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A 19th century Dutch marquetry games table, the rectangular top decorated with a central vase of flowers, within a scrolling border and oval roundel, the hinged top revealing a chequer board and marquetry Dice, shakers, dominoes and cards, the frieze decorated wit flowers on square tapering legs, 84.5cm long x 42cm deep x 70cm high
A 19th century bijouterie table in the manner of Paul Sormani, veneered in kingwood and of serpentine outline and mounted with ormolu mouldings and leaf cappings on four cabriole legs terminating in sabots, 85cm CONDITION REPORT: Top colour is faded, minor veneer cracking, colour is flat overall
A George III mahogany architect's or draughtsman's table, circa 1760, the rectangular ratchet adjustable top with removable rest, the drawer beneath opening to a tooled green leather inset surface, sliding to reveal a divided interior incorporating concealed drawers, on moulded square section legs and incorporating a further turned support to the reverse of each, 74cm high (when top not raised), 93cm wide, 60cm deep Provenance: Property of a Gentleman of Title
†A George III mahogany reading table, circa 1780, the rectangular top incorporating a ratchet adjustable reading slope, above a frieze drawer, on square section legs, 71cm high, 78.5cm wide, 45cm deep †indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers’ premium
A George III mahogany hunt table, circa 1800, the shaped top with a reeded edge and incorporating hinged extending leaves, also with removable central panel, the plain frieze above four turned tapering removable legs, terminating in brass caps and castors, 75cm high, 169cm wide, 112cm deep (when extended) For a closely related example see Susan E. Stuart, Gillows of Lancaster & London 1730-1840, Volume I, page 249, plate 247
A mahogany triple pedestal extending dining table, circa 1800 and later, with two additional leaf insertions, the rectangular top with rounded corners, each turned stem above four hipped and reeded downswept sabre shaped legs, terminating in brass caps and castors, 72cm high, 113cm wide, 360cm long when extended Provenance: Private Collection, North Yorkshire Purchased from Sothebys, London
A George IV mahogany concertina action extending dining table, circa 1825, in the manner of Wilkinson & Sons, with four additional leaf insertion, the rectangular top with rounded corners and reeded edge, above a tablet moulded frieze decorated with turned roundels, on turned tapering legs terminating in brass caps and castors, 71cm high, 116cm wide, 280.5cm long when extended
Ï’ A Regency rosewood library table, attributed to Gillows, circa 1815, the shaped top with a tooled leather inset and moulded edge, above a pair of drawers and a pair of opposing drawers, above twin tablet moulded supports and plinth bases decorated with reeded scroll terminals, on carved lion paw feet with carved shell terminals, on concealed castors, 75cm high, 153cm wide, 92cm deep For a virtually identical mahogany library table attributed to Gillows, see Sothebys, Arts of Europe, 4th December 2012, lot 521 (£18,750). For a further example see Christie’s, Important English Furniture (Property from the collection of the late Sir Frederick Richmond Bt., 29th November 2001, Lot 260 (£14,100). The fine construction and distinctive features of this table are consistent with the output of Gillows. A closely related example of library table was supplied by Gillows to John Cust, 1st Earl of Brownlow (d.1853) for Belton House, Lincolnshire and Carlton House Terrace, London (subsequently sold Christie's house sale, Belton House, 30th April - 2nd May 1984, lot 88. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George III mahogany and brass mounted tripod table, circa 1770, in the manner of Frederick Hintz, the fiddle back mahogany top with shaped edge, above the turned and spirally fluted stem, on three downswept cabriole legs with engraved brass mounts to the knees and feet depicting acanthus and shaped reserves decorated with trellis, with concealed brass castors, 71cm high, the top 64 x 54cm
A Regency pollard oak and brass marquetry circular table, by George Bullock, circa 1815, the top decorated with brass marquetry depicting repeating foliate designs, the turned stem with ebonised detail, above a shaped triangular plinth decorated with further foliate brass marquetry, and three downswept legs surmounted by ebonised roundel terminals and on ball feet, 73cm high, the top 75cm diameter For a table by George Bullock that is almost identical in overall design and scale to the current table being offered (but adopts alternate marquetry also based on the Wilkinson Tracings) see Christie’s Important English Furniture, 27th November 2003, Lot 160 (£65,725). The table sold by Christie’s also had firm provenance to Great Tew Park. Bullock had supplied the table with various other items of furniture to M. R. Boulton (d. 1842) and by descent to Major Eustace Robb, Tew Park, Great Tew, Oxfordshire (sold Christie's house sale, 27-29 May 1987, lot 33) The remarkably similar table supplied for Tew Park was made for the Drawing Room and invoiced in 1817 as '1 Circular Oak Loo Table richly inlaid with Holly & white mouldings £28'. George Bullock's 'sketch' for the centre table for Matthew Robinson Boulton's Drawing Room is likely to have been the pattern sent in January 1816 following his December visit to Tew 'with the view to the preparations of the furniture'. Named a 'Loo table' after a card-game, its circular 'altar' form on Grecian-scrolled 'claw' evolved from the monopodium table illustrated in Thomas Hope's Household Furniture and Interior Decoration, 1807 (pl. XXXIX). The inlay patterns survive in the 'Bullock' tracings executed by Thomas Wilkinson from George Bullocks designs in 1820 (preserved in the Birmingham City Art Gallery) as they do also for the main marquetry elements of the current table. Another remarkably similar centre or ‘Loo’ table is illustrated in George Bullock: Cabinet-Maker. London: John Murray Ltd., 1988, page 100. The illustrated example has identical marquetry to the example currently being offered at the centre of its top, however the illustrated example lacks the outer border of ‘etruscan laurel’ marquetry that the current example is decorated with. A sofa table attributed to George Bullock, decorated with Etruscan laurel marquetry banding closely relating that which decorates the current table was offered at Christie’s, London, Important English Furniture, 6th April 2000, Lot 123 (£44,650). Other pieces firmly attributed to or known to be by George Bullock also feature the same or very closely related design of marquetry. This includes a tripod table (also incorporating brass inlay) supplied in 1814 by Bullock to John, 4th Duke of Atholl for Blair Castle, Perthshire (illustrated in C. Wainwright, George Bullock, Cabinet-maker, 1988, p.67, fig.8.).
†A George IV carved mahogany and fustic occasional table, circa 1825, attributed to Gillows, the rectangular top with rounded corners and a reeded edge, the turned stem incorporating a lappet carved terminal, on triple downswept scroll and lappet carved legs terminating in scrolling lappet carved feet, 73cm high, the top 56 x 43cm †indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers’ premium
A Regency mahogany chamber writing table, by Gillows, circa 1815, the rectangular top incorporating hinged flap to the rear edge opening to reveal a fitted interior with a pen tray and a pair of ink pots, above a solid mahogany lined frieze drawer, the underside of the drawer signed in pencil by Gillows workman 'John Bateman, Lancaster', the reeded turned tapering legs, terminating in brass caps and castors, the drawer stamped 'GILLOWS LANCASTER', 74cm high, 73cm wide, 52cm deep For an identical model of table see Christie's London, Important English Furniture, 14th June 2001, Lot 177 (£15,275) A sketch for this type of table appears in Gillows Estimate Sketch Books, dated 1810. Gillows supplied four tables of this pattern in 1811 to T.W. Egerton for Tatton Park, Cheshire. John Bateman (signature to drawer) is listed as working for Gillows and recorded as becoming a freeman in 1825-26. Bateman is listed as an upholsterer but this evidence suggests he must have had some part to play in the making of this table.
A Regency mahogany sofa table, circa 1815, the rectangular twin flap top with brass strung edge, above two frieze drawers and two opposing false drawer fronts, flanked by reeded brass terminals, on reeded downswept tapering legs, terminating in brass caps and castors, 71cm high, 145cm wide (when open), 55cm deep
Ï’ A George III satinwood and rosewood banded Pembroke table, attributed to Gillows, circa 1790, finely crossbanded and inlaid with stringing throughout, incorporating twin hinged and shaped leaves, above a frieze drawer and opposing false drawer, on square section legs terminating in tapering brass caps and casters, 72cm high, the top 100cm wide, 76.5cm deep overall Provenance: Bishton Hall, Staffordshire For a closely related example stamped GILLOWS LANCASTER, see Christie's, Important English Furniture, 4th July 2002, Lot 198 (£17,925). The same example is illustrated by Susan E. Stuart, Gillows of Lancaster & London 1730 - 1840, Antique Collectors Club, 2008, vol. I, page 257, (plate 258). Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Regency mahogany library table, attributed to Gillows, circa 1815, the D-end top with gilt tooled leather inset surface, above two frieze drawers and two opposing drawers, on reeded turned tapering legs, terminating in brass caps and castors, 77cm high, 165cm wide, 98cm deep Private Collection, North Yorkshire For a closely related library table attributed to Gillows, see Christie's London, Important English Furniture, 6th July 2000, Lot 88 (£47,000).A related example of library table was supplied by Gillows to John Cust, 1st Earl of Brownlow (d.1853) for Belton House, Lincolnshire and Carlton House Terrace, London (subsequently sold Christie's house sale, Belton House, 30th April - 2nd May 1984, lot 88.)
Ï’ A Regency mahogany sofa table, circa 1815, the rosewood crossbanded twin flap top above two frieze drawers and two opposing false drawers, on anthemion decorated trestle ends and moulded outswept tapering legs, terminating in brass caps and castors, 74cm high, 134.5cm wide (when open), 61cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
†A Regency plum pudding mahogany sofa games table, circa 1815, in the manner of Gillows, the rectangular top incorporating twin hinged leaves, and a central sliding panel, with parquetry chess board and cribbage score marker panels, the interior beneath fitted with a gilt tooled leather inset backgammon board, the frieze with a central false drawer, flanked on either side by a short drawer, on twin pillar trestle supports and reeded downswept legs terminating in brass caps and casters, 72cm high, the top 104cm wide (unextended), 68.5cm deep overall †indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers’ premium
A Regency mahogany library or writing table, circa 1815, the rectangular top with rounded corners and a gilt tooled leather inset writing surface, above three frieze drawers opposed by three false drawer fronts, on shaped supports and downswept tapering legs with moulded detail, terminating in brass caps and castors, 72cm high, 130cm wide, 60cm deep Provenance: Private Collection, Paris Purchased from Mallet (at Bergdorf Goodman), 5th Avenue, New York, 1971.
A Regency mahogany dressing table, attributed to Gillows, circa 1815, the rectangular top with reeded three quarter gallery, above a central frieze drawer flanked by two false drawer fronts, in reeded turned tapering legs, terminating in brass caps and castors, 81cm high, 99cm wide, 60cm deep Provenance: Private collection of the Batters family, Noreham, near Berwick upon Tweed The Batters family appear to be related my marriage to the Bates' family of Milborne Hall, near Ponteland, Northumberland. Equally, good antique furniture was inherited from the Blenkinsopp family who are understood to have been a wealthy. Fernihurst Castle and Belnkinsopp Castle are substantial homes associated with the family. For an almost identical dressing table attributed to Gillows see Christie's, London, Fine English Furniture, 20th September 2001, lot 125 (£5,875).
A George IV mahogany library table, by Gillows of Lancaster, circa 1825, the rectangular top with rounded corners and a tooled leather inset surface, above two blind frieze drawers, one stamped GILLOWS LANCASTER, on reeded and turned supports, the reeded bun feet on concealed castors, 73cm high, 102cm wide, 51cm deep
A Regency mahogany dressing table, attributed to Gillows, circa 1815, the rectangular top with three quarter gallery, above three frieze drawers, the central drawer of bowfront outline, on turned tapering legs, terminating in brass caps and castors, the underside of one drawer signed 'A. Cowell' or 'A. Cowie', 82cm high, 107cm wide, 56cm deep This model of dressing table with its distinctive bowfronted element is a genuinely rare design by Gillows. For a related example but with the more commonly seen concave central element to the frieze, see Christie's London, The English Collector, 17th May 2017, Lot 86 (£11,250) This dressing-table with it's sunken panels of exotically flame-figured mahogany heading the front legs, relates closely to Messrs. Gillows' 1813 commission for Hackwood, Hampshire. In July 1813 Gillows delivered six dressing-tables for the 2nd Duke of Bolton. Four of the tables, varying in size, were sold Christie's House Sale, Hackwood Park, 20-22 April 1998, lots 356 & 358-360.This pattern was already in existence slightly earlier, in 1812 Gillows supplied related tables to Tatton Park, Cheshire (C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Leeds, 1978, vol. II, no. 500; and N. Goodison and J. Hardy, 'Gillows at Tatton Park', Furniture History, 1970, pl. 19B and 21B).
A George III mahogany drum library table, circa 1810, the circular tooled leather inset top above four frieze drawers interspersed with four false drawer fronts, on a tapering turned stem and four downswept tapering legs terminating in brass caps and castors, 74cm high, the top 105cm diameter
Ï’ A Charles X rosewood and marquetry circular centre table, circa 1830, the top with a central reserve and border of foliate marquetry incorporating fruiting vines, the tapering triangular stem on a plinth and turned feet, 77cm high, the top 121cm diameter Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Regency mahogany concertina action extending dining table, circa 1815, with two additional leaf insertions, the rectangular twin hinged top with reeded edge, on reeded turned tapering legs, terminating in brass caps and castors, 72cm high, 127.5cm wide, 242cm long (when full extended)
Ï’ A William IV rosewood circular centre or dining table, circa 1835, in the manner of Gillows, the circular top with book matched veneer, above the moulded frieze, the canted triangular shaped stem with stepped terminal, on a concave sided base and turned bun feet with concealed castors, 74cm high, the top 130cm diameter Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
An Anglo-Indian carved carved hardwood console table, first half 19th century, carved profusely throughout beaded and foliate boarders, the rectangular top above the frieze and twin end supports carved and pierced profusely depicting winged serpents, on a shaped plinth and feet, 93cm high, 140cm wide, 60cm deep
A pair of patinated and parcel gilt metal columnar table lamps in the manner of Louis Philippe candlesticks, first half 20th century, the foliate cast sconces above conforming fluted shafts descending to triform bases cast with infants' masks and floral swags, each on a further triform plinth, 79cm high overall including silk and circlet-trimmed shades
A George II Irish mahogany silver table, circa 1750, the cabriole legs with leaf carved knees above claw and ball feet, 70cm high, 76cm wide, 52cm deep For a closely related example of table with a serpentine apron see The Knight of Glin and James Peill, Irish Furniture, Yale University 2007, page 240, figure 153.Another Irish silver table of similar form sold at Christie’s, New York, 7th June 2007, 500 Years: Decorative Arts Europe Including Oriental Carpets, Lot 636 ($6,000).
A carved mahogany and malachite mounted console table, in George II style, late 19th/ early 20th century, the malachite veneered top , above a frieze centred by a cartouche terminal formed by scrolling acanthus, on tapering cabriole legs surmounted by lion mask terminals and trailing foliage, terminating in carved hairy paw feet, 82cm high, 152cm wide, 61.5cm deep Provenance: Private Collection, Seamore Place Mayfair, London (early to mid 20th century) Thence by descent Please refer to our website for images of original photographs of the property and rooms at Seamore Place, Mayfair, London.
A George III mahogany side table, circa 1760, in the manner of Thomas Chippendale, the rectangular top with moulded edge, above a frieze drawer, on square section legs surmounted by pierced brackets and terminating in carved tapering block feet, 76cm high, 107cm wide, 60.5cm deep
Ï’ A George III rosewood and burr yew crossbanded sofa table, circa 1800, the twin flap top with rounded corners, above two frieze drawers and opposing false drawer fronts, on rectangular supports incorporating anchor marquetry motifs, above outswept tapering legs terminating in brass caps and castors, 71cm high, 150cm wide (when open), 71cm deep The inclusion of distinctive anchor marquetry terminals is likely a salute to Britain's naval supremacy of the period. The other possibility is that the original commissioner of the piece was a naval officer. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Juvenalia - a mid 20th century table skittles game; Wedgwood Rupert the Bear wall clock, money box bookends, egg cup & mug; a Corgi Classics The Donnington Collection Ferrari 312B2 F12, 97376, boxed; a Corgi Jaguar XJR9, 94331, boxed; a Burago AC Cobra, boxed; etc.
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1181390 item(s)/page