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Lot 76

A good late 17th century Dutch gilt metal mounted ebony double basket top table clock with pull quarter repeat and Dutch strikingS. Van Leeuwen, AmsterdamThe large cast brass cherub handle framed by small urn finials over the gilt double basket and four larger finials on the intricately moulded top, above glazed sides, front and back doors, the doors with complex gilt brass mounts, on a moulded base with block feet.The 6.75 inch square brass dial with winged cherub spandrels framing the signed silvered Roman and Arabic chapter ring with lozenge half-quarter marks, the finely matted centre with chamfered and engraved mock pendulum and date apertures, the ringed winding holes below pierced blued steel hands.The twin gut fusee movement with knife-edge verge escapement, the plates united by five ringed and knopped pillars, striking the Dutch system on the half hours and full hour on two bells and hammers, repeating the quarters on a run of six bells and hammers, the back plate with floral engraving. Ticking, striking, and pull repeating. With two case keys and a crank key. 26cm wide x 17cm deep x 46cm high, (10in wide x 6 1/2in deep x 18in high)Footnotes:LiteratureR. Plomp, Spring-driven Dutch pendulum clocks 1657-1710, Schiedam: Interbook International B.V., 1979, pp.156-7.Further accompanied by a full description by Hans Kreft, dated November 1985.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 77

A good late 17th century red tortoiseshell basket top quarter repeating table clockFromanteelSurmounted by an S-scroll handle with tied-ribbon centre on foliate pommels to a repoussé brass basket of cherubs and cornucopia, the sound frets and sides set with similar panels backed in green silk, to a moulded base on squat claw and ball feet. The 6.5 inch square brass dial with cast winged cherub's head spandrels interspersed by foliate engraving, framing the silvered Roman and Arabic chapter ring, finely matted centre and engraved date aperture with pin hole adjustment and blued steel hands.The twin gut fusee movement with eight knopped and ringed latched pillars, the going train with verge escapement, sounding the hours a bell, followed by a single passing strike at the half-hour, pull quarter repeating the hours and quarters on activation of a cord emanating from the right underside of the case. The engraved backplate with single line border framing a symmetrical pattern of elaborate foliate scrolls and flowerheads, signed Fromanteel in a scroll cartouche. Ticking, striking and repeating. Together with a winding key and two case keys. 41cms (16ins) highFootnotes:Accompanied by a certificate from E.F.J. Stender, Antiquair & Uurwerkmake, Sint-Michielsgestel, Nieuwstraat 1, dated August 1975.This lot is subject to the following lot symbols: * Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Lot 79

An important and very rare late 18th century Dutch brass-mounted mahogany musical table clock with calendar, Dutch strike, planisphere dial and moonphaseRutgerus van MeursThe inverted bell top case surmounted by five facetted urn and acorn finials, with brass banding between, the canted angles set with boldly cast floral and berry mounts, side handles and elaborate pierced and engraved brass sound side frets, on a base with curled winged feet.The 8 inch arched brass dial set with interlaced white enamel Roman and Arabic chapter rings, framed by small cast brass floral scrolls, the centre finely matted and engraved; a day of the week deity aperture above VI, a chamfered calendar aperture below XII, above the signature Rútgerús van Meúrs Amsterdam; framed by four subsidiary dials for Year 1-4 cycle, music selection (offering 8 tunes), play/not play and strike/not strike with elaborately pierced blued steel hands, a silvered astrological indicator and painted moonphase in the arch.The substantial twin chain fusee movement with verge escapement, the plates united by eight knopped pillars, seven latched, the backplate with exterior fly, engraved Rutgerus Van Meurs Amsterdam, the 8 inch long pinned cylinder playing tunes on 18 bells and 25 hammers. Ticking. With a winding key and two case keys. 41cm wide x 29cm deep x 75cm high, (16in wide x 11in deep x 29 1/2in high)Footnotes:ProvenanceHans Kreft, Neerpelt, 1985.Rutgerus van Meurs was born in Amsterdam in 1736 to Otto van Meurs and Elisabeth Potgieter. His father was also a horologist, and it is likely that Rutgerus was apprenticed to him. His workshop was in the Utrechtsestraat 143 and at some point he married Elisabeth Moret. Like his father, he made watches and longcase clocks, but Rutgerus was also one of the few Dutch horologists to make astronomical clocks, for which he is best remembered today. (See Amsterdam Horology (2020) Rutgerus van Meurs. Available at: https://www.amsterdamshorloge.nl/rutgerus-van-meurs.html)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 83

A 17th century Dutch silver standing dish / tazzaWillem van Wolfswinkel, Amsterdam, 1611 Of circular form, chased with an inner border of scroll ornament, the centre representing Abraham and Sarah visited by Three Angels, chased with a scene of three angels seated at a table with a bearded gentleman representing Abraham, with his wife Sarah secretly listening behind an open door, with a tree and building in the ground, on a spreading collet foot, 19cm wide, 19cm deep, 4cm high (7 1/2 in wide, 7 1/2 in deep, 1 1/1in high), weight 9.09 troy oz, weight 280.5gms.Footnotes:ProvenanceProbably Joseph M. Morpurgo, Amsterdam, 1996.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 90

An important Louis XIV ormolu mounted ebony, fruitwood, sycamore, boxwood and bone inlaid floral marquetry large bureauMost probably by Renaud or Aubertin Gaudron, circa 1690-1700The black embossed leather writing surface enclosed by a profusely inlaid border including grotesque masks, birds, flowers and insects above a central frieze drawer flanked by four drawers with conforming inlay and with bone florettes flanking the ormolu escutcheons, and opposing dummy drawers on eight cabriole legs and gilt bronze cloven hoof sabots, the sides inlaid with floral filled baskets, sold together with the book, Chefs d'Oeuvre des Marqueteurs by Pierre Ramond which discusses the bureau plat in great detail, 180cm wide x 80.5cm deep x 78.5cm high, (70.5in wide x 31 1/2in deep x 30 1/2in high)Footnotes:ProvenanceGalerie G. Sarti, Paris;Salomon Stodel, Amsterdam.LiteraturePierre Ramond, Chefs d'Oeuvre des Marqueteurs, Des Origines à Louis XIV, Paris, 1994, where written up over 3 pages (p.23-25). J.N.Ronfort and J.D.Augarde, Paris, 9 November 1994, Très Exceptionnel Bureau en Marqueterie de FleursAubertin and Renaud GaudronRenaud Gaudron, Menuisier Ebéniste Ordinaire du Roi is the son of Aubertin Gaudron, Maître Menuisier Ebéniste who was working most probably for Philippe, duc d'Orléans, brother of Louis XIV and active from circa 1641. Talented and successful, Renaud Gaudron inherited a flourishing business in 1691. A few years before, in 1686, Renaud Gaudron had already taken over from the deceased Pierre Golle as one of the main suppliers of the Garde-Meuble de la Couronne. In order to fulfil the demand, he was assisted by his brother, Nicolas (Gaudron le Jeune) who was Menuisier-Ebéniste in Versailles, and had a successful workshop. As a contemporary of André-Charles Boulle producing similar marquetry pieces, Aubertin Gaudron (active circa 1670-1700) is intrinsically linked to him in the production of marquetry furniture. Both cabinet-makers were inspired by the rich Dutch floral designs of artists such as Jean-Baptiste Monnoyer and Nicolas Beaudesson, of which André-Charles Boulle owned many studies of flowers and birds.According to a comprehensive study of the present lot by J.N.Ronfort and J.D.Augarde, the authors interestingly mention that Renaud Gaudron would have delivered 28 different floral marquetry pieces of furniture to the Garde-Meuble de la Couronne between 1688 and 1713. This comprised various types of tables, bureaux, commodes and guéridons. Marqueterie de Fleurs au Naturel It is under the influence of Flemish artists that floral marquetry gradually became the most important decorative style used on furniture during the first half of the 17th century. The initiators of this pictorial art were both Pierre Golle and Léonard van der Vinne in Florence. André-Charles Boulle, established in the galeries du Louvre from 1672 soon became the most sought artist of his time. An interesting description of a marquetry commode delivered by Gaudron for the Château de Compiègne relates closely to the present one, described as: 'marqueterie de bois de plusieurs couleurs fond d'ébène orné au milieu d'un vase rempli de fleurs pose sur un bout de table et un masque grotesque au-dessous, le reste rempli de rinceaux, fleurs, oiseaux et papillons au naturel' (AN 01/3308). The grotesque masks can also be seen on a similar commode in the Musée des Arts Décoratifs in Paris (CLUNY 11762), as well as on another commode possibly by Gaudron, sold at Bonhams, London, 9 July 2015, lot 26 (£52,500 inc. premium).The small contrasting inlays flanking the escutcheons of the present lot can also be found on a commode from the Wildenstein Collection, sold at Christie's, London, 14-15 December 2005, lot 115 (£84,000 inc. premium).For an illustrative comparison of a late Louis XIV floral marquetry and ebony commode, see P. Kjellberg, Le Meuble Français et Européen du Moyen Age à nos jours, Paris 1991, p 92.'Bureau à travailler' The term 'bureau' as we interpret it today appears only a few years after the beginning of Louis XIV's reign. Before that, the term applied equally to what we now refer to as commodes. For example, the celebrated commodes which André-Charles Boulle delivered to Louis XIV's bedroom at Trianon in 1708 (now in Versailles) were then called 'bureaux'. Gaudron delivered various commodes which he called 'grandes tables en bureau garnies de trois grands tiroirs' to the Garde-Meuble de la Couronne in 1695, 1697 and 1698. The bureaux as we conceive them today were first described in the 1670s. The celebrated cabinet maker Pierre Gole delivered 'un bureau en cabinet d'ébène à fleurs et pièces de bois de rapport' on 4 February 1671. Another bureau of closely related form with eight legs, was delivered by the cabinet maker Michel Campe in 1674 as per its description in the Journal du Garde-Meuble. It is described as being veneered in floral marquetry against an ebony ground. Our bureau 'à caissons' is particularly important due to its very large size for the period. Only very few similar bureaux at that time measure between 'cinq et six pieds de long' (162 to 194cm). The bone inlay has been examined by Dickie Zebregs from Zebregs&Röell Fine Art and Antiques who has confirmed it is bone and not ivory.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Lot 111

VICTORIAN FRENCH ETERGIE TIP UP INLAID CENTER TABLE

Lot 112

OLD TRUNK, BATHROOM CABINET & OAK WINDOW TABLE

Lot 12

DROPLEAF DINING TABLE & 8 VARIOUS CHAIRS

Lot 152

VICTORIAN DRESSING TABLE WITH COMPARTMENT

Lot 154

ERCOL DINING TABLE & 6 CHAIRS

Lot 160

FINE QUALITY INLAID SUTHERLAND TABLE

Lot 163

VICTORIAN TURNOVER LEAF TABLE

Lot 172

VICTORIAN TURNOVER LEAF TABLE

Lot 222

VICTORIAN LEATHER TOP 2 DRAWER WRITING TABLE

Lot 224

EDWARDIAN TURN OVER LEAF GAMES TABLE

Lot 229

LARGE EDWARDIAN BUTLERS TABLE

Lot 246

3 X PIECES OF SILVER DRESSING TABLE WARE

Lot 88

BENTWOOD COAT STAND, CHAIR & LAMP TABLE

Lot 34

A copper and brass hunting horn, maker Kohler & Son, London, 23cm long (dented), together with a brass table bell in the Dutch style (2)

Lot 595

A Paisley silk table cloth, 86 x 340cm and two sections of Paisley woollen fabric.

Lot 128

An assortment of Shipping wooden items, including nut table nut crackers, a mantle clock, novelty book ends, a small collection of wall crests, a table bell and other items (parcel)

Lot 510

A wooden propeller converted side table, marked with a broad arrow, also stamped '2610 RR EAGLE 8 D 3050 P3740, G 1219 N9, and 1832, 71cm H

Lot 521

A Trench Art Table Gong, having brass frame on wooden base

Lot 522

A Decorative Trench Art Table Gong, having engraved design, with Prince of Wales's Feathers, The Welch Regiment, with Female figure to the other sign, with trumpet and sword, also decorated with floral swag, on turned wooden base, 26cm H

Lot 528

A group of Trench Art table lighters, all of various design and size (4)UK Postage approx £25+VAT

Lot 70

A collection of pocket and table lighters, to include a Ronson, Flaminaire Gold Plated, Aspinalls, numerous onyx table lighters and more (parcel)please see additional images of the white metal lighter

Lot 100

EIGHT SMALL ITEMS OF TABLE SILVER & ONE EPNS SALT SPOON, 6 x items bear Birmingham hallmarks, comprising a sauce boat, 1918, with scroll handle and shaped upper rim on three hoof feet, 7.5cms H, 13cms across, lidded pepper pot, 1905, 8cms H, 2 x table salts, one shell form on three ball feet, 1895, 4.5cms across, the other rectangular on four hoof feet, 1912, 5.5cms across, and 2 x small salt spoons, date marks indistinct, along with a pair of conical form pepper pots on three hoof feet, Sheffield 1928, 9cms H, various maker's marks, 6.8ozt gross weighableProvenance: private collection Conwy

Lot 103

HALLMARKED SILVER & EPNS TABLE CUTLERY to include a George III sauce ladle, London 1819, maker Sara Purver, 16.5cms L, George III sugar tongs, London 1803, maker Peter, Ann & William Bateman, 14.5cms L, set of six cocoa bean coffee spoons, Birmingham 1929, maker William Suckling Ltd, a further decorative pair of sugar tongs, 2 x further items of Georgian silver, 4 x items of Victorian silver ETC, 12.6ozt approx. weighableProvenance: private collection Conwy

Lot 104

HALLMARKED SILVER & OTHER TABLE CONDIMENTS comprising a cased set of four fluted edge salts on three-ball feet and 2 x salt spoons, the salts marked 'Chester 1901', maker William Aitken, an individual lidded mustard pot on three hoof feet, circular format with lid lift finial and blue glass liner, Birmingham 1935, maker William Neale & Son Ltd, 7cms across, cased pair of cut glass circular salts with mother-of-pearl spoons, 5.75cms diam., and 2 x silver topped scent bottles, various Birmingham hallmarks, 7.5cms H, 3.7ozt weighableProvenance: private collection Conwy

Lot 214

TIFFANY-STYLE TABLE LAMP WITH SHADE, 48cms H, Victorian EPNS teapot and coffee pot with engraved decoration, and an oak bed tray with folding base, 56cms W Provenance: private collection Conwy

Lot 87

HALLMARKED SILVER including dressing table circular hand mirror and one matching brush, 2 x napkin rings with bright cut decoration, mixed Birmingham hallmarks and makers, EP and other items include a cased set of 6 pistol grip knives, Oriental white metal, circular bowl spoon, 10cms L, ETC, 27cms L, 15cms diam. (the hand mirror)Provenance: private collection Anglesey

Lot 364

F.G. Taylor - Set 179 - Chimpanzee's Tea Party, comprising: 3 x Chimps, 1 x Keeper with Baby Chimp, Table, 3 x Chairs & 3 x Bowls. Some minor paint losses otherwise generally Excellent overall. [11 pieces]

Lot 376

Britains Modern Issues - King Arthur & the Knights of the Round Table Range, 2005, comprising: Set No.41134 Round Table and King Arthur - Throne, Unconfirmed Maker - Robin Hood, Friar Tuck & Will Scarlet & Unconfirmed Maker - LSSAH - Officer, 2 x Colour Bearers & Grenadier Marching. Generally Mint overall. [10 Pieces]

Lot 1

A late 18th century Iberian diamond jewel,designed as a quatrefoil of table cut diamonds with further highlights, and an articulated suspension of flared lines of small mainly rose cut diamonds leading down to a flowerhead with rose cut centre and table cut petals, all in domed rub over and closed back settings with some engraved detailing to the back; later brooch fitting with safety catch. Brooch tested as 18ct gold, later fittings as 14ct gold. Presented in a fitted leather case by S J Phillips Ltd. Length 65mm, 16.92gCondition ReportIt is possible that this piece was originally an earring.The diamonds are bright with good reflective power; many have loupe visible inclusions, chips or facet edge abrasion, indicating a long, perhaps chequered, history. There are signs of repair and alteration to the back and some solder on the back of the flowerhead.The fitted case from SJ Phillips is highly prestigious.

Lot 104

A pair of white gold emerald and diamond oval cluster stud earrings,each with an oval mixed cut emerald claw set to a surround of round brilliant cut diamonds, all set to a wire basket mount, to post and butterfly fittings. Combined weight of emeralds stated as 1.44ct; combined weight of diamonds stated as 0.65ct. Marked 18K, 3.60g (2)Condition ReportThe emeralds are moderately included, with wear to the facet junctions and one cavity in the table facet.The mounts are bright and crispy, in unworn condition.

Lot 111

A coloured diamond flowerhead cluster ring, the round brilliant cut light yellow diamond, estimated weight 0.45ct, in a yellow gold collet to a border of nine similarly cut white diamonds set in white gold, undercut scalloped gallery and plain tapered shank, stamped '18ct'. Combined estimated weight of white diamonds 0.45ct, 3.00g. Finger size NBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportCombined estimated weight of white diamonds 0.45ct Estimated clarity of yellow diamond VS2/SI1 - there is a loupe visible pinpoint inclusion under the edge of the table, and some very light facet edge abrasion. Diamonds bright and lively. Light wear and scuffs to the gold, appropriate to age.

Lot 228

A white gold brilliant cut diamond ring, with baguette cut diamond accents, a round brilliant cut diamond estimated as 0.80ct, claw set to a rex collet and flanked by a baguette cut diamond on each side, to pierced shoulders and a hinged expandable shank. Tested as approximately 18ct gold, 3.23g. Principal diamond assessed as: Colour H/I Clarity SI2/P1 Finger size M½Buying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportThe diamond is a round brilliant with a culet. Almost a transitional cut.There is a feather along the edge of the table facet, with another smaller one across the star facet right next to it. Both feathers are surface-reaching, however, can't be seen by the unaided eye.  The split-shank is expandable (the shoulders are hinged to the head and can be pulled to enlarge the base of the shank) Surface scratches to the mount.

Lot 25

A late Victorian hessonite garnet and diamond pendant/brooch,the rectangular cushion cut hessonite garnet claw set to the centre of an open scrolling design set all along with old cut diamonds including a pendant drop and detachable bale, pin with C clasp, hinged bale loop, period fitted case, associated belcher link chain with box clasp, stamped '9ct'. Combined estimated weight of diamonds approximately 0.35ct. Length of pendant with bale 33mm, length of chain 440mm. 8.58gCondition ReportThe piece would benefit from a good clean, but all stones are present, and the larger diamonds lively. The hessonite is firmly held, and despite dirt on the back, its characteristic treacly internal appearance shows well. There is a gas filled inclusion just under the edge of the table which might at first sight be mistaken for a chip, but it is within the stone

Lot 258

A white gold single stone pear cut diamond ring, a pear cut diamond double claw set to a wire collet, to tapered shoulders and a plain band. Marked 18k, tested as approximately 18ct gold. Dimaond measurements 12.20 x 7.28 x 3.55mm, approximately 1.90ct. 2.97g. Diamond assessed approximately as: Colour L/M Clarity P1 Finger size JBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportA cavity at the edge between the table and one crown facet. Few surface reaching inclusions, but not visible to the naked eye.

Lot 26

An early 20th century large cushion cut fire opal ring, c.1915, a cushion cut cherry red fire opal, approximately 14.00 x 11.50 x 6.15mm, claw set to a plain collet, one prong deficient, to chenier shoulders and a 'D' section band. Tested as approximately 18ct gold. Presented in a later ring case by Harrods, London. 4.32g. Finger size J½Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportThe stone has a deep and well-saturated cherry red colour, exceptional for its type. The condition is fair, with a large chip from one side of the stone, down to the girdle and upper pavilion. Scratches to the table facet; wear to the facet edges, all commensurate with the age of the gem. One claw missing from the setting. Some tarnish and surface marks to the mount.

Lot 29

An Edwardian amethyst and split pearl scrolling brooch/pendant, designed as an open scrolling frame, with a large oval mixed cut amethyst millegrain set to the centre. Scrolling lines of graduated split pearls and circular cut amethyst accents. An articulated split pearl bale, metal pin and safety catch, marked 9ct, 30mm x 42mm. Suspended on a 22ct gold faceted belcher link chain, 595mm long, 22.44g (2)Condition ReportTwo split pearls deficient.Light wear to the table and the facet junctions of the amethyst, commensurate with age.

Lot 43

A platinum and diamond flowerhead cluster ring, designed as a floral cluster of millegrain set old European diamonds and smaller eight cut diamonds, to scrolling pierced shoulders and a plain shank. Indistinctly marked Plat, tested as platinum. Ring head diameter approximately 13.5mm x 13.5mm. 5.12g. Finger size NBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportWear to the millegrain collets commensurate with age. A small chip to the table of the central diamond. Only visible under 10x magnification. Various marks to the sides of the shank.

Lot 225

Johannes Andersen (1903-1991) for CFC Silkeborg, circa 1960, a walnut coffee table, the rectangular top on turned legs joined by stretchers135cm wide, 60cm deep, 51.5cm high

Lot 227

An Arts & Crafts style oak child's dining or refectory table the rectangular top on two chamfered supports joined by a central stretcher150cm wide, 60.5cm deep, 60.5cm high

Lot 229

An oak and marquetry inlaid dining table, the rectangular top framed with a compartmented inlaid border of fruit, goblet and basket motifs, on angled trapezoid legs199.5cm wide, 100cm deep, 71.5cm highLegs fixed and not removable for transportation. Corners of table with wear and scuffs leaving the wood rough. Some chipping to marquetry and parquetry to ends of table with some small veneer losses to inlay, Some scuffs, marks ad scratches to top with one ring mark noted. Crack in apron on end of table. Some later screw strenghtening to apron.

Lot 230

An Art Deco console table, wood effect, scrolled with circular chrome detail and a rectangular glass top with bevelled edge154cm wide, 32cm deep, 80cm high

Lot 231

An Art Deco walnut and walnut flamed side table, the top above two drawers with circular silver coloured handles, on reeded splayed legs107cm wide, 51cm deep, 85cm high

Lot 232

Attributed to Jacques Adnet (1900-1984) an Art Deco coffee table, circa 1930, of birdseye maple with etched glass top and chrome plated steel43cm wide, 47cm deep, 48.5cm high

Lot 242

Heal's of London, an ash extending dining table, circa 1980s, the circular top extended to an ovoid and four blonde ash dining chairs with arched backs and a plank splat, three of the chairs upholstered in leaf patterned fabric165cm wide, 115cm deep, 73cm high

Lot 262

An Art Deco circular occasional table, the circular mirrored top with a reverse incised pattern of cocktail glasses, on inswept legs joined by a circular undertier58.5cm diameter, 49cm high

Lot 263

A figured walnut sewing table, circa 1930, with ebonised line inlay, the fold open top revealing and oak lined interior above a fitted frieze drawer on square legs, together with a matching smaller table nesting under the larger with fold open top, frieze drawer, on square tapering legs with spade feet; the larger 33cm wide, 26.5cm deep, 80cm high

Lot 264

Gordon Russell (1892-1980) an elm side table or washstand, circa 1940, the rectangular top with canted corners above a frieze drawer on octagonal section legs joined by chamfered stretchers73cm wide, 36.5cm deep, 76cm highThe top with marks and waterstains / discolouration. Minor spattered coffee spotting, Some scratches and scuffing to stretchers and edge of table, not stamped or labelled

Lot 266

Manner of Gordon Russell (1892-1980) an oak side table, the fixed tray top with turned handles and chip carved sides, with a plain recessed frieze on square legs joined by stretchers98cn wide, 46cm deep, 72cm high

Lot 273

W. H. 'Curly' Russell (1903-1981) for Gordon Russell a mahogany extending dining table made by H.M.P. Robertson in March 1962, with one additional extending leaf stored within the table, manufacturers label to base; together with four teak armchairs Model 404, designed 1962 by Connolly, 'Tudor Range', 230cm extended, 177cm unextended, 105cm wide, 72cm highQty: 5Connolly is better known as a premium leather manufacturer - especially their work with Bentley and Rolls Royce, who also manufactured furniture for a short period of time in the 1960s.Overall good clean condition to surface and leaf - mechanism in good order, some chips and discolouration to the surface veneers, small compression dent to surface, marks to stretcher. CHairs likely re-upholstered in later Rexene, heavy wear to arms and joint of arms, including some splitting, structurally sound.

Lot 276

A Cotswold School Arts & Crafts miniature table cabinet, walnut with flame mahogany panels and burr banding, four central drawers flanked by cupboards, with a pencil inscription to the underside reading 'This cabinet was designed and made by H W Keil ... living at ... Broadway for Mr Mr ... H Walton who lived in the same house' and signed H W Keil, 192861.5cm wide, 24cm deep, 30.5cm high

Lot 278

ARR Arthur Basil Reynolds (1903-1960) for Reynolds of Ludlow, a mid 20th Century live edge yew wood coffee table stamped to underside121.5cm wide, 46cm deep, 40cm highReynolds apprenticed with Northover & Gilbert in Bridport, Dorset and worked for Stanley Davis (a pupil of Ernest Gimson) in Windermere, Reynolds of Ludlow was established after his service in WWII. He exhibited in 1951 at the festival of Britain Exhibition in the House and Garden Pavilion.

Lot 287

Edward Barnsley CBE (1900-1987) and The Barnsley Workshop, an extending walnut D-end dining table with boxwood stringing and pegged tenon details, one additional leaf set on a splayed four leg pedestal base with additional supports 236cm long not extended (leaf width 53cm) x 114.5cm deep x 73cm high This lot has been authenticated by the Edward Barnsley Educational Trust in 1993 as having been made in 1970 for Mr & Mrs Asquith Leeson by George Taylor in approximately 250 hours.Edward Barnsley was the son of Sidney Barnsley (1865-1926), he was educated at Bedales School which his father had helped to design alongside Ernest Gimson, whose influence plays large over the work of this famous Cotswold family. Edward trained with Geoffrey Lupton in Froxfield and struck out alone in 1923. The Barnsley Workshop is synonymous with the finest quality workmanship and design, frequently working on bespoke commissions and continues the legacy today.

Lot 290

Edward Barnsley CBE (1900-1987) and The Barnsley Workshop, a large walnut and boxwood strung bowfront serving table with open stretcher raised on four tapering legs having a large central drawer with cutlery inserts flanked by two smaller drawers with similar fittings, all with shallow carved integrated handles and later glass top, stamped 'BARNSLEY' 181cm wide, 59cm deep, 83cm high This lot has been authenticated by the Edward Barnsley Educational Trust in 1993 as having been made in 1970 for Mr & Mrs Asquith Leeson by George Taylor in approximately 250 hours.Edward Barnsley was the son of Sidney Barnsley (1865-1926), he was educated at Bedales School which his father had helped to design alongside Ernest Gimson, whose influence plays large over the work of this famous Cotswold family. Edward trained with Geoffrey Lupton in Froxfield and struck out alone in 1923. The Barnsley Workshop is synonymous with the finest quality workmanship and design, frequently working on bespoke commissions and continues the legacy today.

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