarine cup and saucer with floral design, four Minton cups and saucers with botanical design along with a larger example, dressing table set with gilt decoration etc.
A 1970's G-Plan nest of 3 tables, afromosia and teak construction with tile top to the largest table, no makers labels, tallest 51cm, top 50cm sqGood structural condition, sun fading to edges of largest table, wear commensurate with age and use, tiles have no chips, cracks or repairs.
Dyce (Rev. Alexander, editor) Recollections of the Table-Talk of Samuel Rogers. To which is added Porsoniana, 2 vol., one of only five copies, with ink inscription "five copies were (only) printed on this hand-made paper for sale" signed by the publisher H. A. Rogers to verso of vol. 1 half-title, titles in red and black, extra-illustrated with 150 mostly engraved portraits and views by various artists after Thomas Gainsborough, Thomas Lawrence, Joshua Reynolds, George Romney and others, manuscript Index of illustrations bound in at end of vol. 2, occasional light foxing or offsetting, finely bound in tan straight-grain morocco by Fazakerley of Liverpool, richly gilt, covers with inlaid brown morocco flowers, lightly rubbed at extremities, a few minor marks to spines, turn-ins ruled in gilt, marbled endpapers, t.e.g., H. A. Rogers, 1887; and 3 others by Samuel Rogers, handsomely bound, 8vo & 4to (5)⁂ The 145 portraits depict a broad range of the poet Samuel Rogers' contemporaries, friends and literary influences, and include Lord Byron, Samuel Johnson, Alexander Pope, Percy Bysshe Shelley, Richard Brinsley Sheridan, Sydney Smith, Jonathon Swift, Horace Walpole, and William Wordsworth. Provenance of the first: William Foyle (bookplate); F. E. Dinshaw (bookplate); William Robinson (bookplate to front free endpaper).
André L. Simon copy.- Grapaldus (Franciscus Marius) De partibus aedium addita modo, collation: [par]8, [2par]8, [3par]4, a-q8, r6, s-z8, &8, [cum]8, [R with stroke]8, A-G8, H4, with the last blank, large woodcut portrait of the author to title, woodcut initials, early ink manuscript Latin verse to rear endpaper, two small marginal paper repairs to title, and one to H2, light marginal foxing, a couple of instances of finger soiling, contemporary vellum, 4to (212 x 155mm.), Parma, Francesco Ugoleto & Ottaviano Saladi for Antonio Quinziano, 1516.⁂ On the organisation of the household, including the kitchen garden, kitchen, dining room, hosting guests, and the avoidance of waste. This new edition was published a year after Grapaldi's death, and is the first to include the portrait on the title. The text is significantly enlarged and corrected, and is supplemented with a table of contents and an index. Our copy with an excellent provenance. Provenance: André L. Simon (1877-1970) wine merchant and writer, gourmet, book collector, and bibliographer. The wine writer Hugh Johnson described him as 'the charismatic leader of the English wine trade for almost all of the first half of the 20th century, and the grand old man of literate connoisseurship for a further 20 years' (engraved bookplate). Literature: Adams G1009; B.IN.G 972; Cicognara 520; Fowler 145; Mortimer Italian 220; Paleari Henssler p.361; Sander 3254; Simon BB II, 317 & BG 789 (this copy); EDIT 16 CNCE 21596.
Herbert (George) The Temple. Sacred Poems and Private Ejaculations, third edition, with an additional 18ff. Table before final gathering (after H12), title with small chip at fore-edge (just touching border), A7 with small marginal tear and paper repair, [STC 13186], Cambridge, T. Buck and R. Daniel, 1634 bound with [Harvey (Christopher)] The synagogue, or, The shadow of the temple. Sacred poems, and private ejaculations; in imitation of Mr. George Herbert, third edition, final leaf (C12) with small defect and paper repair top edge, damp-staining, for Philemon Stephens, [Wing H1046], 1657, together 2 works in 1, titles within typographic borders, typographic head- and tail-pieces, trimming to edges (sometimes affecting headlines or signatures, and close to text but no losses), browning, repairs to hinges, near contemporary boards, rebacked with portions of original back-strip laid down, corners worn, 12mo. ⁂ Additional Table (18ff.) not listed in ESTC collation.
NO RESERVE Nelson.- Matcham (George, of Newhouse, Redlynch, Wiltshire, Nelson's nephew, 1789-1877) Notes on the Character of Admiral Lord Nelson in Relation to the Journal of Mrs. St. George, printed pamphlet, original wrappers, long ink inscription on wrappers, 8vo, 1861; and 4 others, including a brief manuscript account of the life of Nelson by Matcham, v.s., v.d. (5).⁂ First mentioned ink inscription reads: "From my Father's Journal October 8th 1808 I went to Ly. H - 's & was offered a bed, there were some Citizens at dinner, but alas how different was that table now to what I had before been accustomed where formerlly Eloquence presided Vulgarity, & ?Crasity was now introduced I could almost wept at the change a plan of accounting has been most luckilly laid down for her L-p but I have wished that the Croud of obsecuquious attendance had been intirely dismissed instead of being partially dismissed. This probably was the Company that Mrs St. George gained her information of Adml. Ld. N... ." - George Matcham the elder.An interesting side light on attitudes to Lady Hamilton. During Nelson's lifetime, most of Nelson's relatives (apart from his father Edmund) deserted his wife, Fanny, but after his death most resumed their connections to Fanny and shunned Lady Hamilton.
[Heywood (John)] The Spider and the Flie. A parable of the spider and the flie, first edition, woodcut initials and tailpieces, woodcut illustrations (44 full-page, including repeats), lacking initial blanks, title, portrait frontispiece, A² (A2 recto supplied in contemporary manuscript facsimile), the Preface, the Table, Introduction, B2, B4, C1, C3&C4, D2, I4, K-L⁴, Aa1, Aavii2, Aavii3, Aavii4, Bbiiii"², 2C1, [left-pointing hand]Ccii"², [par.][double dagger]Eeiii"², ²"[par.][double dagger]"1-3, 2F4, 2K1, 2Q2 & 2Q3, 2S⁴, final blanks, damp-staining spot to 2D3-2Ff, printer's error to Kk4, corner repaired to [par.][double dagger]2, light damp-staining to margins, modern blind-stamped morocco, [Pforzheimer 469; STC 13308], 4to, by Tho[mas] Powell, 1556. sold not subject to return.⁂ Rare first edition of this early English woodcut work. Standing nearly as long as Milton's Paradise Lost, The Spider and the Fly is an allegorical mock-heroic bestiary in rhyme. It was first printed in 1556 but, according to Heywood's epilogue, was begun nineteen years earlier. The time span between composition and publication may account in part for the generally acknowledge obscurities and inconsistencies of Heywood's political and religious allegory. The poem is allegorical, with spiders standing in for Catholics and flies representing Protestants, yet this strange conceit met with only limited success and so the work was never reprinted, though it was attractively designed and illustrated as noted in Pforzheimer, "...outstanding among English works of the time."
Takis (Panayiotis Vassilakis) (Greek, 1925-2019)Table magnetique avec plaquette 'Takis 1969' (sur la base)marbre, huile, aimantes, limaille de fer, verre, base de métal174 x 72 x 41cm (68 1/2 x 28 3/8 x 16 1/8in).marble, oil, magnets, iron filings, glass, metallic baseFootnotes:ProvenanceAcquired directly from the artist by Manolis Karadinos and thence by descent to the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
English ebonised double fusee verge table clock, the movement back plate signed James Clowes, Londini Fecit, fitted with outside countwheel engraved to the centre with a Tudor rose, the 6.75" square brass dial with silvered chapter ring enclosing a matted centre and calendar aperture, within a later stepped case surmounted by a caddy top and ornate brass carrying handle, 15" high (pendulum and door keys)
Reproduction ormolu and silvered turtle table clock, the 5" silvered chapter ring enclosing a recessed centre with turtle pointer, upon a hexagonal ormolu stand engraved with egg and dart borders and raised upon six lion feet, the movement with platform escapement signed Planchon, Palais-Royale no. 5872, bearing a plaque under the base inscribed Magnetic Clock of Baron Grollier de Serviere, From an Old Book Published Paris 1751, also inscribed Planchon, Palais-Royale to the side, 3.5" high
A 19th century and later sofa table with a rectangular top and reeded edge on a conforming support with splaying legs terminating in brass hairy paw feet and casters143cm wide x 76cm deep x 71cm highMinor cracks and splits to the top. The base and top possibly associated. Some minor marks to the base. Possible signs of some restoration.
A French kingwood veneered occasional table, the lifting lid enclosing a fitted interior, with gilt metal mounts and cabriole legs55cm wide x 38cm deep x 75cm highThe top slightly bowed. Minor marks, dents and scratches overall due to age and use. The front leg is loose with some associated loss of veneer.
A Regency simulated rosewood tilt top metamorphic and height adjustable occasional table/pole screen with gilded spiral turned column and parcel gilt and ebonized splay tripod, ball feet, 44.5cm x 37cm; together with a 19th century Dutch marquetry side chair; and an Edwardian lancet-shaped mahogany mantel timepiece (3)The tilt top table in generally good with some wear, nicks, and scratches, the column probably re-gilded, the chair with restorations overall, the clock as found
A tall mahogany tripod leg torchiere stand, with a circular top, carved edge detail and foliate detail, terminating in claw feet, 96cm high x 30cm diameter; together with an oak drop leaf table, with a small oval surface, 61.5cm high x 53cm width (table surface); and a small Georgian mahogany tripod leg kettle stand or occasional table, 28cm diameter x 54cm highQty: 3Used condition to all, with marks, dents and scratches consistent with age and wear.
A 19th century oak gateleg table95cm wide x 44cm deep x 67cm high (when closed) and 95cm wide x 112cm deep x 67cm high (when extended)The table with marks, dents and scratches consistent with age and wear. The feet replaced, old woodworm evident overall, the tip of one leaf replaced, further old repairs including strengthening of the tabletop planks. The table somewhat rickety overall. In generally poor to moderate condition overall.
19thc mahogany occasional table and a corner washstand, the table with two real and two dummy drawers, burr wood turned support above the tripod base, the Georgian corner washstand with single drawer (2)The table with two handles in need of repair, minor marks dents, and scratches overall due to age and use, as does the washstand which also has a replaced handle.
A 19th century rosewood writing table, with two drawers on either side and mother of pearl escutcheon detail to each keyhole, two carved legs on casters, with ebonised handles on one side of the drawers122cm wide x 64cm deep x 75.5cm highUsed condition, with marks, dents and scratches consistent with age and wear. Missing handles to one side of the drawers.
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1181627 item(s)/page