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An Art Deco chrome plated desk set compring of a Smiths of London 8 day desk clock, the rotating dial with gilt painted Arabic numerals, raised on bracket feet, 15.5cm wide together with a matching Ronson table lighter raised on octagonal base, 9.6cm high and a cigarette dispenser with 'C' handle raised on rectangular foot, 14cm wide.
A collection of Royal Albert, Old Country Roses china, comprising of two 28.5cm lidded twin handled tureens, a coffee pot 26cm high, two teapots, a telephone, table lamp 23cm high, wall clock 21.5cm diameter, bouquet of encrusted flowers 16cm high, a 17cm diameter wythen fluted bowl, a 21cm high lidded jar and cover, a 13cm diameter cache pot and a Royal Doulton porcelain figure, Country Rose HN3221. In good condition – showing no damage, no crazing and no gilt loss.No seconds.
A 19th century Rosewood circular drum table, raised on central fluted urn support standing quad base terminating in turned bun feet, 123cm diameter. Condition Report; The height of the table is 76cm, we are unable to say if the table has been cut down but it was bought in the 1980's from a reputable dealer and was always that height.
A late 19th century mahogany Dutch style dressing table, with an oval swing mirror flanked by two banks of three drawers with central drawer, the table with single drawer with turned knop handles, raised on carved cabriole legs and lion paw feet standing on inverted bow stand, 121cm wide.
Wilf ‘Squirrelman’ Hutchinson of Husthwaite, North Yorkshire, a 20th century carved adzed carved oak matching desk and stool, raised on block octagonal feet, dressing table 129 wide x 64 high x 45cm deep. Provenance; Sold behalf of the Amy Brundrett Trust. Condition Report; The pieces are in good overall condition however there are some areas of water damage, the leather seat is faded and there is some water damage to it.
A Peter 'Rabbitman' Heap of Wetwang oak dining suite, comprising refectory table with adzed oblong top on two turned octagonal supports with carved rabbit motif, splayed feet and chamfered stretcher, with four single and two carver chairs, having plain top rail, interwoven lattice splat, tan leather seats with studded edges, turned octagonal front legs with carved rabbit motif and H-stretcher. Including original purchase receipt dated 1975. Table 183 x 85cm. (7) Condition Report; The table and chairs are in good overall condition, there is a slight split/repair on the back of on one of the chairs as shown in the additional photograph and there is some slight watermarks to it. There is also a split/cut mark through the table which could be a knot.
Peter 'Rabbitman' Heap of Wetwang, a mid 20th century adzed oak mirror back twin pedestal dressing table, each pedestal with three drawers with turned handles raised on block feet, with carved rabbit signature, 131 high x 137 deep x 50cm deep, together with a Peter 'Rabbitman' Heap of Wetwang carved oak dressing table stall raised on octagonal supports terminating in square block feet.Provenance; Sold behalf of the Amy Brundrett Trust.
Peter 'Rabitman' Heap of Wetwang, a 20th century carved oak refectory dining table raised on octagonal supports terminating in splayed pad feet, together with a set of six Peter 'Rabbitman' Heap of Wetwang carved oak dining chairs comprising of four singles and two open arm carvers, with pierced lattice work splat backs raised on carved octagonal block supports, each piece with carved rabbit signature.Provenance; Sold behalf of the Amy Brundrett Trust.
Robert 'Mouseman' Thompson of Kilburn, a adzed oak dining table raised on octagonal supports and trestle style base, c1980s, 148cm long, together with a set of six dining chairs comprising of two open arm carvers and four single chairs, each with carved central 'lattice' work panel and beige leather studded seat, each piece with carved mouse signature. Condition Report; the piece is in very good condition with no signs of woodworm or damages to it.
KLAPPTISCH/ FOLDING TABLE,England, Victorianische Epoche, Mahagonifurnier, teilweise gespiegelt, rechteckige Platte, in den Kanten klappbare Platte mit gerundeten Ecken, Zargenkasten mit Schub, Schloss mit Schlüssel, Pfeilerbeine mit 2-fach ausgestellten Strebebeinen, versprosst, ca. 73 x 97 bzw. 159 x 77,5 cm, Gebrauchskratzer, kleinere Furnierschäden
John Button Beach Hut 1 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do
John Button Beach Hut 2 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
John Button Beach Hut 3 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
John Button Beach Hut 4 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Henry Ward Untitled Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings" You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Henry Ward Untitled (2) Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings" You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Henry Ward Untitled (3) Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings" You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
HERMES Paris. Partie de service de table en porcelaine Cocardes de soie 9 assiettes, 4 tasses et 3 sous tassese composant de 3 assiettes américaines (Diam.: 27 cm), 2 assiettes plates (Diam.: 25 cm), 3 assiettes à dessert (Diam.: 21 cm), 1 assiette à gâteau (Diam.: 18 cm), 4 tasses à café et 3 sous tasses. Soit 14 piècesCondition d'état: AFootnotes:HERMES Paris. 14 pieces Cocardes de Soie, porcelainCondition grade: AFor further information on this lot please visit Bonhams.com
CHINESE CARVED PADOUK ALTAR TABLE, with inset marble top82cm x 90cmBears ebonised top inset with rouge marble fixed onto the base; scratches to marble; joints loose, some movement to frame; some splitting at joints; general surface wear with some rubbing, scuffs, etc; additional images available
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1181390 item(s)/page