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Lot 941

A Gordon Russell, Broadway walnut extending dining table - the rectangular top on rectangular tapering legs, bearing label to underside, width extended 187cm, depth 83cm, height 74cm.

Lot 944

A Liberty & Co. 'Japanese' carved hardwood occasional table - the square top with foliate decoration on short cabriole legs, 23cm x 23cm, height 24cm.

Lot 946

A Victorian mahogany circular table - the hinged top on a tapering octagonal support and tripod base, diameter 113cm.

Lot 949

A late 19th century Middle Eastern table - the circular tinned copper repousse top decorated with birds and flowers on an octagonal stand with mother of pearl inlay, diameter 43cm, height 57cm.

Lot 953

A George IV mahogany pedestal Pembroke table - the rectangular top above a pair of opposing drawers on a tapering square column support and plinth base with short sabre legs ending in claw castors, width 90cm, depth 100cm, height 71cm.

Lot 960

A Victorian walnut dressing table - the oval mirrored back with carved supports above drawers, the shaped top on cabriole legs joined by an undertier, width 123cm, depth 55cm, height 160cm.

Lot 221

Ronson, an Art Deco gilt metal walnut effect twin section dome topped table lighter, raised on square brass feet, impressed marks to base, 20.5 x 9 x 7cm.

Lot 223

An Art Deco Polaire of Paris brass elongated octagonal table lighter, impressed marks to base, 10cm high.

Lot 235

An Art Deco chrome plated desk set compring of a Smiths of London 8 day desk clock, the rotating dial with gilt painted Arabic numerals, raised on bracket feet, 15.5cm wide together with a matching Ronson table lighter raised on octagonal base, 9.6cm high and a cigarette dispenser with 'C' handle raised on rectangular foot, 14cm wide.

Lot 24

A French 18th century silver bottom struck table spoon, makers mark, Bordeaux 1784-91, monogrammed, 2.7oz.

Lot 258

An early 20th century golden oak twin glass door table top smokers cabinet, opening to reveal pipe stand and three drawers raised on carved supports, 47x33x20cm.

Lot 26

A part set of Victorian silver fiddle pattern flatware, by George William Adams, London 1842, 1843, comprising of twelve table forks, eleven dessert forks, eight table spoons and three tea spoons, all with motif decoration to finials, 65.5oz.

Lot 264

A late 19th/early 20th century apprentice piece money bank in the form of a drop leaf table, raised on carved trestle supports with brass detail and presentation plaque to Maggie Medcalfe, 19x8.5x12cm

Lot 27

A set of twelve Victorian silver fiddle pattern table forks, by Thomas Hart Stone, Exeter 1863, 25.5oz.

Lot 281

A collection of Royal Albert, Old Country Roses china, comprising of two 28.5cm lidded twin handled tureens, a coffee pot 26cm high, two teapots, a telephone, table lamp 23cm high, wall clock 21.5cm diameter, bouquet of encrusted flowers 16cm high, a 17cm diameter wythen fluted bowl, a 21cm high lidded jar and cover, a 13cm diameter cache pot and a Royal Doulton porcelain figure, Country Rose HN3221. In good condition – showing no damage, no crazing and no gilt loss.No seconds.

Lot 29

Four George IV silver fiddle pattern table spoons, by Jonathan Hayne, London 1827, Monogrammed finials, 10.7oz.

Lot 411

J R Creig, Dutch school, early 20th century, man sitting at the kitchen table, oil on canvas, signed, dated and framed, 50x59.5cm.

Lot 439

A late Victorian inlaid walnut oval loo table stamped Bros, raised on quadruple carved Greek Key and fluted supports standing on four outswept supports terminating in porcelain casters, 129 long x 98cm wide

Lot 440

A 19th century Rosewood circular drum table, raised on central fluted urn support standing quad base terminating in turned bun feet, 123cm diameter. Condition Report; The height of the table is 76cm, we are unable to say if the table has been cut down but it was bought in the 1980's from a reputable dealer and was always that height. 

Lot 443

An early 20th century mahogany framed bijouterie table raised on cabriole supports terminating in pad feet, 59x62x47cm

Lot 445

A late 19th century mahogany Dutch style dressing table, with an oval swing mirror flanked by two banks of three drawers with central drawer, the table with single drawer with turned knop handles, raised on carved cabriole legs and lion paw feet standing on inverted bow stand, 121cm wide.

Lot 461

Wilf ‘Squirrelman’ Hutchinson of Husthwaite, North Yorkshire, a 20th century carved adzed carved oak matching desk and stool, raised on block octagonal feet, dressing table 129 wide x 64 high x 45cm deep. Provenance; Sold behalf of the Amy Brundrett Trust. Condition Report; The pieces are in good overall condition however there are some areas of water damage, the leather seat is faded and there is some water damage to it.

Lot 462

A Peter 'Rabbitman' Heap of Wetwang oak dining suite, comprising refectory table with adzed oblong top on two turned octagonal supports with carved rabbit motif, splayed feet and chamfered stretcher, with four single and two carver chairs, having plain top rail, interwoven lattice splat, tan leather seats with studded edges, turned octagonal front legs with carved rabbit motif and H-stretcher. Including original purchase receipt dated 1975. Table 183 x 85cm. (7) Condition Report; The table and chairs are in good overall condition, there is a slight split/repair on the back of on one of the chairs as shown in the additional photograph and there is some slight watermarks to it. There is also a split/cut mark through the table which could be a knot.

Lot 466

Peter 'Rabbitman' Heap of Wetwang, a mid 20th century adzed oak mirror back twin pedestal dressing table, each pedestal with three drawers with turned handles raised on block feet, with carved rabbit signature, 131 high x 137 deep x 50cm deep, together with a Peter 'Rabbitman' Heap of Wetwang carved oak dressing table stall raised on octagonal supports terminating in square block feet.Provenance; Sold behalf of the Amy Brundrett Trust.

Lot 469

Peter 'Rabitman' Heap of Wetwang, a 20th century carved oak refectory dining table raised on octagonal supports terminating in splayed pad feet, together with a set of six Peter 'Rabbitman' Heap of Wetwang carved oak dining chairs comprising of four singles and two open arm carvers, with pierced lattice work splat backs raised on carved octagonal block supports, each piece with carved rabbit signature.Provenance; Sold behalf of the Amy Brundrett Trust.

Lot 493

Robert 'Mouseman' Thompson of Kilburn, a adzed oak dining table raised on octagonal supports and trestle style base, c1980s, 148cm long, together with a set of six dining chairs comprising of two open arm carvers and four single chairs, each with carved central 'lattice' work panel and beige leather studded seat, each piece with carved mouse signature. Condition Report; the piece is in very good condition with no signs of woodworm or damages to it.

Lot 1109

Moulded Glass Table Lamp, Broadhurst, Staffs, Kathie Winkle design, part dinner service, sundae dishes, etc:- One Box.

Lot 1180

Paragon, Colclough and other table china, Staffordshire 'The Sulton' flat back figures, doll, Pendelfin figures etc. 2 Boxes

Lot 1193

Regency Fine Arts Honeysuckle Hill Resin Figures (x 9) with tins. Polish, Argyle, Royal Vale table china, glassware:- Three Boxes.

Lot 1215

Wedgwood 'Wild Strawberry' Dinner Services and Table Ware, of approximately seventy three pieces, including three tureens, tea and coffee pots, six large dinner plates, gravy boats.

Lot 1392

A selection of circa 1930's moulded plastic dolls house furniture including three piece suites (2), bedroom set, dining room 7 piece set, red telephone, two lamps and a small table.

Lot 1427

Stainless steel table knives, casio calculator, Russian camera, lamp etc. 1 Tray

Lot 1465

19th Century Rosewood box with mother of pearl inlay, mahogany wall bracket, pair of Chinese style table lamps, etc :- One box

Lot 1548

XX Century Walnut Dressing Table; together with a matching chest of drawers. (2)

Lot 1549

Oak Sewing Table; together with a sewing cabinet.

Lot 1556

A Small Oak chest of Drawers, occasional table, bridge table. (3)

Lot 1562

Brass Corinthian Column Oil Lamp, together with a Laura Ashley Corinthian column table lamp (2).

Lot 1563

Oriental, Satsuma style vase, featuring Geisha Girls, 35.5cm high, ceramic table lamp. (2).

Lot 1569

A XX Century Walnut Corner Tabl, on cabriole legs; together with an oak octagonal table and a jardiniere stand. (3)

Lot 1571

A Set of Four XX Century Dining Chair, with drop-in seats on turned supports; together with a drop leaf table. (5)

Lot 1572

Nathan Teak Extending Dining Table, circa 1960's, 121.5 x 168cm when open; together with four vinyl seated chairs.

Lot 1576

Dark Ercol Magazine Rack/Occasional Table; together with a teak nest of tables with tiled top. (2)

Lot 1584

A XX Century Oak Coffee Table, with rectangular top on cup and cover supports united by a stretcher, 91cm wide.

Lot 1589

Italian Pottery Table Lamp, as cherubs on a violin, 63cm high, excluding fittings, and another gilt plaster example

Lot 1593

Treske Thirsk, Ash Dressing Table Mirror, central mirror, pillar supports 52, bearing label.

Lot 1413

Clément, Daniel (*1940) Unikat Glas- und Spiegelmosaik Esstisch im Art Deco Stil, Variation von "Jamais treize à table", Paris um 1989, dreigeteilte Platte auf U-Gestell über Sockelplatte, 77x240x100cm, Vgl. Patrick Cramer "Daniel Clément Glasmöbel" 1995, S. 80/81

Lot 643

KLAPPTISCH/ FOLDING TABLE,England, Victorianische Epoche, Mahagonifurnier, teilweise gespiegelt, rechteckige Platte, in den Kanten klappbare Platte mit gerundeten Ecken, Zargenkasten mit Schub, Schloss mit Schlüssel, Pfeilerbeine mit 2-fach ausgestellten Strebebeinen, versprosst, ca. 73 x 97 bzw. 159 x 77,5 cm, Gebrauchskratzer, kleinere Furnierschäden

Lot 408

John Button Beach Hut 1 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do

Lot 409

John Button Beach Hut 2 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 410

John Button Beach Hut 3 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 411

John Button Beach Hut 4 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Lot 525

Henry Ward Untitled Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings"   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 526

Henry Ward Untitled (2) Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe   About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings"   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 527

Henry Ward Untitled (3) Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings"   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 47

HERMES Paris. Partie de service de table en porcelaine Cocardes de soie 9 assiettes, 4 tasses et 3 sous tassese composant de 3 assiettes américaines (Diam.: 27 cm), 2 assiettes plates (Diam.: 25 cm), 3 assiettes à dessert (Diam.: 21 cm), 1 assiette à gâteau (Diam.: 18 cm), 4 tasses à café et 3 sous tasses. Soit 14 piècesCondition d'état: AFootnotes:HERMES Paris. 14 pieces Cocardes de Soie, porcelainCondition grade: AFor further information on this lot please visit Bonhams.com

Lot 1130

BURMESE HARDWOOD TABLE, LATE 19TH CENTURY the octagonal top with carved clover detail, over a pierced frieze, carved column formed with a bird over a cat's bust, and pierced and moulded quadrapartite base77.8cm high

Lot 1135

CHINESE CARVED PADOUK ALTAR TABLE, with inset marble top82cm x 90cmBears ebonised top inset with rouge marble fixed onto the base; scratches to marble; joints loose, some movement to frame; some splitting at joints; general surface wear with some rubbing, scuffs, etc; additional images available

Lot 1174

CHINESE IRON WOOD PEDESTAL TABLE, EARLY 20TH CENTURY the shaped circular top inset with a marble panel, over an apron carved with foliate design and on four square legs49cm high

Lot 1140

SOUTH-EAST ASIAN TABLE GONG, CIRCA MID-20TH CENTURY the central pole suspending hammered metal gong, supported by two carved dancer figures on lotus stands, the rectangular base with carved lappet detail in low relief86cm wide

Lot 1128

CHINESE HARDWOOD TABLE, 20TH CENTURY the top inset with rouge marble panel, with pierced floral and scroll detail, on cabriole supports60cm high

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