We found 1181627 price guide item(s) matching your search
There are 1181627 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1181627 item(s)/page
A Victorian rosewood and mother of pearl inlaid workbox, 25cm wide; another, smaller, with studwork cover, 19cm wide; a Victorian rosewood dressing table box, the hinged dome cover inlaid with alternating bands of mahogany and satinwood, 24.5cm wide; other 19th century and later boxes, qty
Boxes and Objects - a late 19th century papier mache glove box, decorated with a bird and flowers; another, decorated with roses; a leather glove box; other dressing table boxes; an Art Deco cigarette box; a dressing table mirror; other mirrors; 19th century engravings; etc, qty
Advertising - a Sarony cigarettes shaped rectangular novelty gaming tin in the form of a faux roulette table, 32cm long; a Squirrel Confectionery shop display tin; a Burrows & Sturgess glass soda syphon; a Lipton's Tea brass caddy; Huntley & Palmers Beatrix Potter tins; another, Noddy; Dunlop puncture repair tins; etc, qty
A Victorian silver Etruscan Revival miniature cream jug, angular handle, 5.5cm, Birmingham 1887; a Victorian silver miniature table salt pot, Birmingham 1894, silver spoon ensuite; a continental silver mounted clear glass miniature tot, 5cm; an EPNS trowel, turned oak handle (5)
A large citrine cross pendant Attributed to Ernest Rothlisberger (1888- 1964), set with graduated oval and pear-shaped citrines, engraved detail, suspended from a belcher link chain with hook-clasp; stamped to reverse ERN ROTHLISBERGER Dimensions:Length of pendant: 12cm Note: This citrine cross pendant is perhaps one of the best examples of Ernest Röthlisberger’s (1888-1964) catalogue of works. Certainly, one of the more interesting points to note about Röthlisberger is his seeming variety of pieces. Born July 18, 1888, Röthlisberger was trained as a goldsmith. His works are unlike many artists who stick to a specific style or school and then endeavour to perfect their craft. While there is evidence of his goldsmith training, many of his seminal works are rather table silverware and services. In addition to this pendant being a relatively rare example of Röthlisberger-made jewellery, this piece also showcases the unmistakable design preferences of the peak of Röthlisberger’s metalworking career. In fact, there are claims that Röthlisberger was trained by Charles L'Éplattenier at La Chaux-de-Fonds in Neuchâtel. L'Éplattenier was most well-known for his development of the Swiss branch of the Art Nouveau movement known as Style Sapin, of which influence is evidenced in the scrolling engraving and scalloped collet-set citrines on the Röthlisberger pendant. L'Éplattenier was also responsible for training such artists as Charles-Édouard Jeanneret better known as Le Corbusier. Clearly Röthlisberger was part of this formative artistic movement and school, however, despite his artistic achievements he was best known in his community for his career in the Society of Friends of the Arts of Neuchâtel. His focus on furthering the artistic enrichment of his community would appear to be the contributing factor to his relatively limited output and accounts for the infrequency of his pieces appearing in auction. This pendant is a brilliant and unique example of an artist’s experimentation with a new school of design and style in combination with the onset of an investigation into a new material practice.
A 17th century and later English oak gate leg oval table with two demi lune drop leaves over a single frieze drawer, (alterations to top), supported by four fixed barley twist legs terminating in bobbin feet, united by a peripheral stretcher and having decorative barley twist gate legs on bobbin feet, 45¾ x 16in. (116.2 x 40.6cm.), 28¾ in. (73cm.) high, 45¾ x 57in. (116.2 x 144cm.) with leaves up. *Small area of water damage to top. Top has been replaced.
A French gilt bronze and marble table centrepiece late 19th / early 20th century, the pierced foliate shell shaped dish mounted with two caryatid figures, one a semi-clad female figure holding a flaming torch aloft, the other a winged cherub, on a bun form stem with scroll mounts to a floral base, on a turned rouge marble and ormolu plinth, 19in. (48.25cm.) high. *Good condition overall. Light wear to gilding on marble.
Two Edwardian mahogany crossbanded occasional tables with a Georgian mahogany wine table The occasional tables with inlaid circular tops over slender tapering legs, united by small undertier, the wine table with a dished top over a turned and gadrooned column with swept legs to pad feet. (3)
A Victorian mahogany dining table and a set of eight 20th century dining chairs with hooped back and slender shaped upright ribs, leather seats with exposed brass nail heads on two cabriole front legs and two splayed square tapering back legs, 52½ x 28½in. (133.3 x 71.2cm.), 38in. (96.5cm.) high, the extending dining table with three additional leaves, each 28½in. (71.2cm.) wide, standing on five turned and reeded legs and brass castors, 84in. (213.3cm.) extending to 141in. (358.1cm.) long. *Chairs in very good condition.
A closely matched set of five late 18th century Irish silver table spoons John Pittar, Dublin 1782/83, with bright cut borders, crested to the terminals, 22.7cm. long, weight 9.71 tr.oz. (5) *One with a repair to the stem, through the date letter mark. One other with rubbing to the Britannia mark. The other marks good and otherwise in good condition.
A collection of four Channel Island silver spoons to include a pair of bright cut Old English pattern teaspoons, maker's mark JQ struck once (Jacques Quesnel I and II, Jersey c.1780-1843), each inscribed with initials 'MDM' to terminal, 5 1/8in. (13cm.) long; Hanoverian pattern soup spoon, maker's mark CWQ, struck once (Charles William Quesnel, Jersey c.1790-1885), inscribed to terminal 'IPC', 7 5/8in. (19.5cm.) long; bright cut Old English pattern table spoon, maker's mark overstruck JLG, London, 1854 (John Le Gallais, Jersey, c. 1847-1873), inscribed to terminal, 8 ¼in. (21cm.), weight 3.7tr.oz. (4) *CWQ - shallow dents to bowl; JQ pair both with tiny dents to bowls; JLG - flat at the terminal (creased), bowl with dents.
A fine quality Victorian folding mahogany Bagatelle games table by Thurston stamped 'Thurston, 14 Catherine Street, London', the rectangular folding top lined with the original green baize, with inlaid boxwood and ebony edges and accessories including numbered arch, cue and two mace, the extending pull-out base with turned supports headed by carved lappets and with adjustable feet.
-
1181627 item(s)/page