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Davidson's 'amethyst cloud' glass 7 piece dressing table set comprising of a base tray with an incised pattern to underside, pair of candlesticks, pair of small lidded powder jars and a pair of pin trays. Slight chips to all pieces. Tray length 35cm.
An Edwardian rectangular dressing table tray, embossed with foliate scrollwork within fluted border, 22cm. long, makers GN/RH, Chester, 1906, 10.5oz; also a pair of specimen vases of a tapering hexagonal form and loaded bases, 15cm high, maker S & M, Birmingham 1916, and a desk candlestick with foliate scroll banding, 15cm high, maker SG, Birmingham, 1904.
A matched pair of Victorian dessert serving spoons with gilded leaf-shaped bowls, being George III spoons, makers TC & TD, London 1772, later decorated, also a set of five George III Old English table forks, maker IB possibly John Blake, London, 1813, a set of three Old English dessert forks, maker sp, London, 1790, and an early George III Old English tablespoon, total weight 21oz.
A Victorian coromandel and brass strung rectangular dressing table chest, the hinged lid fitted with an easel mirror and stationery holder to the interior, enclosing a fitted interior with lift-out tray with clear glass and silver mounted scent bottles, inkwells, jars, bottles and accessories, maker William Halstaff & Thomas Chales Hannaford, London, 1850, with sprung loaded front drawer, the lockplate stamped 'S. Mordan & Co, London', 36cm. wide.
Nicholas Condy (British 1799-1857), 'Schooling'; an interior with a mother and child at a table, oil on panel, 29.5 x 24.5cm. Nicholas Condy was born in Plymouth and enlisted in the army as a young man. On his discharge in 1818 he returned to Plymouth to take up painting professionally and married the daughter of Captain Oates, a portrait painter from Falmouth. Condy painted both in oils and watercolours, his subject matter ranging from marine, to landscape and cottage interiors. The cottage interiors were highly finished and detailed; composed in thin glazes and looking towards 18th century Continental school examples rather than to his contemporaries. The main subject in these compositions was surrounded by minutely observed still life details, contrasting with contemporaries, like Wheatley and Morland. It was said, Condy died from grief at the premature death of his son Nicholas Matthew Condy (1816-1851), who had become a talented and successful marine artist in his own right.
A pair of mid 19th century mahogany 'D'end-shaped dining table end sections, each with reeded edge to the top and frieze and on tapering reeded legs with brass castors, 73cm (2ft 4¾in)high x 59cm (1ft 11¼in) deep x 147cm (4ft 9¾in) wide, lacking extension leaves.
A William IV carved mahogany pedestal occasional table, the rectangular top with a gadrooned edge and foliage to the corners, fitted with a beaded frieze drawer on turned and reeded column, quatrefoil platform with beaded ornament and quadruped foliate scroll feet, terminating in castors, the top 66.5cm (2ft 2¼in) x 47cm (1ft 6½in).
A Regency mahogany and inlaid sofa table, the hinged top with rounded corners, the ebony strung frieze fitted with two short drawers on ring turned baluster dual column end and splayed legs, terminating in brass cappings and castors, the top 66cm (2ft 2in) x 146cm (4ft 9½in) extended.
An early 19th century mahogany drop flap work table, the hinged top with a moulded edge and rounded corners, containing two short drawers on square section column, quatrefoil platform and reeded quadruped splayed legs, the top 50cm (1ft 7¾in) x 73cm (2ft 4¾in) extended.
A Regency rosewood and brass inlaid rectangular card table, bordered with lines and decorated with stylised foliate designs, the baize lined hinged top with rounded corners, the frieze with a central cut brass marquetry panel of stylised foliage, on turned baluster column, quatrefoil platform and quadruped splayed legs, terminating in brass foliate cappings and castors, 91.5cm (3ft) wide.
A Victorian burr walnut veneer, kingwood crossbanded and inlaid card table of serpentine outline in the French taste, the quarter veneered and boxwood strung baize lined hinged top with a moulded edge and projecting canted angles, having a bevelled and shaped apron, on cabriole legs, headed with C-scroll, cabochon and flowerhead and foliate ornament, trailing to sabots, the top 101cm (3ft 3¾in) x 60cm (1ft 11¾in).
A Victorian walnut kidney-shaped dressing table, carved overall with sprays of flowers and foliage on a punched ground, the top with tooled leather insert, the frieze with two small drawers the bulbous end supports joined by a pole stretcher and on splayed legs with brass castors, 74cm (2ft 5in) high x 121cm (3ft 11¾in) wide.
An early 19th century Dutch mahogany and floral marquetry rectangular card table, bordered with boxwood lines, the hinged top decorated with birds amidst flowers and foliage radiating from a central urn, decorated on the underside with playing cards and a roundel of floral foliage, on square tapered legs, 82.5cm (2ft 8½in) wide.
GOTHIC REVIVAL PAIR OF TABLE CANDLEABRA, CIRCA 1870 brass, each with graduated articulated arms supported by a turned column on circular spreading base, 46cm high; also a 19th century Gothic Revival brass table candelabrum, with adjustable arms supporting five nozzles, 44cm high (3)
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1177565 item(s)/page