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TWO ITEMS OF VINTAGE & LATER OCCASIONAL FURNITURE, comprising circa 1920, mahogany fold over half-moon card table, interior green baize, carved knee detail, four turned supports, pad feet, 74 (h) x 75.5 (diam. open) x 76 (w) x 38cms (d closed), reproduction mahogany open bookcase, interior adjustable shelves, plinth base, 93 (h) x 92 (w) x 28cms (d)Provenance: private collection Conwy
ARTS & CRAFTS STYLE OAK STICKSTAND & AN OAK REFECTORY TABLE, five section stand, boxwood and ebony inlays, drip tray intact, 68.5cms (h), 69cms (w), 23cms (d), 3cms thick planked tabletop, shaped slab ends, twin pegged end stretchers, 73cms (h), 153cms (l), 68cms (w)Provenance: private collection Conwy
THREE PIECES VINTAGE OAK OCCASIONAL FURNITURE, comprising rectangular top side table, carved frieze, tapering square supports, 68 (h) x 80.5 (w) x 40.5cms (d), square top side table, turned and block supports, cross stretchers, 54 (h) x 45 (w) x 45cms (d), reproduction oak joint stool, rectangular top, turned and block supports, cross stretchers, 48 (h) x 46 (w) x 28.5cms (d)Provenance: private collection Conwy
THREE ITEMS VINTAGE OCCASIONAL FURNITURE, comprising shaped top two-tier mahogany table circa 1900, carved swept supports, conjoining under tier shelf, 73.5 (h) x 68.5cms (diam. top), oak wall rack/shelf, shaped front and shelf, two lower drawers, 48.5 (h) x 40 (w) x 20cms (d), oak single door wall hanging corner cabinet, 65 (h) x 53cms (w)Provenance: private collection Conwy
FOUR VINTAGE & LATER OAK SIDE TABLES comprising Priory style coffee table, turned and block supports, 48cms (h), 76cms (w), 41cms (d), Priory round top side table, turned and block supports, 39.5cms (h), 60cms diameter, two Arts & Crafts occasional tables, circular top, slatted supports, 48.5cms (h), 40cms diameter, hexagonal top, shaped foot slab supports, 45.5cms (h), 30 x 30cms top, both have under-tier shelvesProvenance: private collection Conwy
VICTORIAN BAMBOO SIDE TABLE & A FRAMED MODERN TAPESTRY, octagonal top, lacquered bird and floral detail, conjoining under tier shelf, 71 (h) x 60 (w) x 60cms (d), traditional countryside scene with cattle and figures, tapestry 53 x 149cmsProvenance: private collection PowysComments: tapestry framed and glazed
OAK GATELEG DINING TABLE & FOUR CHAIRS, piecrust edge top, barley twist supports, shaped end stretchers, 73cms (h), 90cms (l), 46cms (w) closed, 123cms (w) fully open, Gillows label chairs, slightly curved lattice backs, upholstered drop-in seat pads, turned and block supports, cross stretchers, 99cms (h), 48cms (w), 38cms seat depthProvenance: Private collection Conwy
EDWARDIAN CROSSBANDED MAHOGANY DISPLAY TOP SIDE TABLE, (marriage), shaped top canopy mirror, turned pillar and brass balustrade detail, single door lower display cabinet, bevelled edge glass, cross banded table top, single drawer stamped Edwards & Roberts, ring-pull handles, swept tapering supports, conjoining X stretcher, 169 (h) x 61.5 (w) x 40cms (d)Provenance: private collection Conwy
GEORGE III OAK GATELEG TABLE & THREE ELM NEAR-MATCHING FARMHOUSE CHAIRS (2+1), twin flap table, cut off corners, turned tapering supports, pad feet, 73 (h) x 92 (l) x 40 (w) closed, 107cms (w) fully open, 90 (h) x 46 (w) x 33cms (d) the pair, 86 (h) x 46 (w) x 35cms (seat d) the otherProvenance: private collection Powys
EIGHT ITEMS OF VINTAGE COLLECTABLES / FURNITURE comprising doll's cot, 48cms (h), 63.5cms (l), 31cms (w), child's farmhouse chair, 64cms (h), 32cms (w), 25cms seat depth, three drawer pitch pine apprentice style chest, 44cms (h), 35cms (w), 19cms (d), walnut X frame stool, 36cms (h), 53cms (w), 31cms (d), carved oak milking type stool, 25.5cms (h), 38cms (w), 29cms (d), vintage oak bookstand, 22.5cms (h), 49cms (w), 25cms (d), carved hardwood folding table base, 30cms (h), green painted wall shelf, 16cms (h), 60cms (w), 14cms (d)Provenance: private collection Conwy
VICTORIAN FOLDOVER CARD TABLE, walnut later dressing table base (for restoration), serpentine top table, turned column, four carved knee splayed supports, knurled feet, brass castors, 73 (h) x 90 (w) x 45cms (d) closed, 74.5 (h) x 125 (w) x 53cms (d) the other itemProvenance: private collection Conwy
(Cavalry, Army.) 'Instructions and Regulations for the Formations and Movements of the Cavalry. [17 June, 1796. Drawn by Sir D. Dundas.]', London, War Office, 1796, third edition, engraved folding table + 13 engraved folding plates as called for, xvi, 374pp, contemporary boards, later rebacked; together with William Theobald Wolfe Tone, Lieut. 1st Reg. U.S. Artillery: 'School of Cavalry: Or, System of Organisation, Instruction, and Manoeuvres, Proposed for the Cavalry of the United States', Georgetown, D.C., 1833, 2nd edition, folding frontis supplied in facsimile, 16 engraved folding plates, old cloth worn. The author was the son of Theobald Wolfe Tone, posthumously known as Wolfe Tone (1763-1798), revolutionary exponent of Irish independence and an iconic figure in Irish republicanism. (2)
Sixteen volumes on India, including history, travel and topography, art, politics, literature etc, including Mahatma Gandhi: 'Stonewalls Do Not a Prison Make', Ahmedabad, Navajivan Publishing House, 1964, 1st edition, one of 3,000 copies, xv,231pp, original printed wraps, Pyarelal: 'Mahatma Gandhi: The Last Phase. Volume I', Ahmedabad, Navajivan Publishing House, 1956, 1st edition, one of 8,000 copies, portrait frontispiece + numerous ills. from photographs as called for, original pictorial cloth, dust wrapper, M.R. Imrany: 'Paradise Under the Shadow of Hell: India's War on Kashmir. As Seen by Non-Muslims and Neutral Observers. In Five Parts', Lahore, September 1948, xxiii,193pp, original printed wraps, Lieut. Gen. Sir George MacMunn: 'The Underworld of India', L, Jarrolds, 1933, 1st edition, 16 b/w plates from photos as called for, orig. cloth gilt, Bal Krishna: 'Shivaji the Great', Bombay, D.B. Taraporevala, 1932, signed & inscribed by the author on FFEP, volume I, viii,589pp, colour frontis + colour plates as called for, original cloth gilt, Vera Anstey: 'The Economic Development of India', L, Longmans, 1936, 3rd edition revised and enlarged, 10 maps, plates, diagrams as called for (some folding), original cloth gilt, m/s pen & ink ownership signature of the author Vera Anstey (1889-1976), British economist and noted expert on the economy of India, on front pastedown, together with a Tamil translation of the same work, Madras, Bureau of Tamil Publications by arrangement with Longmans, 1965, 1st Tamil language edition, Vera Anstey's own copy with 3 contemporary typed letters signed from the publisher to her, plus a contemporary autograph letter signed to her from D. Velappan, Lecturer in Economics, St Hindu College, Nagercoil, loosely inserted, orig. cloth, dust wrapper, plus a Japanese translation copy of the same work, orig. cloth (worn), 'Notes for the Guidance of Visitors to Kashmir', Lahore, Lion Press for the Jammu & Kashmir Government, [nd], c.1935, 2 folding maps at end + folding table and numerous illustrations throughout as called for, original pictorial wraps; plus 7 others similar (16)
(Arthur Henry Patterson, Great Yarmouth.) Two early 20th Century commonplace albums containing 12 original pen & ink and pen, ink & watercolour sketches by the Yarmouth born Broadland Naturalist and writer Arthur Henry Patterson (1857-1935), the albums having belonged to a Margaret Wilkerson of 28 Trafalgar Road, Great Yarmouth, and with entries spanning the period 1903-1918, the first album with pages approx 16 x 19cm, 84 pages of manuscript entries in total including many humourous pen & ink and pen, ink and watercolour sketches, including 8 full page original sketches by Patterson, comprising: pen, ink & watercolour depicting a broadland bird on a bullrush, signed A. Patterson and dated 1/1/1903; pen, ink & watercolour depicting a surprised looking gentleman on left, pen & ink sign on right bearing words "Try Wilkerson's Fat Producing Powders", with bird atop and cat beneath, pen & ink caption beneath "Why! bless my heart Wilkinson, I hardly knowed you!" and signed A. Patterson Jan 1903 lower left; pen, ink & watercolour depicting gentleman walking on beach with dog, pen & ink caption beneath "Love Me - Love My Dog", sea and ships in background, signed and dated lower left A. Patterson Apl 1903; pen & ink sketch depicting bird smoking a cigarette with stick under its wing at the front door of a house with name "Mr Wilkinson" on door, pen & ink caption underneath "Birdlover, I wonder how long Maggie will be?" and signed in initials by Patterson and indisctinctly dated beneath; pen, ink and watercolour depicting blue tit on branch with berries, signed A. Patterson and dated 1905, m/s words beneath in another hand; pen & ink sketch depicting a tramp and a well dressed gentleman, m/s pen & ink text beneath "Tramp. "Kind genelman, 'elp a poor man on the road ter buy a bycycle: I've got a ile-can in my bundle, en' only wants a machine!"" signed A. Patterson and dated 1905; pen & ink sketch depicting a tramp and a lady holding saucepan, m/s pen & ink text beneath "Homekeeper. "What do you want my man?" Tramp. - "Just this mam, here 'sa button; I want you to make me a shirt upon it!"", unsigned; pen & ink sketch depicting two cats at a dining table with bowl of onions, m/s pen & ink text beneath "Tom. "You know I can't eat onions!" Tally. "You'll either eat those, or nothing!"", signed A. Patterson; plus numerous other sketches, including a pen, ink & watercolour street/architectural scene of Fuller's Hill, Great Yarmouth, captioned beneath "Old Fuller's Hill", and signed and dated lower right W. Patterson, 23/9/05, this being A.H. Patterson's father William Patterson, a Norwich shoemaker, subsequently moving to Great Yarmouth rows, father of Patterson and 8 other siblings, member of the Primitive Methodists and described as rather a stern figure; numerous other mainly humorous sketches, prose entries etc, some related to soldiers/WW1, names of contributors include Charles Munford, Maud Munford, Margaret Wilkerson, Sidney Grapes, Gladys Amor, C.G. Ward, Edith Bessie Baker etc etc, m/s pen, ink & watercolour decorated title page/ownership signature Margaret Wilkerson at front, possibly by Arthur Henry Patterson, contemporary calf gilt (slightly rubbed/worn); the second album with pages approx 14 x 17cm, 62 pages of manuscript entries in total including many humourous pen & ink and pen, ink and watercolour sketches, including 4 full page original sketches by Patterson, comprising: pen & ink illustrated "title page" depicting two birds looking at sign bearing words "Mag. Wilkerson 28 Trafalgar Rd kindly Return When Sketched In", signed A Patterson and dated 1912 lower right; pen & ink sketch depicting cat and snarling dog with bone between them, m/s pen & ink text beneath "A bone of contention (a grand brewing.)", signed A Patterson and dated May 1910 on left; pen & ink sketch depicting an old lady and a policman, m/s pen & ink text beneath "Old lady May! - "Mr Policeman, will you tell me what ya wear that chin-strap for?" P.C. Billy. - "Yes, mam; it's to rest my jaw on answering so many old womans questions."", signed on right A Patterson; pen & ink sketch of two shorebirds on beach in foreground with pebbles, cliffs and sea in background, signed A Patterson dated Apl. 1910; numerous pen & ink and pen, ink & watercolour sketches, many humorous, other entries/contributors include F. Tew, S. Tew, D. Gibbons, M. Gibbons, Bert Gibbons, Edward Martin Jarvis (1890-1957), Fred Brett, Ipswich, P.R. Walter, including humorous pen, ink & watercolour of a German soldier hiding in a barrel with caption beneath "If der Norfolk Yeoman haf gone by, den I kan kom out", signed in initials J.J.B. dated 2/2/18, others similar war related content, W. Hannaford Essex Regiment, well executed pen, ink & watercolour of men smoking pipes in a rowing boaton water, titled "Peace" beneath, signed G.D.G. Gt. Yarmouth 1910 lower right, pen, ink & watercolour depicting Stratton Woods, Norwich, signed S.E. Raymont Sergt. 27/6/16, other sketches beauties, soldiers, animals etc, contemporary calf gilt slightly worn, lacks backstrip, the odd leaf loose (2)
(Map.) Andrew Bryant: 'Map of the County of Norfolk from Actual Survey by A. Bryant, In the Years 1824, 25 & 26, Respectfully Dedicated to the Nobility, Clergy & Gentry of the County, Published by A. Bryant, 27 Great Ormond Street, London, Dec 1st, 1826', large scale engraved county map of Norfolk in two sections, full wash hand coloured, calligraphic cartouche, list of the ecclesiastical divisions, compass rose, table of explanation and fine engraved vignette of Norwich Cathedral in the lower right corner, each section dissected and backed onto linen, each sheet approx. 74 x 229cm, edged with green coloured linen, housed in contemporary green slipcase.Bryant's team surveyed Norfolk between 1824 and 1826, and the map was published in six sheets on 1 December 1826. At 10 miles to 12 inches, this map is at a slightly larger scale than William Faden's map of 1797. A superbly detailed map in the Bryant tradition, includes towns, villages, churches, buildings, castles, parks, gentleman's seats, commons, heaths and hills, parishes and other boundaries, broads, fens, canals, wind and water mills, fox covers, roads, lanes, toll bars and rivers. The most important nineteenth century map of Norfolk.

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1274639 item(s)/page